Cinema Dispatch: Ant-Man

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Ant-Man and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Peyton Reed

Marvel films have gotten quite a bit of criticism recently which is to be expected with a studio that has become so omnipresent in popular culture.  When something gets this big, it’s only natural that a lot more voices enter the conversation which means that the overall discussion turns into a diverse mix of varying opinions, and not all of them are going to be positive.  Still, it seems that with Ant-Man, Marvel is trying to expand what these movies can be with this one primarily being a heist film rather than what we usually get from this studio, though it hasn’t been a smooth ride what with the original director (Edgar Wright) leaving production partway through.  Does this movie succeed in tweaking the formula that made the other films a success, or has the shaky production surrounding this film led to a sub-par outing for a studio trying desperately to convince us that they’re totally going to keep up this track record of excellence for the next decade?  Let’s find out!!

The movie begins with a flashback to that most infamous of decades, the eighties.  Hank Pym (played by Michael Douglas) is at the height of his career and is respected by all his peers.  Unfortunately, it turns out to be 1889 and just like Michael Douglas, Hank’s career is about to take a turn for the worse.  He’s working for Shield (which is actually Hydra but whatever) and is the discoverer of what is known as the Pym Particle.  Essentially, he made super science goo that makes things shrink which makes aid goo super valuable.  Valuable enough that Shield is going behind his back and trying to recreate the formula which is enough for him to quit his job and he vows to let the secret formula die with him.

Michael Douglas’s secret to his success on the other hand is something he’s willing to tell everyone.  Spoiler alert:  It’s his dick.
Michael Douglas’s secret to his success on the other hand is something he’s willing to tell everyone.  Spoiler alert:  It’s his dick.

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Cinema Dispatch: Inside Out

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Inside Out and all the images you see in this review are owned by Walt Disney Studios
Motion Pictures

Directed by Pete Docter

Is it too late for the Herman’s Head jokes?  It is?  Okay then.  Anyway, we once again find ourselves with another film from the world’s most harshly criticized 9.5 out of 10 studio.  It’s hard to deny that the Pixar brand has become somewhat tarnished in recent years what with Cars 2 being a critical bomb and Brave not living up to expectations for many.  That and the fact that they’re gonna start cranking out sequels left and right for the next decade.  Still, you can’t deny that Pixar on a bad day is still gonna be better than a lot of other studios on a good day.  So where does Inside Out fall on the Pixar scale?  Eh… we’ll get to that in a minute.  First, what is this movie about?

Our heroes ladies and gentlemen.  And they control EVERYTHING we do.
Our heroes ladies and gentlemen.  And they control EVERYTHING we do.

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Cinema Dispatch: Jurassic World

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Jurassic World and all the images you see in this review are owned by Universal Pictures.

Directed by Colin Trevorrow

Two hundred MILLION dollars in the opening weekend!?  Oh I’m, sorry that FIVE HUNDRED MILLION DOLLARS when you include the international box office.  What exactly about this movie (other than it being a new entry in a franchise that has nostalgic appeal to multiple generations of people) could bring in that kind of cash!?  Jurassic Park was never really that important of a franchise for me (only got through the first one and half of the second one) which means this movie was barely on my radar.  The only thing that caught my attention was Star Lord driving a motorcycle with his personal posse of velociraptors (and of course this amazing gif).  Needless to say, the movie caught my attention after everyone starting to go nuts over it, so I went ahead and saw the damn thing to find out what the fuss is about.  Now big box office numbers are never a reliable indicator of quality (just look at the Transformers films) but there was still a bit of optimism what with the decent trailers and the undeniable coolness of dinosaurs WITHOUT feathers.  Also, Chris Pratt.

No matter what it is, just keep running.  Dinosaurs, cops, Parks and Rec fans, doesn’t matter.
No matter what it is, just keep running.  Dinosaurs, cops, Parks and Rec fans, doesn’t matter.

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Living on Netflix: Nativity 2: Danger in the Manger

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It is once again Christmas time, and we all know what that means!  CRAPPY HOLIDAY MOVIES!!!  Ugh… I was not looking forward to having to do a Christmas movie considering how chock full of crap the genre is filled with, and the knowledge that I COULD be watching much better holiday films instead of whatever one I decide to review.  Netflix must have heard my thoughts (I think that’s part of their license agreement) and delivered unto me a holiday film called Nativity 2: Danger in the Manger starring the one and only David Tennant!  Well it HAS to be good, right?  I mean, Dr. Who wouldn’t sign on to anything that sucked… would he?  There’s only one way to find out, and that’s to keep on reading!!

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Living on Netflix: VHS 2

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Can’t really escape it can I?  The first one was a flawed mess, but had some potential that a sequel could easily improve upon.  Not only that, but there’s a third movie coming out soon which makes this review quite relevant.  So then, do they improve on the mistakes made in the last one, or are they just going to make the same mistakes that every other horror sequel makes by making it bigger but losing the spark of originality that made the previous one noteworthy?  There’s only one way to find out and that’s to keep on reading!!

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Living on Netflix: VHS

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If I’m gonna spend the month of October reviewing horror movies, at some point I’ve got to talk about anthologies.  Horror is by far the most prolific genre when it comes to combining short films into a movie with classic examples like Creepshow, Three Extremes, and Trick ‘r’ Treat.  I imagine that the reason why horror is the preferred genre is that it’s probably the easiest one to still work effectively in a shorter time frame.  The fear of death or harm is easily conveyed, and an audience doesn’t need as much backstory to root for characters to survive as they would for say, a tragic romance or a story about revenge.  V/H/S has been on my radar for a while now and has generally been well received for the creative way it was able to combine several tropes of the horror genre (found footage, anthologies, etc) with a format that many fans believe was the best way to experience these kinds of films.  So does this movie actually succeed in being a throwback to a period in horror that’s fondly remembered, or is it a mishmash of poorly done short films held together by a shaky premise?  Only one way to find out, and that’s to keep on reading!!

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Living on Netflix: Red State

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Kevin Smith is a director that I’ve defend as damn good if not always excellent.  Movies like Clerks and Dogma are still original and entertaining, while Clerks 2 is a straight up classic in my book.  That said I’ve kinda stepped back in recent years and avoided stuff like Cop Out and Red State which seemed to indicate a change in the once great film maker.  Well it’s time to fix that!  In celebration of the release of his latest film Tusk, I’m gonna take a look at his last movie Red State.  It seems appropriate considering that  both appear to be quite similar in tone and even has the same actor playing the bad guy in both films.  Is this movie gonna be an auteur director proving himself outside of his comfort zone, or yet another step in his continued slide into irrelevance?  Only one way to find out, and that’s to keep on reading!!

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Living on Netflix: Filth

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You know, I don’t think people give James McAvoy enough credit.  Sure he’s gotten a lot of critical success through the X-Men movies, but take a look through his filmography and you’ll see some serious acting chops.  By far his most extreme character to date is the unhinged Edinburgh detective Bruce Robertson in this adaptation of the 1998 novel of the same name.  Does Filth showcase McAvoy’s true acting prowess as well as the depths he’s willing to go, or is it a huge misstep for an actor in the prime of his career trying to prove himself by taking on the role of an unlikable prick?  There’s only one way to find out, and that’s to keep reading!

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Living on Netflix: Red Dawn (2012)

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I’ve been seeing this one coming since I started writing these.  It’s always been one of those I didn’t want to sit through because not only did it look really stupid, but I’ve never seen the original so my analysis would be somewhat incomplete.  All that though, was just excuses for me to avoid it and I’m not about to let this (alleged) piece of crap occupy my mind any longer.  I’m gonna sit down, grit my teeth, and get this over with.  You wanna know how much I’m dreading this remake?  Netflix thinks I’ll give the movie ONE star.  ONE.  STAR.  Pray to Cthulhu for me.  This might get ugly.

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