Author: Matt Vetrano

Cinema Dispatch: Lights Out

~ Matt Vetrano ~ 1 Comment

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Lights Out and all the images you see in this review are owned by Warner Bros

Directed by David F Sandberg

This movie managed to fly COMPLETLEY under the radar for me.  I think I saw one poster and one trailer for this movie before I went to go see it, and frankly it looked no better than your typical Blumhouse sequel or even The Forest from earlier this year.  Still, there have been a few damn good horror movies this year (at least three are eligible for my top ten list) so maybe there’ll be something to this as everyone seems to have stepped up their game this year.  Can this manage to be yet another great horror movie in the Post Paranormal Activity era, or is this another cheap cash grab to make a few bucks off undiscerning teenagers?  Lets’ find out!!

The movie follows Rebecca (Teresa Palmer) who’s living her life as… a tattoo artist I think, with her sort of boyfriend Bret (Alexander DiPersia) but it all gets turned upside down when Child Protective Services calls her up as an emergency contact for her younger half-brother Martin (Gabriel Bateman) who’s been falling asleep in class lately and seems to be having very intense nightmares.  Unfortunately this is nothing new for Rebecca as her mother is known to go through manic depressive episodes which she was subject to several times as a young girl, especially considering that Martin’s father (Billy Burke) recently died under… suspicious circumstances, which parallels with Rebecca’s own father ran off when she was a kid (*cough* bullshit *cough*) and her mother is going through the same motions.  The thing is though that it’s not just her mom being unbalanced that’s causing Martin nightmares.  There seems to be a monster lurking in the dark that his mother is acting all buddy-buddy with which is freaky as hell in its own right before it starts banging on his door at night!  What is this monster that their mother has invited into the house?  Has it ALWAYS been there… hiding in the background… sneaking in the shadows?  Is this gonna turn into a gritty reboot of The Funky Phantom!?

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I don’t think it’s funky time for this phantom…

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Super Recaps: The Twilight Zone (One Night at Mercy)

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The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling

Episode directed by Peter O’Fallon

We’re back with another episode of Story Time with Forest Whitaker!  Now the last episode we looked at was a pretty boring example of this show barely even trying and merely going through the motions, but I hear that a lot of people really like this episode so maybe the show has already figured out what it wants to do and is now heading in the right direction.  Are the people right and is this one of the better episodes of the series, or is this just another disappointment from a show that probably has no right to exist in the first place?  Let’s find out!!

The episode begins with a whole bunch of SUPER SURGERY where there’s blood splatter, sawn open rib cages, and some bad ass doctor sticking his hand inside some dude’s chest cavity!  SWEET!  I don’t know what the fuck he’s trying to do (something to do with the aorta), but whatever it is it ends up saving the poor bastard on the table.  Oh I’m sorry, did I say table?  They aren’t actually in an operating theater; they’re in the fucking emergency room with the guy on a gurney!  Television execs being cheap or the hospital has budget cuts?  YOU DECIDE!!

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“Can you grab me a bottle of hand sanitizer?”     “WE’RE IN THE MIDDLE OF SOMETHING!  JUST GRAB IT YOURSELF!”     “The supplies are right behind you.  All you have to do is turn around and grab me a bottle.”     “WHY IS THERE HAND SANITIZER IN THE OPERATING ROOM!?”     “You can keep calling it that all you want, but that won’t make it any less false.”

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Super Recaps: Sailor Moon Episode 28 (The Painting of Love: Usagi and Mamoru Get Closer)

~ Matt Vetrano ~ 1 Comment

Sailor Moon and all the images you see in this recap are owned by Toei Animation and licensed by Viz Media

Episode directed by Yuji Endo

We’re back with another episode of Reading Rainbow Crystals!  When we last left our heroes, it was on a particularly weak note as the show had REALLY botched an Ami episode which is a shame because she doesn’t get as much of the spotlight as she should.  Now it looks like we’re already going back to focusing on the destined romance of Usagi and Mamoru which isn’t completely devoid of intrigue, but doesn’t feel as necessary as making sure the other Scouts remain a prominent part of the series rather than becoming background objects.  Still, does the show manage to give us another really strong episode in the Rainbow Crystal arc, or was the last episode a warning of mediocrity to come?  Let’s find out!!

The episode begins in the bowels of Hell Corp where Queen Beryl is giving her usual speech about the incompetence of her underlings, and frankly it’s becoming clear that she’s starting to phone these in.  She’s gotten so used to failure that she can barely muster the energy to destroy Zoisite’s self-confidence with her expert tongue lashing, yet doesn’t seem all that interested in taking direct action or to come up with a plan that’s at least SOMEWHAT different from the last twenty or so that have failed.  At least with Jadeite, there was a bit of variety in the schemes!  Here, they’re just throwing goons at the Scouts and getting surprised when yet another one gets its ass handed to them!

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“Oh do whatever you like.  I’m sure you’ll fail once again and we’ll be right back in the same place next week.”     “I hate to see you so dejected, but then I also like how you’re not threatening to rip my large Intestine out and then choke me with it.”     “Oh it’s all about YOU isn’t it?”

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Cinema Dispatch: Ghostbusters v Ghostbusters

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Ghostbusters (2016) and Ghostbusters (1984) are both owned by Columbia Pictures

The new movie has finally come out we can all confirm that the world has not plunged into forty years of darkness, but while there have yet to be any reports of rivers and seas boiling or dogs and cats living together, there’s denying that we indeed saw some mass hysteria .  Hopefully all that will subside soon enough, but those people have already gotten more attention than they deserve and it’s been difficult to keep everything in perspective as some people decided that the success or failure of this movie was going to be the crescendo in some childhood ruining man hating agenda, so trying to have a measured conversation about the strengths of both this new film and the original it’s based off of has not been an easy task.  Thankfully we can hopefully start taking a measured look at both films’ individual merits and how one movie might have done somethings better than the other without having the more obnoxious among us either use it as proof that we are biased or evidence that the new movie is horrible.  To kick that discussion off, here’s my own examination of both films and how one stacks up to the other based on important aspects that are in both films!

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Who Ya Gonna Call? (The Crew)

This new movie made two fantastic decisions right off the bat.  It was a reboot instead of a sequel, and they didn’t try to make these new characters analogues for the original crew.  No one in this movie is a recreation of someone from the last film which means that we don’t have to play the WHO DID IT BETTER game on individual actors (a decision also wisely made by the Evil Dead reboot), and similarly I’m so glad that this new Ghostbusters team is not the trainees, or even worse THE DAUGHTERS, of the original crew which would have completely ruined what makes these new characters so interesting.  Look, I’m well aware that this is a movie starring women that FIRST had to be done by men, but the fact that it’s not the case in the movie itself is an inspiring message to young girls to be proactive and forge their own paths.  A lot of people who are upset about this movie seem to think it would have been better if this was a passing of the torch story which is a concept that worked pretty well for Star Wars, but there’s no way it would have worked here.  At least in that movie there’s a whole universe to explore and the new people wouldn’t necessarily be in the shadows of the original cast allows them to do their own thing; something that would be infinitely harder here if the new Ghostbusters were still using the same logos, firehouse, equipment, jumpsuits, what have you that the original cast were wearing twenty years ago and everyone in the movie knew that.  It wouldn’t be able to be its own thing as it would constantly be in the shadows of the original members who are still hanging around the background and would take attention away from the brilliant actors that are the real stars here.

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Cinema Dispatch: Ghostbusters

~ Matt Vetrano ~ 8 Comments

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Ghostbusters and all the images you see in this review are owned by Columbia Pictures

Directed by Paul Feig

No other movie this year, save MAYBE Batman v Superman, had as much drama and passion as this reboot of a classic eighties comedy.  A very vocal minority of people were deadest on hating this from the word go with nothing more to go on than the idea that it would star women instead of men, and they haven’t shut the hell up about it since then; effectively drowning out any legitimate criticism that was levied against the movie.  It’s true that this is a reboot and that Ghostbusters was a very much a movie of its time (not only in concept but also the fact that comedies just don’t have the same clout and reverence they did back in the eighties), but I was still genuinely interested in seeing this based on who they ended up casting and some of the better moments in the trailer.  Does this manage to live up to the hype as a patriarch smashing masterpiece, or will it live up to the OTHER hype of being the worst possible thing to ever happen to anyone at any time in history?  Probably neither, but is it at least good?  Let’s find out!!

The movie begins with Columbia Physics professor Dr Erin Gilbert (Kristen Wiig) being forced to confront an old colleague of hers, namely Dr Abby Yates (Melissa McCarthy) over a book they wrote years ago on the paranormal which she has since disowned but has recently resurfaced and may pose a threat to her bid for tenure at the university.  Abbey never stopped her research and is angry at Erin for abandoning her those many years ago so she’s not too keen to help her out and has even gotten a new partner in crime in the form of super engineer Jillian Holtzmann (Kate McKinnon) and they’re both trying to get evidence that ghosts really do exist.  Opportunity comes a-knocking for all three of them however as Abby and Holtzmann (with Erin along for the ride trying to get Abby to take her name off the book) actually do run into a ghost and get footage of it on camera.  Unfortunately, the video goes viral, Erin gets fired from the University, and all three of them can’t get anyone to believe the story.  Still, this is some groundbreaking stuff they’ve uncovered, so they pool all their money together to begin a start-up company and relocate to the attic of a Chinese restaurant (a firehouse looked promising, but was WAY too expensive).  As they perfect their craft and Holtzmann works on the weapons, they eventually meet Patty Tolan (Leslie Jones) who saw a ghost at the subway station she works at and enlists the Ghostbusters to bust it before eventually joining the team, as does Kevin Beckman (chris Hemsworth) who becomes their secretary because no one else bothered to apply for the job.  While all this is going on by the way, there’s some creepy dude named Rowan (Neil Casey) who seems to be setting up devices that amply the strength of ghosts that are already haunting various places in NYC and is clearly planning something much bigger.  Can the Ghostbusters find out Rowan’s evil plan before it’s too late?  Will the world even accept them as anything more than frauds and Ghost Hunter knock offs?  Is there ANY chance that those determined to hate this movie will feel any different by actually watching it?  I’m gonna guess no on that last one.

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“Is THAT what people have been saying about us!?”     “Yup.”     “Wow…”

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Cinema Dispatch: The Infiltrator

~ Matt Vetrano ~ 1 Comment

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The Infiltrator and all the images you see in this review are owned by Broad Green Pictures

Directed by Brad Furman

So… Bryan Cranston is going back to the well, huh?  You can hardly blame him though!  Breaking Bad is one of the most influential and critically praised shows to ever come out, so if anyone deserves to be in a movie about drugs and violence, then it’s the guy who made that shit work for five seasons!  Does Bryan Cranston come out on top once again with a movie tailor made for his particular set of skills, or will this just be an actor trying to relive their glory days before sinking back into obscurity and finding a niche in shitty comedies (*cough* Why Him? *cough*)?  Let’s find out!!

The movie which is BASED ON A TRUE STORY (ugh…) follows Robert Mazur (Bryan Cranston) who is a Federal Agent working for US Customs and primary does undercover work to bust drug dealers.  Apparently petty drug dealers work with a lot of fifty year old dudes who look like Target managers, but I guess that just makes Robert that much more of an unassuming figure.  Anyway, his colleague Emir Abreu (John Leguizamo) gives him a tip that some big players in the Columbian Cartel (at the time being led by Pablo Escobar as this movie takes place in the eighties) will be in town and are in the market for a money launderer (at least I think that’s what the tip is about) and so he starts posing as an accountant who’s more than willing to handle the Cartel’s money; hoping to bust them for the drugs and the bankers at The Bank of Credit and Commerce International who are willingly doing this for them.  Of course with any undercover work, there’s always the danger of getting himself and his fellow agents caught, especially Kathy Ertz (Diane Kruger) who is playing his pretend fiancée who’s only part of this mission because Robert fucked up at one of the meetings with the drug lords; not to mention that with any undercover work there’s always a chance of getting in too deep.  Can Robert bust these guys before getting a bullet in the back of the head or worse?  Will his real life crumble to pieces as he gets more and more engrossed in his work?  WILL HE BE THE ONE WHO KNOCKS!?

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“I mean really, what’d you expect me to do? Just simply roll over and die!?”     “So you lost ONE Oscar!  Could you at least have something more original between now and Power Rangers!?”

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Cinema Dispatch: The BFG

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The BFG and all the images you see in this review are owned by Walt Disney Studios
Motion Pictures

Directed by Steven Spielberg

The fact that Spielberg hasn’t made a Roald Dahl film up to now seems like either an oversight.  That or maybe the guy thought that it would have been too obvious for the reigning king of cinematic wonder to adapt a story from one of the best children’s book authors of all time.  If you think about it, the really good Dahl adaptations come from unconventional places, whether it’s Mel Stuart who’s known for Willy Wonka and basically nothing else outside of television, Henry Selick who’s only done four movies in over twenty years (one of which is James and the Giant Peach and another is Monkeybone), and even Matilda which was directed by Danny DeVito of all people; a director known for The War of the Roses where Michael Douglas and Kathleen Turner kill each other over spite, and Death to Smoochy which had Ed Norton in an awful Barney suit.  The most mainstream examples I can think of would be Fantastic Mister Fox from Wes Anderson and Charlie and the Chocolate Factory from Tim Burton, the former proving my point as the most mainstream we can get for good Dahl is Wes Anderson and the latter probably being the worst Dahl adaptation pretty much BECAUSE of how Hollywood it was.  Now the biggest director of all time is stepping up to the plate to adapt one of Dahl’s books that has yet to have a major film adaptation, though there was an animated one that no one really cares about.  Can Spielberg work his magic yet again for material that seems perfectly suited for him, or will the magic of Dahl’s work be lost when adapted under the Disney umbrella?  Let’s find out!!

The movie follows a young orphan named Sophie (Ruby Barnhill) who suffers from Insomnia… I think, and she stays up late enough one night to see a giant roaming the streets of her town.  Sophie tries to return to her bed but unfortunately it’s too close to the window and the giant kidnaps her to take back to his home in Giant Country which doesn’t seem too hard to get to as the secret portal or whatever is just off the northern coast of Scotland.  The giant is played by Mark Rylance (who will at some point be known as BFG which does NOT stand for what you think it does) and tells Sophie that he plans to keep her there so that she doesn’t blab to the world about the existence of giants.  Now normally this would be the setup for a horror movie, but BFG turns out to be a vegetarian which means she’s safe from being eaten, and that the giant is actually super sweet which makes this situation more like an adoption without that pesky paperwork.  Now of course the movie isn’t just about these two hanging out together as the main conflict arises when we discover that not only is BFG a rather small giant, but that the other giants are total pricks who like to eat children and bully and the kind old man for reasons that I’m sure make sense to the giants.  Can Sophie come up with a way to stop the other giants from picking on BFG?  Will the other giants discover that BFG has a human around which will set them off on a rampage?  Wait, why is BFG responsible for people having dreams?  Seriously, what does that have to do with anything!?

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“What is that dream about?”     “Eh… I’ll tell you when your older.”

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Cinema Dispatch: The Secret Life of Pets

~ Matt Vetrano ~ 3 Comments

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The Secret Life of Pets and all the images you see in this review are owned by Universal Pictures

Directed by Chris Renaud and Yarrow Cheney

Is it finally out!?  OH THANK GOODNESS!!  Whether or not this movie is actually good, at least we no longer have to see those same trailers over and over and OVER again.  The marketing for this movie was absolutely insane and was in front of every damn movie I saw.  They played this so much that now I don’t like Downtown by Macklemore anymore.  THANKS A LOT ILLUMINATION ENTERTAINMENT!!  Still, it’s not always fair to judge a movie by how obnoxiously they market it, and I did see a little bit of potential here before that hope was snuffed by the sheer incessantness of the advertisements so maybe there’s light at the end of this tunnel!  Let’s find out!!

The movie is all about Max (Louis CK) who’s living a perfect life with his owner Katie (Ellie Kemper) who does her human stuff during the day but always comes back to find Max waiting for her.  One day however, she up and ruins the perfect setup they have going by bringing a new dog home with her named Duke (Eric Stonestreet) which is a shakeup that Max is not happy about for a myriad of reasons; the least of which being that this dog is HUGE and is probably not gonna be too friendly to the much smaller Max considering how territorial dogs can be.  Oh well!  They’ll learn to get along eventually, right?  Well I wouldn’t DREAM of spoiling this movie, but before anything like that can take place, they get into a huge fight in the dog park and are stuck in the middle of New York City without collars and are just unfortunate enough to keep running into either Animal Control Workers, or a bunch of Animal Revolutionaries led by the rabbit Snowball (Kevin Hart) who want the two of them dead for convoluted reasons.  While all that is going on, a bunch of pets at their apartment building band together to find Max and Duke before it’s too late!  The group is led up by a little Pomeranian named Gidget (Jenny Slate), and is made up of a cat named Chloe (Lake Bell), a few dogs in the building (Bobby Moynihan and Hannibal Buress), a small bird who I don’t recall having any lines but is apparently played by Tara Strong, a guinea pig named Norman (Chris Renaud) and a hawk named Tiberius who’s played by Albert Brooks as you would expect a vicious animal to be played by Albert Brooks.  Will Max and Duke manage to find their way home without getting murdered by humans or other animals in the process?  Will their friends manage to find those two or will they end up getting just as lost in the process?  Why do I get the feeling I’ve seen this movie already?

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Oh right!  The Producers.  Yeah, that’s what it is.

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Cinema Dispatch: Mike and Dave Need Wedding Dates

~ Matt Vetrano ~ 2 Comments

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Mike and Dave Need Wedding Dates and all the images you see in this review are owned by 20th Century Fox

Directed by Jake Szymanski

We all love Zac Efron, right?  Sure there was a point where everyone inexplicably hated him the same way that everyone hated DiCaprio after Titanic, but the guy is just bursting with charisma when he’s not merely bursting out of his clothes.  Still, he’s hit a bit of a rut recently where he’s either in an awful movie or he’s in a decent enough movie but isn’t asked to stretch very far, and I fear this might continue for a while considering how badly his sincere low budget drama We Are Your Friends ended up being received by everyone other than me.  This one looks to be a continuation of that trend where he’s playing yet another dumb guy with a stupidly hot bod, though maybe they can manage to do something interesting with that character rather than just regurgitate jokes we’ve seen him do for the last five years?  Yeah, I don’t have much hope either, but you never know!  Let’s find out!!

The movie is all about Mike and Dave (Zac Efron and Adam Devine); two brothers who may as well be spin-off characters from the Neighbors movies as both are in total broski mode as they are PROBABLY in their thirties by now (their age isn’t specified) yet are still trying to live life like they’re college douche bags.  They’re liquor salesmen but as far as I can tell they only have one client who buys their whiskey out of pity, and their apartment looks like the jock-pocalypse took place, what with the empty pizza boxes and indoor basketball hoop.  Their bubble is about to burst though, at least somewhat, they are confronted by their parents and younger sister Jeanie (Sugar Lyn Beard) who’s wedding is coming up and all of them, including the fiancé Eric (Sam Richardson), want them to shape up and act like adults rather than party animals.  How exactly do they expect these two knuckleheads to pull this off?  By getting dates of course!  Through a whole bunch of convoluted means, they end up meeting Alice and Tatiana (Anna Kendrick and Aubrey Plaza), who are pretending to be nice and stable girls so they can bum a free vacation off of these two as the wedding will take place in Hawaii; a destination I’m sure was chosen for its natural beauty and rich culture and wasn’t an excuse for the actors to take a vacation (a well-known Hollywood scam known as An Adam Sandler Movie).  Of course, the bad girls can’t keep up the act for long which only leads to Mike and Dave getting all riled up and chaos eventually ensues!  Can everyone manage to keep their shit together, at least until after the two get married?  Will these four people thrown together through luck and manipulation manage to find… true love?  Why would the supposedly reasonable people ever think that this plan would work out?

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“We managed to find two people who wanted to go to Hawaii for free!”     “And we’ve only known them for a couple of days!”     “This was an AWESOME idea!”     “Pound it bro!”

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Super Recaps: Sailor Moon Episode 27 (Crushing On Ami: The Boy Who Can See the Future)

~ Matt Vetrano ~ 2 Comments

Sailor Moon and all the images you see in this recap are owned by Toei Animation and licensed by Viz Media

Episode directed by Takao Yoshizawa

We’re back with another episode of Japanese Rainbow Brite!  So far the Rainbow Crystal arc has actually been pretty solid with stories that focus more on characters and the other Scouts rather than only Usagi fighting whatever overly designed punching bag the bad guys see fit to throw at her.  It really seems to be what the Nephrite era SHOULD have been but didn’t really manage to live up to.  Can the show continue to make the most out of what can be accomplished with the new arc they’ve set up?  Let’s find out!!

The episode begins with a meeting in the bowels of Hell Corp as Queen Beryl is demanding a progress report from Zoisite and Kunzite; neither of whom have much to show for their efforts as Zoisite managed to lose one of the Rainbow Crystals and Kunzite hasn’t done shit.

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“I assure you my queen that we are doing everything in our power to get the Rainbow Crystals.”     “Do I look like an idiot to you?”     “I beg your pardon.”     “It’s a simple question.  When you look at my face, do you think that it belongs to that of an idiot?”     “…No?”     “Then why are you lying to me as if I don’t know how often you update your Facebook page?”     “…Well, I mean…”     “SEVENTEEN UPDATES IN ONE HOUR, KUNZITE!!”

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