Tag Archives: Trevante Rhodes

Cinema Dispatch: Top Ten WTF Moments in The Predator

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The Predator and all the images you see in this editorial are owned by 20th Century Fox

Directed by Shane Black

It’s been a few weeks since The Predator graced the multiplexes in all its confused glory, so I think now’s a pretty good time to really get into what exactly is SO fascinatingly wrong about this movie that I couldn’t fit into a proper review.  The last time I did something like this was all the way back when The Mummy was supposed to be the next big thing which sadly didn’t end up being the case despite making four hundred million worldwide and so The Dark Universe is more or less dead on arrival.  A shame because, despite the film’s ASTOUNDING amount of flaws, it was compelling in a way that very few terrible movies can be and I’d have loved to see a DCCU style nightmare come out of it.  Predators though still has a chance to be the next (albeit smaller) version of this with its incredibly pronounced sequel bait at the end and comparatively lower stakes, so why not give it the proper WTF treatment?  Unlike my last list however, this isn’t ranked in an ascending order of absurdity; rather it’s structured in a way to try and get across the ESCALATING sense of absurdity that builds as the movie goes along, so while one thing may not be as out there or ridiculous as the thing before it, it all adds up into this ludicrous mishmash of ideas that either should have been left on the cutting room floor or given the time it needed to not feel so inexplicably jammed into an already overly tight runtime.  Let’s get started!!

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10) Lock him up and throw away the key! – Why the heck is Quinn being railroaded!?

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So the movie begins with The Predator (at least the first one of them) crash landing on Earth basically within spitting distance a squad of army dudes out on a mission.  Our lead dude is Quinn McKenna (Boyd Holbrook) who finds the escape pod The Predator used as well as part of his armor; including his mask and one of his arm bands that both have VERY advanced computer systems in them.  His men die at the hands of The Predator, he manages to escape, and then he mails the pieces of armor to his home in the US.  Now why would he do that?  Well apparently he correctly assumed that he would be arrested by THE HIGHER UPS and sent to a mental institution as a way to keep him quiet about the alien… because reasons.  Now to be clear, this is not just ANY army dude; the mission he was on was to assassinate a drug lord on an ally’s soil (Mexico) and the US Military isn’t about to send someone on that kind of job who doesn’t know how to keep his mouth shut and play ball.  How is this guy not an ASSET to The Stargazer Project considering his sterling military record, and for that matter why are they so intent on keeping HIM out of the loop when they IMMEDIATELY bring a civilian scientist on board (Dr. Casey Bracket played by Olivia Munn) to run tests on the darn thing!?  Speaking of which…

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Cinema Dispatch: The Predator

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The Predator and all the images you see in this review are owned by 20th Century Fox

Directed by Shane Black

I’m getting rather good at avoiding trailers at this point because I never saw a single one for this movie.  All I knew was that it was another Predator movie with an annoyingly similar title to the rest of them (which is still better than the sequel to Halloween being called Halloween) and it was being directed by the guy who wrote Lethal Weapon, directed Kiss Kiss Bang Bang, Iron Man 3, and The Nice Guys, and even got turned into a pile of bloody organs in the first Predator movie!  I don’t know about you, but that sounds like a winning formula to me!  At least until the recent news came out about his deeply irresponsible casting decision in the movie which frankly cast a big cloud over the whole thing for me right before it came out.  Does this manage to be an entertaining film despite the problems that Shane Black managed to bring upon himself in the lead up to the film’s release, or was that the first sign that something was amiss with the latest entry in this franchise?  Let’s find out!!

For some time now it seems that Predators have been stepping up their game and coming to Earth with a bit more frequency which is not just a good way to set ourselves up for some prequels, but to raise the stakes a bit as this latest invasion by a Predator seems to be a bit more than just some dude trying to add one more human spine to his collection.  He crash lands in a jungle down in Mexico where military badass Quinn McKenna (Boyd Holbrook) is on assignment to assassinate someone for something, but said crash landing makes things a bit more complicated.  A bunch of… dudes (are they military?  A private corporation?) who are part of PROJECT STARGAZER which is led by the mysterious Traeger (Sterling K Brown) capture the alien, capture most of its armor, and even captures McKenna, but not before McKenna… finds someone to mail part of The Predator’s armor back home.  Apparenlty he wants to keep it for “evidence” which I’m SURE will come in handy when he’s carted off to a mental institution so that PROJECT STARGAZER can keep a lid on the existence of aliens.  Not so much of a lid that they won’t enlist a civilian scientist Dr. Casey Bracket (Olivia Munn) to take a look at the captured creature, but enough so that the highly trained military officer who’s already involved with secret government plots like assassinations can be forcibly kept quiet before he starts blabbing to everyone.  Sounds like a foolproof plan to me!  Oh wait, the Predator escaped and is now looking for his armor, namely his helmet, that McKenna sent back home and is currently being played with by his son Rory (Jacob Temblay) who is on the autism spectrum and apparently has no problem understanding this alien technology.  So it’s a race against time as McKenna and a group of mentally ill soldiers he meets (Trevante Rhodes, Keegan-Michael Key, Thomas Jane, Alfie Allen, and Augusto Aguilera) team up with Dr. Bracket to… I guess stop the Predator, while Traeger and PROJECT STARGAZER regroup to put an end to this threat and the people who know about it once and for all! Can McKenna save his son from the murderous alien as well as the VERY dangerous technology he’s been messing around with?  What are PROJECT STARGAZERS’s true plans, and what are The Predator’s plans as well?  Does anyone else get the feeling that the editor had their spine forcibly removed by a giant monster alien when they were only halfway done putting this thing together?

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“I get my OWN spin-off or else this guy’s gut turns into a pin cushion!”

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Cinema Dispatch: Moonlight

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Moonlight and all the images you see in this review are owned by A24

Directed by Barry Jenkins

I don’t get to see a lot of independent films where I live, and the few chances that I do get to see them usually involve a long drive to a faraway theater with exorbitant prices.  Such is the case with this film which has been getting a whole lot of buzz recently, especially with Hollywood’s recent push to diversify itself (and with Birth of Nation having more baggage than they expected).  My knowledge of LGBTQ+ cinema is somewhat limited, though even then I’m not even sure the best way to define that.  I’m pretty sure that saying John Waters or Gus Van Sant are “gay filmmakers” is right on the money as their work often centers around LGBTQ+ characters and their struggles, but what about directors like Lee Daniels or Rob Marshall?  Sure, you can point to most of their movies and point out themes and messages that can be relatable to those in the LGBTQ+ community, but would you put The Butler or Pirates of the Caribbean: On Stranger Tides along alongside Gus Van Sant’s films?  Hell, what about movies that are explicitly about LGBTQ+ issues but are directed by those who aren’t in the community such as Brokeback Mountain, To Wong Foo, or even this film which was written by a gay man (Tarell Alvin McCraney) but directed by a straight one?  Look, I’m sure there are plenty of people out there who can give you a better answer to that question than I can, so I’ll just stick to what I at least PRETEND to know best; namely talking about the movies while making snarky comments.  Is this the film that truly lives up to the ideals that Hollywood has failed to live up to and will get all the credit it deserves, or is this a mediocre endeavor that the cynics in the Academy will glom onto just to make themselves look better?  Let’s find out!!

The movie follows the life of Chiron and is presented to us in three distinct segments.  We see him when he’s small and is known as Little (Alex Hibbert), when he’s a teenager and the nickname has been dropped (Ashton Sanders), and as an adult when he starts using another nickname Black (Trevante Rhodes), and in each one they show a little bit more of his struggle.  What struggle is that exactly?  Well it doesn’t take long to figure out that he’s gay which everyone around him seems to pick up on and, for the most part, use it against him.  His mother (Naomie Harris) is dealing with her own problems with addiction so this just seems like an unbearable inconvenience for her and plenty of kids in school just bully him because he seems different.  Now it’s not like the whole world is against him as a local couple, Juan and Teresa (Mahershala Ali and Janelle Monáe), try to give him some guidance in his life, and he has a friend named Kevin (Jaden Piner, Jharrel Jerome, and André Holland) who tries to keep his spirits up even though he’s got his own growing pains to work through and his own share of bad choices to make.  Will Chiron ever feel accepted in a world that seems tailor made to keep him down?  How will decisions that he and his family make at certain points in his life affect him later on?  Most importantly, WILL YOU JUST KISS HIM ALREADY!?  YOU BELONG TOGETHER!!

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“Just a kiss?”     “What was that?”     “By Lady Antebellum.  I’ve got it on my phone.  Do you want to listen to it?”

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