Hotel Artemis and all the images you see in this review are owned by Global Road Entertainment
Directed by Drew Pearce
So you’re telling me that there’s a movie with Dave Bautista AND Jeff Goldblum in it, but it’s NOT part of the MCU!? That seems like a bit of waste, especially considering the latter is clearly playing the same character minus the highlights, but I guess not EVERYTHING has to be a superhero film… at least for now. Anyway, I kow ABSOLUTELY nothing going into this film other than seeing the poster once, and even that didn’t give much information on what this was going to be about, so it’s yet another chance for me to roll the dice at the theater which can be REALLY great when a movie surprises you, but then you run the risk of being completely unprepared if the film is an absolute train wreck. Did I manage to roll sevens on a solid action film, or will I end up getting snake eyes on my last bet before I lose my thumbs? Let’s find out!!
It’s the year 2028 and our movie begins with a crew of gangsters trying to pull off a bank heist in the middle of LA during a riot. It seems that some big conglomerate turned off the water for everyone and now people are rising up to march their corporate offices and beat the hell out of anyone still working there which is an awful indictment of privatization and a huge humanitarian crisis, but ALSO a great opportunity to steal stuff because the cops are busy elsewhere. Capitalism, am I right? Anyway, the heist doesn’t quite go as planned and they barely seem to break even by just taking the stuff of those who happened to be there at the time, but one of them gets shot (Brian Tyree Henry) and his brother Sherman (Sterling K Brown) has to drag him to a SECRET CRIMINAL HOSPITAL known as The Hotel Artemis run by The Nurse (Jodie Foster) who has a very precise set of rules that are followed to the latter; else you have to deal with the orderly named Everest (Dave Bautista) and you do not want to deal with Everest unless absolutely necessary. Sherman and his brother aren’t the only ones there however as a fellow guest staying in the Nice room (Sofia Boutella) is nursing a gunshot wound and another guest in the Acapulco room (Charlie Day) is getting his face fixed up after some sort of encounter. Seems like a typical night at The Hotel Artemis, right? Well it turns out that riots can cause a fair bit of chaos, even in a place as well protected as that, and things start to unravel as someone from The Nurse’s past start to show up asking for help (Jenny Slate), and the big mob boss who helped The Nurse set this place up known simply as The Wolf King (Jeff Goldblum) is stopping by with a gunshot wound; flanked by his hot headed son (Zachary Quinto) who chafes immediately at all the rules. Oh, and it turns out that Sherman’s brother managed to take something that belonged to The Wolf King during the heist, and if he were to find out… well let’s just say that wolves aren’t typically known for their ability to share things. Can The Nurse keep order in this place while the rest of the world is descending into chaos around her? How long can Sherman keep himself and his brother out of sight, and will they be able to escape in time? How is it that no one can just follow the rules!? IT’S NOT THAT HARD!!
Atomic Blonde and all the images you see in this review are owned by Focus Features
Directed by David Leitch
Holy crap! The day has FINALLY come, hasn’t it!? There are usually a handful of movies that I genuinely look forward to each year and for most of 2017 the big one was this Charlize Theron spy thriller with a lot of bloodshed and a lot more attitude! The trailers looked phenomenal with Theron putting her heart into this John Wick knock off (it even has one of that movie’s directors) and James McAvoy being… well James McAvoy, but that’s why we go to see him in movies! Still, a trailer isn’t always true to what a movie will ultimately be about and while I certainly have high hopes for this, I should PROBABLY temper them lest my expectations get too astronomical and I end up setting myself up for disappointment. But still! CHARLIZE THERON PUNCHING DUDES IN THE FACE! How COULD it go wrong!? Well if it does, we’ll certainly find out!!
The movie begins with the death of an MI6 agent (Sam Hargrave) in East Germany right at the tail end of the Cold War, and the British Government are in desperate need of someone to clean up the mess the poor bastard left behind. Enter Lorraine Broughton (Charlize Theron) who given two objectives to complete once she gets there; find THE LIST that the MI6 agent had secured before getting a bullet in the head (you know, that list of EVERY SPY EVER that’s in EVERY SPY MOVIE EVER) and find a double agent known simple as Satchel who is more than likely responsible for this whole mess. Her only contact in the country is MI6 agent David Percival (James McAvoy) who’s gone DEEP undercover in the Berlin punk scene but has more knowledge of the country’s inner workings than anyone else. Of course, nothing is as simple as it seems as there’s a French agent rather conspicuously following them around (Sofia Boutella), there’s like five different German/Nazi dudes who hate punk music trying to find her, and she keeps getting stymied at every turn presumably to the machinations of that darn double agent! Will Lorraine find this list that could CHANGE THE TIDE OF THE WAR before it falls into the wrong hands? Who is this mysterious double agent, and could they be closer than she dares to believe? How is it that all the hired goons keep finding her so easily!? Is it the hair? It’s probably the hair.
So if you read my review of the movie, you’ll know that I consider this one of the rare films that you can legitimately classify as So Bad It’s Good, but what does that even mean? First of all, it’s one of the hardest things for any filmmaker to do as these kinds of movies live on a precarious balance of context that informs whether the flaws in place are enjoyable or not. For example, The Room is one of the gold standards when it comes to this kind of movie due to the inexplicable nature of… well, EVERYTHING in the film. HOWEVER, that context only works when you’re under the assumption that Tommy Wiseau had no understanding of what he was doing which, if you watch the movie again, isn’t really the case. I don’t know the guy personally, but if you take another look at the movie from the perspective of a misogynist, what with the story being about a man scorned by an inexplicably evil woman who’s ruined his life to the point of him committing suicide (the movie even makes a point of putting ALL blame for the affair on Johnny’s girlfriend while framing Mark as sympathetic)… yeah, it kind of loses a lot of its charm; throwing off that perfect balance between being awful and being delightfully so about it. Now on the other side of the coin, is it possible for this kind of balance to be reverse engineered? Eh… I wouldn’t say it’s IMPOSSIBLE but other than MAYBE Werner Herzog’s Bad Lieutenant: Port of Call New Orleans, I’m hard pressed to think of one that didn’t happen NATURALLY. It’s lightening in a bottle plain and simple, and while there’s the rare filmmaker out there who can wrangle it themselves (I truly believe Werner Herzog to be a deity among mere mortals), we’ve gotten enough failed attempts from the likes of Robert Rodriguez and Quinten Tarantino (though Grindhouse is still a pretty high bar for intentional attempts at bad movies) to realize that trying to force this kind of movie isn’t something worth attempting and why it’s so great whenever we get another one to enjoy. Now to celebrate this movie being added to the pantheon of Horribly Watchable Films, I’m gonna give you the top ten WTF moments in this utter disaster that’s landed in theaters! Needless to say that I will be spoiling EVERYTHING about the movie so be wary if you want to experience it yourself.
10) Necronomicon Ex Mortis – A random reference to the Brenden Fraser film
When Tom Cruise’s character Nick is brought to Prodigium for the first time, there are a few quick references to other monster movies such as Dracula and The Creature from the Black Lagoon, as well as one reference to the 1999 Mummy film. The big MacGuffin of that one was the Book of the Dead that ended up reviving Imhotep after Evelyn opens it up and reads from it, and in THIS movie the book is at Prodigum and gets a nice long close up before being forgotten about completely. Fair enough I guess as it serves its purpose of being a cute little call back, but doesn’t it seem like kind of a waste? I mean, I don’t remember EVERYTHING that it did in that first movie, but surely they could have at least cracked it open to see if there’s a BANISH EVIL MUMMY LADY spell or something; ESPECIALLY considering they don’t really have a plan to stop her in the first place! I don’t know, maybe they lost that weird key thing or something!
The Mummy and all the images you see in this review are owned by Universal Pictures
Directed by Alex Kurtzman
For every good idea out there, we’ll inevitably get a bucket load of copy cats and knock offs to try and cash in on what made the original incarnation so successful. True, Universal Monster movies were in SOME way connected (mostly because they were all done by the same people) and they eventually did a few versus movies that are fondly remembered, but those weren’t the films they were looking at when they decided to move ahead with their Dark Universe. Marvel’s got it in the bag, DC’s been fumbling like crazy, and it’s still a bit too early to tell if the Kaiju Universe is gonna pay off. Now with Universal’s attempt to do the same for its catalog of legendary monsters hitting theaters, will it manage to pull off what Marvel’s imitators have failed to do thus far, or is Universal just not equipped to take the crown back Disney and Captain America? Let’s find out!!
The movie begins with a prologue letting us know that the titular mummy this time around is NOT Imhotep as it was in the other Universal Mummy movies but is instead a new character named Princess Ahmanet (Sofia Boultella) who sold her soul to Set (wasn’t that the dude Gerard Butler played n Gods of Egypt?) in order to wrest control of the throne from her father and her baby brother. Oh, and I guess she also wanted to release Set into this world by… cutting someone open while having sex with them? I don’t know, but either way she’s captured soon after her murder spree and is mummified alive before being dropped off in some tomb. Cut to modern day and we meet Nick and Chris (Tom Cruise and Jake Johnson) who are two fun loving soldiers who are ALSO grave robbers and stumble upon the lost tomb of Princess Ahmanet which they explore along with an archeologist… I think, called Jennifer (Annabelle Wallis). Needless to say that the mummy resurrects, she starts hunting people down, and our heroes have to find a way to stop her. Oh right! But before we can get through that story, we ALSO have to get Prodigium involved! What is Prodigium? It’s basically S.H.I.E.L.D. for monsters and it’s head up by Dr. Henry Jekyll (Russell Crowe). They don’t DO much, but the movie wants you to be VERY aware that these people are around and might just be fighting other monsters in the future! Anyway, the Mummy plans to take over the world by finding a MacGuffin (a special knife) and cutting open Tom Cruise who is her NEW Chosen One so that she can release Set upon the world! Will Tom Cruise manage to save the day once again by running really fast at things? Is Universal satisfied with the amount of world building that was shoved into this thing? CAN WE PLEASE GET BRENDAN FRASER BACK!? I know that last mummy movie wasn’t very good, but still!
Star Trek Beyond and all the images you see in this review are owned by Paramount Pictures
Directed by Justin Lin
We’re once again invited to visit this new Star Trek universe, though it doesn’t quite have the same shine that it used to now that we saw the bafflingly mishandled Into Darkness, and even that really crappy video game that came out. Remember that? While we all may fondly remember the first reboot film in this series that kicked off this new universe, there’s no doubt that some damage has been done in the intervening years that it’s now up to this movie to start correcting. Do they manage to steer the ship back on course, or should we all start heading for the lifeboats before this whole franchise crashes and burns? Let’s find out!!
The movie follows the crew of the USS Enterprise who are in the middle of their five year mission to explore strange new worlds, seek out new life and civilizations, and to boldly go where no one has gone before. Of course, for some reason there’s a Federation space station in the middle of this supposed unknown, but whatever. They need to fuel up the tank every once in a while. Anyway, during their pit stop at the space station Yorktown, Captain Kirk (Chris Pine) is getting ready to give up his command of the Enterprise… for some reason, but can’t do it just yet as a distress ship manages to make it to Yorktown with an alien who’s begging Starfleet to help them out. Kirk agrees to get everyone back on board the Enterprise (probably pissing off a lot of the crew in the process) and heads to wherever this planet is which honestly doesn’t seem to be too far but there’s a giant nebula between Yorktown and this mystery planet so maybe it’s just that no one wanted to fly straight through that. Kirk does however, but once they make it to just outside the planet’s orbit, a fleet of a bajillion tiny ships tears the enterprise to shreds and the bad guy of this movie simply known as Krall (Idris Elba) JUST SO HAPPENS to find that the Enterprise is carrying the ONE piece of a superweapon that he’s been searching for all this time that’s only on the ship due to a fluke peace mission from some point during their five year mission. Luckily Kirk manages to hide it before the ship goes down in flames, but now the crew is completely separated and needs to find a way to get back together, defeat Krall, and get the hell off this planet. Spock and Bones McCoy (Zachary Quinto) are together constantly kvetching at each other, Scotty (Simon Pegg) ends up meeting a local alien trying to get herself off the planet too named Jaylah (Sofia Boutella), Uhura and Sulu (Zoe Saldana and John Cho) are captured by the enemy along with most of the remaining crew, and Kirk and Chekov (Anton Yelchin) are left with the alien who initially sent them to this planet and are working together to find what remains of the enterprise. Can these heroes set aside their differences and work together so they can survive this mission? What is Krall planning to blow up with the super weapon once he finally gets the pieces together? Most importantly, just how grumpy can Bones get!?