The Rhythm Section and all the images you see in this review are owned by Paramount Pictures
Directed by Reed Morano
One of the unique selling points of this movie is that it’s produced by EON productions, and this is pretty significant considering they’ve only made four other films that weren’t in the Bond Franchise since its inception way back in 1961. Now I love me a good Bond film and they have certainly been some really good ones in the recent past (Spectre notwithstanding), so seeing their logo on a film is intriguing if nothing else; but sadly the reason I can focus so much on a production company is that there’s simply not much else about this movie that’s catching my eye. It looks way too much like other films I’ve seen in the last few years like American Assassin and The Foreigner; all of which span the range from nothing particularly impressive to outright terrible. Can this latest spy thriller manage to rise above its peers with the help of the Broccoli family, or is this yet another dime a dozen spy films that won’t have even half the shelf-life of the worst Bond film? Let’s find out!!
Stephanie Patrick (Blake Lively) has gone through a rough patch in her life. She was doing alright, but then her entire family died in a plane crash that may or may not have been terrorism (pretty sure that’s the first thing the government would figure out, but whatever) and has spent the last months in a spiraling depression. No home, no job, working as a sex worker because I guess that’s what grieving people do (did she not have friends or even second cousins that didn’t die?), but an unspeakable rage has built up inside of her that must be satiated by VENGEANCE! Fortunately a reporter (Raza Jaffrey) comes along and tells her exactly who the bad guys are and where to find them, so she tries to shoot the terrorist in the face but blows the opportunity instead of his brain matter; leading her to be in even more danger and getting the reporter killed in the process. The only hope left is the reporter’s source which is an ex-MI6 agent known as B (Jude Law) who begrudgingly agrees to train her so that she can take revenge PROPERLY next time. Will she be able to train her body to be a perfect killing machine and finally exact vengeance on those who murdered her family? What twists and turns will throw her off her path as she learns more and more about the complicated network of spies, extremists, and opportunists that facilitated the attack in the first place? I mean I’m PRETTY sure she can pull this off! She already fought off a shark, so how hard could this be!?
DOOM and all the images you see in this review are owned by Universal Pictures
Directed by Andrzej Bartkowiak
Welcome one and all to this most SPOOKY time of the year! For this Halloween, I’ll be reviewing horror movies as I’ve been known to do on occasion, only this time we’ll be doing something a LITTLE bit different! With my recent fascination in the WWE and wrestling in general, I thought it’d be interesting to check out a few horror movies from some of the company’s most iconic stars, starting with the often maligned DOOM movie from 2005! DOOM was one of the biggest attempts to bring a video game to the big screen but ended up bombing at the box office which kind of put the whole idea of adaptation these properties on hold for a while there; leaving the genre to be dominated by Resident Evil sequels and Uwe Boll until around 2016 when studios started getting confident once again and movies OTHER than Resident Evil could start making money. Is it as bad people say it is, or is this Dwayne “The Rock” Johnson vehicle just a diamond in the rough looking for the right critic to give it the polish it needs? Let’s find out!!
Before the opening credits we get a bit of narration which tells us that humans discovered a portal on Earth that led to Mars, and now that I think about it… isn’t that the plot of John Carter of Mars? Why haven’t they run with that yet!? Maybe that’s the surprise twist in DOOM: Eternal. Now obviously with this being a DOOM movie, nothing can go well once you get your ass to Mars which these unlucky scientists are currently learning as the prologue picks up right as things are going to hell; literally I’m sure. They are RUNNING their asses off to try and get away from some unseen (presumably demonic) threat, and the situation is SO critical that the fastest sprinter locks the sliding doors behind him; leaving the slower ones to die in very gory fashion!
This is what happens when you don’t hold the elevator door.
Mandy and all the images you see in this review are owned by RLJE Films
Directed by Panos Cosmatos
I had no idea this movie existed until about four days ago and I knew precisely two things about it; Nic Cage and chainsaws. I don’t know about you, but you can usually get me to see a movie if you have one of those things, let alone both! Nicolas Cage has had a REALLY rough go of it lately with mostly direct to video fare that even die-hard fans like myself find tedious, and while this isn’t really a BLOCKBUSTER or even a STUDIO film, the fact that he’s in theaters again and is in a movie that’s getting a lot of positive buzz makes more oh so very happy even if he’s STILL probably not gonna get that Superman role now that () is most likely stepping down. The movie itself though, well I still have to SEE it before I can proclaim it to be as good as everyone says it is even if I want it to be the first step to the greatest coming story in Hollywood history! Or at the very least the first step towards getting a Face/Off 2.
Back in the early eighties, a guy named Red (Nicolas Cage and a lady named Mandy (Andrea Riseborough) are living in a pretty nice house out in the woods, surviving off of odd jobs as a lumberjack for him and as a convenience store cashier for her, and generally enjoying the isolation from the rest of the world. Both are into old school rock and roll (though I guess back then it wouldn’t have been THAT old) and so are the filmmakers because everything in the film’s aesthetic is pumped all the way up to eleven; form the color pallets to the visual tableaus, to that thing where we focus in really close on something while intense music plays. Anyway, the two of them are just minding their own business when Mandy is spotted by a passing van full of drugged up killer hippies led by the “charismatic” leader Jeremiah Sand (Linus Roach) who makes it their mission to recruit her for their cause. Things spiral out of control from there which leads to Mandy being captured, OTHER stuff happening, and Red having more than enough reason to find these bastards and met out some woodland vengeance on them for what they’ve done. Along the way he’ll meet old friends who help him on his journey, he’ll create the perfect weapon to exact his unholy and metal as heck revenge, and even fight some… interesting fellows who I’m not sure are supposed to be REAL or not, but in a movie like this that hardly matters. Will Red find this roving gang of murders before they leave the forest for good and move on to their next victims? Just how far will Red go to get what he’s after, and what will he give up along the way? Is it just me, or is this a Ghost Rider movie that forgot to include Ghost Rider?
“You think the rider is so tough? THAT PUNK’S GOT NOTHING ON ME!!”