Ghostbusters: Afterlife and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Jason Reitman
I was a pretty big fan of the 2016 Ghostbusters reboot and am still a bit salty that we never got a sequel to it, so seeing the trailers and just how much the studio was backtracking to safe and familiar nostalgia was pretty demoralizing to see and left me with a bad feeling about this. A Stranger Things knockoff that revels in the legacy of the first two films while grabbing a mostly indie director who just so happens to be the son of the original films’ director just felt like too many ideas on how to make this a MARKETABLE Ghostbusters movie instead of a GOOD one. Still, Reitman is a good director and the buzz so far has been good for the movie, so perhaps I’m being a bit overly critical before even seeing the darn thing. Did my low expectations set me up for a pleasant surprise that finds the balance between mining nostalgia and finding new ideas, or is this a cynical paycheck from a guy whose complicated history with this franchise landed him in the director’s chair long before he ever picked up a camera? Let’s find out!!
Many years after the events of the first movie (and the second presumably), Egon Spengler has made a new life of sorts in a total nothing town somewhere in the Midwest, and while it’s probably not much of a spoiler considering that the actor is no longer with us, he has recently died under mysterious circumstances, and his estranged daughter Callie (Carrie Coon) has come to settle his affairs as well as start a new life for her and her two kids Phoebe and Trevor (Mckenna Grace and Finn Wolfhard). While packing up his things though, Phoebe finds the PKE Meter as well as Egon’s ghostbusting Batcave, and Trevor starts to see some strange things around town; especially while hanging out with Lucky (Celeste O’Connor) at the nearby mine, which is… a thing kids do I guess? In any case, Phoebe starts to investigate the strange occurrences in the town with her paranormal podcasting friend named Podcast (Logan Kim), but more importantly starts to learn more about her grandfather and, by extension, herself. That, and her Summer School teacher (Paul Rudd) is a total nerd who was obsessed with the Ghostbusters when he was a kid, and so the stage is set for the next generation to take up the mantel once these strange things around town turn into STRANGER things! What was Egon doing in this Podunk town in the first place, and is there more than just his old eighties crap that he’s left behind for his family? How will Phoebe and Trevor deal with their newly discovered legacy, and why was their mother hiding it from them all this time? Do you think in thirty years someone will try to do one of these for the 2016 Ghostbusters movie? I mean how ELSE are we supposed to get a sequel!?
Booksmart and all the images you see in this review are owned by United Artists Releasing and Annapurna Pictures
Directed by Olivia Wilde
I probably should keep tabs on some of the more interesting films being made, particularly those by studios other than Disney, because this one flew COMPLETELY under my radar and I’ve only just now started hearing about it despite getting rave reviews and being directed by an actor I actually like! I watched every season of house, yet I didn’t know that Thirteen had directed a movie!? I mean at least it means that I can go into a movie with few preconceptions on what it will be, but it also means that unless it comes to the big local theater I’m likely to miss it; particularly this year where I can barely keep up with the big releases, let alone the smaller stuff. Thankfully this one is getting enough buzz that even my regular theater has screenings of it, but will it manage to live up to the hype or will I once again have to be rather nonplussed about a critical darling? Let’s find out!!
Molly and Amy (Beanie Feldstein and Kaitlyn Dever) are the best of friends who are about to graduate from high school as the Valedictorian and Salutatorian and have big plans for the future which include both of them going to Standford, graduating first in their classes, and probably being President and Vice President one day. Who knows!? THE SKY’S THE LIMIT! Sure, being such bookworms and ONLY focusing on getting good grades and doing activities that will look good on a college resume has left them as something of outsiders (which I found a bit odd considering the top kids in MY class at least were the popular ones as well, but whatever), and as their last day of high school approaches, they come to realize that MAYBE all that studying left them with no real life experience to carry with them to college and that they should break loose on the night before graduation by going to Nick’s party (Mason Gooding) where all the popular kids are having fun! Well okay, it’s MOSTLY Molly saying this, but Amy wants to be supportive and hesitantly agrees to go along with this and might even talk to the cute girl she’s had a crush on for some time (Victoria Ruesga). Sadly, no one bothered to give them the address before this huge revelation since… well they’ve never gone to one of their parties before so why would they now, and this means that they have to find someone who knows where it is and get the information out of them by whatever means necessary! Can Molly and Amy find the party of their dreams and survive whatever wacky hijinks are waiting for them out in the real world? Will this experience challenge their friendship like never before; possibly revealing longstanding issues that they’ve never allowed to bubble to the surface? Is it just me, or do movies like this make you realize how much you wasted your own high school years? And college years?
And most of your twenties? Okay, maybe it’s just me.
Love the Coopers and all the images you see in this review are owned by CBS Films and Lionsgate
Directed by Jessie Nelson
‘Tis the season for the bold and foolhardy to try and make films that will enter into the catalog of class Christmas movies! Probably the last one to make the leap to big leagues in regard to enduring Christmas Classics is Love Actually from 2003, but that hasn’t stopped film makers from trying to break into that market which brings us to today’s feature. Will this movie face this challenge head on and make it through the neigh impossible glass ceiling of beloved Christmas films, or will this be yet another failed attempt to recreate that Christmas magic and will be doomed to the same fate as Four Christmases, Deck the Halls, or god forbid Christmas with the Cranks? Let’s find out!!
The movie follows the misadventures of several members of the Cooper family on Christmas Eve as everyone is trying to get ready for the family dinner that is to take place later that night. At the head of the family is Sam and Charlotte Cooper (John Goodman and Diane Keaton) who are trying to keep it together long enough for them to have a happy holiday with the family despite the fact that they plan to get divorced soon after the season ends. We also have Charlotte’s sister Emma (Marisa Tomei) who’s just a bitter jerk during the holidays (think Marie Schrader from Breaking Bad) and gets caught shoplifting which means she has to get out of it while being driven to the police station by a cop played by Anthony Mackie. Charlotte and Sam’s kids are Hank and Eleanor (Ed Helms and Olivia Wilde) who have their own problems to deal with as the former just recently got divorced and then fired from his job while the later… just doesn’t like coming home for the holidays and is procrastinating in an airport with a solider she just met (Jake Lacy). There are other members of the family such as, Bucky Cooper (Alan Arkin) who’s hanging around the fringe of everyone’s story but also has his own thing going on with a waitress in a diner played by Amanda Seyfried, and Aunt Fishy (June Squibb) who’s basically playing a female version of Grandpa Simpson. With all these characters dealing with their problems during the most stressful time of the year, will they somehow manage to have a happy Christmas, or will this end in total disaster? Can this movie manage to juggle all these subplots without feeling like a poorly paced mess? Okay, seriously. Can’t we just watch Love Actually instead?