Blockers and all the images you see in this review are owned by Universal Pictures
Directed by Kay Cannon
Blockers? Seriously? We’re all PRETENDING that’s what the movie is called!? IT’S COCK BLOCKERS! They’re not even being subtle about it considering THEY PUT A ROOSTER ON THE POSTER!! I don’t know why, but the first time I saw the trailer and the subsequent poster for it, this one aspect REALLY annoyed me and I ended up feeling rather down on the trailer overall. What, John Cena’s gonna try to sell us on him being a comedy star by shoving stuff up his butt? Been there, done that! Sure they had Leslie Mann and Ike Barinholtz on hand to steady the ship and keep things on track, but I didn’t really see much to this movie that I hadn’t seen in a hundred other comedies before it. In the last week or so however, the early buzz for this movie started to get REALLY strong and people were praising it all over the place! Is there a chance that I was WRONG about this movie!? BUT THAT’S IMPOSSIBLE!! You all come to read this because I’m ALWAYS RIGHT ABOUT EVERYTHING, right!? Well I guess we’ll have to see if my skills at predicting movies based on trailers are top notch or if Universal was merely doing a bad job of selling a gem they had on their hands. Does this film live up to the hype, or was I right all along!? Let’s find out!!
Kayla, Julie, and Sam (Geraldine Viswanathan, Kathryn Newton, and Gideon Adlon) are the high school seniors who are ready to finally graduate but not before going to their prom which is the biggest day in a young teenager’s life, at least according to this movie. I don’t know about you, but I brought a book to my prom instead of a date, so I guess I have trouble relating to that, but it’s made clear that this is a special night to THEM and they even decided that that will be the night they’ll lose their virginity! One wants to do it then so that it would be a perfect night, another figures it’s as good a time as any to get it over with, and the last one is a closeted lesbian or wants to get in on the bonding experience and at least TRY to see if she’s maybe into the opposite sex before committing to the queer identity. Too bad that their parents get wind of this idea and have decided to… block them from getting laid that night! The parents in question include Kayla’s dad Mitchell (John Cena) as the super serious and incredibly dorky one, Julie’s mother Lisa (Leslie Mann) who’s a single parent and is afraid that her daughter is making a terrible mistake, and Sam’s father Hunter (Ike Barinholtz) who has his own reasons for going along with this that include wanting to reconnect with his daughter since he’s been more or less absent since he divorced her mother. Will they be successful in stopping their daughters from having either the best night or the worst night of their lives? What other issues have they all been hiding from that will be forced to the forefront in this wacky adventure? Can John Cena properly atone for being in the god awful Mel Gibson movie!?
Daddy’s Home 2 and all the images you see in this review are owned by Paramount Pictures
Directed by Sean Anders
I don’t know about the rest of you, but the only thing I was wondering when I first heard about this movie was why they didn’t cast John Lithgow as the TOUGH dad. Seriously, the dude’s got Cliffhanger, Ricochet, and even Dexter under his belt to show us all how despicably evil he can when the role calls for it, and it’d certainly be much better casting for Marky Mark’s mean deadbeat dad than the guy they got; though I’m pretty sure ANYONE in Hollywood who’s not currently being ostracized for inexcusable behavior would have been a much more palatable choice than Raging Mel. I don’t know about this one. I certainly didn’t expect much out of the first film and it managed to be a bit better than I was expecting, but what are the chances that we’ll get a half-way decent sequel out of that; especially as it’s a Holiday film which are almost always a bad idea for sequels. Wait, didn’t I just say that like a week ago about A Bad Mom’s Christmas? Now that I think about it… two unexpectedly solid comedies about parenting that made a HUGE amount of money at the box office get Holiday sequels about the parents of the characters in the first film… that are released within a week of each other. Huh. Well that’s… coincidental. Anyway, does THIS Holiday sequel manage to AT LEAST be as good as the OTHER Holiday sequel we just got, or am I in for one HELL of a crappy movie going experience? Well… Let’s find out…
The movie begins about a year after the events of the first film where Brad and Dusty (Will Ferrell and Mark Wahlberg) have put aside their differences and are the best co-dads of all time; sharing responsibilities with the kids and working together as a cohesive family unit! Well… ALMOST perfect. Dusty’s biological daughter Megan (Scarlett Estevez) reveals during the school’s Christmas Recital that she’s not happy about having the holidays split between two households, so the two families band together and decide to have just one Christmas together which seems like a great idea… until Dusty gets a call from his dad Kurt (Mel Gibson) who’s decided to come down for the holidays. This is bad because Dusty’s dad is just like he was in the first film and will surely be nagging on him the entire time for not being MANLY enough whatever the hell toxic dinosaurs like him are always on about. In addition to that, we’ve got Brad’s dad Don (John Lithgow) coming to town who is ACTUALLY a really nice grandpa but seems to be hiding something from Brad, an increasingly tense standoff between Brad’s wife Sara and Dusty’s wife Karen (Linda Cardellini and Alessandra Ambrosio) about how to raise the kids they share (Dusty’s biological kids and Karen’s daughter from another marriage), and to top it all off, Dusty’s biological son Dylan (Owen Vaccaro) is about at the age where he needs to have THE TALK which throws EVERYTHING into chaos as the four dads on hand have their own idea of how it should go and who should give it. Will any of these plot threads come together into something resembling a cohesive whole? Is there a single point in this movie where it’s NOT uncomfortable watching Mel Gibson on screen? Can someone explain to me what I POSSIBLY could have done to deserve this!?