How the Grinch Stole Christmas (2000) and all related materials are the property of Universal Pictures. All copyrighted material in this video essay are protected under fair used and are used for critical analysis and educational purposes.
Santa’s Little Helper and all the images you see in this review are owned by WWE Studios and 20th Century Fox
Directed by Gil Junger
We’re back with another Christmas Tale brought to us by the WWE and oddly enough it not only stars The Miz once again but has the same director from Christmas Bounty! Apparently someone saw that first movie and thought that these two should ABSOLUTELY work together again which is certainly not the call that I would have made (mine would have involved an iron maiden to start with), but I guess that’s why I’m not making creative decisions for everyone’s favorite supporter of the Saudi Arabian Royal Family! Will they be able to pull off something halfway decent this time around, or was Christmas Bounty just the warning shot for something even far worse to come!? Let’s find out!!
Right off the bat, this movie is LEAGUES better than Christmas Bounty, and not just because they have a slightly improved font! First, The Miz is the star and not playing a supporting part which means we get to see him right away and all throughout the movie. Second, he is ACTUALLY really good in the role here which is basically yet another riff on the Scrooge archetype and fits in perfectly with his in-ring persona as a guy so smug you want to punch him in the face. He’s some dude who I GUESS works at a mortgage company and is working on this Rec Center the company wants to foreclose on for… reasons. Apparently the director of the Rec Center ran off with all their money and The Miz, who is called Dax Hardwick in this, is personally visiting the place to rub it in everyone’s faces that they’re gonna take it out from under them and bulldoze it to the ground! Damn! We’re up to Grinch levels of evil already!
Christmas Bounty and all the images you see in this review are owned by WWE Studios and Warner Bros Television
Directed by Gil Junger
What, you thought I was gonna stop talking about WWE movies in October! Oh HECK no! Their film studio pumps out PLENTY of stuff including two Christmas movies which we’ll be looking at this December and, oddly enough, both star one of the GREATEST wrestlers in their stable; Mike THE MIZ Mizanin! The dude is one of the best heels WWE has working for them who knows how to work the ring and also has some phenominal mic skills. Too often heels can fall into the trap of either being too good to root against or too bad to be taken seriously. Mike finds the perfect balance where he can back up his cockiness and with a strong show of genuine skill while also seeming petty and goofy which lets us keep hating him for being a jerk; though I still like him either way. What can I say? He’s a charming guy! Will he be able to translate those skills to a made for TV Christmas film? Let’s find out!!
Things start off less than ideal as the movie begins with a terrible Christmas pop song and some pretty cheap looking titles. If you’re post production work is something that I of all people could plausibly pull off, then you MIGHT want to throw an extra few bucks at the editor; at least to get some original fonts!
See No Evil and all the images you see in this review are owned by Lionsgate Films and WWE Studios
Directed by Gregory Dark
We’re back with another SPOOKY movie that only exists because of Vince McMahon’s absurd little empire, and in this case the connection is much more direct than with DOOM. See, even though DOOM starred Dwayne “We’re still only crediting him as The Rock” Johnson it TECHNICALLY wasn’t a WWE film as that particular offshoot of the brand had barely come into existence at the time having only been second or third tier production house on bigger studio’s films and Big Boy Vince didn’t even have a hand in producing it. DOOM was a Hollywood movie through and through, but the landscape was about to change as the very next year WWE Studios (then known as WWE Films) were set to release their first three feature films under their banner with this being one of them. Seems like a simple enough premise to be sure, stick one of your monster men in a slasher film, and they certainly knew what the hell they were doing when they made The Marine the same year which is one of the most gloriously over the top action films ever made, so will this be an underrated gem in the genre or are we in for the cinematic equivalent of Halloween Havoc 1998; i.e. one long string of mediocrity followed by a jaw dropping botched shit show at the end!? Let’s find out!!
The movie begins with a prologue where two cops enter a rundown house presumably on some sort of tip or a report of a disturbance. Needless to say that what they find inside is more than just a mere disturbance as the place has clearly been modeled after the Texas Chainsaw Massacre, and they find a woman who is still alive, but has had her eyeballs plucked out. The mother plucker by the way is in the other room and manages to take out one of the cops but can only manage to take an arm off the cop who kind of looks like Aaron Eckhart. Like Chris Hemseworth, our rather inefficient slasher learns that you should REALLY go for the head as the cop manages to pop off a shot at HIS head with his good arm.
DOOM and all the images you see in this review are owned by Universal Pictures
Directed by Andrzej Bartkowiak
Welcome one and all to this most SPOOKY time of the year! For this Halloween, I’ll be reviewing horror movies as I’ve been known to do on occasion, only this time we’ll be doing something a LITTLE bit different! With my recent fascination in the WWE and wrestling in general, I thought it’d be interesting to check out a few horror movies from some of the company’s most iconic stars, starting with the often maligned DOOM movie from 2005! DOOM was one of the biggest attempts to bring a video game to the big screen but ended up bombing at the box office which kind of put the whole idea of adaptation these properties on hold for a while there; leaving the genre to be dominated by Resident Evil sequels and Uwe Boll until around 2016 when studios started getting confident once again and movies OTHER than Resident Evil could start making money. Is it as bad people say it is, or is this Dwayne “The Rock” Johnson vehicle just a diamond in the rough looking for the right critic to give it the polish it needs? Let’s find out!!
Before the opening credits we get a bit of narration which tells us that humans discovered a portal on Earth that led to Mars, and now that I think about it… isn’t that the plot of John Carter of Mars? Why haven’t they run with that yet!? Maybe that’s the surprise twist in DOOM: Eternal. Now obviously with this being a DOOM movie, nothing can go well once you get your ass to Mars which these unlucky scientists are currently learning as the prologue picks up right as things are going to hell; literally I’m sure. They are RUNNING their asses off to try and get away from some unseen (presumably demonic) threat, and the situation is SO critical that the fastest sprinter locks the sliding doors behind him; leaving the slower ones to die in very gory fashion!