Cinema Dispatch: Doctor Strange in the Multiverse of Madness

Doctor Strange in the Multiverse of Madness and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Sam Raimi

Before this latest phase of Marvel movies, you would have sounded like a broken record listing off all the great things about it before giving it an above-average score, but the last few movies have wavered a bit in quality with the only real standout being the latest Spider-Man; the one that leans heavily on nostalgia for movies that weren’t even made by Marvel Studios. Still, even prior to the Post-Endgame MCU there was an easily identifiable formula for these things and even the best of the Marvel movies didn’t deviate much from it; including the first Doctor Strange movie which definitely benefited from its mind-bending vision but still fell into a lot of the same pitfalls of other Marvel films at the time. Now it’s sequel time with a veteran director behind it, so perhaps this will be the one to successfully break the Marvel mold and do something unique with it instead of just another really enjoyable entry in the catalog. Can this bridge the gap between the great simplicity of the pre-Endgame MCU and the more experimental phase it finds itself in now, or will it tear itself apart trying to fix what isn’t broken? Let’s find out!!

Doctor Strange (Benedict Cumberbatch) may not be the Sorcerer Supreme since taking that five-year vacation, but he’s still hanging out at the Sanctum Sanctorum and just kinda working on himself. You know, get to know the REAL Doctor Strange, especially since his ex-girlfriend Christine (Rachel McAdams) is getting married and so he no longer has someone to pine after. Geez, this is starting to sound a bit sad. Maybe an interdimensional threat that could rip apart the universe would give him a bit of structure and a clearly defined goal to go after! Well as luck would have it, a young woman named America Chavez (Xochitl Gomez) is being pursued by the kind of monsters you’d find in a D&D handbook, and it turns out that she has the unique gift of being able to travel through dimensions. Well… sort of. She can’t exactly activate it at will but it always seems to get her out of trouble at the last second, though her luck seems to be running out as the malevolent force that’s pursuing her seems to be getting very close and she’s even gone to a few different Doctor Strange counterparts in those other universes without much luck in stopping this threat. Now it falls on our Doctor Strange to put an end to this sinister chase and stop them from taking her powers for their own nefarious end. For this task, he enlists the help of the current Sorcerer Supreme, Wong (Benedict Wong), as well as Wanda Maximoff (Elizabeth Olsen) who’s been off on her own since that whole Wanda Vision thing happened. Can Strange uncover the identity of this malevolent force that’s out to hurt America, and will he like the answers that he finds? What does Wanda hope to gain from all this, and will it be enough to make her whole after losing so much? I bet they wish they could escape to a dimension where Everything Everywhere All At Once came out the month after this instead of the month before.

“DARN YOU, EVERYTHING BAGEL! Next time, I’m ordering cinnamon raisin!”
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Cinema Dispatch: The Addams Family 2

The Addams Family 2 and all the images you see in this review are owned by United Artists Releasing

Directed by Greg Tiernan & Conrad Vernon

It’s no secret that I was not a fan of that 2019 Addams Family movie which was ten percent Addams Family goodness and ninety percent rote nonsense, and the prospect of seeing another one was a prospect I found altogether ooky; and yes, I think I used that joke in the last review.  Then again, watching more movies at home and being pickier about what I go out to see has perhaps led to me missing out on some genuine gems as well as, let’s face it, PLENTY of opportunities to write a darn good review of a truly awful movie.  Heck, there’s a Gods Not Dead 4 floating around out there that I haven’t even bothered to watch, and the reviews I did of the other sequels are pretty darn good if I do say so myself!  So yes, I went into this expecting to hate it which is a first for a movie this year, but in a way, it feels like returning to a comfortable routine as I continue to get back into the swing of things with more and more movies coming to theaters.  Is it somehow a surprisingly effective sequel that irons out the flaws of the original while giving us something new and fresh, or is it like every other sequel to a bad animated movie; just more of the same?  Let’s find out!!

The Addams Family are going through a rough patch as Wednesday Addams (Chloë Grace Moretz) is spending less and less time with the rest of the family and young Pugsley (Javon Walton) is working on his girl problems with Uncle Fester (Nick Kroll) and you can probably guess how well that’s going.  With this in mind, Gomez (Oscar Isaac) with the tacit approval of Morticia (Charlize Theron) gathers the family together for a road trip across America to see its most ghastly landmarks and hopefully bring the family closer together.  All is not as simple as it seems however as some mysterious lawyer (Wallace Shawn) along with his giant associate Pongo (Ted Evans) are chasing the family on behalf of some mysterious benefactor who believes that Wednesday Addams may not be the daughter of Gomez and Morticia.  I mean OBVIOUSLY, right?  It’s not like they look anything alike!  Whatever scheme is being concocted with those guys, Gomez and Morticia want no part of it and are tactfully spiriting their family away whenever the lawyer catches up, but it’s only a matter of time before this all comes to a head.  How long can they keep this ruse going, and will it interfere with the family fun that Gomez is trying so hard to cultivate?  What is the reason that the lawyer is after Wednesday, and could there be something to his story that the Addams family doesn’t want to confront?  Doesn’t it kinda seem like they’ve given up if we’re already doing a road trip movie by the second one?  Even Alvin and the Chipmunks waited until the fourth film for that!

“What do you think!?” “Uh… good job?” “Don’t LIE to the child, Gomez!” “We’re supposed to be encouraging!”
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Cinema Dispatch: Fast & Furious 9

Fast & Furious 9 and all the images you see in this review are owned by Universal Pictures

Directed by Justin Lin

It looks like movies are back (at least for those who can safely vaccinate, which if you haven’t and are able to then do it please!) and what a better way to kick off the summer season than with another Fast & Furious movie!?  Gotta admit, I was not on the F&F train for over a decade and it wasn’t until Fate of the Furious that I finally gave the franchise a chance.  It’s a mixed bag to be sure, but the latter half of the franchise has been quite impressive as big budget spectacles though and the more professional wrestlers they throw into the mix the more I look forward to seeing them!  So after a year of global misery and despair, is this action blockbuster we need to celebrate our slow but sure recovery, or has the Fast Franchise gassed out right when we needed it the most?  Let’s find out!!

Dominic Toretto and Letty Ortiz (Vin Diesel and Michelle Rodriguez) have been living the quiet life with Dom’s son Bryan out in the country, but this peace is not meant to last as Roman, Tej, and Ramsey (Tyrese Gibson, Chris “Ludacris” Bridges, and Nathalie Emmanuel) show up with a distress message from the mysterious Mr. Nobody (Kurt Russell) and they are forced to come out of retirement to find him and find what he was trying to protect.  Sadly they don’t find the former, but the latter is a piece of some sort of doomsday device that is pretty much the SAME doomsday device these last few movies have had, and it gets taken right from under their noses by a mysterious jacked dude (John Cena) who also drives cars, has a cross necklace, and keeps staring menacingly at Dom.  Turns out that this is none other than Jakob; Dom’s long lost brother!  Not only must Dom and the crew stop Jakob and who he’s working for from getting the other pieces of the Doomsday Device, Dom must confront his past and perhaps even realize his own mistakes before they threaten to throw the world into utter chaos!  Will Dom be able to face his brother and bring an end to his maniacal schemes?  Who else has a stake in this Doomsday Device, and will they prove to be an ally or a hindrance to the Fast & Furious family?  Speaking of family, are we sure Dom and Jakob aren’t actually cousins, or were their parents’ genes an ethnic roulette wheel?

Come on, Cena! Do the U CAN’T SEE ME! You know you want to!!
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Cinema Dispatch: The Addams Family

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The Addams Family and all the images you see in this review are owned by United Artists Releasing

Directed by Conrad Vernon and Greg Tiernan

I’ve actually been looking forward to this movie for quite some time.  Not in a BIG way, but everything I saw at first was very promising.  The new designs were quite good and the initial teaser seemed to have the right tone that retained what worked about these characters in the first place while making something that worked in a modern context.  After that though, once we got the trailers with more of the plot (and those terrifying human characters), the skepticism started to creep in and my enthusiasm waned as my attention turned elsewhere (*cough* Maleficient 2 *cough*) in the last month or so.  Still, a mediocre trailer is hardly a good barometer to how a movie will ultimately turn out (especially with so much of the marketing knocking it out of the preceding months), so were my negative feelings ultimately unfounded or did something go horribly wrong (and not in the good way) with this latest Addams Family venture?  Let’s find out!!

The Addams Family are a bunch of wealthy eccentrics who basically act like spooky monsters year round instead of just on Halloween.  The family consists of Patriarch Gomez (Oscar Isaac), possible vampire queen Mortitia (Charlize Theron), their daughter Wednesday  (Chloë Grace Moretz), their son Pugsley (Finn Wolfhard), Uncle Fester (Nick Kroll), Gomez’s mother (Bette Midler), the zombie butler who is IN NO WAY of any actionable resemblance to Boris Karloff known as Lurch (Conrad Vernon), and… I guess their OTHER butler who is just a hand called Thing.  Are they goths?  Murderous blue bloods?  If they were made in the mid nineties, would they all be Juggalos?  These are questions we may never get the answer to, but rest assured that whatever box they would most comfortably fit in, it’s one that will freak out the normies of the world whenever they happen to come in contact with them.  Said normies by the way are a bunch of nameless and nearly faceless upper middle class yuppies that built a community around the Addams family mansion and are just now realizing that there’s a spooky castle full of weirdos on top of the conspicuously nearby hill, and the head of the yuppies named Margaux Needler (Allison Janney) is none to please about it.  While this little pot of… I don’t know, spooky-phobia I guess, is brewing outside of the house, the Addams family itself is having a bit of tension as well as Gomez is trying to teach Pugsly a sacred family ritual known as The Mazurka but Puglsy seems to have no gift for it, and Morticia is trying to keep young Wednesday from falling into the wrong crowd; the kind that embraces unicorns, the color pink, and young pop stars.  Can the family stick together through these trying times both inside and out of the house?  Just how far will Margaux go to keep her little community nice and conformed now that this family has thrown a wrench in those plans?  Will The Addams family adjust to their new surrounds and join the rest of us in the living nightmare we all must suffer through under late stage Capitalism, or is that the wrong kind of terrifying for them?

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“A Panera Bread!?  AND a Chipotle!?”     “Ugh… it’s so GHASTLY commercial…”     “So is that GOOD ghastly, or BAD ghastly?”     “Well it’s BAD of course… but that’s actually good.  Because it’s bad…”

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Cinema Dispatch: Long Shot

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Long Shot and all the images you see in this review are owned by Lionsgate

Directed by Jonathan Levine

I love Seth Rogen!  Have I mentioned that before?  Knocked Up, Neighbors 2, The Night Before, all are great movies that I’ve watched multiple times and showcase just how talented the guy is.  Now we’ve got a movie with him AND Charlize Theron, one of the hardest working actors working today with so many great movies under her belt!?  Well dang!  How had I not heard about this movie before!?  Seriously, considering how many times I go to the movies you’d think I’d have seen one trailer but no!  I hadn’t even heard of this until about a week ago and I had no idea what it was even about, but hey, when do you watch a comedy for the plot?  I’m here to see these two work off of each other and tell some funny jokes!  Does this team up manage to knock it out of the park like peanut butter and chocolate, or are we in for an experiment that’s gone more horribly awry than whatever the heck it is Oreo has been pumping out recently?  Let’s find out!!

Fred Flarsky (Seth Rogen) is a journalist with a serious chip on his shoulder who’s had a rough time of it recently and Charlotte Field (Charlize Theron) is the Secretary of State who’s had a rough time of it always.  Two people from two vastly different worlds who you wouldn’t think would ever meet, but in movie land these two have something of a history as Charlotte used to babysit Fred when they were younger and there was an embarrassing incident between the two of them.  Still, fate seems to conspire to bring them back together as Fred loses his job and is brought to an upper class party by his friend Lance (O’Shea Jackson Jr) where Charlotte just so happens to also be.  They talk for a bit, Fred makes a fool of himself when trying to confront an evil media conglomerate (Andy Serkis) and you’d figure that life would just keep on going from there.  However, Charlotte starts to read some of Fred’s earlier work and comes up with a brilliant idea!  See, she plans on running for president as the current guy (Bob Odenkirk) won’t be running for a second term to instead make movies and so she needs a speech writer who can write funny and incisive commentary that she can pepper into her usual rhetoric, so going on quite a limb here she hires Fred for the job despite him being… well a boorish man child who can barely even dress himself.  Naturally her staff isn’t too thrilled included her top aids Maggie and Tom (June Diane Raphael and Ravi Patel), but everyone goes along with it and Fred, if nothing else, seems to write decent speeches and the two begin to reconnect once more; possibly with more going on between them than either initially realized.  Can Fred be the necessary piece that Charlotte has been missing in her life, and is Fred even capable of being what she needs him to be?  What sinister actors out there will try to undermine Charlotte’s campaign, and how will Fred react to the realities of being part of the political machine on such a large stage?  Seriously, how did this jacket alone not destroy her political career?

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“I didn’t realize the Blue Meanie was getting into politics!”     “Say what you will about the Blue World Order, they at least have a sound economic platform!”

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Cinema Dispatch: Tully

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Tully and all the images you see in this review are owned by Focus Features

Directed by Jason Reitman

So hey!  Remember when Jason Reitman was the big rising star in Hollywood?  It doesn’t seem like THAT long ago, and yet here we are with a film that has gotten very little buzz despite being directed by him as well as being written by Diablo Cody and starring Charlize Theron.  You’d think there’d be a LITTLE more buzz considering how much talent is behind it, but for some reason it was left to languish in the wake of Avengers: Infinity Wars where it will surely remain in obscurity until it’s dumped on Netflix or Amazon Prime.   Still, a lot of really excellent films have suffered similar fates against the might of big blockbusters, and since when has box office success been in any way an indicator of a film’s overall worth?  Does this manage to be a great film to cleanse the palate after the latest Marvel feature, or are you better off rewatching that in hopes of getting a better ending?  Let’s find out!!

The movie follows the day to day life of Marlo (Charlize Theron) who’s just about to have a third child and is honestly not handling things as well as she claims to be.  Sure her other two kids Jonah and Sarah (Asher Miles Fallica and Lia Frankland) are doing… fine, and her husband Drew (Ron Livingston) is doing… fine, but things are only gonna get more difficult with a third mouth to feed; especially one that’s gonna be screaming and pooping itself for at least a couple of years.  That’s why Marlo’s brother (Mark Duplass) and his wive (Elaine Tan) have gotten her a PERFECT baby shower gift which is the services of a Night Nanny.  What’s a Night Nanny you may ask?  Well she’s a nanny, and follow me here… who comes at night.  Basically, she’ll take care of the baby when you’re trying to get some sleep so that you can start the day fully rested and ready to be the best mom you can be!  Well to me that sounds like a brilliant idea, but Marlo is skeptical at first.  Let’s see how long it takes… okay about two weeks before she gets desperate on a particularly bad day and calls them in.  Said nanny is named Tully (Mackenzie Davis) who is ABSOLUTELY PERFECT!  She’s brilliant, she’s loving, and sure she MAY be a little over eager, but she’s everything Marlo needs to get her life back on track which has been noticeably hollow since she became a mother.  She’s got no interests of her own, no particular hobbies, and doesn’t even seem to have the energy to stick up for herself which is PROBABLY some red flags to much deeper issues, but Tully manages to be at least a good influence if not an outright cure for her woes.  Will Marlo find her zest for life again now that she can rely on someone else to help her out?  Where did this MYSTERIOUS Tully come from, and how can one person be so awesome at taking care of babies?  Is parenthood the one challenge that ultra-badass Charlize Theron is incapable of overcoming!?

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“ZZZ… stop… or I’ll shoot…  ZZZ… where’s the guzzolene?… ZZZ…”

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Cinema Dispatch: Gringo

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Gringo and all the images you see in this review are owned by Amazon Studios and STX Entertainment

Directed by Nash Edgerton

Hey, if Netflix is gonna try to produce feature films, then why not Amazon too!?  Heck, they’ve had a pretty good track record with distributing films like The Handmaiden and The Big Sick, and some of the original programming on their video service has been pretty decent too!  Hopefully they can translate that success into this wacky comedy which has a PRETTY good trailer but not a whole lot of buzz, though it’s not entirely their fault considering how much Black Panther and even A Wrinkle in Time have dominated the national discussion around film; leaving films like this to just kinda slink in wherever they can.  Does Amazon have a great film on their hands that’s unjustly falling under the radar, or should they have sent this straight to their storefront where no one will ever actually buy it?  Let’s find out!!

Harold Soyinka (David Oyelowo) is a well to do middle management corporate drone who is incredibly content with his current life living with his wife Bonnie (Thandie Newton) and working for Richard and Elaine (Joel Edgerton and Charlize Theron) at a pharmaceutical company he very much likes.  The problem is that at every turn, the people in his life continually disrespect him and see him less as a valuable asset and friend, and more of an errand boy that also functions as a doormat.  Eventually Harold gets wise to this during a trip that he along with Richard and Elaine take to Mexico in order to inspect one of the facilities, and the straw that breaks the camel’s back comes when Bonnie decides to divorce him; something that she tells him over skype.  Having something of a nervous breakdown, Harold takes a bus to a small town in Mexico and fakes his own kidnapping once Richard and Elaine are back in Chicago.  Little does Harold know however that the Cartel is after him due to his connection to the pharmaceutical company, so his little ruse might turn out to be more of a prophecy!  On top of that, we’ve got a couple trying to sneak drugs from Mexico back to the US (Amanda Seyfried and Harry Treadaway), a mercenary who may be able to get Harold out of the jam he’s in (Sharlto Copley), and like four other subplots that are going on at the same time as Harold’s misadventures in Mexico.  Will Harold be able to bilk his employers out of a crap load of money before he gets captured by the Cartel?  What was Richard and Elaine doing that got the eye of the Cartel in the first place, and what will they do to get Harold out of the mess he’s in?  Most importantly, HOW DID THEY MANAGE TO MAKE A STORY LIKE THIS SO BORING!?

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“Hello?  Has anyone seen the plot?  I can’t find it anywhere!”

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Cinema Dispatch: Atomic Blonde

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Atomic Blonde and all the images you see in this review are owned by Focus Features

Directed by David Leitch

Holy crap!  The day has FINALLY come, hasn’t it!?  There are usually a handful of movies that I genuinely look forward to each year and for most of 2017 the big one was this Charlize Theron spy thriller with a lot of bloodshed and a lot more attitude!  The trailers looked phenomenal with Theron putting her heart into this John Wick knock off (it even has one of that movie’s directors) and James McAvoy being… well James McAvoy, but that’s why we go to see him in movies!  Still, a trailer isn’t always true to what a movie will ultimately be about and while I certainly have high hopes for this, I should PROBABLY temper them lest my expectations get too astronomical and I end up setting myself up for disappointment.  But still!  CHARLIZE THERON PUNCHING DUDES IN THE FACE!  How COULD it go wrong!?  Well if it does, we’ll certainly find out!!

The movie begins with the death of an MI6 agent (Sam Hargrave) in East Germany right at the tail end of the Cold War, and the British Government are in desperate need of someone to clean up the mess the poor bastard left behind.  Enter Lorraine Broughton (Charlize Theron) who given two objectives to complete once she gets there; find THE LIST that the MI6 agent had secured before getting a bullet in the head (you know, that list of EVERY SPY EVER that’s in EVERY SPY MOVIE EVER) and find a double agent known simple as Satchel who is more than likely responsible for this whole mess.  Her only contact in the country is MI6 agent David Percival (James McAvoy) who’s gone DEEP undercover in the Berlin punk scene but has more knowledge of the country’s inner workings than anyone else.  Of course, nothing is as simple as it seems as there’s a French agent rather conspicuously following them around (Sofia Boutella), there’s like five different German/Nazi dudes who hate punk music trying to find her, and she keeps getting stymied at every turn presumably to the machinations of that darn double agent!  Will Lorraine find this list that could CHANGE THE TIDE OF THE WAR before it falls into the wrong hands?  Who is this mysterious double agent, and could they be closer than she dares to believe?  How is it that all the hired goons keep finding her so easily!?  Is it the hair?  It’s probably the hair.

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“All natural.”     “Oh you are SO full of crap!”

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Cinema Dispatch: The Fate of the Furious

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Fate of the Furious and all the images you see in this review are owned by Universal Pictures

Directed by F Gary Gray

I hope all of you out there appreciate what I do for you!  A week ago, I had never even SEEN a Fast and the Furious movie, and yet I managed to binge watch ALL SEVEN OF THEM so that I can properly review this new one as the series now has a continuity more dense than the freaking Terminator, and that’s SUPPOSED to be convoluted!  I HAD TO WATCH TOKYO DRIFT FOR YOU PEOPLE!!  Sigh… alright, well it’s not like I even HATED any of the movies (other than Tokyo Drift) as most of them are at least DECENT if not all that engaging.  For me though, they didn’t pick up until part six when the BUDGET finally started to match the VISION that was always there, because let’s face it; Fast and the Furious was NEVER a serious series.  It was ALWAYS balls to the wall insanity, just at different degrees depending on what they could afford (except for Tokyo Drift which was just garbage).  So with the last two films finally managing to reach the potential this series was always capable of, does that trend continue with this film?  Let’s find out!!

The movie begins in Cuba where Dominic Toretto (Vin Diesel) and Letty Ortiz (Michelle Rodriguez) have settled down since the last movie where their house got blown up, and they’re doing their typical first act shtick of racing cars, talking about family, and forging new friendships!  That is until a super hacker hilariously named CIPHER (Charlize Theron) corners Dom at one point and shows him something that will CHANGE EVERYTHING FOREVER!!  Cut to a few days later where good ol’ Luke Hobbs (Dwayne Johnson) calls him and the rest of the crew up (Tyrese Gibson, Chirs Bridges, and Nathalie Emmanuel) to do another mission.  Everything goes according to plan except… DOM BETRAYS THEM!!  Their mission was to take an EMP from someplace in German (for reasons that I’m sure make sense) but he crashes Hobbs’s car right at the end and takes it for himself; leaving Hobbs to get thrown in jail back in America which JUST SO HAPPENS to be the same jail that Deckard Shaw (Jason Statham) is locked in as well… and they get cells right across from each other because reasons.  So now it’s up to our favorite crew of street racers along with Frank Petty (Kurt Russel) from the last movie who’s the leader of some sort of spy organization as well as his new protégé of sorts Eric Reisner (Scott Eastwood) to find out what Dom is doing, what CIPHER wants from him, and hopefully how to solve all this without taking him out as well.  Just what is the reason that Dom betrayed the one thing he cares about more than anything which is FAMILY?  Just what is CIPHER planning, and is it bad enough that the crew may have no other choice than to take Dom out?  Will Vin Diesel FINALLY give that Oscar performance he’s been hoping for!?

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“I DRINK YOUR MILKSHAKE!!  SLLLLLUUURRRP!”

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Cinema Dispatch: Kubo and the Two Strings

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Kubo and the Two Strings and all the images you see in this review are owned by Focus Features

Directed by Travis Knight

While Disney and Dreamworks are constantly fighting over dominance for CG animated features, studios like Aardman and Laika are still making an argument for more traditional forms of animation with films like Paranorman and The Pirates.  Now we’ve got this movie which hopes to stand alongside some of the bigger hits this summer like Finding Dory and The Secret Life of Pets while also finding a spot in theaters just as the latter is starting to leave and Pete’s Dragon is under performing.  Can the latest Laika creation not only manage to be an excellent film but be the big hit to end the summer with, or is this movie all style and no substance?  Let’s find out!!

The movie follows young Kubo (Art Parkinson) who’s living with his mother in a cave that’s within walking distance of a nearby village.  Why are they living there?  Well apparently Kubo’s mother is the daughter of some super powerful dude known as the Moon King (Ralph Fiennes) who can do… stuff.  Okay, I’m not sure what his powers are, but he ripped out one of Kubo’s eyes when he was an infant, and his mother just barely managed to get away with him; though at a severe price as she was injured during the escape and now suffers from memory loss.  That only leaves Kubo to take care of her (though I’m not sure how they survived long enough for him to be able to do that) and he makes money by using his magic powers to put on fantastic origami shows for the people of the village.  Seriously, Kubo’s got some badass magic powers that he’s able to conjure up with his Shamisen which can put on very elaborate stop-motion performances by Origami dolls, and you’d think that powers like this would either earn him enough to move his mom into a nice home or would brand him as a witch.  Still, things seems to be going well as Kubo goes about his day to day life busking for coins on the sidewalk, when he stays out too late one night which gives the Moon King a chance to find him (I guess that guy can see everything at night) and sends out his daughters, who are also Kubo’s aunts (Rooney Mara), to find him.  Kubo’s mother however manages to find him first and uses her remaining magic to send him off somewhere else while also bringing a charm to life in the form of a monkey (Charlize Theron) because apparently Kubo’s mother can do that.  From there, we’ve got a whole lot more exposition as apparently the monkey knows what Kubo needs to do next and the end up finding a Beetle Samurai (Matthew McConaughey) to tag along on their adventure.  Can Kubo stop his evil grandfather and save his mother?  How exactly does this monkey know all this stuff if it’s only been alive for like a day or so? Most importantly, how many MacGuffins do they plan to stick in this movie!?

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“We have to find the sacred armor that was created by your father that can protect you from the Moon King so that-“     “YOU’RE A TALKING MONKEY!!”     “…yes.  Did you hear what I said?”     “We need to find some stuff?”     “Good enough.  Let’s go.”

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