Cinema Dispatch: Shut In

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Shut In and all the images you see in this review are owned by EuropaCorp

Directed by Farren Blackburn

So when did this movie get announced, because I didn’t know anything about it until I looked up the new releases for this week.  It’s not like Naomi Watts is an unknown actor, and horror movies are big business right now, so the fact that I didn’t even see a trailer for this at any of the horror films I saw this year is not a great sign of what’s to come.  Still, it’s not like movies that get a whole bunch of press are guaranteed to do any better, and a lot of great horror films don’t even get a theatrical release, so maybe they just didn’t know how to sell something like this.  Does this film deliver yet another fantastic horror experience in a year that has already had so many, or will this just get lost in the shuffle?  Let’s find out!!

The movie follows the Portman Family who at one point consisted of three able bodied and happy members, but after a car accident has been reduced to the mother Mary (Naomi Watts) and her son Steven (Charlie Heaton), the latter of whom has suffered severe brain damage and is pretty much unable to move or communicate.  After six months of this routine where she cares for her son and then goes to work as a childhood psychologist, things start to change when one of her patients Tom (Jacob Tremblay) is being moved to Boston so that he can get more specialized care.  The night after Mary finds this out however, Tom shows up at her doorstep… well technical he smashes the window to her car and crawls inside, and while Mary is trying to figure out what to do next, the boy disappears into the night.  So not only is she dealing with her son who is in need of constant care, she now has a possible dead boy on her conscious (they’re up in Maine so it’s snowing all the freaking time) and starts to hear things go bump in the night along with a series of night terrors that are making it hard for her to distinguish between fantasy and reality.  Are the things that Mary is hearing at night real and a possible threat to her and Steven?  Will Tom be found at some point, or is he really just a kid-cicle waiting to be uncovered once Spring rolls around?  Wait, didn’t I see this movie like a year ago!?

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“I wonder what The Babadook would be like if it didn’t have The Babadook in it.  Steven, get the camera.  Oh right… I’ll just get it.”

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Cinema Dispatch: Trolls

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Trolls and all the images you see in this review are owned by 20th Century Fox

Directed by Mike Mitchell and Walt Dohrn

Ugh… I seriously do not care about trolls; either in general or the ones created by Thomas Dom which this new movie is supposed to be based on.  We already have two Smurf movies and another one on the way!  WE DON’T NEED A KNOCKOFF!!  Okay, I need to calm down.  Just because it’s a DreamWorks animated film based on a property I do not care about, doesn’t mean it’s going to be BAD.  Shrek was based on a book, and I liked that movie!  Okay… that was like fifteen years ago, but maybe they can pull off that same magic here as well!  Does this manage to be a fun adventure in a colorful world, or is this one hell of a bad trip?  Let’ find out!!

The movie begins with a whole backstory for the Trolls and the Bergens.  You see, boys and girls, Trolls are full of sunshine and happiness and like to sing, dance, and hug all the time.  Bergens on the other hand are grumpy and miserable like all of us in the REAL world, and apparently the only time they feel any semblance of happiness is whenever they’re eating Trolls.  I guess all that ecstasy the Trolls have to be taking in order to keep up their parties makes their flesh chock full of endorphins or something.  For the longest time, the Trolls lived in a tree right in the middle of the Bergin kingdom (seems like a bad idea if you ask me), but they escape with due to the valiant effort of their king (Jeffrey Tambor) and the ones the Bergens end up scapegoating for this is their Royal Chef (Christine Baranski) who is banished form the kingdom.  Twenty years later, the princess Poppy (Anna Kendrick) is set to become the queen of their new home, and she puts on the biggest party EVAR despite the protestations of the grumpy survivalist Troll, Branch (Justin Timberlake).  Sure enough, the revelry is enough to get the attention of the Chef, who’s been looking for the Trolls for the last twenty years, and she’s finally able to snatch a few of them to bring back to the Bergens and get back into the graces of their current leader, Prince Gristle Jr (Christopher Mintz-Plasse).  Poppy sends all the remaining Trolls to Branch’s doomsday bunker to stay safe, and Branch begrudgingly goes along with her to rescue her kidnapped subjects so that he can clear them out of his home as soon as possible.  You know!  Like that OTHER DreamWorks character who’s a lonely curmudgeon in a fantasy world!  Will Poppy and Branch find their friends before they’re boiled alive, chopped to pieces, or stuffed in a pie?  Just what does the Chef have planned once she gets back in the Bergens’ good graces?  Seriously, do these Trolls do ANYTHING other than party!?

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“PLAY SOME GOD DAMN MUSIC, CUZ I’M ON SOME SERIOUS SHIT RIGHT NOW!!”

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Cinema Dispatch: Doctor Strange

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Doctor Strange and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Scott Derrickson

So on the one hand, I don’t’ really have any love for Doctor Strange as a character, and I’m still a bit salty that they didn’t cast Hugh Laurie in the role which I have been fan casting since the film first got announced all the way back in what, the beginning of phase two?   On the other hand I’ve been a fan of C Robert Cargill as a film critic all the way back in the good ol’ days of Spill, so there is a part of me that wants this to succeed just because I like that ONE GUY.  Then again it’s a Marvel movie, so it’s going to succeed anyway.  LOOK!  It’s complicated, alright!?  I don’t put myself is some sort of cryogenic fridge between movies so my “precious objectivity” is working at peak efficiency!  Actually, I should probably look into that and see if I can skip most of the next four years…  ANYWAY!  Does Doctor Strange deliver on all the weird fun that the trailers are promising, or is this another cookie cutter entry in the ever expanding Marvel canon?  Let’s find out!!

The movie follows Stephen Strange (Benedict Cumberbatch) who is a world renounce Neurosurgeon with an ego the size of Hulk’s biceps and ends up smashing the hell out of his car while texting.  Fortunately, the only part of his body that was harmed was his hands, but unfortunately he can’t be neurosurgeon if he can’t even pick up a pencil.  Now instead of starting a diagnostics department and act super snarky to his subordinates, he instead blows his fortune trying to get his hands fixed to no avail while also pushing away his only real friend Christine (Rachel McAdams) due to his increasingly bitter outlook on life.  His last resort is this temple in Kathmandu Nepal which healed someone else with even worse debilitating injuries and finds someone to take pity on him in the form of Mordo (Chiwetel Ejiofor) who takes him to see THE ANCIENT ONE (Tilda Swinton).  She blows the puny human’s mind away with what can only be described as a drug trip, but I think the implication is that she just gave him a small taste of what the universe has to offer, and she begrudgingly takes him on as a disciple despite his arrogance and penchant for being whiney.  Of course, there might be ANOTHER reason why she wants at least one more meat shield training at their monastery.  You see, the LAST prized pupil of The Ancient One was some jerk named Kaecilius (Mads Mikkelsen) who’s now trying to do some bad stuff and will probably be coming for her bald ass soon enough, so the more bodies on hand to absorb energy blasts, the better.  Will Stephen Strange find what he is looking for in the teachings of the ancient one?  What is Kaecilius after and why is he so pissed about everything?  Seriously, what the hell were they smoking when they were making this?

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“Far out, bro!”     “We REALLY need to keep moving.  THEY’RE SHOOTING MAGIC BEAMS AT US!”

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Cinema Dispatch: Inferno

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Inferno and all the images you see in this review are owned by Columbia Pictures

Directed by Ron Howard

Oh hey!  I guess this is the reason Tom Hanks has been around so much recently!  His recent Saturday Night Live appearance was absolutely fantastic and honestly just what we needed during this very stressful time of the year.  Now I thought The Da Vinci Code was a decent enough film, and while I haven’t seen the sequel Angels and Demons, it’s mostly due to laziness rather than a real lack of desire to see the further adventures of Robert Langdon; especially considering that Ron Howard is still helming these things.  Can they manage to make decent thriller out of yet another Dan Brown novel, or has this series already grown stale? Let’s find out!!

The movie begins with good ol’ Robert Langdon (Tom Hanks) waking up in a hospital in Florence with a bleeding skull and no memory of how he ended up there or what the hell he’s doing in Italy in the first place.  He doesn’t have much time to figure out what happened though as within minutes of him waking up, he’s attacked by a rouge police officer and only manages to escape with the help of the on duty nurse Sienna Brooks (Felicity Jones).  It doesn’t take long after looking through his personal affects that he’s trying to solve some mystery left by Bertrand Zobrist (Ben Foster) who’s some asshole tech billionaire (oxymoron, I know) who’s SO concerned about overpopulation that he creates this super virus that will kill half the Earth’s population and will be release on the world in twenty four hours and FOR SOME REASON left a series of clues to find the damn thing so that Langdon can Sienna can stop him.  Of course, the reason why they have to follow the clues instead of getting Jack Bauer to beat the location out of him is because dumbass jumped off a tower and went splat after being chased by World Health Organization agent Christopher Bouchard (Omar Sy) who was trying to stop him.  Of course, the World Health Organization is ALSO after Langdon for some reason that probably has to do with that block of time that he cannot remember.  So not only does he have to run from renegade cops, but also from the WHO that I guess will only slow him down on his quest to find where the virus is and how it will be released upon mankind.  Can Robert solve this mystery despite recently suffering a head injury, and are the answers locked up in his slowly recovering mind?  Will the World Health Organization get its shit together long enough to be of some ACTUAL use in this situation rather than getting in Langdon’s way?  What is it with rich assholes thinking they can kill their way to a better world!?

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“Look!  Zobrist added words to this picture! It must mean something!”     …     “No wait.  It’s just some terrible poetry about the darkness of mankind and shit.”

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Cinema Dispatch: Jack Reacher: Never Go Back

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Jack Reacher: Never Go Back and all the images you see in this review are owned by Paramount Pictures

Directed by Edward Zwick

Everyone liked the first movie, right?  It had depth, a decent mystery to solve, some solid action scenes, and Tom Cruise was charming as all hell!  Sure, he was the embodiment of the masculine ideal which comes with a certain amount of baggage (just ask James Bond) , but that film brought a lot to the table where so many others would just coast on its star power and wouldn’t even worry about telling a decent story.  Now it’s time for them to pump out a sequel, and of course they couldn’t get the same writer/director to return this time (instead he’s just a producer) leaving it up to the director of The Last Samurai and Tom Cruise’s raw charisma to pick up the slack.  Can they catch lightening in a bottle twice for this franchise, or are we domed to exponentially worse films until Tom Cruise gets tired of this series?  Let’s find out!!

The movie begins with Jack Reacher (Tom Cruise) heading toward Washington DC to meet up with a friend of his who’s his only real connection to his past life in the military, but when he arrives he finds out that Major Susan Turner (Cobie Smulders) has been arrested for her e-mails or something (ha ha).  Of course, Jack Reacher finds out pretty much immediately that this is all a setup but gets arrested by the military for killing Turner’s lawyer which he obviously didn’t do.  I don’t know why the bad guys felt it necessary to do this, especially because he’s getting processed at the Military Prison at the same time the bad guys are sending hired goons to kill Major Turner in this co-ed prison.  Jack Reacher kicks everyone’s ass, the two of them escape, and now they have to find out who it is that set the both of them up.  Of course, it’s not quite that easy.  You see, it turns out that in ALL this time that Jack’s been contacting Major Turner over the phone, she failed to mention that he’s had a paternity suit pending for the last fifteen years which means he might have a kid out there who probably hates his guts right now.  The kid in question is Samantha Dayton (Danik Yarosh) and sure enough the bad guys know about her and start targeting her to get to Jack which means he has to drag her along until this mystery is solved.  Can Jack and Turner figure out who’s responsible for their incarceration and what they’re so desperate to cover up?  Is Jack really the father of this surly teenager who’s not in the mood to deal with any of this bullshit?  Seriously, there’s like twenty of these Jack Reacher books.  Was this the best story they could get out of them!?

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Oh HELL no!  You’re not getting out of this one so easily!

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Cinema Dispatch: Keeping Up with the Joneses

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Keeping Up with the Joneses and all the images you see in this review are owned by 20th Century Fox

Directed by Greg Mottola

Are you SURE I didn’t see this last month?  I’m just getting the weirdest sense of déjà vu right now…  Well either way, we’re stuck with another Zach Galifianakis comedy to throw on the pile, and the Unique Selling Point here is that it’s a spy movie.  Sigh… Really?  We just got a dumb criminal movie; now we’ve got him dicking around in the most overplayed genre of the year!?  Well, who knows?  Central Intelligence managed to be good despite its rather weak spy angle, and while Masterminds had a pretty strong cast as well, THIS one has sexiest man alive who’s named after food, Jon Hamm, as it’s costar!  Maybe this could end up being really good!  Right?  Let’s find out!!

The movie follows the Typical American Suburban CoupleTM  made up of Jeff Gaffney (Zach Galifianakis) and Karen Gaffney (Isla Fisher) who are living out what some dumbass Hollywood executives must believe are the normal lives of middle class white people.  Jeff works at some defense company as the Human Resources manager which means he basically wastes people’s time and lets them use his computer for personal stuff.  Basically he’s a doormat that’s merely tolerated by his peers, but he’s perfectly happy to live this life of quiet desperation for some reason and will probably be behind his crappy little desk until the day he keels over and dies.  Those plans start to change though as the cul-de-sac gets new neighbors in the form of Tim Jones (Jon Hamm) and Natalie Jones (Gal Gadot) who are pretty bad at their jobs as they are OBVIOUSLY spies.  In fact, they are so unsubtle about this that Karen picks up on it immediately and it doesn’t take long for her suspicious to be confirmed.  By the time this happens though, both she and Jeff have already been dragged into some sort national security operation to prevent some sort of black market sale that was happening right under Jeff’s nose as SOMEONE who’s been using his computer was setting it all up from there!  Now the two couples have to work together to save the world or something, and I’m SURE Jeff and Karen are gonna pull their weight in this situation and not be total albatrosses hanging around the necks of these two professional spies who ACTUALLY know what the hell they’re doing.  Who is the person setting up the sale that will threaten national security, and why did they have to be a dick about it by using Jeff’s computer?  The Joneses may seem like the perfect power couple, but are there issues that they aren’t addressing?  Was anyone looking forward to this?  Like… at all?

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“I’m think you’re gonna need this, bro.”     “Why do you think that?”     “Pass it over here.  I was in The Town god damn it…”

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Cinema Dispatch: Boo! A Madea Halloween

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Boo! A Madea Halloween and all the images you see in this review are owned by Lionsgate

Directed by Tyler Perry

I knew this day would come.  Ever since this guy came on the scene, I’ve just never had an interest in seeing anything he’s made and until now I’ve never had a reason to.  I mean I knew becoming a film critic would have its downsides… but come on!  Oh well.  No point in putting it off any longer.  It’s time for me to sit down and watch a Madea film.  Who knows?  Maybe it won’t be all bad.  Hell, it looks like it’s the spiritual successor to Ernest Scared Stupid, so maybe they’ll replace Jesus with Halloween Kitsch? Yeah, probably not.  Still, is it any good?  Let’s find out!!

The movie is all about Brian Simmons (Tyler Perry) and his increasingly strained relationship with his teenage daughter Tiffany (Diamond White).  Tiffany wants to go to a Halloween party that’s hosted by a Frat House that’s conveniently located within walking distance and wants to drag her Good Christian Preacher’s DaughterTM friend Aday (Liza Koshy) along with her.  Brian says no, Tiffany says Fuck You (not literally) and so he has to pull out the big guns; namely Mabel “Madea” Simmons (Tyler Perry again) along with her friends Uncle Joe (Tyler Perry… again), Aunt Bam (Cassi Davis), and Hattie (Patrice Lovely) to babysit while he goes out on a business trip… on Halloween.  Tiffany isn’t about to give up without a fight though and convinces the four of them that there’s a ghost in the house to keep them distracted while she sneaks off to the party and things get more shenanigan filled from there.  Will Tiffany learn a lesson about listening to her father after getting to the party?  Is there something ACTUALLY haunting Madea and her friends at the house, even if Tiffany’s story was total bullshit?  God damn, is THIS what I’ve been avoiding all these years!?

 

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I WISH Tim Curry would show up in this damn thing!

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Cinema Dispatch: Ouija: Origin of Evil

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Ouija: Origin of Evil and all the images you see in this review are owned by Universal Pictures

Directed by Mike Flanagan

In a year that’s already been pretty good for horror movies and sequels, has it been just as good for horror movie sequels?  Well ironically enough for a genre known for churning out sequels, there’s really only been two I’ve seen this year; The Purge: Election Year which is one of the best films of the year so far, and Blair Witch which is one of my least favorites.  Sure I heard people liked The Conjuring 2, but I hated the first one with a fiery passion so I highly doubt it would end up on the good end, and then if you wanted you could count 10 Cloverfield Lane as a horror movie which I would put on the good side even if it’s sequel status is somewhat questionable.  My point is that the data on horror sequels this year is, shall we say… inconclusive.  Will we have a more definitive answer one way or the other with this prequel (I know that’s technically not the same thing as a sequel, but I’m freaking counting it!) to a movie that was universally panned just two years ago?  Let’s find out!!

The movie takes place in 1967 at the home of the Zander family, made up the mother Alice (Elizabeth Reaser) and her two daughters Lina (Annallise Basso) and Doris (Lulu Wilson).  Alice is barely getting by after the death of her husband as her fortune telling business isn’t quite paying the bills, but they’ll make due for now and they even get a new item for the show that should definitely drum up some business, right?  Well those concerns become secondary as it JUST SO HAPPENS to be a ghost living in the house already that has started to take control over young Doris and is clearly after something but we’re not sure what.  For now, it’s just using Doris to pretend to be the dead father and freaks everyone out with the Ouija Board as a way to… I don’t know; keep Alice from calling the Ghostbusters?  Either way, Alice is more than happy to have a REAL (and presumably benevolent) ghost in the house to not be used to keep a roof over their heads but to also get some closure with her “husband” after his tragic death.  Of course, Lina smells bullshit from a mile away and knows better than to trust something possessing her sister CLAIMING to be her dead father, so she starts to investigate and even gets a local priest involved (Henry Thomas) to find out exactly what’s going on; something the ghost isn’t too happy about.  Will Lina and the Padre stop this madness before it’s too late?  Just what is the ghost after if it needs to pretend to be good rather than just kill everyone in their sleep?  How the hell is it gonna convince everybody of that when it keeps messing with her face!?

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“Look at that!  How is that normal!?”     “Oh will you relax?  She’s just yawning!”

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Cinema Dispatch: Shin Godzilla

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Shin Godzilla and all the images you see in this review are owned by Toho

Directed by Hideaki Anno and Shinji Higuchi

I may not be the biggest fan of the King of the Monsters as I’ve probably seen seven or eight of his movies at most, but giant monster movies are right up my alley when they’re done right.  Now we’ve recently gotten our own Born in the USA Godzilla movies which is another of his films I haven’t seen (yet somehow I’ve seen the Roland Emmerich one), but this is the first Godzilla movie in over a decade from Japan and Toho itself, with their last outing being Godzilla: Final Wars which is one of the more… interesting entries in the franchise and is one of the films I’ve actually seen (imagine if there were WWE monster matches happening the background of a Matrix sequel and you get the basic idea).  Now while I would have liked to get a more toned down version of that kind of movie with updated effects, this time around they’re trying to get back to basics and rediscover what made the character such a force to be reckoned with when he first premiered in 1954; a mere nine years after we dropped the nukes on Hiroshima and Nagasaki.  Oh look!  It’s been five years since the earthquake that causes that nuclear crisis in Japan!  Maybe it really is the perfect time to take this character out of retirement.  Does the movie succeed in making Godzilla the cinematic powerhouse he once was, or is this yet another failed reboot of a series long past its prime?  Let’s find out!!

The movie begins with some odd seismic activity happening just off the coast of Tokyo that’s causing underwater tunnels to leak and a major disruption of government services to the area.  The Prime Minister (Ren Ohsugi) has called in various experts to find out what the hell is going on in the bay, but only one of his aides, Rando Yaguchi (Hiroki Hasegawa), is paying attention to social media which is saying that there’s a giant monster just below the waves.  Sure enough, Godzilla comes roaring out and rampages the city before diving back underwater.  Well CLEARLY no one was ready for that, so the Prime Minister assigns Rando to head up an Anti-Godzilla task force where the best minds of Japan will try to figure out the monster’s weakness before the next attack which can put the entire country, if not the whole world, at great risk.  Of course, this creature didn’t just come out of nowhere.  Well okay; I THINK it did, but there’s one country (take a guess which one) that seems to have a bit more information than they’re leading on and have sent a special envoy, Kayoko Ann Patterson (Satomi Ishihara), to assist in whatever ways she can… while keeping her country’s interest in mind.  Can the Anti-Godzilla Task force stop this creature from taking its problems out on the citizens of Japan?  Where exactly did this creature come from and what does the rest of the world know about him?  Can I please get a plushie of this new Godzilla design!?

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“I’M READY FOR MY CLOSE UP!!”

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Cinema Dispatch: The Accountant

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The Accountant and all the images you see in this review are owned by Warner Bros Pictures

Directed by Gavin O’Connor

Who is the Accountant?  More importantly, why should I care?  On the list of movies that I was looking forward to this year, this certainly isn’t one of them; not because the trailers looked BAD but because we’ve already got enough spy movies out there and we’re getting a Jack Reacher sequel next week that’s probably gonna be the best we can hope for this year.  Still, there could be something here if Ben Affleck signed on for it, and I guess it’s POSSIBLE the premise of someone with high functioning Autism being a super solider could be done gracefully, though I kind of doubt it.  Is this a fun and engaging action film to add to Ben Affleck’s increasing impressive résumé, or is he just desperate for something to get people to forget Batman v Superman, and he took the first crappy project that landed on his desk?  Let’s find out!!

The movie is all about Christian Wolff (Ben Affleck) who is the enigmatic ACCOUNTANT!  Who is THE ACCOUNTANT!?  Well according to Treasury Agent Raymond King (JK Simmons) who will serve as our exposition-bot for this movie, he cooks the books for the most dangerous men on the planet and he needs to be stopped!  What Agent King doesn’t know though is that he’s ALSO Batman with a much more lax murder policy and can certainly hold his own if he ever gets betrayed by one of his shady business partners.  That doesn’t happen in the movie though.  Instead, he’s hired as an accountant instead of THE ACCOUNTANT by Lamar Blackburn (John Lithgow) who has NO IDEA who he just hired, and has him look over his company’s book since a low level employee Dana Cummings (Anna Kendrick) found some irregularities.  These irregularities by the way are enough for the person who CAUSED the irregularities (i.e. stole a few bucks) to start sending out murder squads against everyone because of reasons.  Okay… well I guess THE ACCOUNTANT now has to fend off the bad guy’s henchmen (which include Jon Bernthal) and save Dana from being murdered… for looking at finical statements.  Whatever.  So just who is stealing money from the company and feels the need to send The Punisher to kill everyone who has ever looked at the company’s finances?  Will THE ACCOUNTANT go out on too far a limb to save this woman he just met a few days ago and give Agent King the lead he needs to find him?  Can someone please explain to me what the hell is going on here?

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The dude’s writing all this shit on the windows!  Isn’t it a bit late to try covering it up!?

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