Tag Archives: Sony

Cinema Dispatch: The Grudge

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The Grudge and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Nicolas Pesce

In the great debate that I ASSUME exists, I was always more of a The Ring guy than a Grudge fellow; mostly because I’ve actually SEEN the Ring movies (at least the Western ones) and haven’t seen any of the Grudge movies (not even the Western ones).  Things might change however as The Ring had its chance to reassert its relevance, but instead completely missed the mark with the awful Rings, and if nothing else this one looks to be trying to build a stronger and more intense atmosphere than the cheap cash in nature of Sadako’s most recent Western adventure.  Is this the movie that will finally get those of us to jump on the Grudge train, or is this the perfect illustration of why we never bothered with it in the first place?  Let’s find out!!

Detective Muldoon (Andrea Riseborough) has just arrived in town and is still reeling from the death of her husband, but is managing to eek out a somewhat stable life with her son Burk (John J Hansen) with her new job at the local police station.  Her partner Detective Goodman (Demián Bichir) has some clear baggage from something that Muldoon hasn’t sussed out yet, but when a body shows up with an address to the nearby spooky house, it’s time for her to uncover whatever secrets are being hidden from her.  It turns out that the first owners of the House, The Landers (Tara Westwood, David Lawrence, and Zoe Fish), were all murdered by the wife.  The realtors who were trying to sell the house for them (John Cho and Betty Gilpin) ALSO wound up dead under similarly grim circumstances.  There were other occupants who arrived after them, you can probably guess how they ended up, and now Muldoon is sniffing around the place which will no doubt attract the attention of whatever ghost, curse, or GRUDGE as it were, that is affecting the people who get near this place.  Will Muldoon not only uncover the secret of all these mysterious deaths but also stop the bloodshed once and for all?  What is the entity that is behind all of this, and what is after aside from endless slaughter and mayhem?  Is it just me or did they seriously oversell John Cho’s presence in the trailers?  I’m getting flashbacks to that Godzilla movie that had Bryan Cranston in it for like twenty minutes!

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Sir Barely Appearing In This Movie

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Cinema Dispatch: Jumanji: The Next Level

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Jumanji: The Next Level and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Jake Kasdan

Two years after the Jumanji reboot and I still think it’s a pretty good movie!  I’ve had to of seen it at least twice since seeing it in theaters, and it still holds up pretty well; especially with such a fun and talented cast that could have phoned it in and let the special effects do all the work but instead elevated the material to something far more watchable than you’d expect at first glance!  Now it’s time for a sequel, and… well I don’t know about you but I’d have rather seen a sequel to Baywatch than watch them try to recreate what made that reboot so good.  Seems like a bit of a long shot that we’ll get something halfway decent out of this, but hey!  I was saying the same thing about that first movie before it came out, and look what we got!  Can we go back to the well one more time without the formula feeling stale and apathetic?  Let’s find out!!

After Spencer, Fridge, Martha, and Bethany (Alex Wolff, Ser’Darius Blain, Morgan Turner, and Madison Iseman) had defeated the mysterious Jumanji video game and smashed it to bits with a bowling ball, we pick up on their lives a year or so later where everyone is off doing their own thing but still manage to stay in touch as they even plan on meeting up during the winter break.  However, only three of them show up to the meeting spot so they go to check on Spencer and find that his grandfather Eddie (Danny DeVito) hasn’t seen him since last night, though he hasn’t been paying much attention this morning as he has an unexpected house guest in the form of his former business partner Milo (Danny Glover) who Eddie’s been avoiding for over a decade now due to some conflict that broke them apart and I’m sure will be resolved before the end of the movie.  Anyway, Fridge, Martha, and Bethany go to the basement to find that Spencer not only took the Jumanji pieces home with them but repaired them to the best of his abilities (I don’t know how many MAGIC retro console repair tutorial are on YouTube but I’m pretty sure it’s more than zero) and has managed to get himself back into the game.  With their friend’s life (as well as contractual obligations) hanging over our heroes’ heads, they head back into the game once more time.  However, things don’t go as planned as only Fridge and Martha wake up inside, and while Martha is still in the body of Karen Gillan, Fridge is now in the body of Jack Black.  The ones filling the Dwayne Johnson and Kevin Hart shaped meat sacks turn out to be Eddie and Milo respectively who have no idea what’s going on but don’t seem to disturbed by it; assuming they just died or something.  With only half their team, a brand new game scenario involving some dude named JURGEN THE BRUTAL (Rory McCann), and even some new mechanics including magic fruit and a body switching liquid, can this rag tag group of tired pros and retired noobs find Spencer and beat the game before everyone dies a miserable and painful death?  What will Spencer have to say for himself once they find him and start demanding answers as to why he’s here in the first place?  Will Eddie and Milo be able to resolve their decade’s long rivalry, and will it be half as compelling as the Sunny episode Frank’s Brother!?

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“I’ve got a human meat guy, and if you’re not careful I’ll take you right to him with these giant muscular arms!”     “Yeah, well with this tiny body I’m sure he won’t give you much for me, so ha!”     “What in the heck are they even talking about!?”

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Cinema Dispatch: A Beautiful Day in the Neighborhood

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A Beautiful Day in the Neighborhood and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Marielle Heller

I’m trying to recall if I’ve ever actually sat through an entire episode of Mister Rogers’ Neighborhood and if I had it was WAY too long ago for me to remember, so while the guy has always been a presence in my life simply by way of cultural osmosis, I never really got to experience him the way that many other people did.  The impact was always felt, especially when PBS and public television were still things before the rise of YouTube and streaming services, but what made the show work so well and what made Mr. Rogers such an enigmatic figure for many generations? Well I guess if I wanted to know the answer to those questions then there wouldn’t be a better time to do it then this brand new biopic, right?  Well actually the documentary from last year would probably be the best bet which I still need to see at some point, but this movie is a decent runner up!  Does it

You’ll be forgiven for thinking that this movie is mostly about Fred Rogers (Tom Hanks), but ACTUALLY the movie is primarily focused with Lloyd Vogel (Matthew Rhys); a writer for Esquire Magazine who’s been assigned to cover Mr. Rogers for a piece about heroes right at the time he’s dealing with some serious issues in his personal life.  You see, Lloyd has spent the better part of his life avoiding his father Jerry (Chris Cooper) who did some really awful stuff in the past that Lloyd has had no reason to forgive, and yet his sister (Tammy Blanchard) gives him an opening back into their lives at her wedding which eventually leads to Lloyd’s wife Andrea (Susan Kelechi Watson) wanting to make inroads with his as well; a movie that utterly baffles Lloyd and puts a serious strain on their relationship which was already under a great deal of stress as they just had a baby.  All this is swirling around in his head which isn’t helping his lack of enthusiasm for writing a puff piece about a children’s entertainer, and yet something about Fred Rogers intrigues Lloyd; particularly the utter sincerity with which he approaches everything and everyone around him which is either a genuine extension of himself or possibly a mask for something much darker than anyone would have assumed from such a sweet man they see on television.  Is there truly something there for Lloyd to uncover behind the kind face and the red sweaters?  Will these interviews with such a noble seeming man perhaps give him some perspective on his own issues and how he’s been handling them up to this point?  Most importantly of all, do we get any juicy behind the scene details on the set of the show!?  Probably not, but we can always dream, right?

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“I saw THREE blue M&Ms in my bowl today!  Do we need to go over my contract again!?”     “No, Fred.  It was a mistake.”     “Do you realize how many children I inspire each day!?”     “Yes, Fred.  No blue M&Ms.”

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Cinema Dispatch: Once Upon a Time in Hollywood

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Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Quentin Tarantino

I really didn’t want to see this movie.  In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope!  Everyone had to make way for this film so I guess I have to try and be professional!  I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one.  Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience.  Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here?  I guess we might as well find out…

Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western.  His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point.  Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert.  Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house.  Can Rick nail this latest role that may be his last chance to stay relevant?  What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand?  Is it just me, or is Tarantino trying a bit too hard here?  Or perhaps not hard enough?

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“Do you want me to say ‘Nazi scalps’ yet?”     “No, we’re not doing that again.”     “Really?”     “…Okay, let’s not rule it out completely.”

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Cinema Dispatch: Spider-Man: Far From Home

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Spider-Man: Far From Home and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Jon Watts

Well now that we’re FINALLY done with Thanos (and James Gunn is back on Guardians 3), we can finally get things back on track, right? I mean sure, we needed a nice big climatic sendoff for the big stars that helped bring this franchise to life, but now that the party’s over things have got to keep going without them and the MCU, if they’ve done NOTHING else, have managed to create something that can go on even after closing the book on some of its biggest characters. Still, there’s a big ol’ elephant in the room (or perhaps SPIDER-PIG in the room!) called Into the Spider-Verse that came out between the last Tom Holland film and this one which frankly blew Homecoming out of the water. Homecoming is still great, but Into the Spider-Verse? Woo boy is that a hard act to follow! Can this Post Thanos and Post Spider-Verse entry into the MCU cement itself as the first step to the future of this franchise, or have we already seen the best this version of the hero has to offer and will be left wanting for something more? Let’s find out!!

So hey! That whole… dead for five years thing was pretty rough, wasn’t it? Well the world keeps on turning I suppose and that’s definitely true for Peter Parker (Tom Holland) as well as the entire cast from the first Spider-Man movie who JUST SO HAPPENED to be blinked out of existence as well which makes sense to me because this is a movie and everyone liked the cast from the first film. This includes Ned (Jacob Batalon), Mary Jane (Zendaya), and even Flash Thompson (Tony Revolori); all of whom as well as a couple of other students from Peter’s school are going on a European field trip. Frankly, Peter could use the time off considering how much he’s had to go through in the past… I guess it’s only been a few months for him, and after… well ENDGAME SPOILERS WILL BE IN THE REST OF THIS REVIEW SO LOOK AWAY NOW, Tony died saving the universe, he’s been having trouble coping with this whole “superhero” thing which has gotten a lot more real than just being a dude doing back flips on roofs and stopping two bit muggers. Of course nothing can be that easy for good ol’ Peter Parker because Nick Fury (Samuel L Jackson) along with Maria Hill (Cobie Smulders) are trying to pull him into this “save the world” situation where elemental monsters from another dimension are tearing up cities all over the world, and with the Avengers kinda doing their own thing (the ones who aren’t dead at least) all they’ve got to work with is this kid and some dude named Quentin Beck (Jake Gyllenhaal) who claims to have come from the same alternate dimension as the elementals and wants to help us stop them. Oh, and at some point people start calling him “Mysterio” for some reason, but I’m sure that’s fine. This is all WAY more than Peter was ready to handle so soon, but then again if he’s not ready to drop everything at a moment’s notice and save the world, was he ever truly worth of being Tony’s protégé and a possible future Avenger? Can the world possibly get along fine with the new guys out there like the square jawed and overly capable Mysterio fellow to let Peter just be a kid for once? Seriously, considering where he ends up in Into the Spider-Verse, he might as well quit now. Yes, EITHER version of Peter in that movie!

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“So what’s it like having already done this already? When you look back on what you’ve accomplished, was it worth the years of sacrifice?” “What? No, that wasn’t… I’M NOT TOBEY MAGUIRE!!”

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