Category: Cinema Dispatch

Cinema Dispatch: Popstar: Never Stop Never Stopping

~ Matt Vetrano ~ Leave a comment

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Popstar: Never Stop Never Stopping and all the images you see in this review are owned by Universal Pictures

Directed by Akiva Schaffer and Jorma Taccone

Weird Al got a movie, Oingo Boingo got a movie, and now The Lonely Island have one.  I’m sure you can point to ten awful musician movies for every good one, but there are some all-out classics in that very strange sub genre.  The aforementioned UHF is a lot of fun, Forbidden Zone is an absolute classic, hell, let’s go ahead and throw in The Blues Brothers and Walk Hard: The Dewy Cox story while we’re at it!  True, the musicians in question for those movies are known more for their comedies than their music, but you can pretty much say the same thing about The Lonely Island!  Does this mockumentary into the absurd world of pop stardom turn out to be the perfect update to the Spinal Tap formula, or are these guys not up to the task of stretching their material out for an entire movie?  Let’s find out!!

The movie is presented to us as an documentary into the life of Conner 4 Real (Andy Samberg) whose debut solo album (Thriller, Also) was a record smashing hit and launched him into super stardom after he left The Lonely Island… I mean The Style Boyz.  We start the movie on the eve of the release of his second album which has a pretty amazing title (CONNquest) but it turns out to be a finical and critical flop.  From then on, we follow Conner as he tries more and more desperate moves to salvage the fledgling album and boost his ticket sales while also coming to terms that he may not be as good as he thinks he is (or at least as good as his Yes Men tell him he is).  Along with him on this journey is his DJ Own (Jorma Taccone) who was one of The Style Boyz back in the day, his manager Harry (Tim Meadows) who’s trying to juggle Conner’s insane ego with his duties of keeping their empire afloat, and many others who make up the eclectic group of misfits that Conner surrounds himself with.  Can he manage to find his creative spirit once again and come back stronger than ever, or will he hit rock bottom as he slowly begins to isolate those who are trying to help him.  Oh who am I kidding?  It will probably be both!

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“Would you fuck me?  I’d fuck me.”

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Cinema Dispatch: Teenage Mutant Ninja Turtles: Out of the Shadows

~ Matt Vetrano ~ Leave a comment

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Teenage Mutant Ninja Turtles: Out of the Shadows and all the images you see in this review are owned by Paramount Pictures

Directed by Dave Green

The first Bay-Turtles movie was pretty damn awful.  Maybe not as bad as the WORST Transformers film, but certainly no better than the arguably best one (Marky Mark for the win).  With this one though, there seems to be a conscious effort to integrate more of what people ACTUALLY liked about the cartoon and incorporate it into the Bay-Turtles universe, so maybe a middle ground can be struck here between big budget extravagance and nostalgic sincerity.  Does this manage to AT least be better than the first one?  Let’s find out!!

The movie picks up some time after the first one with the Turtles (Noel Fisher, Jeremy Howard, Pete Ploszek, and Alan Ritchson) continuing their hero shtick in the shadows while Vernon (Will Arnet) is taking all the credit for defeating Shredder (now Brian Tee instead of Tohoru Masamune) and putting him in Jail.  Eric Sacks by the way is not even mentioned here.  At first they made him NOT The Shredder, and now they’ve retconned him out of existence!  The turtles are restless about all the lack of kudos they get or kicking so much ass, but those concerns will be secondary soon enough as Shredder escapes jail with the help of Super Nerd Baxter Stockman (Tyler Perry) and recruits two new soldiers in his army in the form of Bebop and Rocksteady (Gary Anthony Williams and Stephen Farrelly AKA Sheamus) so that they can build a teleporter device that will bring Krang (Brad Garrett) and The Technodrome into our world.  Oh, and I’m pretty sure April O’Neil (Megan Fox) is around doing something.  So is Casey Jones (Stephen Amell).  ANYWAY!  Can the turtles stop Shredder from his latest evil schemes?  Will they do as the title says and come out of the shadows to stop this latest threat?  Seriously, how much longer before they do a crossover?

 

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“Can you say… CHA-CHING!?”     “COWABUNGA DUDE!!”

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Cinema Dispatch: X-Men: Apocalypse

~ Matt Vetrano ~ Leave a comment

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X-Men: Apocalypse and all the images you see in this review are owned by 20th Century Fox

Directed by Bryan Singer

It’s that time again for another X-Men movie to try and prove its relevance in a post MCU world!  So far, I think they’ve been doing a fairly good job of keeping this series humming along since Mathew Vaughn kicked the franchise back to life again five years ago.  The post First Class movies haven’t been perfect, but the second shot at a Wolverine solo picture and the one that brought Brian Singer back to the franchise were both fine enough films, and now that Deadpool is kinda sorta in the mix, there may be hope yet that this franchise can make that leap to the big leagues instead of sitting comfortably as the acceptable knock off.  Is this movie the start of that transition, or is this series just gonna keep spinning its wheels until another X3 disaster kills it off for good?  Let’s find out!!

The movie picks up about ten years after Days of Future Past which is still about twenty years before the original X-Men, which I THINK is still in continuity (only X3 is the one we know for sure got blinked out of existence).  In the intervening time, Charles Xavier (James McAvoy) has finally set up his school, Erik Lensherr (Michael Fassbender) has gone into hiding and now has a family in Poland, and Mystique (Jennifer Lawrence)… well she’s basically doing the same thing as she as in the last movie, only now she’s a symbol of peace rather than a violent radical after she had saved the president from Magneto.  Things seem to be at a tentative state of peace with the humans being somewhat okay with mutants and Erik more or less retiring Magento so he can live a normal life.  We don’t come to an X-Men movie to see people be happy though!  What’s gonna screw it up for everyone!?  Well two things really.  First is that Erik suffers a tragedy that throws him back into his anti-human hobby, and second is that there is a millennia old mutant calling himself, among other names, Apocalypse (Oscar Isaac) that just so happened to wake up from his deep slumber and is ready to take over the world (presumably after getting a shower and a bite to eat).  It doesn’t take long for him to make his presence known so the X-Men must reunite and get some of the new students to fight the greatest threat to all of humanity… at least now that the Sentinels aren’t gonna be a thing anymore.  Can Charles and Mystique whip these newbies into tip top shape to fight the new bad guy and save the world?  What exactly will Erik do now that he’s given up on ever finding peace for himself?  How many times are they gonna blow up the damn school!?

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“What happened this time?”     “Someone left a fork in the microwave.”     “SERIOUSLY!?”     “Well… we put the microwave next to the jet fuel storage container.”     “Did you at any point think that was a bad idea?”     “Oh THANK YOU Captain Hindsight!  Where would we be without your input!?”

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Cinema Dispatch: Alice Through the Looking Glass

~ Matt Vetrano ~ 1 Comment

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Alice Through the Looking Glass and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by James Bobin

A sequel to a movie six years after everyone stopped caring about it!  THAT’S never gone wrong, am I right?  To be fair to Disney, the original film did make an astonishing amount of money (one BILLION worldwide) but this feels way too late to capitalize on whatever moment that first movie had.  Not only that, but it was also one of the early 3D films which I’m sure boosted the ticket sales, yet now we’re at a point where people are just sick of the gimmick, so it doesn’t even have THAT going for it.  Still, the first movie did manage to be pretty decent and the trailers for this looked very creative to say the least.  Can this manage to be a damn fine sequel that just needed a little extra time to fully come together, or is this a naked cash grab for everyone involved?  Let’s find out!!

The movie picks up three years after the first movie where Alice (Mia Wasikowska) has spent the intervening time traveling the world as a sea captain for Ascot family’s trading company (I think).  She returns to England at the start of the movie to see her mother (Lindsay Duncan) and plan the next trip with the company.  Unfortunately, the Ascot patriarch has died since she last returned and the one in charge of the company is his son Hamish (Leo Bill) who you may recall was set to be Alice’s husband in the first movie which didn’t end up panning out.  Now that this new guy is in charge (and he has a wounded ego) Alice is not only no longer employed as a sea captain, but for some reason is given an ultimatum to either sell her father’s boat or risk losing her mother’s house.  It gets worse when you find out that the mother has been working behind her back to make sure she gets fired so that she would have no choice but to “settle down” as all proper ladies do.  Well I’d say THAT’S enough stuff to stress over to make a trip to Wonderland seem like a wondrous vacation, right?  She gets led to the titular looking glass by the butterfly Absolem (Alan Rickman) and eventually finds the Mad Hatter (Johnny Depp) on the other side who is slowly dying and not quite so delightfully mad.  Apparently he found a modicum of proof that his family is still alive but no one else believes him so he’s going to slowly die of depression… I guess.  Alice has no choice but to go back in time to save the Hatter’s family from the Jaberwacki and has to face off against Time himself (Sacha Baron Cohen) to get that ability.  Will she be able to save the Hatter from his battle with depression?  What will she learn as she travels back to the glory days of Wonderland, and what must she risk in order to get the opportunity to do so?  Does anyone else notice that its’ a lot brighter this time around?

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“Did you bring the sunscreen?”     “The hell do you need sunscreen for?  YOU HAVE A HAT!!”

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Cinema Dispatch: Neighbors 2: Sorority Rising

~ Matt Vetrano ~ 1 Comment

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Neighbors 2: Sorority Rising and all the images you see in this review are owned by Universal Pictures

Directed by Nicholas Stoller

They just couldn’t resist the urge, could they?  I guess there was just too much money lying on the table to NOT make another one of these.  Sequels to unexpected hits (especially comedies) are almost always underwhelming as it’s like trying to capture lightening in a bottle twice.  Caddyshack 2, Ghostbusters 2, Horrible Bosses 2, you could make a neigh infinite list of them.  Now the first film was a pretty solid movie that had a bit more to it than you would expect from a movie that’s essentially a prank war.  Not only that, but they’re coming into this one with a decent enough idea in regards to how Sororities are viewed by the education system, even if it is a bit ridiculous that the SAME THING happens to these people twice in a row.  Can this manage to be the few comedy sequels to NOT be the worst thing imaginable, or is this movie destined to be the worst thing imaginable?  Let’s find out!!

The movie begins a few years after the first one ended with Teddy Sanders (Zac Efron) still wasting his life away but now doing so as Pete’s roommate (Dave Franco) and Mac and Kelly Radner (Seth Rogen and Rose Byrne) planning to sell their house so that they can move to the suburb.  There’s a small roadblock though to their plan which is that they ALREADY bought the house in the suburb, but the house they just sold is in escrow which the movie thankfully explains is a thirty day waiting period where the buyers can back out of the deal if something were to change.  That couldn’t POSSIBLY happen though, right?  Well back on the college campus (what college is it anyway?) the new female freshmen are trying to get into Sorrorities, but three of them (Chloë Grace Moretz, Kiersey Clemons, and Beanie Feldstein) find the guidelines about not being able to party too restrictive, so they decide to start their own independent Sorority.  Well SURELY they won’t end up at the EXACT same house that Teddy’s frat was at, right?  Well speaking of Teddy, Pete just got engaged so Teddy has to move out which means he’s lost once again and needs to find not only a new place to stay, but some meaning in his life.  Oh look!  The house he used to live at!  And look!  The girls are touring it to see if it works for their needs!  An unholy (and tenuous) alliance is born between the girls of the new Sorority (Kappa Nu) and the frat boy looking to relive his glory day, so they rent out the house to the terror of Mac and Kelly who just want to sell their place and move on with their lives.  And so the war is on once again as the girls refuse to keep things quite for thirty days and the old people try to keep them from exercising their right to party!  Can Mac and Kelly once again destroy the young people who are trying to fuck up their lives?  Will the sisters fail in their endeavor to bring about a new kind of Sorority that’s empowering those who want to have fun but don’t want to be objectified?  Things can’t get any crazier here than they did in the LAST movie… right?

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“My painted on abs give me strength!!”     “KILL THE FAT GUY!!”

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Cinema Dispatch: The Nice Guys

~ Matt Vetrano ~ 2 Comments

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The Nice Guys and all the images you see in this review are owned by Warner Bros Pictures

Directed by Shane Black

How amazing is it that on the cusp of a freaking Lethal Weapon television show premiering that Shane Black (the writer of the original film) has a new movie out in theaters just to show the futility of even TRYING to recreate what he did back in 1987?  The guy may not be as prolific as some other great filmmakers out there, but between the films he wrote and the ones he directed, there’s no denying that Shane Black is a first rate talent that we should all be thankful is out there making movies.  Does his latest film live up to his track record of excellence, or is this the first sign that the guy is tapped out creatively and that it’s all downhill from here?  Let’s find out!!

The movie follows Jackson Healy (Russell Crowe) and Holland March (Ryan Gosling); the former being a goon for hire and the latter being a detective from the Richard Moore School of Sleuthing.  The duo cross paths early on as Ryan Gosling is trying to find a girl (Margaret Qualley) for a client but the girl CLEARLY does not want to be found.  Because of this, she hires Russell Crowe to convince him to stop, which he does… violently.  Unfortunately for the both of them, this case is a lot bigger than either of them anticipated and after an assassination attempt fails to take out Russell Crowe, he goes to see Ryan Gosling about teaming up to find out what the hell is really going on here.  Along for the ride (despite Ryan Gosling’s insistence to the contrary) is Holly March (Angourie Rice) who may only be a teenager, but is at least half as good as a detective as her father claims to be.  Along their journey, they’re run afoul of gangsters, pornographers, at least one politician, and a shit load of gunfights as they search for answers and try to do something good for once in their wretched and miserable lives!  Can this trio find out who this girl really is and why everyone is looking for her?  Can these two knuckleheads work together without one of them killing the other?  Does Shane Black find a way to fit in Christmas again!?

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“Feliz Navidad you sack of shit.”     “Isn’t your daughter waiting for you in the car?”     “She knows how to get back home.”

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Cinema Dispatch: The Angry Birds Movie

~ Matt Vetrano ~ 2 Comments

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The Angry Birds Movie and all the images you see in this review are owned by Columbia Pictures

Directed by Clay Kaytis and Fergal Reilly

After the disaster that was Ratchet & Clank, this COULDN’T be worse… right?  Honestly, with the track record that video game adaptations have, it’s not like a shitty movie based on a mobile game can tarnish their legacy any more than Street Fighter: Legend of Chun-Li did, which isn’t to say that I have any hope for this movie; just that it’s not in a position to do much damage.  Does this turn out to be an unexpectedly competent surprise, or just another awful adaptation to add to the pile?  Let’s find out!!

The movie follows the angriest bird in Birdville, or whatever this place is called, named Red (Jason Sudeikis) who has finally pushed the citizens of Bird-opolis to the breaking point!  After an “incident” gets out of hand involving a slightly messed up cake and cracked egg, Red is assigned to mandatory Anger Management which is led by Matilda (Maya Rudolph) and is attended by Chuck (Josh Gad), Bomb (Danny McBride), and Terence (Sean Penn); none of whom are particularly well adjusted.  That’s only the first half of the movie though.  Eventually, a ship chock full of pigs arrives at the Island of Birds and come offering friendship and gifts of the outside world!  Only Red can see that they’re up to no good though, but no one wants to listen to him because… well he’s an asshole.  Still, he manages to get Bomb and Chuck on his side enough so that they agree to go with him to find the LEGENDARY MIGHTY EAGLE who is said to watch over Bird-sylvania and aid it in its time of need.  Can red get over his anger issues long enough to do some real good for his fellow birds?  Can the LEGENDARY MIGHTY EAGLE save the town before the pigs enact their nefarious plan?  Have these birds never bothered to go off of their island!?  How have they never heard of pigs before!?

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“Whatever it is, I think we should worship it.”     “Don’t you think that’s a little extreme?”     “HERETIC!!”     “Don’t you mean… HAM-etic?”

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Cinema Dispatch: Money Monster

~ Matt Vetrano ~ Leave a comment

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Money Monster and all the images you see in this review are owned by TriStar Pictures

Directed by Jodie Foster

Once again, George Clooney is trying to save America’s soul through his world class acting skills!  Not too long ago he directed and co-starred in The Ides of March which was a vicious take down of the electoral process and the idea of there ever being a perfect candidate and then just last year he was in Tomorrowland which, from what I understand, is damn close to a Randian take on a Save the Future kids movie where the best and brightest separated themselves from the rest of the world to form a Utopian society that is no doubt run on renewable energy and good vibes.  Now we’ve got Money Monster; a movie he didn’t direct but seems to be right in his wheelhouse as it takes the finical system and investment culture head on.  Does this movie manage to make an intelligent statement on capitalism and Wall Street, or is this simply an angry and half-thought out screed that just shows how little the filmmakers and writers know about what they’re railing against?  Let’s find out!!

The movie begins with douche bag television personality Lee Gates (George Clooney) going about his normal everyday routine of giving financial advice on his show Money Monster with his trusty director Patty Fenn (Julia Roberts) in the booth making sure it all comes together instead of just being a big cacophony of egotistical noise radiating from the self-centered host.  Today is not going to be a normal day for anyone however as a complete stranger Kyle Budwell (Jack O’Connell) manages to sneak his way into the studio with not only a gun but a bomb vest.  He takes everyone hostage, puts the vest on Lee, and begins his own personal broadcast to spout off about the ills of Wall Street and their hype men like Lee.  Specifically, the guy lost A LOT of money when a company called IBIS suspiciously lost eight hundred million dollars in a single day due to a supposed computer glitch and he wants answers for it; especially after Lee said on national television that the company was a sure thing for any investor.  Can Lee talk his way out of a bullet in the head?  What really DID happen to the money that IBIS claims to have lost?  How amazing are the ratings gonna be for THIS show?  Maybe he can get another desperate asshole to break in during sweeps…

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“On today’s episode, we see who wants to get shot in the face!  Any takers?”     …     “Come on people!  If you can’t decide amongst yourselves, then  I’m gonna choose for you!”

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Cinema Dispatch: Captain America: Civil War

~ Matt Vetrano ~ 7 Comments

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Captain America: Civil War and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Anthony Russo and Joe Russo

The Marvel money machine has deigned to appease the masses with the next chapter in their long running story about people in tights (or robo-tights) that STILL manages to be more character driven and exquisitely crafted than any number of big blockbusters that have tried to challenge Marvel to their title as king of the cinematic landscape (*cough* Batman v Superman *cough*).  Now we have another entry in the Captain America series which actually looks like an Avengers movie more than anything else.  Does Marvel once again show us what makes the Captain America movies so unique within the Marvel Cinematic Universe, or has the whole enterprise gotten too massive to tell a simple story about one man throwing his mighty shield?  Let’s find out!!

The main thrust of the narrative in this movie is the Avengers having the whole “collateral damage” thing come back to bite them in the ass.  It’s been building up for a while, but when an operation in Nigeria goes south after the bad guy blows himself up and the blast is redirected by Scarlet Witch (Elizabeth Olsen) into a nearby building and killing eleven people in the process, it seems that the world powers have no choice but to step in.  Of course, the guy had stolen a biological weapon that could have killed THOUSANDS but no one wants to bring that up apparently.  Anyway, Tony Stark (Robert Downey Jr) seems to be in a bad place right now and the guilt over his actions in the last ten or so movies are starting to eat away at him, so when the US government and the UN come to the Avengers with some international regulations, he jumps at the opportunity to get them all on board.  The biggest opponent to this new form of oversight though is Captain America (Chris Evans) who sees the writing on the wall and the possibility of those checking their power using that for nefarious ends.  Things only get worse when a UN meeting in Vienna about the new Avenger regulations (known as the Sokovia Accords) gets bombed as part of a terrorist attack and the only suspect is Bucky Barnes The Winter Solider (Sebastian Stan) who if you recall from the second Captain America movie escaped his captors and has been laying low ever since.  Not only is everyone and their grandma after this guy, but Captain America is the only one convinced that he could not have done it which makes it that much harder to keep the government, the other Avengers, and a new super hero Black Panther (Chadwick Boseman) off of his back.  Can he clear Bucky’s name before the world leaders put a bullet in both their heads?  Who really DID bomb the UN meeting?  Will he be able to convince his fellow Avengers as well as Tony that the Sokovia Accords will lead to more harm than good?  Most importantly, how many cameos are they gonna squeeze into this!?

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“Did you guys kidnap me?”     “Yup.”     “That’s AWESOME!”

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Cinema Dispatch: Ratchet & Clank

~ Matt Vetrano ~ 6 Comments

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Ratchet & Clank and all the images you see in this review are owned by Gramercy Pictures and Focus Features

Directed by Jericca Cleland and Kevin Munroe

Well THIS certainly is a unique specimen!  I mean… it IS for another two weeks until Angry Birds comes out (ugh).  What we have here is the first CG animated film that has gotten a wide release in US theaters!  You’d think SOMEONE would have thought to do this by now considering how many of the pre-generation seven game heroes were aimed at children and some variation of a loveable animal character.  While Uwe Bowl was fucking around with Alone in the Dark and Postal, no one was willing to give Sonic the Hedgehog or Megaman a shot?  Well that all ends HERE with this movie based on the iconic video game series AND the added bonus of Insomniac games being a part of the production to make sure it’s done justice!  Do they succeed in making the first CG animated video game movie, or is this one big glorified cut scene that wouldn’t have passed muster in 2002?  Let’s find out!!

The movie is all about Ratchet (James Arnold Taylor); a cat like creature who lives a Tatooine knock off and spends his time poorly repairing hovercrafts by adding (presumably illegal) modifications that no one asked for and no one would find useful.  Oh well, at least he has heart, and dreams, and… probably other stuff too that the movie doesn’t really get into.  He’s THE HERO’S JOURNEY writ large and he’s got a call to action lined up for him!  Apparently some bad guys are blowing up planets for reasons (probably because their dicks) and so the team that defends the WHOLE galaxy has decided to increase their ranks from four… to FIVE!!  Okay… well the group, known as the Galactic Rangers, are holding tryouts to find this fifth member (there isn’t already a training program or an academy or something?) which Ratchet participates in, but fails miserably; probably due to his extensive arrest record.  Things may look grim for Ratchet who’s still stuck on this dirt planet, but salvation arrives in the form of a little robot who crash lands near the garage Ratchet works at, and he rushes to save him!  The little robot seems to know something about the villain’s evil plan and must get to the Galactic Rangers to warn them.  Ratchet agrees to help, gives the little guy the name Clank (David Kaye), and they’re off to save the Rangers and the Galaxy as they know it!  Can they manage to stop the bad guys from blowing up the rest of the galaxy?  Will the Galactic Rangers accept them as one of their own?  Did… did anyone actually sit down to watch this before shoving it into theaters?

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“PLEASE!  MAKE IT STOP!!”     “It’s too late Qwark!  We’ve already sequel baited!”     “NOOO!!”

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