Category Archives: Cinema Dispatch

Cinema Dispatch: Da 5 Bloods

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Da 5 Bloods and all the images you see in this review are owned by Netflix

Directed by Spike Lee

It’s not often that a film gets released at the EXACT moment it should be, but leave it to Spike Lee to make a movie worth talking about at a time when its message couldn’t be more relevant.  I’ve certainly liked more of Spike Lee’s movie’s than I haven’t with Chi-Raq being a downright masterpiece and it’s like movie studios are giving us anything else worth watching at this period of time (including Disney who thought putting Artemis Fowl on Disney+ was a better idea than just chucking it in a garbage can), so consider me pumped to see something important instead of just spending another evening watching reruns and staring at the ceiling!  Is Spike Lee’s timely examination of Black people’s relationship to the Vietnam War and by extension the systems created it which are still in place to this day, or is Lee like the rest of us and finds himself missing a step in these unusual times?  Let’s find out!!

Nearly fifty years after their tour in Vietnam, the remaining members of The Bloods return to Vietnam to reconnect, remember the good times, and find their fallen comrade Stormin’ Norman (Chadwick Boseman) who died during the war and whose body is still out there.  Our surviving members are Paul, Otis, Eddie, and Melvin (Delroy Lindo, Clarke Peters, Norm Lewis, and Isiah Whitlock Jr) as well as an unexpected fifth member David (Jonathan Majors) who’s the son of Paul and wants to keep an eye on him during this trip.  Now that’s all MOSTLY true, but there are some details missing such as the fact that The Bloods buried a whole bunch of gold back then and are out here to find it along with Stormin’ Norman to secure their retirements, though saying that to the US government who’s gold it is they’re digging up (it was supposed to be delivered to the Vietnamese government that was declared a loss after the plane crashed), so they omitted that part when they appealed to both countries’ governments to explore the area.  And so the journey begins, with our heroes telling stories of their time in the war, confronting the demons of their past, and hopefully leaving the country far richer than they entered it.  Will The Bloods find what they are looking for in this country they left long ago, and will it be what they came to find in the first place?  What hardships will they face along the way, and will their struggles ultimately be in vain?  How the heck is it that the ONE dude to die in the war was Black Panther!?  Isn’t he bulletproof!?

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“Did you find any vibranium yet?”     “That joke wasn’t funny the first time you made it, and it sure as heck isn’t funny the FIFTIETH time you made!!”

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Cinema Dispatch: Artemis Fowl

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Artemis Fowl and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Kenneth Branagh

I don’t think I’ve seen a GOOD new movie since the theaters closed up which is probably no coincidence as any studio who thinks their film will earn MONEY will probably want to wait until theaters are open again to take their chances on a strong weekend box office.  It certainly hasn’t improved my general outlook in this very challenging time, but Disney has a chance to lift the spirits of the world by giving us a fantastic adventure film that the whole family can enjoy!  Is this the YA cash cow that Disney’s been looking for!?  Let’s find out!!

Artemis Fowl Jr (Ferdia Shaw) is the son of famed… artifact collector or something, Artemis Fowl Sr (Clin Farrell); both of whom live a happy little life in a giant coastal mansion with their not-butler Domovi Butler (Nonso Anozie).  The only problem is that dear old dad has a habit of jetting off to another adventure in artifact “collecting” which leaves little Artite with little more to do than win dozens of awards at school and be a pompous jerk about it because on top of being super-rich he’s also a super-genius with a bad attitude.  Everything changes however when one of his father’s trips ends with his yacht sinking in the ocean and somehow it also comes out that he’s actually a master thief.  In reality, he’s been captured by an EVIL fairy and tells little Artie to give them the MAGICAL MACGUFFIN OF ULTIMATE DESTINY, or else his dad is going to die.  Oh yeah, fairies and other magical stuff are in this movie which comes in about as abruptly as that sentence did and little Artie gets over the shocking revelation just as quickly.  It turns out the MAGICAL MACGUFFIN OF ULTIMATE DESTINY is some artifact from the land of the fairies which is located underground (glad we never ran into any of THOSE cities amongst all the fracking, am I right?) and Magic Cop Julius Root (Judi Dench) is adamant about finding it.  One of her subordinates Officer Holly Short (Lara McDonnell) has a personal stake in finding this artifact so she goes rogue and gets… let’s say ENTANGLED with Little Artie’s situation and through further complications, the ENTIRE Magic Army is on Artie Jr’s doorstop and are looking to drag him out of there with the help of a giant dwarf named Mulch Diggums (Josh Gad) who they need for… reasons I suppose.  Using only his wits, the help of his non-butler, and even the help of his non-butler’s niece who is ALSO a super genius and kung-fu expert, he must find a way to locate the artifact, get the Magic po-po off his lawn, and try to wrangle an entire novel’s worth of world-building and character development into less than ninety minutes of screen time.  Can Artie Jr outsmart the Magic Cops with this heightened intellect and penchant for slick suits?  What is the mysterious evil fairy planning, and what will happen if the MAGICAL MACGUFFIN OF ULTIMATE DESTINY were to fall into their hands?  Is this grab bag of every other fantasy movie even CLOSE to the sum of its blatantly lifted parts!?

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“We are NOT gonna win the group costume contest if we aren’t all on the same page!”     “Why are you looking at ME?  SHE’S the one who came as The Wasp!”

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Cinema Dispatch: The Last Days of American Crime

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The Last Days of American Crime and all the images you see in this review are owned by Netflix

Directed by Olivier Megaton

With the world descending into righteous fury at the systems that have failed them for generations, there hasn’t been a whole lot of film news out there that has kept me on a regular routine which will certainly be a lurch if things DO ever get back to normal and they finally start releasing those movies we were supposed to get months ago.  The only thing I’ve seen AT ALL about film in the last week or so (besides the Bill and Ted trailer which dropped the day I’m writing this) is some movie on Netflix getting the coveted ZERO PERCENT ON ROTTEN TOMATOES award, so here we are I guess; I’m gonna waste my time watching a movie that everyone already knows is terrible and it’s somehow going to be the most productive thing I’ve done since I, a grown-ass man, vomited up two thousand words telling you why the Scooby-Doo movie wasn’t very good.  Can this movie with a very unwieldy title at least be better than THAT movie; especially since this has the edge of NOT charging you an arm and a leg to see it?  Let’s find out!!

The movie follows a man named Graham Bricke (Édgar Ramírez) who certainly acts like such as he joylessly and emotionlessly goes from one horrific violent crime to another in what I can only assume is a near-future Michigan that’s about three months and a few missed orders from Deer Park from turning into a Mad Max hellscape.  Things are about to be changed for the better, at least as far as the government is concerned, as  they’ve developed a SUPER SCIENCE MIND CONTROL SIGNAL that will prevent anyone from knowingly committing a crime which I’m quite certain is what those 5G conspiracy theorists believe is actually going to happen.  In any case, the people in this movie haven’t figured out how tin foil hats work and so they’ve resigned themselves to losing their free will; at least in the United States.  Canada hasn’t developed a MIND CONTROL RAY and so the border has become fully militarized as people get shot to pieces trying to cross; all of which sounds like the filmmakers are trying to make a point but darned if I can find out what the heck this movie is trying to say!  Bottom line is, Bricke gets recruited by some dude named Kevin Cash (Michael Pitt) for one last heist to steal a whole bunch of money from a government vault in the city before booking it for the Canadian border mere minutes before the government turns on their MIND CONTROL RAY and who have helpfully provided everyone with a countdown clock to the second as to when that will happen.  Joining the crew is Cash’s girlfriend Shelby Dupree (Anna Brewster) who may or may not be the brains of this operation, and throw into that a conspiracy involving the death of Bricke’s brother to make a perfect storm of bad planning and bad timing for this heist that has to go off without a hitch!  Can Bricke outrun his own past and set himself up for a nifty little retirement in the land of hockey and poutine?  Does Cash have an ulterior motive to all of this that could get in the way of Bricke’s meticulous professionalism and throw this whole operation into chaos?  If you were going to follow anyone into a ridiculously convoluted heist, would it REALLY be a guy who looks like an off-brand Jason Mewes?

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Cinema Dispatch: Scoob!

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Scoob! and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Tony Cervone

With releases being what they are and LIFE being what it is, I’ve certainly fallen into a bit of a funk lately which is perhaps the biggest reason I was really looking forward to this movie; something that I can put on my calendar and look forward to instead of just the endless pile of stuff that’s already here but I couldn’t muster up the energy to work on.  Now Warner Bros’ recent output of the Hanna-Barbara licenses has certainly been interesting to see, particularly those comic books they released a few years back, and so bringing Scooby-Doo back to the big screen in the midst of all this… shall we say CREATIVITY, does have a certain amount of appeal.  I don’t know how popular it is right now, but the Scooby franchise has proven to be remarkably resilient and is in constant flux with new and drastically different series coming out every few years, so perhaps with such a rock-solid property to work with, Warner Bros can do something truly unique!  Is this the start of Scooby-Doo’s resurgence to the peak of popular culture, or will the concepts prove to outdated for modern audiences to latch onto outside of Saturday morning cartoon reruns?  Let’s find out!!

Shaggy Rogers (Iain Armitage and Will Forte) is a lonely kid with no friends… for some reason, until he finds a stray dog who can talk but no one seems to have much of a problem with.  He names the dog Scooby (Frank Welker) and eventually meets three other kids named Fred, Daphne, and Velma (Pierce Gagnon and Zac Efron, Mckenna Grace and Amanda Seyfried, and Ariana Greenblatt and Gina Rodriguez) who by happenstance they end up solving a mystery with.  And thus the origin story has been told, in less than ten minutes!  What do they fill the remaining eighty with?  Well it turns out that The Blue Falcon, or at least his son Brian (Mark Wahlberg) is trying to stop the evil Dick Dastardly (Jason Isaacs) from doing… something, and it somehow involves Scooby (presumably because he’s SUCH a good boy) which means he snatches Shaggy and Scooby away from whatever it was they were doing and are now sidekicks on a superhero adventure!  Blue Falcon is helped by his female pilot Dee Dee (Kiersey Clemons) and his dad’s robot dog Dynomutt (Ken Jeong) who are basically the two keeping this operation afloat while Brian stumbles his way through the adventure, and with the help of Scooby being… so very important I guess, they will race Dick Dastardly across the globe from collecting the Magical MacGuffins that will spell doom for the world!  Meanwhile, Fred, Daphne, and Velma are wondering why they aren’t a part of this movie and so try to “solve the mystery” of where Scooby and Shaggy went, only to wind up in a larger than life adventure far beyond investigating a ghost who’ll end up being a guy in a Halloween mask!  Will our heroes overcome the pure malevolent evil of a man named Dick with a beautiful mustache?  Will Scooby’s new status as BEST DOG EVER make Shaggy into a jealous jerk for half the movie for extremely petty reasons?  If we’re gonna do this cinematic universe stuff with Hanna-Barbera, can we at least put Harvey Birdman into it?  Better yet, Phil Ken Sebben!  At least that would be SOMETHING about this movie worth talking about!

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“He’s my best friend Scooby, and he likes fried Scooby snacks on a stick!”     “HA HA!  Treats on dowels…”     “Was… was that a joke or something?”     “You’ll understand when you’re older, sport.”     “Okay, boomer.”

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Cinema Dispatch: Capone

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Capone and all the images you see in this review are owned by Vertical Entertainment

Directed by Josh Trank

Well that’s a name I didn’t expect to see!  It’s been a while since Josh Trank’s last film Fant-Four-Stick which was by all accounts a misguided mess, but I never thought he was a BAD director; just someone who’s reach exceeded his grasp much like Colin “Book of Henry” Trevorrow who was dropped from Star Wars but at least is getting another swing at Jurassic Park at some point.  Honestly, I hadn’t even heard about this movie until the reviews started pouring in on my YouTube feed, and since there’s not a whole lot else going on right now, why not give it a shot?  Is this a solid film and a notable return for the director of Chronicle, or has Trank somehow declined even further after Fantastic Four was such a nightmare to work on?  Let’s find out!!

Notorious mobster Alfonse Capone (Tom Hardy) was released from jail seven years after he was sentenced for Tax Evasion due to his failing health.  He then spent several years under the care of his wife (Linda Cardellini) and some of his old friends in Florida whiling away the days while his condition got worse and his mind began to deteriorate.  With not much time left, some of the people in his life start to wonder if there’s one last bit of cash stashed away somewhere, most notably the FBI who have been keeping him under surveillance since his release, but ultimately this is a story of a man slowly dying and reflecting on his life; trying to find some peace in his final years and lamenting the continued loss of his faculties as the paresis ravages his mind.  Will we learn what makes this legendary gangster tick as we watch him struggle through the final years of his life?  Will the people around him get what they’re looking for, and how far are they willing to go to get it?  Will Tom Hardy get that Oscar gold with this mumbling performance of a man who craps the bed and yells at things!?  I mean we gave Jeff Bridges an Oscar for that, so why not him?

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“My acceptance speech is ready to go!”

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Cinema Dispatch: Trolls World Tour

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Trolls World Tour and all the images you see in this review are owned by DreamWorks and Universal Pictures

Directed by David SF Wilson

I know I’m a week late on this, but even with the convince of being able to watch this one at home (and let’s be frank here, I’m not spending THAT much more money than I would at the theater), I just couldn’t be asked when it actually came out and frankly I had better things to do like play that Final Fantasy VII remake than watch a sequel to an animated film I didn’t like all that much.  But even if we do have the perfect excuse to sit around and do nothing as it is now the socially conscionable thing to do, I still need to maintain SOME sort of routine to not go stir crazy in here, so fine.  Let’s buckle down and watch yet another toy commercial dance around for an hour and a half while playing all the songs your parents used to like!  Does it manage to somehow surpass the low expectations that its predecessor had set, or are we in for a LONG bout of isolation if this is the bets that studios can give us in these tumultuous times?  Let’s find out!!

Following the events of the first film, Queen Poppy (Anna Kendrick) is living out her fantabulous troll life singing songs, performing dance numbers, and being worshiped by her beloved subjects.  Her best friend Branch (Justin Timberlake) seems a bit more uneasy about the idyllic life but he puts up with it in the hope getting out of the friend zone (ugh…) to either spend the rest of his life with the troll he loves or this is some elaborate power play to become KING OF THE TROLLS!  Of course it’s not the latter (that would be far too interesting), but instead the conflict ends up being a group of ROCK TROLLS led by Queen Barb (Rachel Bloom) who is traveling across the land attacking similarly music-themed tribes to steal their magical music strings that the former King Peppy (Walt Dohrn) failed to clue Poppy in about during her Queen initiation.  Apparently each tribe of musical trolls (the trolls we know are known as the Pop trolls) has a magical string that signifies their music, and does… something.  I’m not exactly sure what, but if Barb gets all six of them, puts them on her super awesome guitar, and plays some tasty licks with them, it’ll turn all the trolls into Rock trolls which will unify the troll kingdoms which will accomplish… something.  In any case, Poppy wants to try and negotiate with Barb to see if they can unify peacefully, but it becomes clear that she’s more about taking everything over than working together, and so she and Branch along with Biggie (James Corden) have to travel the land and try to get the other tribes to work together to stop Barb from fulfilling her dastardly destiny.  Will Poppy be able to convince any of the other tribes that working together is better than falling apart?  Is there more to the history of the strings and these tribes than Poppy knows, and will that play a key role in defining the course of this current crisis?  Do you think Justin Timberlake ever wonders why he’s not in better movies or has he just resigned himself to mid-level animated shlock?

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“I was in The Social Network.  WHAT HAPPENED TO ME!?”

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Cinema Dispatch: Bloodshot

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Bloodshot and all the images you see in this review are owned by Sony Pictures Releasing

Directed by David SF Wilson

Is it just me, or did anyone else think this movie was about a vampire?  I mean it’s not like BLOODSHOT is some sort of household name to rival that of Iron Man and Thor, and with a name like that I’d have pegged them as a Blade knock off more than anything else!  Well whatever this movie is about (a ROBOT vampire maybe?), it’s yet another vehicle for Vin Diesel who’s really had a bad luck streak in recent years as he’s been trying so hard to escape the Fast franchise to do his own thing but to no avail, and now he has to pretend that John Cena is his brother or whatever the heck is going on in that move that we won’t be seeing for another year.  Just when he thought he was out, THEY PULL HIM RIGHT BACK IN!!  Is this the one that will be the new franchise starter that he needs to escape the shadow of the Fast and Furious franchise?  I mean… probably not, but let’s find out!!

Ray Garrison (Vin Diesel) is your typical action movie hero.  He works for a SUPER SECRET SEAL TEAM SIX type outfit for the US military, and he’s covered in all sorts of scars that his beautiful wife (Talulah Riley) lovingly caresses whenever he returns from another world saving mission.  Sounds about right for a typical action flick, but where’s the motivation for vengeance?  WHERE’S THE INCITING INCIDENT THAT CALLS OUR HERO TO VIOLENCE!?  Oh wait, there it is!  Some dude (Toby Kebbell) kidnaps him and his wife looking for information, but when Ray doesn’t have the answers he’s looking for he kills the wife and puts a bullet in Ray’s head; an act that would kill a lesser man, but Vin Diesel isn’t about to be put down by a small amount of lead to the cranium!  Instead, he manages to survive the shooting and his body Is recovered… somehow by SUPER SCIENTISTS working for Dr. Emil Harting (Guy Pearce) where it’s brought to his SUPER SCIENCE company and is fixed up good as new by basically turning him into Million Ants Man; only instead of ants it’s NANOBOTS!!  With this new power he can recover from ANY damage, can punch things REALLY hard, is able to connect to basically any computer… BUT WILL THAT HEAL THE HOLE THAT IS LEFT IN HIS HEART!?  Of course not, so almost immediately he starts to search for the man who killed his wife and plots his revenge despite the consternation of Dr. Harting and his rag tag group of cyborg buddies including Katie (Eiza González) who has a robo-lung and seems to be hiding more than just her giant chest mounted ventilation system.  Will Ray find the man responsible and bring him to justice in a very violent fashion?  Why did he kidnap Ray and his wife in the first place considering he didn’t have any information to give him, and is there more to this horrific act of violence than Ray initially suspects?  Why the heck is even called Bloodshot!?  Is it REALLY just because he has red eyes sometimes?

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“Hey buddy, do you need help or something?”     “All I need is to bath in the blood of my enemies and hear their screams as they take their last painful breath…”     “Okay… well how about some eye drops?”     “I mean… I won’t say no if you have some.”

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Cinema Dispatch: The Hunt

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The Hunt and all the images you see in this review are owned by Universal Pictures

Directed by Craig Zobel

Boy does this movie want us to think it has a chip on its shoulder!  I haven’t seen negative review quotes used this liberally since Freddy Got Fingered, which… okay, that might actually be a good sign because I do like that movie purely on its utter absurdity (THIS IS A FANCY RESTAURANT!!), but is not the usual calling card of studio confident in a film on its own merits.  Then again I can’t imagine Universal having any other bright ideas after the thing got pulled from theaters and certain segments of the media decided that THIS was the thing that’s going to destroy the fabric of our society.  Personally, I think we already got that film with London Has Fallen, but whatever it is that hyped this movie up so much, is there any way that it can live up to those expectations?  Let’s find out!!

A bunch of people wake up in the middle of a field with no idea where they are or how they go there.  They start to slowly move towards the center of this big field with a giant crate right in the middle that contains a whole lot of weapons and a pig for some reasons; the implications of which they don’t have long to ponder because they are immediately beset by gunfire, booby traps, and all manner of lethal armaments!  Some of them seem to carry themselves well enough (Betty Gilpin) while others are showing themselves to be MASSIVE jerks (Ike Barinholtz) who may or may not have it coming for various reasons; the least of which being that they’re in a horror movie and that’s usually the way things go.  Eventually though, it’s revealed that their attackers are a bunch of liberal yuppie yahoos (including but not limited to Glenn Howerton and Hillary Swank) who seem to be taking their 2016 frustrations out on a bunch of red necks and scumbags through a game facilitated by their massive wealth.  Is this all just one big excuse for that whole class warfare thing I’ve been hearing about to become literal, or is there more going on than what we’re initially led to believe?  Is this like Saw where the main villain has justifiable reasons for taking these people prisoner, or is it like Saw 4 where things just get ridiculous and asinine for no good reason?  Seriously, is it POSSIBLE for Ike Barinholtz to not be a scumbag in everything he plays?  I’d give fifty-fifty odds on some rich fool actually BELIEVING this guy to be monster and throw him in one these death games for real!

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“When I signed up for a sequel to Blockers, I was NOT expecting this!  WHERE IS MY AGENT!?”

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Cinema Dispatch: Onward

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Onward and all the images you see in this review are owned by Pixar and Walt Disney Studio Motion PIctures

Directed by Dan Scanlon

It’s no secret that I’ve been pretty down on Pixar this past decade.  On the one hand, we DID get Coco and I guess Inside Out was just fine, but this was also the decade that brought us redundant sequels that I just failed to connect with; particularly Incredibles 2 and Toy Story 4 which everyone else seemed to enjoy a heck of a lot more than I did.  Because of this and the somewhat underwhelming trailers we got (It’s fantasy AND modern AT THE SAME TIME!?), I’m not exactly looking forward to seeing this kid friendly version of Bright, but that’s just the pessimistic side of me talking and maybe this really will be another return to form for the venerable studio.  Is this a road trip for the ages and the sequel to Brütal Legend we’ve all been secretly hoping for, or is this a mythical folly more disastrous than that Warcraft movie you’ve already forgotten about?  Let’s find out!!

Ian Lightfoot (Tom Holland) is your typical Elf teenager; aspiring to be Legolas but more like The Elf on a Shelf.  He’s gangly, really quiet, and to some people he might come off as a bit creepy considering his lack of social skills.  VERY different from his brother Barley (Chris Pratt) who is basically the unholy offspring (in the cool Rock N Roll sort of way) of Andy Dwyer and Jack Black; spending most of his times talking theatrically, creating cool-tastic stories for his knock off D&D campaigns, and decidedly not getting a job or moving out.  Some of his arrested development issues as well as Ian’s social anxieties can be traced back to their father who died of an illness right before Ian was born, and there’s a lot of unhandled baggage there despite the efforts of their mother (Julia Louis-Dreyfus ) to make a happy home and the stern if bumbling guidance of their mom’s new boyfriend Officer Bronco (Mel Rodriguez).  On Ian’s sixteenth birthday however, that all changes when their mother gives him a gift from his late father that she was instructed to hold off on until this day, and it turns out that their dad was a wizard who came up with a spell to bring him BACK FROM THE DEAD for one day so that he can see how great his sons turned out.  Sure!  Just ask the Elric brothers how well this worked out for them!  Well it KIND of works out as Ian is only able to bring back the bottom half of their dad and they now need to go on an EPIC QUEST TO FIND A NEW GEM FOR MAGIC STAFF, and cast the REST of the spell before the 24 hours are up.  Can Ian and Barley find the mythical Phoenix Gem and see their father one last time?  Who exactly WAS their father and how far does Ian want to go with these new magic gifts that he’s discovered?  Will Barley put him through the Rocky Training Montage of his life!?  He certainly has the right music for it!

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“You’ve gotta say it bro!”     “Sigh… This is my big staff, this is my wand.  This is for casting, this is for fun…”

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Cinema Dispatch: The Invisible Man

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The Invisible Man and all the images you see in this review are owned by Universal Pictures

Directed by Leigh Whannell

You know what movies I should really get around to?  The Hollow Man films.  I don’t know much about them other than they’re about a REALLY creep dude who becomes invisible, but it seems like that idea is alive and well in this which I guess you could call… a reboot?  I mean I WISH it was part of the Dark Universe and that that was still a thing, but whatever you want to call this latest spin on the formula from Universal AND my often beloved but frequently beloathed Blumhouse, it’s certainly a film that’s caught my attention!  Personally, I’m REALLY excited for this as the trailer looked very good (if a bit too revealing ironically enough) and frankly it looked like the kind of sequel to The Boy that we should have had instead of whatever the heck Brahms 2: Boy Harder was supposed to be.  Not only that but with this season being such a bad time for horror movies including Blumhouse’s OTHER reboot from two weeks ago, it couldn’t have come at a better time.  Does 2020 finally have a mainstream horror film that isn’t a total embarrassment to the genre, or is this another case of good marketing covering up a mediocre film?  Let’s find out!!

Cecilia Kass (Elisabeth Moss) has been living with her boyfriend Adrian Griffin (Oliver Jackson-Cohen) for some time now but has finally decided to leave him due to his controlling and abusive behavior in this relationship, and despite only doing so by the skin of her teeth she does manage to escape with the help of her sister Emily (Harriet Dyer) and starts living with her friend James (Aldis Hodge) and his daughter Sydney (Storm Reid).  Still, the road to recovery is a long one and despite not living under his roof anymore she still can’t shake the feeling that he’s around every corner and will find a way to ruin her life; especially since he’s some big shot genius scientist who promised to do just that if she ever left.  However, good news arrives as Cecilia learns that Adrian is dead and she will inherit a huge chunk of money in the process!  Everything’s starting to look up now… except that strange things keep happening around the house.  Did she leave the oven on?  Was that knife on the floor before?  Is someone taking pictures of her while she’s sleeping?  As these strange occurrences start to escalate, it becomes clear to Cecilia that Adrian MUST still be alive and that he found some way to turn invisible using his some sort of super science which admittedly sounds a bit out there as far as explanations go, but considering the title of this movie I think it’s right on the money.  Will Cecilia be able to stop Adrian from running her life from beyond the grave?  Will anyone believe her story, especially when the strange occurrences get more and more violent and people are starting to suspect her of being behind them?  How the heck did he turn himself invisible anyway!?  Super reflective body paint!?

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“First the Green Goblin, and now this…”

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