The Girl on the Train and all the images you see in this review are owned by Universal Pictures
Directed by Tate Taylor
The only thing I knew about this movie before walking in was that the trailer had probably the most baffling musical choice imaginable. Seriously, who the hell puts Kanye West in the trailer for a movie that we’re supposed to take SERIOUSLY!? If you can somehow tune out the poor choice of music (how is the WOMAN heartless when she’s the one who gets MURDERED!?) there is something intriguing about the premise and it’s the perfect time to release these kind of dark murder mysteries now that Oscar Season is upon is. Is this an early contender for best of the year status, or is this a wannabe Gone Girl knockoff that’s simply jumping on the bandwagon? Let’s find out!!
The movie begins with Rachel (Emily Blunt) as the titular girl on the train as she passes by the same sight she sees every time she rides it. Every day, the train stops right in front of these two houses; one has her ex-husband Tom (Justin Theroux) and his new family, and the other has this couple who from all outward appearances looks perfectly happy. This routine goes on for some time until one day she notices a new man in the house with the woman Megan (Haley Bennett) which shatters Rachel’s already fragile mental state (for various reasons, she’s crawled inside a bottle for the last few years) and she gets even MORE drunk than usual that night and gets off at the stop that’s close to their house. Jump to the next morning and Rachel wakes up in her room; covered in mud, blood, and booze with no explanation of what happened the night before. Eventually, it turns out that Megan has disappeared (which means she’s dead but they haven’t found the body yet) and no one knows what happened. Rachel seems to have an idea, but the memories of that night are so fried that she can’t piece them together and feels compelled to save this woman who she’s been watching all this time… and if she can also throw some shade at her ex-husband’s new wife Anna (Rebecca Ferguson) in the process, well then that’s just brownie points. Can Rachel find out what happened to Megan and find some sense of self-worth, even in her completely debilitated state? Who was this woman that’s gone missing, and can her past lead us to the reason she was murdered? Can we all just agree to give Emily Blunt the Oscar now!? It’s basically Leaving Las Vegas 2!!