Jumping the Soapbox: AEW Games Special Event – Is This The Future of Wrestling Games!?

All Elite Wrestling is owned by Tony Khan and Shahid Khan

From the beginning AEW has promised that at some point in the future they would have an official video game for us all to enjoy so that we can stop trying to recreate the roster in WWE 2K19 or in Fire Pro Wrestling World.  Now, just over a year after they debuted on TNT, we are finally getting the first pieces of information regarding their plans for the world of gamers in this video presentation they uploaded to YouTube!  Let’s take a look!!

Before anything got announced, they made sure to make this as fun as possible with the whole thing a mock Steve Jobs presentation.  Well-trodden territory to be sure, but it was still fun to see and there were some decent jokes throughout like the bit where they showed a mock-up of a supposed early version of the game.

Hey, it still looks better than WCW Backstage Assault!

Hey, Kenny can have ALL the goofy sketches he wants, as long as they have something worth showing us!  So what was ultimately revealed; besides of course a new AEW Games T-Shirt for the website? 

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AEW Wrestling Game developed by Yuke’s (Console)

The first and biggest announcement is that AEW is making a wrestling game with developer Yuke’s who have made… well basically ALL of the WWE games since the early 2000s.  Say what you will about some of the changes throughout the series (especially when Publishing rights switched from THQ to 2K), but there were some real gems there and you couldn’t ask for a more experienced developer to bring this new project to life!  The footage that they showed, which Kenny assured us multiple times is VERY early, doesn’t show us much more than the art style being used and that it will be a 3D wrestling game as opposed to something more like Fire Pro Wrestling which uses sprites.  Aesthetically it looks comparable to the recently released WWE Battlegrounds, but there’s a lot more to look forward to here than in that game.  First and foremost, it’s a proper wrestling game released by a veteran developer instead of something slapped together because 2K lost all confidence with consumers after its terrible 2K20 WWE game; the first game by the way released after they got rid of Yuke’s.  Reception on Battlegrounds hasn’t been AWFUL, but the end product was ultimately quite shallow which we can only hope won’t be the case with Yuke’s heading up development.  I mean they certainly won’t have the budgeting and resources that WWE and 2K gave them, but good studios can do more with less as long as they have a better environment to work in.  No release date has been announced, nor should there be at this stage and we can only hope AEW doesn’t make the same mistake that WWE did by making this a yearly franchise and putting the developers through the ringer to get it done.  The biggest news however is that the game will include inter-gender matches which hasn’t been a feature in the WWE games since SmackDown Vs. Raw 2009 and is something that Kenny himself has been a big proponent of given his participation in the company’s only inter-gender match last year during the Jericho cruise.  I couldn’t tell you if that will be a BIG motivation for people to buy this game, but it’ll certainly help with some fans.

They better add Haruka, the nine year old Kenny fought in DDT to the roster!  I’d love to see her wail on MJF!!
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Jumping the Soapbox: Freddy Vs. Jason Vs. Michael – Who Has The Best Comics!?

A Nightmare on Elm Street 5: The Dream Child is owned by New Line Cinema

It’s that time of year again for ghosts and ghouls to roam the streets (which you shouldn’t be doing this year) and for us to get reacquainted with some old friends like Jason Voorhees, Freddy Kruger, and Michael Myers!  There are no shortage of movies we could be talking about starring these icons of horror, but we’re going to take things in a slightly different direction here and familiarize ourselves with the oft overlooked subgenre of horror comics!  All three of these characters have had their share of funny books based off their exploits, so why not find out which one has the best stories to tell and are the most fun to read?  And no, we won’t be going into the Freddy Vs. Jason Vs. Ash comics as they are their own separate thing from either franchise’s main books.  Next year perhaps!?  Well let’s get through this first before we start planning ahead!

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In Last Place for Bad Taste – Friday The 13th

Starting this list with the most heartbreaking of them all, my beloved Jason Voorhees has had undoubtedly the WORST comics on this list.  Why?  Well with this series you basically get two kinds of stories; blatantly fetishistic gore porn and philosophical musings from pompous edge lords.  It’s a blatantly cynical misunderstanding of the character and the franchise as the stories seem to think that Jason is supposed to be the protagonist.  You may have goes to the movie to SEE Jason Voorhees, but the stars of those movies were Alice Hardy, Tommy Jarvis, Tina Shepard, and so on.  For almost every single one of these books there’s hardly a character worth rooting for or a victim who’s death is anything short of gleefully excessive because the writers want you to side with Jason as some sort of agent of chaos here to destroy THE MAN.  Corrupt cops, evil corporations, and at its absolute most revolting point gay people, are all lined up for Jason to take his brutal bloody revenge out on to the cheers of the audience; either because you WANT those people to die or because your tickled by the rendering of blood and viscera on the page.  The tackiest ones are where they try to justify their wanton bloodlust and by making Jason some sort of avenging spirit of Native American Genocide, like the supped up version of prefacing all MRA bullshit with WHITE women to try and pretend you’re not just an angry at all women, and this is something they try TWICE; once in the 2008 series and again in the Bad Land 2 parter.  Out of all of these books, the only three that stand out as anything other than dreck are Jason Goes to Hell, Jason Vs. Leatherface, and Pamela’s Tale.  Jason Vs. Leatherface is bad for a lot of the same reasons as the other books are BUT it has enough tongue in cheek humor to dull its more obnoxious moments, and the artwork has a grotesque EC Comics by way of Alfred E Newman look that lightens the mood considerably.  Pamela’s Tale, while rather unnecessary as it’s just a prequel that doesn’t do all that much interesting with the characters, at least is driven by something other than gore and titillation as we see how she came to have Jason and how she ended up working at the camp.  It’s far too happy to throw out allusions to future aspects of the franchise when it could have done its own thing, but I found it an entertaining enough read and one that didn’t make me repeatedly wince like so many of the other books.  Jason Goes to Hell is the definite standout as it’s just a retelling of the ninth movie, but that film is pretty underrated as is and I think the more fantastical elements are better suited for a comic book; not to mention that the script for that movie is FAR superior to the original scripts they wrote for the other comic books as it focuses on characters instead of just watching a lumbering monster be directed at whatever gripes the writer has with the world.  Aside from those three there’s not really anything to recommend as even the ones that pull back on the overt gore have garbage themes and characters, so I’d avoid almost every single one of these like the plague.

The Good: Jason Goes To Hell: The Final Friday (1993); Friday the 13th: Pamela’s Tale (2007)

The Meh: Jason Vs. Leatherface (1995)

The Ugly: Friday the 13th: Bloodbath (2005), Friday the 13th Special (2005); Jason X Special (2005); Jason Vs. Jason X (2006); Friday the 13th: Fearbook (2006); Friday the 13th: How I Spent My Summer Vacation (2007); Friday the 13th (2007); Friday the 13th: Bad Land (2008); Friday the 13th: Abuser and the Abused (2008)

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Jumping the Soapbox: Games of 2019 (Part 3) – VR-A-PALOOZA!!

Back in November I finally took the VR plunge and got myself a (VERY EXPENSIVE) Oculus Quest.  Now sure, it may not be the BE ALL END ALL of interactive experiences, but it’s definitely the most interesting new gimmick for the medium in a while.  The best way I’ve been able to describe it is the difference between beer and hard liquor.  Both are unique in their own way with pros and cons to each, but there’s no doubt that one is a more POWERFUL experience and that you can’t have as much of it without getting sick.  It’s amazing to be immersed in the virtual world in a way that no other gaming console can adequately replicate, but the weight of the hardware itself as well as the strain on your senses trying to understand the disconnect between what you’re seeing and what’s in the real world means that it’s best for short bursts rather than longer sessions.  In any case, we’ll take a look at many of the games I’ve played for it as well as any other impressions I had of the hardware.  Some games are from the built in Oculus store, some were side-loaded to the console through other means, all are worth talking about today!  Let’s get started!!

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Beat Saber

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Develop by Beat Games

Alright, I’ll admit it!  I mostly bought this ridiculous headset just to play this one game!  ARE YOU HAPPY!?  I’ve always been a huge fan of rhythm games like Guitar Hero and Dance Dance Revolution, and after playing this at a convention a year or so back I knew I had to get it as well.  The gameplay is ridiculously intuitive with the many slash patters becoming second nature after a surprising short amount of time; though some of that might be due to my experience with other rhythm games.  I don’t want to BRAG and say that I’m an AMAZING arm waver, but over time the connection between the visual cues and the body movement become more and more abstracted and the thought process between seeing a block on screen and knowing what to do with my arms became instantaneous and I was racking up high scores in no time; even if I STILL can’t do a good chunk of those absurdly difficult EXPERT+ songs, and that brings me to something worth discussing about this game.  The big elephant in the room is the custom songs you can add to the game through mods with very little effort; even on the Quest which is designed to be much more self-contained and therefore harder to mod.  Look, I love the game play on its own, but if I couldn’t play Shut Up And Dance, You Get What You Give, and Eating Food In The shower, my interest would have faded away almost instantaneously.  People uploading tracks that they do not have the right to upload is frankly the lifeblood of this game and the paltry tracks that come with your thirty dollar purchase as well as the small handful of downloadable tracks are simply not enough to sustain interest.  I don’t know if Beat Games has said much on the use of unlicensed music in their game, but they sure haven’t fixed the “problem” yet and I’m curious if this is a ticking time bomb just waiting to go off.  Until it does though, this is easily the most fun experience there is to find in VR, and the first thing you should buy if you get a headset!

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Jumping the Soapbox: Games of 2019 (Part 2) – Switch Lightening Round!

One of the more notable stories in games this year was the rise in ridiculously slashed game prices on the Nintendo eShop for games that otherwise were starting to get overlooked in the marketplace.  It definitely feels like that has slowed down quite a bit even if there are a few good deals here and there, but let’s take a look at some of the games that I bought on a whim!!

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Crypt of the NecroDancer

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Developed by Brace Yourself Games

I played this game a while back when it was on Steam and wasn’t too impressed.  I was TOLD that there was a DDR mode and the idea of doing steps to do super moves or whatever sounded intriguing, but using a mat makes the game almost unplayable and when I used a keyboard it just felt rather dull.  When it was on sale for the Switch however, I decided to give it another shot, and you know what?  It’s pretty good.  Not one of my favorite games for the system, not one of my favorite rogue likes for that matter, but the gameplay works well enough and that soundtrack is pretty rocking. My biggest problem was getting overwhelmed pretty easily as the controls and combat intersect in an interesting but still odd way, and the fact that you’re encouraged to keep things to the beat means there’s not a lot of time to really think things out which is when you get blasted in the face with a dragon beam or get crushed by the boss for the ten millionth time.  Then again, complaining about dying a lot is like complaining about the lack of sweet dunking skills in a first person shooter, as amazing as it would be to see Master Chief tear it up on the court, and by now the game is old enough that you can ask everyone and their grandmother how good it is instead of asking this Grumpy Gus.  If nothing else, I’m pretty interested in playing The Cadence of Hyrule which not only incorporates Zelda iconography and music, but appears to downplay the rouge-like elements for a more traditional adventure.  Let’s hope there’s a decent sale soon so it’ll be on next year’s retrospective!

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Jumping the Soapbox: Games of 2019 (Part 1)

I might be a little late here, but I always like to take a bit of time to showcase some of the games I managed to play in the preceding year; particularly those that didn’t actually come out at that time and just so happened to catch my interest for whatever reason.  Some were good, some were bad, all were hopefully worth talking about (otherwise I spent a lot of time writing for absolutely no reason), so let’s get started and I hope you enjoy it!!

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Apex Legends (PC)

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Developed by Respawn Entertainment

Pretty much the only online multiplayer games I’ve ever stuck with significantly were Team Fortress 2 and Rocket League, so while I haven’t played at match in this game for many MANY months, it’s not their fault; it’s just me.  Apex Legend was by far the best of these Battle Royale games and its astounding just how much better it is than Fortnite in every way that matters to me.  The cooperative gameplay make each match much easier to invest in as you have someone other than yourself depending on your performance, and the innovative team chat options made it effortless to coordinate tactics and efficiently convey new and prescient information.  So why did I stop playing it?  Well it’s not JUST that I’m terrible at it as I’m pretty bad at both Team Fortress and Rocket League which haven’t stopped me from playing them.  I think the matches might go on a bit too long to get into a really nice groove of match after match after match, and the closer we get to the end of one the less interesting the mechanics become.  I’m personally more of a sneaky player and I like to keep my distance from other teams, but it’ll inevitably come down to trading bullets with someone else (inevitably ten times more skilled then you are) and at that point I can only hope that my teammates can pick up the slack.  The game has the mechanics to do more than just shoot at each other, so I’d probably jump back in if they took advantage of that for some sort of racing or package delivery game modes, but as it stands it’s a really good example of the genre that managed to suck a good forty hours of my life away in its first few months, so I can only imagine what it’d be like for someone who’s actually GOOD at one of these!

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Jumping the Soapbox: A Banana Splitting Headache and Hanna-Barbera’s Confusing Existence

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The Banana Splits is owned by Warner Bros

All other copyrights are the property of their respective owners.

Do any of you even know who The Banana Splits are?  Of course not!  They were on the lower tier of Hanna-Barbera creations and because they were live action characters they never got that extra bump of popularity that many of their other creations did when they started randomly pairing them up on shows like Yogi’s Gang where they flew around in a giant flying ark.  Yeah, Hanna-Barbera is weird like that, but the thing about The Banana Splits is… I actually really like them!  I remember watching a marathon of episode back when you had to actually watch TV on a TV, and I thought it was a fun little slice of sixties nonsense!  A bunch of dudes in animal costumes playing bubblegum pop and doing slapstick?  What’s not to like!?  And guess what?  THEY’RE MAKING A MOVIE ABOUT THEM!!  OH BOY!  It looks like someone has finally realized how groovy these cats (and dogs and monkeys and elephants) are and are giving them the big screen treatment they deserve, right?  RIGHT!?

Sigh…

So it turns out that SOMEONE thought it would be brilliant and edgy to take lovable characters aimed at children… and turn them into monsters in a horror movie; straight up.  I mean yeah, they’re clearly playing up the absurdity of it but it just looks like a miserable experience outside of how senseless its UNIQUE SELLING POINT is.  Actually, even more blatant than the simple “shock” value of taking character aimed at kids and making them creepy (congratulations; you’re where Creepy Pasta was twenty years ago) is that they are only doing this to beat the Five Nights at Freddy movie to the punch.  I mean they weren’t robots in the original series either within the fiction of the show (they were anthropomorphic animals in a band) or the reality of its production which was done by people in costumes which is CLEARLY the case here as well.

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“WHAT IS MY PRIMARY DIRECTIVE!?”     “Okay, try to be like this video game, but NOT like this video game at the same time.”     “DOES NOT COMPUTE!!”

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Jumping The Soapbox: Death Stranding or How I Learned to Stop Worrying and Like the Gameplay

DSJTS0Death Stranding is owned by Kojima Productions and Sony Interactive Entertainment

I’m not gonna lie, I’ve been pretty down on Kojima’s latest game for a while now.  Sure, we all got caught up in the hype when we first saw naked Norman Reedus and were left wondering what could all that nudity mean, but by the time that Del Toro got his own trailer and the babies became more and more… prominent (let’s go with that word) in the narrative, it all felt like a splash of cold water on the face; a revelation that he may be throwing things against the wall to see what sticks rather than doing something with any real thematic heft to it.  But I could be wrong!  I fully admit that watching trailers like this aren’t always a clear indication of what the final product will be like, such as the case with Dead Island or even The Order 1886, and frankly it all feels very intentional; as if he’s trolling for hundreds of videos breathlessly narrating their ideas of what this could all be about, and playing into that game is harmless but feels rather futile.  Still, I’ve also been trying to get better at judging films in a non-literal fashion, and Kojima is if nothing else a VERY frustrated filmmaker!  Until someone in Hollywood gives him a chance to direct something he’s gonna take it out on all of us by making the most bizarre and ludicrous trailers imaginable for supposed video games, and while I can’t really get mad at it, I just don’t feel the hype anymore.  But hey, I’m already here and there’s a new trailer out with ACTUAL gameplay footage, so let’s at least take a look at what we know so far and see if there’s anything worthwhile to gleam from all this!

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…What? – The First Two Trailers

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As I said, I gave Kojima a lot of credit for that first trailer which was strange, provocative, and surprisingly vulnerable with some clear themes about loss, grief, and the way that male identity (in how we are socialized) play into those experiences.  It sets a very apocalyptic tone with the dead animals, the copious amounts of oil (or an oil like substance), and the washed out aesthetic which goes along with the idea that this world is dying in some way.  Not a bad way to kick things off, and Kojima couldn’t have been more popular at the time due to his recent fallout with Konami which made it a perfect storm of intrigue and feel good sentimentality.  By the second trailer though, I was starting to get worried.  Yeah seeing Pappy McPoyle (also known as Guillermo del Toro) carrying around a baby in a war torn city did advance the narrative at least somewhat since we know how some other people are reacting to the end of the world, but I don’t think the trick works twice and this felt more like a holding pattern than anything else.  When we should have been getting hyped for the GAME, it was still being incredibly coy about everything.  Now we had to start asking questions about the weird fetus thing, the black goop that keeps showing up, and new things like the soldiers with skulls for heads being lead around by Mads Mikkelsen!  Don’t get me wrong, I LOVE Mads Mikkelsen, but I was starting to get a bad feeling that Kojima left entirely to his own devices is gonna end up missing the forest for the trees when developing this.

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Look, if ANYONE was gonna lead a bunch of Skeleton dudes into a warzone, IT WAS GONNA BE FREAKING HANNIBAL!

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Jumping the Soapbox: Games of 2018 (Part 2)

We’re back with Part 2 of this list!  Let’s not waste any time and jump right into the games!!

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Spider-Man (PS4)

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Developed by Insomniac Games

Am I getting too old for this?  I might be getting too old for this.  As I’m sure is a common consensus among those of us over twenty-five playing this game, I still feel a stronger connection to Spider-Man 2 from all the way back in the stone age than this one despite it still managing to be one of the best games I’ve played this year even if it can’t quite surpass my nostalgia for the one with Bruce Campbell in it.  I don’t know, I just feel that the new game is guiding me too much in my web swings; pulling visual tricks or redirecting my momentum to minimize mistakes, and while I will never claim that harder games are inherently better (or that players just need to “git gud”), I found the hectic and less controlled web slinging in Spider-Man 2 to be more rewarding and much more engaging on long trips to far off objective markers.  Other than that, the game is an improvement in every way.  The combat is fluid and allows for lots of varied combos, I LOVE it whenever a level has multiple levels so you can swoop in, kick butt, swing away, and come back to smash some faces one floor below, and even though the stealth sections are pretty unengaging, they at least function well enough.  That said, it can get a bit monotonous with some of the combat sections and I would have gladly traded all the battle challenges on the map for just one more fine-tuned and well-crafted story stages like the skyscraper one that was shown in the trailer.  Also, it felt a bit… anachronistic I guess to have the bad guys be SO defined by their Asian culture especially since the game doesn’t have much to counterbalance that.  When a minority group of people is almost exclusively shown to be terrorist (Yuri Watanabe is the only other Asian character of note), well at that point you’re basically recreating that one episode of Sherlock that’s always gonna be a bit uncomfortable to watch.  Still, this is a Spider-Man game that, at least for the modern era, will define what it means to be a Super-Hero game, and while I’ll always carry a torch for the PS2 game I won’t begrudge the new generation for having a version made for them to enjoy.

Continue reading “Jumping the Soapbox: Games of 2018 (Part 2)”

Jumping the Soapbox: Games of 2018 (Part 1)

Now that we’ve got the movies of 2018 out of the way, it’s time to tackle a subject I very much enjoy but have much less experience in.  Very rarely will I talk about video games on this site as my focus is almost exclusively on movies and television, but I do play a lot of games throughout the year and as a critic I can’t help but have opinions on them, so what I do is I save up ALL those thoughts and put them right here for you to enjoy!  Well, either enjoy or utterly detest me for.  I’ll take either one!  Let’s get started!!

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Call of Juarez: Gunslinger (PC)

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Developed by Techland

Man, was THIS a fun little surprise!  The only thing I know about the Call of Juarez series is that it was as series of ho-hum cowboy shooters that eventually jumped the shark when they went to modern day and made it SUPER racist.  This game on the other hand, while admitting that there is a level where you track down a Native American, seems to have been a total course correction or at least something of a soft reboot; a la when they did that 2D Blood Rayne Side Scroller or when Sonic the Hedgehog took a brief respite from being awful in Sonic Mania.  From what I saw of the other Juarez games, they were mostly drag and went for an authentic aesthetic where this game is all about charm, wit, and stylistic excess.  The character designs are bright and colorful which is not only more appealing but a practical improve since it makes them stand out more prominently against the landscapes, and the overall feel is that of an over the top spaghetti western; encouraging you to make the big moves and go in guns-a-blazing just to see if it’ll work.  That’s actually something I think game developers should explore a bit more; how aesthetics and style can change the way that players make decisions in the game which may be a more powerful incentive than more straightforward gameplay design incentives.  In something less fantastical and more serious I probably wouldn’t have even bothered dual wielding pistols and unloading them into a group of enemies when my trusty rifle can do the job with fewer bullets and at a safer distance.  With the visual design, the UI interface, and ESPECIALLY the story which is a series of flashbacks conveying a story that your player character is narrating as you play through it made me feel more inclined to try and be the BIG HEROTM than play practically.  It can be a bit buggy at times as I’m pretty sure I ran into one enemy who was shooting me through a wall, but despite its modest scale it’s still one of the most enjoyable First Person shooters I’ve played in a while!

Continue reading “Jumping the Soapbox: Games of 2018 (Part 1)”

Jumping the Soapbox: The Lost Adventures of Michael Myers

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With the release of a new Halloween movie that’s getting everyone reinvested in the franchise, it seems like the right time for me to really dive into something I’ve always been curious about but never found much information on; namely the Halloween Novels!  Yes, there were three books written about Michael Meyers that weren’t adaptations of the movies, and what’s probably the most interesting thing about them is that, outside of co-creator Debra Hill, they are the only official Halloween media I can find that was created by a woman.  Now I don’t this to come off as diminishing Debra Hill’s SIGNIFICANT contributions to the franchise (not to mention Jamie Lee Curtis as well as Danielle Harris who played Jamie Lloyd) but the director’s chair as well as writing duties outside of the first two films have ALL been held by men, so it feels at least SOMEWHAT significant that between 1997 and 1998 Kelly O’Rourke was tapped to write The Scream Factory, The Old Myers Place, and The Mad House; all three starring the one and only original slasher villain and all three are EXTREMELY hard to find!  No seriously, if you want to read these you’re gonna have to drop some serious cash as listings go in the hundreds and none of them are available in any digital format.

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Sadly this means that actually READING them is pretty much a no go, but we at can gleam a few details from a few sources out there with the best I’ve managed to find being Lair of Horror which has a really good amount of information about each of the books, so let’s look at them one by one!

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