Cinema Dispatch: Top 10 Best Movies of 2015

As is tradition with all critics of entertainment, there comes a time when we must take all of our in depth analysis and well thought out arguments, and then condense it all down into a list that leaves no room for ambiguity because everyone loves things crystal clear for everyone to pick apart!  Well okay, it’s actually TWO lists and people tend to prefer the bad one, but we’re gonna save that for next time.  For now, it’s the best movies of 2015!  Before we get started however, just a few caveats.

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I DIDN’T SEE EVERYTHING THIS YEAR

In fact, I barely saw anything for the first half and when I thought of going back and trying to watch some of those that I missed, I learned that both Amazon and Netflix are absolutely DREADFUL when it comes to recent releases.  Neither services has more than maybe three or four movies that came out this year and the most mainstream among those was probably that Sean Penn action movie you’ve already forgotten about.  Needless to say that catching up would have cost a small fortune (on top of what I’m already spending at the theater) so I decided against it.  Also, the theaters I have access to rarely have anything outside of a mainstream release.  Hell, Dope is probably the most indie movie that my nearby theater had all year.  So the fact that I’ve missed almost everything before the summer and that my theaters don’t have as much variety as I’d like means that this is going to be a blockbuster heavy list.  It sucks that I couldn’t see more interesting stuff that’s making waves like The Danish Girl, Spotlight, or even Carol, but that’s how it shook out this year.  Hey, once I become one of those PROFESSIONAL film critics and join one of those associations, I’m sure the studios will be sending movies to ME instead of making me pay to watch them!

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MAKING LISTS IS HARD

Now I did take some time to consider the order for this list and overall I am very happy about it, but when it comes to the top three it’s really REALLY close.  I’m happy with the order I chose for them but think of it as pretty much a three way tie as all of them are fantastic in their own ways.

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We good?  Okay, ON WITH THE ARBITRARY RANKING!!!!

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Cinema Dispatch: The Big Short

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The Big Short and all the images you see in this review are owned by Paramount Pictures

Directed by Adam McKay

So the guy who directed both Anchorman Movies, Step Brothers, and The Other Guys is gonna sit here and try to tell us about the housing crisis?  Yeah right!  Who’s gonna take THAT seriously!?  Wait, they’ve got Christian Bale, Brad Pitt, AND Ryan Gosling?  It’s also written by the writer of Moneyball?  Well I certainly didn’t see THAT coming. Then again, it’s not like he hasn’t taken on relevant targets in the past.  Just look at Anchorman 2!  That took a lot of pot shots at Fox News and the media in general, even if it was surrounded by a lot of stupid.  So can the guy who brought us four Will Farrell man-child movies manage to make something a bit more mature while still giving it a proper sense of humor, or will this be just another painful example of someone who is WAY out of his depth and has no idea what the hell their doing and go back to his old shtick to give us Step Brothers 2: Now There’s Three of Them or Something?  Let’s find out!!

The movie follows several people in the years leading up to the big financial crisis of 2008 brought about by the crash of the housing market.  As we interweave between these stories of people who saw it coming, it’s slowly dawns on them (and the audience) just how absolutely unattainable the market was at the time and just how corrupt the system got which is what led to everything going to hell.  That’s really about it as most of the characters serve as either audience avatars or exposition machines to keep the audience in the loop as to what’s going on.  It’s definitely more about giving the us an idea of the scope of the problem rather than telling personal stories within them, but a couple of the character eek out an arc here and there like the young investors Charlie Geller and Jamie Shipley (John Magaro and Finn Wittrock) who are new to all this and get caught right in the god damn middle or even Mark Baum (Steve Carell) who’s already got it out for the big banks and at first sees this as just another thing to call them out on until he realizes how dep the rabbit hole goes in all of this.

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“You ever see that movie Basket Case?  Imagine that America is Duane Bradley and everyone in this room is fucking Belial.”

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Cinema Dispatch: Point Break

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Point Break and all the images you see in this review are owned by Warner Bros Pictures

Directed by Ericson Core

When Star Wars and Creed are bringing back beloved franchises in spectacular fashion, it takes a lot of nerve to try and sneak this movie right in the middle of it.  The original Point Break is one of those movies I’ve been meaning to see for a really long time, but never got around to for one reason or another.  Still, from what very little I know about it and from how the trailer for this remake looked, it definitely seemed like a shaky proposition to try and bring it back like this.  Still, I’ve been surprised by plenty of movies this year and I certainly don’t have the last movie to compare this to.  Could this be a solid remake of a minor action classic, or will this be yet another movie to throw in the pile of unnecessary remakes along with the likes of Total Recall whose writer coincidentally wrote this movie as well?  Let’s find out!!

The movie follows an FBI agent who as far as I can tell is ONLY referred to by his nickname Utah (Luke Bracey) that is brought in on a case that involves EXTREME thieves that are pulling some Robin Hood shtick with rich corporations.  The first of their crimes that the FBI is made aware of is the group driving motocross bikes through the twentieth story of a diamond sorting building and stealing all of them before crashing through the windows and parachuting to safety.  How they got the bikes all the way up there and how they weren’t caught once they landed is left a mystery, but let’s just say they escaped by sheer manly bro-force.  The reason why the FBI (or at least this one boss of his played by Delroy Lindo) wants Utah on the case is because the guy was an extreme sports practitioner before joining with the FBI.  That is… before the accident.

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“Remember when I was in the Point Break remake?  That was a dark time in my life…”

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Cinema Dispatch: Star Wars: The Force Awakens

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Star Wars: The Force Awakens and all the images you see in this review are owned by Walt Disney Studios

Directed by JJ Abrams

Alright, look.  This review is going to have spoilers and if you’re worried about that, then here are my thoughts real quick.

The movie is fantastic.  The bad guy stuff is the best, the good guy stuff is bogged down a bit by the references they’re trying to fit in, but overall it’s a fun ride and a worthy successor to the original trilogy.

You got that?  Okay, here comes the rest of the review.

The movie starts off with Poe Dameron (Oscar Isaac) getting a sci-fi USB stick that contains the location of Luke Skywalker who has been missing for a very long time.  Before he can take the flash drive to The Resistance however, the village he’s in gets raided by the new bad guys named The First Order who are the Empire in all but name.  Kind of like how Kentucky Fried Chicken changed their name to KFC.  Nothing’s changed, but now they have a less obviously evil/unhealthy name.  Anyway, Poe gets captured by Darth Vader 2.0, also known as Kylo Ren (Adam Driver) but not before Poe gives the USB stick to R2-D2 2.0, also known as BB-8.  The droid makes his way to a scavenger named Rey (Daisy Ridley) who takes it in while simultaneously A Storm Trooper named FN-2187 (John Boyega) breaks out Poe from the evil starship.  Their escape is cut short when they get shot out of space and crash land on the planet below (the one BB-8 and Rey are on) and FN-2187 (also known as Finn) is the sole survivor.  His deal is that he wants to get as far away from The First Order as quickly as possible, but now that he’s on the dirt planet he doesn’t really have a way to do that.  Fortunately, he eventually finds the droid and Rey, poses as a Resistance fighter, and convinces them to help him escape the planet and drop off the droid (with him escaping to wherever the hell he wants to in the process).  Can these two make it to The Resistance before The First Order can capture them?  Will Finn step up to the plate when the time comes, or will his self-preservation instincts kick in before he has a chance to play the hero?  Is Rey more than what she appears to be and is the she the key to stopping The First Order once and for all?  WHERE’S HAN SOLO!?!?  Oh wait, there he is.

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“Chewie… We’re gonna make a SHIT load of money doing this!”     “Rheeaaahhr!!”

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Cinema Dispatch: Krampus

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Krampus and all the images you see in this review are owned by Universal Pictures

Directed by Michael Dougherty

There really hasn’t been a good Christmas horror movie since Gremlins, has there?  I’ve heard good things about Rare Exports, but that didn’t even get a decent sized theater release here in the US.  That’s all about to change… maybe, with this horror film about the holiday season’s canonical version of The Grinch!  It certainly has an uphill battle considering how hard it is to walk that line between scary and being hilarious (intentionally anyway) but there’s some strong talent behind this film so there’s a good chance they can actually pull it off!  Will this movie manage to be a fun horror comedy that becomes a holiday staple, or is this a giant piece of cinematic coal that we’re being punished with for giving War Room so much money?  Let’s find out!!

The movie is about a family who gets together on Christmas despite the fact that no one likes anyone.  You’ve got Tom and Sarah (Adam Scott and Toni Collette) who are the parents of Beth and Max (Stefania LaVie Owen and Emjay Anthony) and they’re playing host to Toni’s sister Linda (Allison Tolman), her husband Howard (David Koechner), and their three kids Stevie, Jordan, and Howie Jr (Lolo Owen, Queenie Samuel, and Maverick Flack).  Oh, and there’s a baby in there somewhere along with bitter sardonic Aunt Dorothy (Conchata Ferrell).  Wait, am I forgetting anyone?  THAT’S RIGHT!!  Tom’s mother Omi (Krista Sadler) who will play Miss Exposition here as she knows ALL about Krampus yet doesn’t tell the family until well after the shit has hit the fan.  Anyway, as you’d expect around the holidays, tensions flare up and there’s a huge fight that causes young Max to finally give up on the Christmas spirit.  This decision makes completely responsible for what happens next and the deaths of whichever loved ones get caught in the crossfire.  A huge storm rolls in that cuts off this neighborhood from the rest of the world and takes out the power and cell phone towers.  There’s something else out there though and the family soon finds themselves besieged by Gremlins knock offs, snow monsters, and a really fucked up Jack in the Box before Krampus finally shows up to deal with this family himself.  Can they survived Yuletide massacre long enough to open their presents?  Will Max be forever haunted by the fact that his sadness (which is something that’s REALLY outside of his control) is the root cause of all this horrifying shit being rained upon them?  Is it at least as good as Santa’s Slay!?

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Even if it is, that’s some serious damning with faint praise.

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Cinema Dispatch: Secret in Their Eyes

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Secret in Their Eyes and all the images you see in this review are owned by STX Entertainment

Directed by Billy Ray

Does anyone even remember that this movie was supposed to come out?  I remember seeing trailers a LONG time ago but then they just stopped and I haven’t seen one for this in probably four or five months.  Did the studio lose faith in it despite its all-star cast (Chiwetel Ejiofor, Nicole Kidman, and Julia Roberts just to name a few)?  It seems that the Studio is angling for this to be an Oscar type film along the lines of Michael Clayton or LA Confidential based on the trailers we initially got, but maybe something happened between then and now that cause the studio to lose faith in this film’s ability to reach the main stream audience.  Is this a solid thriller that will generate some positive buzz through word of mouth, or are we looking at something that the studio was desperate to bury?  Let’s find out!!

The movie follows Ray (Chiwetel Ejiofor) as he tries to solve the murder of the daughter of his friend Jess (Julia Roberts).  It’s not going all that well considering he’s just getting a breakthrough after thirteen years of diligent work, but at least he has something he can bring to the district attorney Claire (Nicole Kidman).  Now this is where things start to break down so I’ll try to get this story across as best as possible.  Thirteen years ago, Ray was an FBI agent that got transferred to a Los Angeles after 9/11 with a whole bunch of other agents because everyone thought that was where the next attack would be.  One of those agents is Jess who becomes his partner and they become friends along with Bumpy Willis (Dean Norris basically reprising his role as Hank Schrader to the point that they eventually give the dude a cane) and the new Assistant District Attorney Claire.  One day, they find Jess’s daughter dead and bleached in a dumpster outside of a Mosque they’re investigating and it completely destroys Jess.  They have a suspect in some kid named Marzin (Joe Cole) that they’re DAMN sure did it but due to some extenuating circumstances, the head of the LA FBI office (Alfred Molina) doesn’t want to pursue this further.  The kid is actually an informant for the office asshole Reg Seifert (Michael Kelly who’s kind of an American Andrew Scott only less awesome) who is spilling secrets on the mosque which might be harboring a terrorist cell.  That and a general lack of hard evidence means he gets away with the murder and then just disappears soon after.

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“You guys must REALLY suck if you can’t even get ME arrested.”

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Cinema Dispatch: The Night Before

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The Night Before and all the images you see in this review are owned by Columbia Pictures

Directed by Jonathan Levine

Is it too late to declare a war on Christmas?  I don’t mind the holidays, but I’ve also worked in retail so I got a firsthand look at the Christmas calendar creep and how NO ONE likes to push this shit in October, let alone November.  Thankfully they ALMOST waited until December to start throwing out holiday films with last week’s Love the Coopers and now The Night Before.  Unlike that other film though, I was REALLY looking forward to seeing this because I love Seth Rogen and his particular brand of comedy.  Not everything he’s been a part of has been great (I thought The Interview was pretty underwhelming), but I always like to see what he does next which this time seems to be pretending he’s in the same age group as Joseph Gordon-Levitt and Anthony Mackie.  Wait a minute.  HE’S THE YOUNGEST ONE OF THEM!?  Huh.  Learn something new every day.  So will this be the kind of movie to bring out the holiday cheer and break out the eggnog, or will this make everyone feel even Grinch-ier than they already are at this time of the year?  Let’s find out!!

The movie follows the adventures of Ethan, Isaac, and Chris (Joseph Gordon-Levitt, Seth Rogen, and Anthony Mackie) on their last big Christmas Eve together before ending their tradition.  You see, about fifteen years ago Ethan’s parents were killed by a drunk driver right around Christmas time and so his friends decided that they will spend the holidays with him which soon became a tradition.  What also became a tradition is that they would party their ASSES off because they were young when they started it so of course that’s what they ended up doing.  However, it’s been going on for way too long and Isaac and Chris have their own things going on while Ethan is still stuck in place, unable to get his life going.  Still, he agrees to this being the last time they make this a big party event and even has a surprise for his friends that will make this the best one of them all.  There’s a super-secret party that takes place every year (the Nutcracker Ball) that they’ve never had a chance to go to because they could never find out where it was or how to get invitations.  Through sheer luck, Ethan finds three tickets for the damn thing at his shitty job and steals them without a second thought so that he and his friends can have the greatest night of their lives!  Will this final night be all it’s cracked up to be, or are they just too damn old to keep going the way they’ve been going even for one more night?  Will they be able to salvage their friendship despite the changes in their lives that makes it harder for them to find the time?  Wait, how fucking deep is this movie about taking drugs and Christmas shenanigans!?

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WHY ARE THERE FEELS!?!?!?

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Cinema Dispatch: Love the Coopers

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Love the Coopers and all the images you see in this review are owned by CBS Films and Lionsgate

Directed by Jessie Nelson

‘Tis the season for the bold and foolhardy to try and make films that will enter into the catalog of class Christmas movies!  Probably the last one to make the leap to big leagues in regard to enduring Christmas Classics is Love Actually from 2003, but that hasn’t stopped film makers from trying to break into that market which brings us to today’s feature.  Will this movie face this challenge head on and make it through the neigh impossible glass ceiling of beloved Christmas films, or will this be yet another failed attempt to recreate that Christmas magic and will be doomed to the same fate as Four Christmases, Deck the Halls, or god forbid Christmas with the Cranks?  Let’s find out!!

The movie follows the misadventures of several members of the Cooper family on Christmas Eve as everyone is trying to get ready for the family dinner that is to take place later that night.  At the head of the family is Sam and Charlotte Cooper (John Goodman and Diane Keaton) who are trying to keep it together long enough for them to have a happy holiday with the family despite the fact that they plan to get divorced soon after the season ends.  We also have Charlotte’s sister Emma (Marisa Tomei) who’s just a bitter jerk during the holidays (think Marie Schrader from Breaking Bad) and gets caught shoplifting which means she has to get out of it while being driven to the police station by a cop played by Anthony Mackie.  Charlotte and Sam’s kids  are Hank and Eleanor (Ed Helms and Olivia Wilde) who have their own problems to deal with as the former just recently got divorced and then fired from his job while the later… just doesn’t like coming home for the holidays and is procrastinating in an airport with a solider she just met (Jake Lacy).  There are other members of the family such as, Bucky Cooper (Alan Arkin) who’s hanging around the fringe of everyone’s story but also has his own thing going on with a waitress in a diner played by Amanda Seyfried, and Aunt Fishy (June Squibb) who’s basically playing a female version of Grandpa Simpson.  With all these characters dealing with their problems during the most stressful time of the year, will they somehow manage to have a happy Christmas, or will this end in total disaster?  Can this movie manage to juggle all these subplots without feeling like a poorly paced mess?  Okay, seriously.  Can’t we just watch Love Actually instead?

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“We’re gonna get through this. Just grin and bear it for a little bit longer.”

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