Atomic Blonde and all the images you see in this review are owned by Focus Features
Directed by David Leitch
Holy crap! The day has FINALLY come, hasn’t it!? There are usually a handful of movies that I genuinely look forward to each year and for most of 2017 the big one was this Charlize Theron spy thriller with a lot of bloodshed and a lot more attitude! The trailers looked phenomenal with Theron putting her heart into this John Wick knock off (it even has one of that movie’s directors) and James McAvoy being… well James McAvoy, but that’s why we go to see him in movies! Still, a trailer isn’t always true to what a movie will ultimately be about and while I certainly have high hopes for this, I should PROBABLY temper them lest my expectations get too astronomical and I end up setting myself up for disappointment. But still! CHARLIZE THERON PUNCHING DUDES IN THE FACE! How COULD it go wrong!? Well if it does, we’ll certainly find out!!
The movie begins with the death of an MI6 agent (Sam Hargrave) in East Germany right at the tail end of the Cold War, and the British Government are in desperate need of someone to clean up the mess the poor bastard left behind. Enter Lorraine Broughton (Charlize Theron) who given two objectives to complete once she gets there; find THE LIST that the MI6 agent had secured before getting a bullet in the head (you know, that list of EVERY SPY EVER that’s in EVERY SPY MOVIE EVER) and find a double agent known simple as Satchel who is more than likely responsible for this whole mess. Her only contact in the country is MI6 agent David Percival (James McAvoy) who’s gone DEEP undercover in the Berlin punk scene but has more knowledge of the country’s inner workings than anyone else. Of course, nothing is as simple as it seems as there’s a French agent rather conspicuously following them around (Sofia Boutella), there’s like five different German/Nazi dudes who hate punk music trying to find her, and she keeps getting stymied at every turn presumably to the machinations of that darn double agent! Will Lorraine find this list that could CHANGE THE TIDE OF THE WAR before it falls into the wrong hands? Who is this mysterious double agent, and could they be closer than she dares to believe? How is it that all the hired goons keep finding her so easily!? Is it the hair? It’s probably the hair.
Fate of the Furious and all the images you see in this review are owned by Universal Pictures
Directed by F Gary Gray
I hope all of you out there appreciate what I do for you! A week ago, I had never even SEEN a Fast and the Furious movie, and yet I managed to binge watch ALL SEVEN OF THEM so that I can properly review this new one as the series now has a continuity more dense than the freaking Terminator, and that’s SUPPOSED to be convoluted! I HAD TO WATCH TOKYO DRIFT FOR YOU PEOPLE!! Sigh… alright, well it’s not like I even HATED any of the movies (other than Tokyo Drift) as most of them are at least DECENT if not all that engaging. For me though, they didn’t pick up until part six when the BUDGET finally started to match the VISION that was always there, because let’s face it; Fast and the Furious was NEVER a serious series. It was ALWAYS balls to the wall insanity, just at different degrees depending on what they could afford (except for Tokyo Drift which was just garbage). So with the last two films finally managing to reach the potential this series was always capable of, does that trend continue with this film? Let’s find out!!
The movie begins in Cuba where Dominic Toretto (Vin Diesel) and Letty Ortiz (Michelle Rodriguez) have settled down since the last movie where their house got blown up, and they’re doing their typical first act shtick of racing cars, talking about family, and forging new friendships! That is until a super hacker hilariously named CIPHER (Charlize Theron) corners Dom at one point and shows him something that will CHANGE EVERYTHING FOREVER!! Cut to a few days later where good ol’ Luke Hobbs (Dwayne Johnson) calls him and the rest of the crew up (Tyrese Gibson, Chirs Bridges, and Nathalie Emmanuel) to do another mission. Everything goes according to plan except… DOM BETRAYS THEM!! Their mission was to take an EMP from someplace in German (for reasons that I’m sure make sense) but he crashes Hobbs’s car right at the end and takes it for himself; leaving Hobbs to get thrown in jail back in America which JUST SO HAPPENS to be the same jail that Deckard Shaw (Jason Statham) is locked in as well… and they get cells right across from each other because reasons. So now it’s up to our favorite crew of street racers along with Frank Petty (Kurt Russel) from the last movie who’s the leader of some sort of spy organization as well as his new protégé of sorts Eric Reisner (Scott Eastwood) to find out what Dom is doing, what CIPHER wants from him, and hopefully how to solve all this without taking him out as well. Just what is the reason that Dom betrayed the one thing he cares about more than anything which is FAMILY? Just what is CIPHER planning, and is it bad enough that the crew may have no other choice than to take Dom out? Will Vin Diesel FINALLY give that Oscar performance he’s been hoping for!?
Kubo and the Two Strings and all the images you see in this review are owned by Focus Features
Directed by Travis Knight
While Disney and Dreamworks are constantly fighting over dominance for CG animated features, studios like Aardman and Laika are still making an argument for more traditional forms of animation with films like Paranorman and The Pirates. Now we’ve got this movie which hopes to stand alongside some of the bigger hits this summer like Finding Dory and The Secret Life of Pets while also finding a spot in theaters just as the latter is starting to leave and Pete’s Dragon is under performing. Can the latest Laika creation not only manage to be an excellent film but be the big hit to end the summer with, or is this movie all style and no substance? Let’s find out!!
The movie follows young Kubo (Art Parkinson) who’s living with his mother in a cave that’s within walking distance of a nearby village. Why are they living there? Well apparently Kubo’s mother is the daughter of some super powerful dude known as the Moon King (Ralph Fiennes) who can do… stuff. Okay, I’m not sure what his powers are, but he ripped out one of Kubo’s eyes when he was an infant, and his mother just barely managed to get away with him; though at a severe price as she was injured during the escape and now suffers from memory loss. That only leaves Kubo to take care of her (though I’m not sure how they survived long enough for him to be able to do that) and he makes money by using his magic powers to put on fantastic origami shows for the people of the village. Seriously, Kubo’s got some badass magic powers that he’s able to conjure up with his Shamisen which can put on very elaborate stop-motion performances by Origami dolls, and you’d think that powers like this would either earn him enough to move his mom into a nice home or would brand him as a witch. Still, things seems to be going well as Kubo goes about his day to day life busking for coins on the sidewalk, when he stays out too late one night which gives the Moon King a chance to find him (I guess that guy can see everything at night) and sends out his daughters, who are also Kubo’s aunts (Rooney Mara), to find him. Kubo’s mother however manages to find him first and uses her remaining magic to send him off somewhere else while also bringing a charm to life in the form of a monkey (Charlize Theron) because apparently Kubo’s mother can do that. From there, we’ve got a whole lot more exposition as apparently the monkey knows what Kubo needs to do next and the end up finding a Beetle Samurai (Matthew McConaughey) to tag along on their adventure. Can Kubo stop his evil grandfather and save his mother? How exactly does this monkey know all this stuff if it’s only been alive for like a day or so? Most importantly, how many MacGuffins do they plan to stick in this movie!?
“We have to find the sacred armor that was created by your father that can protect you from the Moon King so that-“ “YOU’RE A TALKING MONKEY!!” “…yes. Did you hear what I said?” “We need to find some stuff?” “Good enough. Let’s go.”
The Huntsman: Winter’s War and all the images you see in this review are owned by Universal Pictures
Directed by Cedric Nicolas-Troyan
I really haven’t been looking forward to this. Cutting Snow White out of a sequel to Snow White? Yeah… no. This exists simply because Chris Hemsworth had a weekend free between Captain America and In the Heart of the Sea. Still, the first movie was a pretty solid fantasy film that had drop dead gorgeous designs and if nothing else that seems to have carried over here. Not only that, but they managed to somehow get Charlize Theron back, and while the explanation will probably be dumb as hell, she WAS one of the best aspects of the first film. Can they manage to squeeze out ONE decent sequel before driving this franchise into the dirt, or is it too late to even hope for that much? Let’s find out!!
First of all, this movie is very much a sequel despite the advertising that states otherwise. It STARTS as a prequel, but only to fill in the backstories for the characters who weren’t around for the first movie. Queen Ravenna (Charlize Theron) was murdering her way through the fantasy kingdom’s royal families when her sister Freya (Emily Blunt) reveals that she is not only in love, but pregnant as well. Despite the careful warnings of her sister, Freya goes all in on love and gets seriously burned. Okay, well maybe SHE doesn’t get burned, but her baby does as she finds her one true love has torched the nursey with the baby inside. Ouch. This traumatic incident is enough to not only awaken Freya’s hidden ice powers, but to essentially make her emotionally dead and disdainful of love. Since grief council apparently doesn’t exist in this world, she instead takes out her pain on the Northern part of the country (it’s ALWAYS in the North where things we don’t know about until later happened) where she creates her icy doom fortress and raids villages for children to raise as her Huntsmen. Two such huntsmen are Eric (Chris Hemsworth) and Sara (Jessica Chastain) who fall in love which is strictly forbidden in the snow palace, so Sara’s killed and Eric is left for dead. Got it? Good. We THEN cut to the present time (not too long after the first movie) where Snow White (who apparently is still in this except not really) has ordered the mirror mirror on the wall to be sent away where its wicked powers cannot hurt anyone. Unfortunately, the convoy delivering it to some vaguely defined sacred place never reached their destination so she requests the huntsman to go out there, find the damn thing, and finish delivering it before it can fall into the wrong hands. Say… those of the Ice Queen? He heads out on the journey with Nion and Gryff (Nick Frost and Rob Brydon) who are two dwarves (one of whom is from the first movie) and try to figure out just what the hell happened to the mirror and the convey. But wait! Not all is as it seems as Eric is soon confronted with Sara who somehow is still alive and super pissed! How did she manage to recover from being murdered? Will this little posse of fantasy bad asses be able to find the mirror before it’s too late? Just how blatantly are they ripping off Frozen in this!?
Mad Max: Fury Road and all the images you see below are owned by Warner Bros.
Directed by George Miller
We all have a list of movies that we feel we should have seen by now, but for whatever reason have never gotten to. At the top of my list you’ll find the Mad Max trilogy which is a shame because if Mad Max: Fury Road is any indication, those movies would definitely be right up my alley. In the new Mad Max film, we see that the hero of the wasteland (Max Rockatansky played by Tom Hardy) has gotten himself dragged into some greater by a group of insane cultist who want to use him as a living blood bank. Throughout the film, he’s used as a human IV bag, beat to hell on numerous occasions, and tries to show a gruff and unapproachable exterior that eventually falls away into a heart of gold.