Passengers and all the images you see in this review are owned by Columbia Pictures
Directed by Morten Tyldum
I’ve started watching Parks and Recreations recently and seeing Chris Pratt in that film has started to color my perceptions of him as a leading man. Sure, Guardians of the Galaxy still holds up as he’s still playing up to his comedic strengths, but every time I see the poster for this movie with him and Jennifer Lawrence blandly starring back with their chiseled Hollywood looks, it’s just gotten harder to take that seriously when all I can think of Burt Macklin: The best FBI agent ever! Still, the guy does have a HUGE amount of talent and more than enough charisma to carry a movie, so maybe he’s the right fit to bring some humanity to this kind of science fiction story and can hold his own against an actress of Jennifer Lawrence’s caliber. Does Passengers manage to give us a compelling story anchored by two great performances from some of the most bankable names in the business right now, or is this a giant misstep that will be stain on their relatively strong careers up to this point? Let’s find out!!
The movie begins with everyone’s favorite member of Mouse Rat in a giant space mall that’s hurtling through the galaxy at a preposterous rate but still too slow for anyone to if they had to manually control the damn thing. That’s why the ship is on autopilot and presumptive hero Jim Preston (Chris Pratt) along with the other five thousand people on this ship are in hibernation pods and riding out this long journey to the new space colony on Homestead II. Unfortunately for Starlord, there’s some malfunction that wakes his ass, and ONLY his ass, before everyone else with no way to go back to sleep and is trapped alone on this space ship for the next ninety years. At first it’s not all bad considering he sort of has the run of the place which is full of video games, movies, and sushi, and he even has a friendly robotic bartender (Michael Sheen) to air his grievances at. Eventually though, he manages to taste every variation on the tuna roll, got the high score in the latest instalment of Just Dance, and manages to drink half the ship’s wine cellar within about a year, so doing this for another 89 of them isn’t all that appealing. He basically has two options at this point; kill himself or wake someone else up to keep him company. Well we wouldn’t really have a movie if they went with the former (that actually would be a pretty awesome short film) so he JUST SO HAPPENS to fixate on a writer named Aurora (Jennifer Lawrence) and eventually cracks open her hibernation pod and pretends it was an accident just like his was. Will she be able to fill the silence that has driven him to the brink of madness and give a reason to live once again? What could he possibly do to make up for essentially kidnapping her and ruining her life as she’s doomed to suffer the same fate as him, and what will happen when she finds out the truth? Well there IS an airlock. I’m pretty sure she could have some fun with that.
Alice Through the Looking Glass and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by James Bobin
A sequel to a movie six years after everyone stopped caring about it! THAT’S never gone wrong, am I right? To be fair to Disney, the original film did make an astonishing amount of money (one BILLION worldwide) but this feels way too late to capitalize on whatever moment that first movie had. Not only that, but it was also one of the early 3D films which I’m sure boosted the ticket sales, yet now we’re at a point where people are just sick of the gimmick, so it doesn’t even have THAT going for it. Still, the first movie did manage to be pretty decent and the trailers for this looked very creative to say the least. Can this manage to be a damn fine sequel that just needed a little extra time to fully come together, or is this a naked cash grab for everyone involved? Let’s find out!!
The movie picks up three years after the first movie where Alice (Mia Wasikowska) has spent the intervening time traveling the world as a sea captain for Ascot family’s trading company (I think). She returns to England at the start of the movie to see her mother (Lindsay Duncan) and plan the next trip with the company. Unfortunately, the Ascot patriarch has died since she last returned and the one in charge of the company is his son Hamish (Leo Bill) who you may recall was set to be Alice’s husband in the first movie which didn’t end up panning out. Now that this new guy is in charge (and he has a wounded ego) Alice is not only no longer employed as a sea captain, but for some reason is given an ultimatum to either sell her father’s boat or risk losing her mother’s house. It gets worse when you find out that the mother has been working behind her back to make sure she gets fired so that she would have no choice but to “settle down” as all proper ladies do. Well I’d say THAT’S enough stuff to stress over to make a trip to Wonderland seem like a wondrous vacation, right? She gets led to the titular looking glass by the butterfly Absolem (Alan Rickman) and eventually finds the Mad Hatter (Johnny Depp) on the other side who is slowly dying and not quite so delightfully mad. Apparently he found a modicum of proof that his family is still alive but no one else believes him so he’s going to slowly die of depression… I guess. Alice has no choice but to go back in time to save the Hatter’s family from the Jaberwacki and has to face off against Time himself (Sacha Baron Cohen) to get that ability. Will she be able to save the Hatter from his battle with depression? What will she learn as she travels back to the glory days of Wonderland, and what must she risk in order to get the opportunity to do so? Does anyone else notice that its’ a lot brighter this time around?
“Did you bring the sunscreen?” “The hell do you need sunscreen for? YOU HAVE A HAT!!”