Cinema Dispatch: Three Billboards Outside Ebbing, Missouri


Three Billboards Outside Ebbing, Missouri and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Martin McDonagh

To tell you the truth, I never really liked In Bruges.  It was fine I guess, but I never found it all that compelling and the ending is just a contrived mess that’s about as bad as sixty percent of the twists Shyamalan has come up with.  And yet, there are a lot of people out there that like that movie as well as McDonagh’s other work, so naturally the buzz around this film was huge right off the bat which only grew once the trailers started coming out and we got to see some of Frances McDormand’s acting.  At the very least, it manages to grab your attention with its unorthodox title (A COMMA!?) and even more unorthodox premise that will hopefully take advantage of the ideas that seem baked right into this material.  Does this manage to live up to the hype that its beloved director and solid marketing campaign has built up for it, or will this end up a huge stumble for everyone involved?  Let’s find out!!

The movie begins with Mildred Hayes (Frances McDormand) driving down the same road she’s driven down for years and years; heading home after a long day at work and trying hard to deal with the grief over her daughter’s death.  Not just any death too!  She was raped, murdered, and burnt to a crisp, so forgetting about that is proving to be a bit difficult, especially since the cops never found the guy who did it.  That’s when Mildred comes up with an idea.  On this road she’s traveled many times before are three billboards that no one has used in decades, so she decides to purchase the ad space and put up signs reminding the denizens of this small town that the police still haven’t caught the murderer.  Now obviously this ruffles some feathers down at the station, particularly Officer Dixon (Sam Rockwell) who’s about as dumb and racist of a cop that you’d expect from a story like this and to a much lesser extent Sherriff Willoughby (Woody Harrelson) who’s leading the stalled investigation and is the primary target of Mildred’s ire.  Things begin to get much more heated around town as several people begin to question (and stupidly try to attack) Mildred and her decision to put this spotlight on something that everyone would rather not think about and leave up to the cops.  Mildred is having NONE of this and starts kicking ass and taking names at everyone who looks at her sideways which only escalates tensions further in this ticking time bomb of a standoff with her on one side and the rest of the world on the other.  Will Mildred finally get justice for the death of her daughter whose killer roams free while the police do nothing?  Just how far will Mildred go in order to get what she wants, and will she lose touch between what can and cannot be justified in her righteous quest?  Just how much saltier will Frances McDormand get in this role before she wins that Oscar gold!?

“I’d like to tell the Academy that they can kindly fuck off and die, even if I win for Best Performance by an Actress in a Leading Role.  No wait, ESPECIALLY if I win for Best Performance by an Actress in a Leading Role.”

Continue reading “Cinema Dispatch: Three Billboards Outside Ebbing, Missouri”

Super Recaps: The Twilight Zone (The Lineman)


The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling

Episode directed by Jonathan Frakes

Welcome back to our look at the 2002 Twilight Zone reboot!  Now the show’s air dates and production dates are completely different, but we’re gonna go with the latter which means this first episode (the pilot) didn’t actually air until six weeks into the series run; something that makes it even MORE confusing when you find out that this is the ONLY episode of the series that is one hour long story instead of two episodes put together.  As confusing as that must have been to whoever was watching this series as it aired (someone SURELY had to have been doing so, right?), this can sometimes happen.  You needn’t look any further than The Menagerie from the original Star Trek series which was the original pilot but then later retrofitted into a two parter in the series proper.  So what do we have to look forward to from the first episode of this series?  Well it has Jeremy Piven in it from before he was on Entourage but since that’s a show I’ve never seen, my reference pool for the guy is basically Smokin’ Aces and The Good: Live Hard Sell hard.  Not only is he in this episode, but he’s the STAR and it’s all about him developing the power to read minds!  Neato!  So does this episode prove that the series was worth bring back a second time, or is it all too clear right from the beginning that we’re on a ship that’s sinking fast?  Let’s find out!!

The episode begins with our hero Tyler (Jeremy Piven) and his two work buddies, Buddy and Shannon (seriously, his best friend is named Buddy, I guess so we don’t get confused), who are at the site of a recently downed telephone line.  Tyler has a crush on Shannon but he doesn’t have any confidence in himself and uses being poor as an excuse to not ask her out.  I guess telecom repair people don’t get paid a lot, but then again this is the guy who buys scratcher tickets hoping to win it big, so maybe his idea of success is a bit on the unrealistic side.  Not only that, but the person he’s pining over seems like an irresponsible jerk considering she goads the guy into going to the top of the line to fix it mere moments after the storm ended.  Gee… I wonder if anything is gonna go wrong…

“I hate Mondays!!”     “It’s actually Tuesday.”     “WHY ARE YOU CORRECTING HIM!?  CALL AN AMBULANCE!!”

Continue reading “Super Recaps: The Twilight Zone (The Lineman)”