Snowden and all the images you see in this review are owned by Open Road Films
Directed by Oliver Stone
So first we got the Sully movie, and now THIS!? What’s other movies are we gonna get about things that just freaking happened? Has someone already polished off a treatment for the Charles Ramsey story!? Well at least as far as these recent OF THE MOMENT BIOPICS go, this one has some relevance outside of the one event it’s focused on; namely the current state of US (and global) surveillance programs. Does this manage to be an interesting and nuanced take on how all this information came to light, or is it a thinly veiled propaganda piece that no one bothered to make into a compelling film? Let’s find out!!
The movie follows the career of Edward Snowden (Joseph-Gordon Levitt). Some guy you MIGHT have heard about a few years ago. Spoiler Alert! He stole documents from the NSA and revealed to the public the existence of certain programs they were using such as PRISM and XKeyscore. That’s towards the end of the story though. Where we start is with him being discharged from the army (broke both his legs) and instead choosing to serve his country by applying to the CIA and doing computer stuff for them. He barely manages to get the job and ends up soaring above his peers, going from job to job and always being at the best wherever he was (or at least that’s how the movie tells it). Unfortunately, he finds out the US security agencies are doing a bunch of shady shit, and he’s not only having to deal with the guilt of spying on US citizens in an unconstitutional manner, he’s also having to keep this secret from his girlfriend Lindsay Mills (Shailene Woodley). Will his sense of obligation to his fellow man be too strong for him to keep his head down!? Well we all know the answer to that, but how’s it gonna play out when ACADEMY AWARD WINNING DIRECTOR OLIVER STONE shows it to us!?
Chances are he’ll lose his freaking mind at some point.
Mother’s Day and all the images you see in this review are owned by Open Road Films
Directed by Garry Marshall
Seriously. It’s not funny anymore Garry Marshall. Whoever’s paying you to do this or whoever has your family hostage NEEDS to be stopped. For the third time in a damn row, Garry Marshall is trying to rip off Love Actually by taking the formula and centering on other holidays that seem to be chosen at random. I wouldn’t be surprised if the next movie is about Arbor Day and Julia Roberts plays a tree in it! So is this one just as bad as the rest? Yes. Yes it is. No point in giving you false hope. Let’s just get this one over with…
The movie is separated into four stories. Jennifer Aniston has to deal with the fact that her ex-husband has remarried a much younger woman and they are both dazzeling the kids with fun trips, junk food, and rock concerts while she’s at her house doing everything else for them. Jason Sudeikis is a widower whose wife passed away about a year ago and he’s still dealing with the grief while trying to raise his two daughters. Britt Robertson is a woman who’s raising her infant daughter with her boyfriend, but she also has her own demons to work out as she has never met her birth mother who is an HSN host played by Julia Roberts. And finally, KKate Hudson and Sarah Chalke play sisters who have married people their parents would not approve of (an indian man played by Aasif Mandvi for the former and another woman played by Cameron Esposito for the latter) and they are no longer able to hide this fact from them since they have made a surprise visit. Each of these stories are loosely connected by the fact that some of the characters know each other as either friends or in a professional sense, and we follow our heroes as they learn to get over their problems, make up for mistakes they’ve made, and become better people in the process. Oh and there’s a holiday in here… I guess.
“Holy hell! Is… is this what the rest of my career is gonna be like!?” “Yep. Welcome to the old ladies club.” “BUT I’M ONLY TWENTY SIX!!” “Yeah, and I’m only thirty seven. It’ll get easier after a while.”