Sing 2 and all the images you see in this review are owned by Universal Pictures
Directed by Garth Jennings
Was anyone expecting the first Sing to be anything more than cloying and treacly? I mean it’s not like Illumination has a great track record for this kind of thing, especially with those toothless Seuss adaptations, but they somehow pulled it off with that movie which was sweet, sincere, and my favorite animated movie the year it came out! The moment that it was over though, I knew that a sequel was coming and that it was probably going to be a bad idea. The first one worked as its own story, so trying to fit another one on top of it seemed like typical sequel folly and an obvious attempt at a cash grab. Then again, it’s not like I was expecting anything out of the first one and it managed to surprise me, so why not the sequel as well? Can this movie capture the magic of the first film and give us the rare animated sequel that is just as satisfying as the first one, or should we just be glad that we got a good movie in the first place and write this one off as a mere victory lap from Illumination? Let’s find out!!
Following the events of the first film, the Moon Theater is back and better than ever! The all-star cast of Meena, Johnny, Rosita, and Gunter (Tori Kelly, Taron Egerton, Reese Witherspoon, and Nick Kroll) are living their dreams and selling out shows every night; all of which should make Buster (Matthew McConaughey) who owns the theater very happy, right? I mean that’s kind of the dream that they were all striving for in the first one! Well… no. Apparently, they all want to go to the Sing universe equivalent of Las Vegas and perform shows there; presumably next to furry versions of Blue Man Group and Carrot Top. After a talent scout (Chelsea Peretti) brushes them off, Buster drags his cast as well as Ash (Scarlett Johansson) to the big city to prove that scout wrong and appeal to the biggest producer in the city; Jimmy Crystal (Bobby Carnavale). Through some high-level schmoozing and a white lie here and there, he agrees to give them a shot; albeit it with quite a few strings attached. They have three weeks to throw together a lavish Broadway-style show from scratch, they have to include Crystal’s daughter Porsha (Halsey) in some way, and they need to find rock legend Clay Calloway (Bono) so he can be a part of the show. That last one, in particular, is going to be difficult as no one has seen or heard from him in fifteen years, but if Buster says he can get him, then by Jove, he’s gonna get him! Can the crew pull off yet another amazing show, even with the added pressures of a bigger production and an overbearing executive? What new challenges will our heroes face on their latest venture, and is this perhaps the end of the road for them? I mean it’s not like Buster has a habit of getting in over his head, right? Surely he knows what he’s doing!
The Addams Family 2 and all the images you see in this review are owned by United Artists Releasing
Directed by Greg Tiernan & Conrad Vernon
It’s no secret that I was not a fan of that 2019 Addams Family movie which was ten percent Addams Family goodness and ninety percent rote nonsense, and the prospect of seeing another one was a prospect I found altogether ooky; and yes, I think I used that joke in the last review. Then again, watching more movies at home and being pickier about what I go out to see has perhaps led to me missing out on some genuine gems as well as, let’s face it, PLENTY of opportunities to write a darn good review of a truly awful movie. Heck, there’s a Gods Not Dead 4 floating around out there that I haven’t even bothered to watch, and the reviews I did of the other sequels are pretty darn good if I do say so myself! So yes, I went into this expecting to hate it which is a first for a movie this year, but in a way, it feels like returning to a comfortable routine as I continue to get back into the swing of things with more and more movies coming to theaters. Is it somehow a surprisingly effective sequel that irons out the flaws of the original while giving us something new and fresh, or is it like every other sequel to a bad animated movie; just more of the same? Let’s find out!!
The Addams Family are going through a rough patch as Wednesday Addams (Chloë Grace Moretz) is spending less and less time with the rest of the family and young Pugsley (Javon Walton) is working on his girl problems with Uncle Fester (Nick Kroll) and you can probably guess how well that’s going. With this in mind, Gomez (Oscar Isaac) with the tacit approval of Morticia (Charlize Theron) gathers the family together for a road trip across America to see its most ghastly landmarks and hopefully bring the family closer together. All is not as simple as it seems however as some mysterious lawyer (Wallace Shawn) along with his giant associate Pongo (Ted Evans) are chasing the family on behalf of some mysterious benefactor who believes that Wednesday Addams may not be the daughter of Gomez and Morticia. I mean OBVIOUSLY, right? It’s not like they look anything alike! Whatever scheme is being concocted with those guys, Gomez and Morticia want no part of it and are tactfully spiriting their family away whenever the lawyer catches up, but it’s only a matter of time before this all comes to a head. How long can they keep this ruse going, and will it interfere with the family fun that Gomez is trying so hard to cultivate? What is the reason that the lawyer is after Wednesday, and could there be something to his story that the Addams family doesn’t want to confront? Doesn’t it kinda seem like they’ve given up if we’re already doing a road trip movie by the second one? Even Alvin and the Chipmunks waited until the fourth film for that!
The Addams Family and all the images you see in this review are owned by United Artists Releasing
Directed by Conrad Vernon and Greg Tiernan
I’ve actually been looking forward to this movie for quite some time. Not in a BIG way, but everything I saw at first was very promising. The new designs were quite good and the initial teaser seemed to have the right tone that retained what worked about these characters in the first place while making something that worked in a modern context. After that though, once we got the trailers with more of the plot (and those terrifying human characters), the skepticism started to creep in and my enthusiasm waned as my attention turned elsewhere (*cough* Maleficient 2 *cough*) in the last month or so. Still, a mediocre trailer is hardly a good barometer to how a movie will ultimately turn out (especially with so much of the marketing knocking it out of the preceding months), so were my negative feelings ultimately unfounded or did something go horribly wrong (and not in the good way) with this latest Addams Family venture? Let’s find out!!
The Addams Family are a bunch of wealthy eccentrics who basically act like spooky monsters year round instead of just on Halloween. The family consists of Patriarch Gomez (Oscar Isaac), possible vampire queen Mortitia (Charlize Theron), their daughter Wednesday (Chloë Grace Moretz), their son Pugsley (Finn Wolfhard), Uncle Fester (Nick Kroll), Gomez’s mother (Bette Midler), the zombie butler who is IN NO WAY of any actionable resemblance to Boris Karloff known as Lurch (Conrad Vernon), and… I guess their OTHER butler who is just a hand called Thing. Are they goths? Murderous blue bloods? If they were made in the mid nineties, would they all be Juggalos? These are questions we may never get the answer to, but rest assured that whatever box they would most comfortably fit in, it’s one that will freak out the normies of the world whenever they happen to come in contact with them. Said normies by the way are a bunch of nameless and nearly faceless upper middle class yuppies that built a community around the Addams family mansion and are just now realizing that there’s a spooky castle full of weirdos on top of the conspicuously nearby hill, and the head of the yuppies named Margaux Needler (Allison Janney) is none to please about it. While this little pot of… I don’t know, spooky-phobia I guess, is brewing outside of the house, the Addams family itself is having a bit of tension as well as Gomez is trying to teach Pugsly a sacred family ritual known as The Mazurka but Puglsy seems to have no gift for it, and Morticia is trying to keep young Wednesday from falling into the wrong crowd; the kind that embraces unicorns, the color pink, and young pop stars. Can the family stick together through these trying times both inside and out of the house? Just how far will Margaux go to keep her little community nice and conformed now that this family has thrown a wrench in those plans? Will The Addams family adjust to their new surrounds and join the rest of us in the living nightmare we all must suffer through under late stage Capitalism, or is that the wrong kind of terrifying for them?
The Secret Life of Pets 2 and all the images you see in this review are owned by Universal Pictures and Illumination
Directed by Chris Renaud
I remember the first movie having one of the most aggressive ad campaigns I’d seen since I started reviewing movies, and yet this one was much more subdued. I only saw the trailer a few times leading up to its release, but while that certainly kept me from being ANNOYED by the movie it didn’t really do much to improve my expectations. The first one was a C grade knock off of Toy Story, and while it wasn’t ALL bad it didn’t leave much of an impression outside of Jenny Slate’s performance and a few seconds of Andrew WK music to liven things up. Can the sequel manage to improve where the last one came up short, or will this be a lazy cash grab on the success of the first one with similarly mediocre results? Let’s find out!!
Following the events of the first film, Max and Duke (Patton Oswalt and Eric Stonestreet) have been getting along with their owner Katie (Ellie Kemper) in their peaceful New York life. However, things change once Katie meets the man of her dreams Chuck (Peter Holmes), and cut to about five years later where Katie and Chuck have a kid named Liam (Henry Lynch) who Max is at first hesitant about but becomes quickly attached to. The added stress of watching over a child however is starting to give Max some unhealthy habits, but maybe an upcoming vacation in the country with Chuck’s family and their dog Rooster (Harrison Ford) will be just what Max needs to relax! While he’s off on his trip, Gidget (Jenny Slate) has been entrusted to watch his favorite toy which she loses almost immediately, and Snowball the bunny (Kevin Hart) has become some sort of animal saving super hero who’s latest mission is to help a Shih Tzu named Daisy (Tiffany Haddish) save a tiger who’s being abused by a VERY evil looking circus run by a bunch of dudes with Russian accents and permanent sneers; one of whom is played by Nick Kroll. Will Max get over his nervous tendencies now that he’s around nature and the stern advice of Rooster? Can the other pets shore up their subplots before the running time exceeds ninety minutes? Is Illumination trying to sell us four episodes of an unaired TV series as a full length movie!?
Operation Finale and all the images you see in this review are owned by Metro-Goldwyn-Mayer
Directed by Chris Weitz
Now that I think of it, when was the last time we got a World War 2 movie that actually tackled the events and consequences of the war? I mean we had Dunkirk which was one big battle scene more or less divorced from the ideological conflict of the war itself, and I never got around to seeing The Darkest Hour. Heck, the last World War 2 movie I remember before that is Allied, and I’m pretty sure that comment right there makes me the only person who’s brought it up in over a year! Needless to say that with the current political landscape being what it is, we could probably use another World War 2 movie that actually mentions The Holocaust; especially with what we’re learning about full US citizens in Texas being denied passports due to the color of their skin which is hardly a far cry from what happened to German Jews as the Nazi party was taking over. Does this mean that we have a fantastic film on our hands right at the start of Oscar season (I’m pretty sure I’ve been saying that for like a month now), or is this a disappointing retread of far better movies that have come before? Let’s find out!!
The movie is a dramatization of the capture of Adolf Eichmann (Ben Kingsley) in Argentina by Israeli spies, which I don’t THINK was actually named Operation Finale, but for the purposes of this film that’s what they’re going with. If you don’t know already, Eichmann was one of Hitler’s top official who basically orchestrated The Final Solution; organizing the prisoners, making sure the trains run on time, and ensuring there’s enough gas, bullets, and graves to go around so that the genocide of millions can be done as efficiently as possible. Needless to say he’s not a nice dude, and our head spy Peter Malkin (Oscar Isaac) can’t wait to bring him to justice, even though he’s a loose cannon that messed up his last mission, but darn it! He’s the best they’ve got! The mission itself is fairly simple where Peter and a few members of his team will snatch the guy, drive him back to the safe house, and have their anesthetic specialist Hanna (Mélanie Laurent) put him to sleep so they can sneak him past Argentinian airport security and put him on a plane back to Israel to stand trial for his crimes against humanity. Things go FAIRLY well at first, but problems start to build up and they team is basically stuck with a Nazi jerk in a house located in what seems to be the epicenter of Nazi activity in Argentina, and a rather long time to wait until they get a proper escape plan in place once the initial one goes up in smoke. Can everyone who’s stuck in that house keep their heads down long enough for them to escape with their a Nazi war criminal AND their lives? What will Peter do when he’s finally alone with the man responsible for not just millions of deaths, but the deaths of people very close to him whose faces still haunt him to this day? Is it just me, or has Oscar Isaac been fighting A LOT of fascists?
Uncle Drew and all the images you see in this review are owned by Lionsgate
Directed by Charles Stone III
Has anyone been looking forward to this movie? I’m not the only one who thought this was going to be a very mediocre cash grab from that awful trailer with the bobble heads and the Sugarhill Gang song, right? Then again, I’m one of those darn Millennials who thinks that Space Jam is the height of basketball comedies, so maybe the lack of Warner Bros characters was throwing me off here but I still got a real bad feeling from this as it checks off a lot of bad comedy tropes. Old age makeup, retro soundtrack, goofy sports premise (“There’s no rule that says a dog can’t play basketball!”), all the favorites from movies that you may have liked as a kid but really doesn’t hold up now… except for Space Jam. Will this be a nostalgic throwback to the era of silly sports movies, or will this be more painful than if Tyler Perry did a Madea basketball movie? Well I’m pretty sure NOTHING would be worse than seeing Tyler Perry’s A Medea March Madness, but let’s find out!!
Down on his luck Dax (Lil Rel Howery) has been training his whole life to be a basketball player but decided to go into coaching after… the incident, and has a team that might just win a basketball tournament in Harlem known as the Rucker Classic and win a boat load of money which he’ll use to… I don’t know; pay his rent I guess. It all depends on his star player Casper (Aaron Gordon) who is PHENOMENAL on the court but kind of a douche in real life, and he’s been making eyes at fellow douche Mookie (Nick Kroll) who’s Dax’s big rival (especially after… the incident) and coached the last five teams to win the Rucker Classic. Sure enough, after draining Dax of all his money, Casper goes to join Mookie and the rest of the team just kind of goes away as well. Not only that but his girlfriend Jess (Tiffany Haddish) kicks him out of the house because she was banking on that prize money and has no use for the shmuck now that he doesn’t have a chance to win it. Left with absolutely nothing but the clothes on his back and a spot in the tournament, Dax starts scouring the area for unaffiliated ball players but has no luck and is about to give up when he sees an old man school one of the young dudes in basketball; showing him the value of fundamentals over being able to show off. The old man turns out to be Uncle Drew (Kyrie Irving) who was a legendary basketball player in Harlem that disappeared forty years ago under dubious circumstances, and he might just be the man Dax needs to avoid living on a park bench! Uncle Drew agrees to play for him, but only if they find the rest of his old team (Shaquille O’Neal, Chris Webber, Reggie Miller, and Nate Robinson) to play as well. And so they’re off on a road trip to find Uncle Drew’s old friends, mend some bridges, learn some lessons, and play basketball against dudes a quarter their age! Will Uncle Drew be able to show these youngsters what it means to be a TRUE player of the game while also making up for the mistakes he made all those years ago? What chances do these older gentlemen have against Mookie’s team, and will Dax be able to get past… the incident? Did you know there’s a new Shaq Fu game? I wonder if this is some sort of crossover…
The House and all the images you see in this review are owned by Warner Bros Pictures
Directed by Andrew Jay Cohen
While everyone else was looking forward to yet another Spider-Man movie or that new Thor film, I was waiting on bated breath for the new Will Ferrell comedy! Now sure, the guy hasn’t been at the top of his game lately, but more often than not he still manages to have a certain amount of charm and charisma that keeps his more mediocre movies at least somewhat entertaining (*cough* Daddy’s Home *cough*) so at the very least his presence usually means I won’t be tearing my seat up in frustration while sitting in the theater. What really sold me on this movie though is that it co-stars Amy Poehler who along with Kaitlin Olson is one of the most underrated comedians out there and really SHOULD be headlining big blockbusters along the current greats like Kevin Hart and Melissa McCarthy. Not only that, but the premise was actually pretty interesting with its sights firmly aimed at the ridiculousness of college tuition fees and the burden it places on students who want ta chance at great opportunities and the parents who are stuck with the extortionist bills. Being one of those unlucky bastards still paying off his student loans, I can certainly relate! Does this movie manage to take full advantage of its extremely talented cast and solid premise to deliver one of the funniest films of the year, or have the filmmakers squandered a fantastic opportunity to make something great? Let’s find out!!
The movie begins with the mild mannered middle class Johansen family, made up of Scott, Kate, and Alex (Will Ferrell, Amy Poehler, and Ryan Simpkins), taking a tour of Alex’s dream college that they can JUST barely afford since she won a local scholarship for being such a good student. Of course, the city council led up by Bob Schaeffer (Nick Kroll) has decided to divert the scholarship funds towards making a gaudy and impractical local swimming pool (complete with water slides and a food court) w which gives Scott and Kate only three months to come up with tuition money or else Alex can’t go to college. Fortunately, they have a friend named Frank (Jason Mantzoukas) who’s teetering on the edge of total instability after his wife left him and comes up with an idea to not only make them the money they need for Alex’s education but to get him some extra cash so the bank doesn’t foreclose on his house and hopefully get his life back on track enough to win over his soon to be ex-wife. The plan? Use his absurdly large house to set up an illegal casino for all the local housewives and working dads (and vice versa) to unwind and lose a shit load of money! If Scott and Kate can just hold it together for a month, they can make just enough money to pay for Alex’s tuition and close up shop before the one cop in town (Rob Huebel) or even that asshole Bob Schaeffer find out what they’re doing. Can Scott, Kate, and Frank keep things from getting out of hand in the high stakes world of illegal gambling? Look, we’ve ALL seen Casino so it can’t be THAT hard, right?
Captain Underpants: The First Epic Movie and all the images you see in this review are owned by 20th Century Fox
Directed by David Soren
Captain Underpants was a big staple of my elementary school years and while I eventually grew out the series after the first five or six books, I still have good memories (albeit vague ones) about those stories and the characters. Now at one point, even as recent as say 2010, I would have lost my freaking MIND over the idea of a Captain Underpants movie, but with this being made so later after I dropped off of the series coupled with the relatively bare bones marketing I saw for it, my expectations are somewhat tempered going into it even though I would love nothing more than for this series to get a new lease on life. Does Captain Underpants manage to be a better super hero movie than even the MCU can put out, or are we doomed for another DCCU style monstrosity of epic proportions!? Or maybe it could be the middle ground of the better X-Men movies… I guess. Let’s find out!!
The movie follows the adventures of George Beard (Kevin Hart) and Harold Hutchins (Thomas Middleditch). George is the kid with the tie and the flat-top while Harold is the one with the T-shirt and bad haircut. You should probably remember that. Anyway, they’re two good natured troublemakers at Jerome Horwitz Elementary School who always manage to peeve of their principal Mr. Krupp (Ed Helms) with their incessant pranking and never ending supply of self-published comic books that they distribute at the school. Their most popular by far is the Captain Underpants series which involves a super hero who wears nothing but underwear and a cape since most superheroes look like they’re wearing their underwear. I don’t know how true that is anymore as they mostly wear leather and body armor now, but that’s beside the point. What’s important is that George and Harold’s latest prank was the final straw to break the camel’s back and Mr. Krupp is going to separate them once and for all by putting them in different classes. In a last ditch effort to save their friendship, George uses his Hypno-Ring to hypnotize Mr. Krupp before he can sign the papers. Not only that, but just for the heck of it they ALSO convince him that he’s Captain Underpants as well which is funny at first but proves to be quite a burden as he turns into the hero anytime he hears someone snap their fingers and will only turn back once he’s bene splashed by water (it’s unclear if other substances will work in water’s stead). Oh, and there’s a mad scientist somewhere in this too who becomes a science teacher or something. Will Harold and George learn a lesson about their pranking ways now that they have to keep Mr. Krupp from hurting himself or worse? Eh, probably not, but will Captain Underpants manage to be an ACTUAL hero instead of just a guy running around in his tighty-whities? Most importantly though, is this just as good as the books I remember reading in second grade!?
Sing and all the images you see in this review are owned by Universal Pictures
Directed by Garth Jennings
It seems that Illumination’s business model is to just hammer us over and over again with constant advertisements and marketing pushes for whatever movie that will soon (and not so soon) be hitting theaters. We see it with The Minions invading everything from ironic T-shirts to toilet brushes, and I’m pretty sure I’m not the only one who got REAL sick of those Secret Life of Pets trailers about four months before the damn movie came out. At least with Sing, Illumination had a decent enough premise on its hand and the trailers only got better as time went on. Still, that’s the same strategy that Suicide Squad had, and while I didn’t HATE it, the trailers were clearly selling a film that the ACTUAL movie couldn’t live up to. Will that be the case here with Illuminations latest effort to take over the world with marketable CG characters, or is there something genuinely great here from a studio that’s only made fluff so far? Let’s find out!!
The movie is rather simple as it’s about a theater owning koala named Buster Moon (Matthew McConaughey) who gets desperate enough to rip off American Idol and naturally becomes the talk of the town once he holds open auditions. Our heroes are a gorilla with daddy issues named Johnny (Taron Egerton), a housewife pig named Rosita (Reese Witherspoon) who’s right out of the Marge Simpson School of quiet desperation, a shy but talented elephant named Meena (Tori Kelly), and a too cool for school porcupine named Ash (Scarlett Johansson) who’s relationship with her boyfriend is being strained by this competition. I guess I should also mention Mike the Mouse (Seth MacFarlane), but calling him a hero is a bit of a stretch as he’s the one who REALLY wants to win by any means necessary. Of course, noting goes quite as well as it should, what with Buster’s finances in total disarray and his talent dealing with their own problems at home that threaten to derail this singing competition as much as Buster’s inability to keep the lights on. Will this competition be exactly what Buster needs to save his theater and what everyone else needs to change their lives for the better? What kind of shenanigans does Mike have up his tiny sleeves that can cause big problems for everyone else? Is anyone else feeling a distinct lack of Billy Joel in this movie filled with so many oldies!?
Sausage Party and all the images you see in this review are owned by Columbia Pictures
Directed by Greg Tiernan and Conrad Vernon
I’m pretty sure I’ve been hearing this movie for at least five years and Seth Rogen and Evan Goldberg have been trying to get this made for even longer than that. I’m not sure how it took so much work to get this movie made as both of them are bankable stars and this movie ended up costing next to nothing (ten million is nothing in terms of Hollywood features), but regardless of whatever strife they had to work through, the day has finally come for us to see a movie about dicks, vaginas, and assholes being played by hotdogs, buns, and bagels. Does this movie end up being a classy as fuck masterpiece for the ages, or was all that effort for naught and this is just a giant steaming load of lameness? Let’s find out!!
The movie follows the misadventures of several food items in this one grocery store known as Shopwell’s, but for the most part our focus is on Frank the Sausage (Seth Rogen). He’s living the perfect sausage life; namely staying fresh inside his package and praising the Gods every day in the hopes that he will be chosen to leave the store and enter the great beyond! Well he’s also praying that he can nail that hot little number in the bun package, Brenda Bunson (Kristen Wiig), but he’s got to keep those urges in check. After all, the Gods only want FRESH food that isn’t tainted with sin! Now all the food in this store (and presumably all the other stores in the world) seem to all follow this belief system where the humans are Gods taking them to a promised land, but as we all know humans tend to be to total assholes and will end up eating them instead which is SUPER fucked up! The day finally comes for Frank, his other sausage buddies (Carl and Barry played by Jonah Hill and Michael Cera), and Brenda as one of the Gods chooses them and they’re put in its holy shopping cart. Of course, things don’t go quite as planned as the shopping cart runs into another one; splattering a lot of the food in a very gruesome manner and knocking both Frank and Brenda (along with a few other items) out of the cart and into the store… OUT OF THEIR PACKAGES!! Now you may have assumed that the shopping carts collided due to bad luck. Not quite so, as a jar of Honey Mustard (Danny McBride) had seen some shit and jumped out of the cart after telling the rest of the food how fucked they are, and that was the cause of the crash. Why is this important? Well there was one person listening the entire time, and that was Frank! So on top of getting back inside a sausage package (along with Brenda who needs to find a bun package) Frank is on a journey to find out the truth and if what Honey Mustard was saying had any merit to it! Can Frank discover the dark secrets that the world outside the grocery store holds? Will this inevitably create a schism between him and Brenda, the latter of which still has faith in the Gods and their divine plan? And what about Carl and Barry!? WHAT THE FUCK IS GONNA HAPPEN TO THEM!?