Cinema Dispatch: Digger

Digger and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Alejandro G. Iñárritu

Boy howdy, is this a contentious one! I certainly wasn’t expecting the film to be so polarizing given the talent behind it, but this seems to have hit a lot of people the wrong way. I guess I should have seen it coming given how silly it was for the initial trailer to be about Tom Cruise’s career that also just so happens to end with a teaser for the movie, but I guess if you’re gonna go for the Oscar, you might as well go as big as possible. I’m certainly still looking forward to it, perhaps even more so now that it’s become such a huge miss with a lot of people! Will I be one of those who will find greatness in Tom Cruise’s latest attempt to prove he can do more than jump out of planes, or is this an absolute train wreck that can only happen at the highest levels of Hollywood talent and creative hubris? Let’s find out!!

As long as the world needs oil, there will be men like Digger Rockwell (Tom Cruise); an oil baron with the world at his fingertips and the US President on speed dial. Now typically, a man with that kind of power is rarely put in difficult positions, but that all changes when the one thing he can’t control, Mother Nature, gives him and the rest of humanity a kick to the gonads as one of Digger’s extraction sites in Greenland explodes and releases an ice shelf that’s on a one-way path to Europe. Not exactly the best PR for an oil company, but Digger is not about to be buried in controversy when he still calls the shots and keeps the modern world spinning. Of course, it’s not going to be an easy game of 4-D chess as everyone, from his head of environmental safety (Riz Ahmed), to his sister with a Green Energy company (Sandra Hüller), and even the very cranky President of the United States (John Goodman) is breathing down his neck to either fix the problem or make it someone else’s. With the facts of the situation so overwhelmingly against him, can Digger steer the narrative away from his company’s failings and make himself the hero of this crisis? Just how much damage can be expected from this icey torpedo of death, and is there any hope of stopping this disaster before it’s too late? Is this something that can be fixed with a few folksy stories about his grand-dad, because Digger certainly has a lot of those!

“Back in my day, a global catastrophe was just another word for opportunity! Now someone get my submarine before we’re all inhaling salt water and fish urine!”
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Cinema Dispatch: Dune: Part Two

Dune: Part Two and all the images you see in this review are owned by Warner Bros Pictures

Directed by Denis Villeneuve

Dune as a series is a confounding one as it has attained a huge following but is also full of goofy and un-filmable concepts. David Lynch certainly gave it a go and bothered to include the giant space fetuses, but with Denis Villeneuve’s adaptation in 2021, we got what is easily the most digestible iteration of the story. I appreciated a lot of its choices that cut back on the specifics and relied on the themes of the narrative, but splitting it up into two films feels like the IT gambit; do the easy part first and hope that you can cobble together enough workable elements in the sequel to carry it to the finish line. With the straightforward coup of the Atreides already covered, can this sequel possibly live up to such a strong opener and deliver a satisfying conclusion? Let’s find out!!

Following the fall of the House of Atreides, Paul Atreides (Timothée Chalamet) and his mother Lady Jessica (Rebecca Ferguson) have joined the Fremen and have acclimated to their new life in the deserts of Arrakis. Still, they can’t rest easy as Baron Harkonnen (Stellan Skarsgård) is back in charge of Spice production, and he has no qualms about cleansing the ethnic population if it makes harvesting Spice just a little bit easier. The Fremen will need to fight back and Paul is up for the task as he wants to avenge his father’s death and protect his newfound family; especially Chani (Zendaya) who fights alongside him and makes sure he doesn’t embarrass himself in front of the other Fremen. That may not be enough to win this war, however, as Lady Jessica knows how brightly Paul’s star can shine and continues to push the idea that Paul is the Messiah of Fremen Prophecy to the consternation of Paul who knows that such a story could spin out of control and cause more destruction than anyone could imagine. Will Paul lead the Fremen to victory against the sinister Harkonnens and the Baron’s youngest nephew Feyd-Rautha (Austin Butler) who’s as sadistic as he is ambitious? What other allies to the Atreides are still hiding in the sands of Arrakis, and will they be a help to Paul’s cause or a hindrance to his new life among the Fremen? So wait, if Paul is a guy who can see the future through his dreams, fights like a true warrior, and tames the mighty sandworm, why wouldn’t you want him to be your leader; Messiah or not? He may not be a Jesus, but he’s at least a Goku, right?

“By the power of Grayskull! I HAVE THE POWER!!”
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Cinema Dispatch: Indiana Jones and the Dial of Destiny

Indiana Jones and the Dial of Destiny and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by James Mangold

I’ve actually gone back and rewatched the Indiana Jones trilogy recently, and for the most part, they still hold up pretty well.  Not so much Temple of Doom, but even that one has some charm to it and the big action packed finale is a sight to behold.  There’s just something unique about them that has kept the series relevant after all these years and sadly could not be recaptured with the fourth movie which at the time felt a bookend for the series.  Now we’re back with one more adventure starring the even more aged Indiana Jones and without Spielberg or Lucas behind the camera.  Does this change in direction bode well for Indy’s final adventure, or will this just feel hollow and cheap without the original creators who couldn’t even make it work again back in 2008?  Let’s find out!!

The year is 1969 and Indiana Jones (Harrison Ford) is now just crotchety old Dr. Jones teaching college classes that no one cares about when he’s not sleeping in his old man armchair.  Needless to say that the glory days have long been over with a few personal tragedies peppered throughout for good measure, but all of that is about to change as the daughter of an old friend shows up and asks him about an ancient artifact.  Her name is Helena (Phoebe Waller-Bridge) and she’s looking for a mysterious dial that her father was obsessed with and that Indy took off a Nazi researcher back during the war.  Said researcher, Jürgen Voller (Mads Mikkelsen), is also after the dial which holds some mysterious power and when he sends his goons to take the piece of it that is at the university, Indy finds himself whisked away on one last adventure to settle an old score, solve a mystery from his past, and save the day once again!  Can Dr. Jones summon the courage and dust off the cobwebs to become Indy once again?  Why did Helena show up after all this time, and what are her plans for the Dial once they find all the pieces?  Seriously, is he wearing a fedora in 1969?  That’s somehow more disconcerting than the guy running around with a bullwhip.

“Anyone who cracks wise about my hat gets one right between the eyes!”
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Cinema Dispatch: Shazam! Fury of the Gods

Shazam! Fury of the Gods and all the images you see in this review are owned by Warner Bros Pictures

Directed by David F Sandberg

The announcement of James Gunn taking over the DCEU has certainly put this and a few of their other recent projects in an awkward position. Sure, there are questions of continuity and whatnot which I’m sure will be hashed out eventually, but these are projects that were built from the ground up under a regime that is no longer in charge, and it’s still a huge question mark as to how much Gunn is willing to carry over from the years that can be charitably called misguided. Still, the future is a concern for another day and the first Shazam movie was definitely a bright spot in the DCEU’s darkest days and perhaps it’s better suited than most to make the leap from old DCEU to Gunn’s DCEU. Does this movie prove that this is a viable character and film series going forward, or will this be a depressing reminder as to why they handed it over to Gunn in the first place? Let’s find out!!

A few years after the events of the first film, we find Billy Batson (Asher Angel) and his family (Ian Chen, Jovan Armand, Grace Caroline Currey, and Faithe Herman) are still protecting Philadelphia from whatever crimes and random disaster befalls their city using their Shazam powers that turn them into super hunky adult superheroes (Zachary Levi, Ross Butler, DJ Cotrona, and Megan Good). Still, the one thing their powers cannot overcome is the ceaseless march of time and Billy is already seventeen which means he’s going to age out of the foster system soon and doesn’t know what to do with his life if he’s no longer with his family who will also one day go their separate ways. Freddy (Jack Dylan Grazer) in particular seems ready to fly the coop and start a solo act with his superhero persona (Adam Brody), but when he gets caught up in a plot by three Gods (Helen Mirren, Lucy Liu, and Rachel Zegler) who steal his powers and want to do… something nefarious, Billy and the rest must find a way to save him and stop these Gods before Philly is destroyed. Will Freddy find a way to be heroic even without the superpowers gifted to him? Will Billy be able to stop these Gods and come to terms with growing up and moving forward with his life? Will the other Shazam heroes also find something to do in this movie, or are they just kinda there for emotional support?

“I’ll defeat you if it’s the last thing I do!” “And we’ll help!” “Sure, I guess…”
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Cinema Dispatch: Scream VI

Scream VI and all the images you see in this review are owned by Paramount Pictures

Directed by Matt Bettinelli-Olpin & Tyler Gillett

The Scream franchise is certainly a unique presence in horror with a few solid entries under its belt and a premise that frankly hasn’t been replicated well by anyone else.  The blending of slasher tropes with whodunit elements feels like one of the most obvious premises imaginable, right up there with using Superheroes as the basis of big summer blockbusters, and yet nothing has really tried to put their own spin on it outside of arguably the Saw movies which itself ran out of steam the same way Scream did after the third one.  The reboot series of films which started with four has had some interesting takes on the formula and a few good ideas to keep the series relevant, but can they keep that momentum going long enough to round out the trilogy, or will it crash and burn as spectacular as Scream 3 did?  Let’s find out!!

After the events of the last movie, the survivors have decided not to stay in Woodsboro and instead move to New York City for a change of scenery.  After all, it’s not like slasher villains have a history of making New York City the one other place they go to kill people, right?  Sure enough, another Ghostface Killer makes themselves known and it’s up to Sam and Tara (Melissa Barrera and Jenna Ortega) to find out who is donning the outfit this time and to keep their friend group from becoming mincemeat.   This includes Mindy and Chad from the last movie (Jasmin Savoy Brown and Mason Gooding) as well as newcomers Quinn, Ethan, and Anika (Liana Liberato, Jack Champion, and Devyn Nekoda) who could all be the new killer because that’s how these things usually work out.  Oh, and of course, Gail Weathers shows up again (Courteney Cox) because this is a Scream movie and we can’t have one without at least one of the original survivors.  Will Sam and Tara survive yet another serial killer that’s hot on their heels, and in doing so resolve the tension that’s been building between them since the last time this happened?  Who could the killer be this time, and what new rules of horror movies need to be explored in order to stay one step ahead of Ghostface?   What exciting new ways of murdering are available to Ghostface now that he’s in the big city?  Maybe he can stab someone in an overpriced apartment instead of an oversized suburban home!

“Can you even name another horror movie that takes place in a bodega!?”     “Uh… Vampire Vs. the Bronx?”     “NO!  NETFLIX MOVIES DON’T COUNT!”     *BANG*
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Cinema Dispatch: The Northman

The Northman and all the images you see in this review are owned by Focus Features

Directed by Robert Eggers

So not only did The Daniels make one of the best movies I’ve seen in a long time, we got a movie from Robert Eggers just a few weeks after! Either someone out there likes me or I’m being set up for a huge downfall, which admittedly is thematically consistent with Eggers’ other work. Both The Witch and The Lighthouse were two of the best movies in their respective years and it looks like Hollywood is taking notice as they’ve given him a blank check to make his unique form of creeping dread and otherworldly terror as big and bombastic as any summer blockbuster! Do the bigger budget and expansive production give Eggers the room he needs to make the best movie of his career, or is he better suited for something on a much smaller scale? Let’s find out!!

Back in the time of The Vikings, there was a king named Aurvandill (Ethan Hawke) who was unjustly slain by his own brother (Claes Bang) in front of the young prince Amleth (Oscar Novak) in a power grab for his kingdom and his queen (Nicole Kidman). The prince manages to escape and swears vengeance on his uncle which he nurtures into a finely distilled ball of pure rage and spends the next twenty years bulking up and kicking butt until he is ready to take back his kingdom. Now a grown man (Alexander Skarsgård), Amleth pillages the countryside with a group of like-minded and similarly buff Viking dudes until he gets word that his uncle has been deposed and is living with the queen and their two sons on some farm in Iceland. He heads over there on a slave ship to try and get close to him while meeting the fair maiden Olga (Anya Taylor-Joy) who may or may not be a witch, and is similarly interesting in killing the man who will be enslaving them both. Amleth manages to stay unrecognized as he becomes one of his uncle’s slaves and plots his revenge which includes sewing chaos during the night and stabbing dudes with a magic sword he finds. Still, this proves to not be as simple a task as Amleth believed it to be for all those years, and now he’s faced with the true consequences of his actions which forces him to weigh the cost of his vengeance against the balance he hopes to restore with that blood. Will Amleth be able to avenge his father, save his mother, and be the hero that would make Odin proud? Will his uncle catch wise to this hulking blonde brute being the instrument of his torment, and even if he does realize his identity, is there anything he can do to stop his nephew from carrying out his quest? Is it just me or does a blood feud really do wonders for your physique? I mean jeez, they didn’t even have EMS back!

[THENORTHMANCD1 – I guess when you can’t get whey protein in a jar you just have to get it the old-fashioned way by drinking the blood of your enemies!]

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Super Wrestling: AEW Rampage (12-10-2021)

AEW Rampage is owned by All Elite Wrestling, Tony Khan, Shahid Khan, and TNT

We’re back with another week of Rampage action, though this one finds itself in a bit of an odd spot.  The next Dynamite is the big Winter is Coming show, and they wrapped up all the major storylines on the Wednesday show, so this is kind of just filling the gap between the two shows.  Sure, Rampage works best when it gets to do its own thing separate from Dynamite, but sandwiched between the Dynamite show and Winter is Coming, can it manage to find enough fun action and compelling narratives to keep from feeling entirely disposable?  Let’s find out!!

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The Lucha Bros Vs. FTR – AEW Tag Title Match

The Lucha Bros are accompanied to the ring by Alex Abrahantes while FTR are accompanied by Tully Blanchard

You’d think this would be a match to save for the big show on Wednesday instead of throwing out on the B-Show; especially since these two teams had a match at Triple-Mania less than a week ago.  Why not let them rest until the Wednesday show and try to put on a barn burner instead of filling a slot that could literally go to anyone else?  Rampage is a good place for random matchups, and it’d be nice if we got some highlights from Triple-Mania or even just a promo to set up this title match!  Well, we’ve got the match that we’ve got, and I guess it was their way of making this Rampage not seem insignificant; so let’s see how it plays out.  It starts off well with the Lucha Bros getting a solid lead on FTR, but the No Flips All Fist guys are hard to keep down no matter what you throw at them!  Penta decides to go for psychological warfare and theatrically takes off his glove which he tosses to Cash who dutifully catches… and then IMMEDIATELY eats a kick to the face!  Rey then tags in and jumps really high in the air for a Cross Body on Cash, but after landing he’s grabbed by Dax and is dropped spine first onto the apron; giving FTR some heat as we head into the commercial.  Rey eventually makes his way to the corner to tag in Penta who hits Sling Blades on both guys before landing the Backstabber on Dax.  Things go back and forth for a bit between Penta and Cash with some very cool reversals thrown in, and soon enough Rey tags back into the match.  He punches Tully Blanchard in the face who thought it was a good idea to get up on the apron and taunt him, and starts to face off both members of FTR just like Penta did because I guess the Heels are allowed to do whatever they want; isn’t that right Ref?  In any case, Dax catches Rey in a Springboard move and drops him with a Slingshot Liger bomb for a two count, and Dax tosses him into the ropes where Cash is waiting to bash him with the belt much like he did in their first meet up.  Rey manages to stop himself and avoid the belt shot just as the ref sees what’s going on, and the two of them yank the belt out of Cash’s hands… which then goes right into Dax’s face!  Oh well!  Guess Rey’s gonna hit him with the Frog Splash and win!  NO WAIT!  Dax is still holding the belt and just lifts it up as Rey comes down; conking him in the face and going for the pin.  Despite seeing little flying birds circle his head after that shot, Rey manages to kick out at two and things just go into overdrive from there!  Rey tries to fight off FTR and goes up top for some sort of move, but he gets caught by both of them and they smash him to the mat with a Big Rig.  They go for the pin but it’s broken up by Penta who comes flying in from the top turnbuckle; wiping everyone out taking a little breather on the floor while the crowd is going wild!  It’s down to a battle of chops as both teams are in the ring and trading blows back and forth until Fenix lands a Cutter on Dax, only to eat a Gory Bomb from Cash.  Penta is back in the ring and Cash does his best to fight him off, but in the end he winds up eating a Fear Factor and the Lucha Bros get the pin to win the match.  I’m still a bit baffled that they gave away a title match (especially one this good) on Rampage, but if you are gonna give it away then why not make it fantastic?  If nothing else, it was WAY better than the one on the PPV!

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HalloWWEen: Escape the Undertaker

Escape the Undertaker and all the images you see in this review are owned by Netflix and WWE

Directed by Ben Simms

WWE has fallen PRETTY far in the last few years which can be attributed to a lot of things, but the most obvious of them is the arrival of AEW who have been killing it in the ratings recently to the consternation of Vince and crew.  That said, if there’s ONE area where they are still the undisputed rulers of in this business, making fun things only tangentially related to wrestling!  AEW doesn’t have a movie studio, and while they may have one reality show, half of WWE’s programming these days seems to have zeroed in on that market with pretty significant success!  Being the established brand CLEARLY has its benefits, and while we probably won’t be getting another season of the Big Show Show, their relationship with Netflix has given us THIS little gem just in time for the Halloween season!  Does this interactive movie pack enough chills and thrills to delight even the most jaded horror fan, or does this fall even flatter than Seth Rollins’ Monday Night Messiah gimmick?  Let’s find out!!

You may have always wondered what a guy like The Undertaker did on his days off, and apparently the answer is to live in a dilapidated mansion with security cameras all over the place much like the terrifying hotel in The Collection!  All of this seems to be to protect his precious urn that gives him his dark powers and glows bright purple when you get close to it, but on this fateful Halloween night, he is greeted by some unexpected guests!  The New Day (Kofi Kingston, Big E, and Xavier Woods) want to “borrow” the urn to see if they mix its dark magic with the Power of Positivity (it’s a wrestling thing; don’t worry about it) and so they start knock-knock-knocking on his front door asking to see it.  Now The Undertaker, under normal circumstances, would have just given them all Tomb Stone Piledrivers, but the urn seems to be reacting to their presence so perhaps he can use their souls to add to the urn’s already impressive power!  He unlocks the door from his secret security room and the New Day enter to find spooky fog, mysterious voices, and a morgue in the basement, all in their quest to find the urn and use its powers for good!  Can you guide the New Day through whatever perilous traps and soul crushing trials the Undertaker has in store for them?  What happens if you make mistakes that drain our heroes of their positive attitudes?  Do you think this is what The Undertaker does every Halloween; just stare at his computer all day and hope that someone will try to mess with him?

REALLY don’t want to see his browser history…
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Super Wrestling: AEW Rampage (10-22-2021)

AEW Rampage is owned by All Elite Wrestling, Tony Khan, Shahid Khan, and TNT

We’re back with another week of concentrated AEW goodness as they are still running shows on Friday and Saturday instead of the usual Wednesday and Friday.  DARN YOU HOCKEY FOR MAKING MY WEEK SLIGHTLY MORE INCONVENIENT!  In any case, does AEW still put on a great show even if it’s now leading with Rampage instead of Dynamite?  Let’s find out!!

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Orange Cassidy Vs. Powerhouse Hobbs – AEW World Title Tournament Match

Cassidy is accompanied to the ring by Chuck Taylor while Hobbs is accompanied by Hook

As great as Hobbs is, you’d expect this match to handily end in Cassidy’s favor, but there are two things that make this interesting.  First, Cassidy is having issues with his ribs due to the Leg Drop that Matt Hardy gave him through a table during the ladder match, so Hobbs has something to target.  Second, Hobbs is proving himself to be a VERY smart wrestler who can definitely rely on his size most of the time but can out strategize his opponent when the need arises, and arise it does because Hobbs is reading Cassidy like a book and anticipating all of his signature moves.  Cassidy starts the match going for an Orange Punch, but Hobbs scouts it, dodges it, and lands one of his HELLACIOUS Spine Busters to get things going and he gets the heat for quite a while on Cassidy; including one spot where Cassidy is thrown into the rope and tries to land a Swinging DDT, but Hobbs catches him and lays him out with a giant clothesline.  Cassidy finally starts to fight back when he gets a few shots in while on the apron before going for the Cross Body off the top rope, but once again Hobbs’ power comes into play as he catches him and puts him in the Torture Rack.  It seems hopeless for Orange Cassidy who can’t get a move in edgewise, whether it’s another attempt at a Swinging DDT or another shot at the Orange Punch that Hobbs dodges once again drives him into the turnbuckle.  It’s all great stuff from Hobbs even if it’s a bit TOO one-sided for my taste, but here’s where things start to get odd.  Hobbs is continually pressing him in the corner and Ref Remsberg has to remind him over and over to break the hold before the five count.  This is SO irritating to Hobbs that he ACTUALLY picks up Remsberg so they can talk in the other corner.  Hook gets on the apron to calm Hobbs down which ends up working as Hobbs takes a deep breath and is ready to continue the match properly.  These shenanigans however have given Cassidy enough time to get back up and roll him up in the Mouse Trap to get the pin and win the match.  Hobbs is out of the tournament which is a shame because this was a REALLY good match that did a lot to show how great of a wrestler he is!  I don’t always like it when Cassidy spends most of the match eating offense, but Hobbs knowing Cassidy’s moves and countering them at every turn was a fantastic strategy for him to use in this match.  Ultimately though it seems to have been SUCH a good strategy that they wrote themselves into a corner and had to settle for ref shenanigans to get themselves out of it which is disappointing, but this once again affirms that Powerhouse Hobbs is an indispensable talent at AEW and as always I can’t wait to see even more of him!

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