Tom Goes to the Mayor and all the images you see in this recap are owned Warner Bros and Adult Swim
Created by Tim Heidecker and Eric Wareheim
We’re back with another episode of Mayor as Folk where Tim & Eric introduce their first explicatly queer character in the series; though after watching it becomes pretty clear why GLAAD didn’t throw a Media Award their way. The episode begins with a sweeping view of Jefferton’s pier district where we get a nice snapshot of people going about their daily lives (which mostly consists of them standing around), all set to the third sexiest saxophone song of all time; first and second being Careless Whisper by George Michael and Runaway by SunStroke Project & Olia Tira respectively. But wait! These mellifluous melodies are not merely an audio track layered on top of this idyllic scene during the editing process! This lovely tune is coming from The Saxman (Tom Kenny); a homeless dude with great musical talent but is about to lose his home on the pier. Why is that? Well a Mattress Mogul known as Captain Lew Peterson (Robert Loggia) is gentrifying the area with a new outlet store and so the homeless in the area are basically getting muscled out. At least that’s what I THINK is happening as we only have Saxman’s word on any of this, and as we’ll soon learn he’s not the most reliable of sources.
“I was rooming with this starfish for the LONGEST time, but then this new store polluted the hell out of our pad, so now I’m out here playing for my meals.” “Well shirt! That’s just not fair!”
Transformers: The Last Knight and all the images you see in this review are owned by Paramount Pictures
Directed by Michael Bay
Good ol’ Patron Saint of all things wrong with cinema, Michael “The Boom Master” Bay! For a lot of film critics, he’s become something of a symbol for the worst that summer blockbusters have become even if that characterization is somewhat unfair. Heck, even I’m guilty of generalizing the dude to an extent as I’ve only managed to sit all the way through two of the Transformers movies (Revenge of the Fallen and Age of Extinction; neither of which were the least bit tolerable) and I do genuinely like a few of his films such as Pain and Gain as well as The Rock. This is gonna be the first film of his that I will review for the site, so I don’t just want to parrot my usual talking points about Transformers being THE WORST THING EVAR (even if it’s probably true) and am gonna try to go into this with an open mind as well as a critical eye. Is there SOMETHING in this latest entry of the series that will be worth talking about and even appreciating, or are here to say the same shit for a franchise that makes too much money to ever need to change? Let’s find out!!
The movie begins with Optimus Prime (Peter Cullen) landing back on Cybertron (I think) where he meets the creator of all Transformers (I think) known as Quintessa (Gemma Chan) who… wants to destroy Earth I think? I don’t know, but that’s where we start and we’ll get back to that eventually. From there, we find out that the humans no longer trust the Transformers (again) and have set up the Transformers Reaction Force (TRF) to hunt down any remaining Autobots and Decepticons which usually isn’t a great idea, but whatever. The few remaining Autobots from the last movie (including a few Dinobots) are being protected by Cade Yeager from Age of Extinction (Mark Whalberg) who’s now a fugitive from the law despite having a very visible base of operations in a junk yard. Anyway, he’s being chased by the humans as well as Megatron (Frank Welker) but during an admittedly decent action scene where the three factions come to a head, a strange human sized robot named Cogman (Jim Carter) informs Cade that an artifact he found holds the key to saving the world or whatever and jets him off to the UK along with Bumblebee (Erik Aadahl) to meet with his master Sir Edmund Burton (Anthony Hopkins). The dude informs Cade that he’s got a destiny much bigger than his own, there’s a professor named Viviane Wembly (Laura Haddock) who ALSO has a destiny much bigger than her own, and there’s a Cybertron MacGuffin somewhere that they need to find in order to fight off the impending doom brought about by Quintessa and a brainwashed Optimus Prime. Can Cade and his gang of rascally robot friend find the MacGuffin of Ultimate Destiny before it’s too late? Can Optimus Prime be brought back to his senses before he does something he’ll truly regret? WHY IS IT So HARD TO DESCRIBE THE PLOT TO A MOVIE ABOUT GIANT ROBOTS!?