Cinema Dispatch: Booksmart

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Booksmart and all the images you see in this review are owned by United Artists Releasing and Annapurna Pictures

Directed by Olivia Wilde

I probably should keep tabs on some of the more interesting films being made, particularly those by studios other than Disney, because this one flew COMPLETELY under my radar and I’ve only just now started hearing about it despite getting rave reviews and being directed by an actor I actually like!  I watched every season of house, yet I didn’t know that Thirteen had directed a movie!?  I mean at least it means that I can go into a movie with few preconceptions on what it will be, but it also means that unless it comes to the big local theater I’m likely to miss it; particularly this year where I can barely keep up with the big releases, let alone the smaller stuff.  Thankfully this one is getting enough buzz that even my regular theater has screenings of it, but will it manage to live up to the hype or will I once again have to be rather nonplussed about a critical darling?  Let’s find out!!

Molly and Amy (Beanie Feldstein and Kaitlyn Dever) are the best of friends who are about to graduate from high school as the Valedictorian and Salutatorian and have big plans for the future which include both of them going to Standford, graduating first in their classes, and probably being President and Vice President one day.  Who knows!?  THE SKY’S THE LIMIT!  Sure, being such bookworms and ONLY focusing on getting good grades and doing activities that will look good on a college resume has left them as something of outsiders (which I found a bit odd considering the top kids in MY class at least were the popular ones as well, but whatever), and as their last day of high school approaches, they come to realize that MAYBE all that studying left them with no real life experience to carry with them to college and that they should break loose on the night before graduation by going to Nick’s party (Mason Gooding) where all the popular kids are having fun!  Well okay, it’s MOSTLY Molly saying this, but Amy wants to be supportive and hesitantly agrees to go along with this and might even talk to the cute girl she’s had a crush on for some time (Victoria Ruesga).  Sadly, no one bothered to give them the address before this huge revelation since… well they’ve never gone to one of their parties before so why would they now, and this means that they have to find someone who knows where it is and get the information out of them by whatever means necessary!  Can Molly and Amy find the party of their dreams and survive whatever wacky hijinks are waiting for them out in the real world?  Will this experience challenge their friendship like never before; possibly revealing longstanding issues that they’ve never allowed to bubble to the surface?  Is it just me, or do movies like this make you realize how much you wasted your own high school years?  And college years?

And most of your twenties?  Okay, maybe it’s just me.

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“Wow… Tonight, we really ARE young!  Thanks fun.!”

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Cinema Dispatch: Aladdin

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Aladdin and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Guy Ritchie

The Disney money train just keeps on rolling, doesn’t it!?  With nowhere else to go but back to the well, they’ve been pumping out remakes, reboots, and even sequels for some time now with… let’s say MIXED results.  In fact, Dumbo might have been the last straw to finally knocking these into MOSTLY BAD territory; and I’m not liking the way that Lion King movie is shaping up despite its solid casting!  Still, Aladdin is probably the film BEST suited for the big budgeted live action retelling considering how cinematic and adventurous it is, and the fact that the story’s already been done in live action in the past!  Can Disney pull off another remake of a beloved nineties property, or are we gonna have to wait for Maleficent 2 for things to get back on track?  Let’s find out!!

In the wondrous city of Agrabah, there once lived a thief known as Aladdin (Mena Massoud) who spent most of his days stealing apples and talking to his monkey Abu; presumably because he gave up on forming attachments to other humans and find that monkeys are less likely to stab you in the back.  I mean they COULD what with apposable thumbs, but that’s beside the point!  What’s important is that one day he meets a woman in the local bazar who doesn’t seem to understand how money works which you’d think she WOULD considering she’s Princess Jasmine (Naomi Scott), the one and only daughter to the Sultan (Navid Negahban), but I guess when you’re THAT rich possessions and currency don’t hold much value.  Thankfully Aladdin is there to smooth things over, and by smooth things over I mean help her run away, and the two hit it off almost immediately which would normally be good news if it weren’t for the fact that she can only marry a prince.  That’s where the Sultan’s Grand Vizier Jafar (Marwan Kenzari) comes in who sees something in this street rat and wants to use him to get his hands on the Magic Lamp for clearly nefarious purposes, and so spins him a tall tale of how doing this one job for him will get him all the riches he could dream of and become a prince in his own right!  Well Aladdin at least holds his end of the bargain up, but things inevitably go wrong and he’s stuck there with nothing but his monkey, a magic carpet and oh yeah THE MAGIC LAMP which houses a TERRIFYING Genie (Will Smith) that promises him three wishes for finding his lamp!  What will Aladdin wish for, and will it be enough to win the heart of the Princess?  How long can he keep up the ruse he concocts, and will he be able to fool the sharp witted Vizier; even WITH the Genie’s magic?  More importantly, who needs a Genie when you can capitalize on people’s nostalgia?  That ALREADY gets you all the riches in the world!!

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“Do you trust me?  To tastefully pay homage to an animated classic?”     “Well…”

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Cinema Dispatch: Brightburn

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Brightburn and all the images you see in this review are owned by Sony Pictures Releasing

Directed by David Yarovesky

I’ve only had this movie vaguely on my radar for some time now (which frankly is a lot more than MOST movies but that’s another discussion) and I was certainly interested to see what it was, but more importantly I wasn’t quite sure what it was ultimately ABOUT which piqued my interest more than anything else.  Was it truly just a kid with super powers killing people?  Would there be some sort of They Live or even Frailty kind of twist at the end to explain his actions?  It’s a fascinating premise to basically take the Superman origin story and turn it into that of a villain, but evil kid movies aren’t the easiest thing to pull off well and we’ve had at least ONE example this year of Hollywood screwing that up spectacularly.  Is this the dark and twisted superhero horror movie we’ve all been waiting for, or is this just more horror tripe with a trendy coat of paint on it?  Let’s find out!!

Brandon Breyer (Jackson Dunn) is your typical Midwest tween.  He works on his parents’ farm, he goes to school every day, and oh yeah he’s an alien who crash landed when he was a baby and has been raised by his parents Tori and Kyle (Elizabeth Banks and David Denman) since then.  He’s not aware of that though, but it’s also something that’s not TOO easy to hide; especially since Space Puberty is turning out to be quite a bit more INTENSE than the Earthling variety!  Brandon begins to pick up on the fact that he’s a little bit different from others, what with his invulnerability and eye lasers, and eventually things come to a head as Tori and Kyle have to figure out the best way to handle the fact that their adopted son has UNSPEAKABLE COSMIC POWERS.  You know, sending him to his room without dinner isn’t gonna work all that well when he can rip your heart out with his bare hands and then fly to the arcade.  Brandon seems to understand this little power differential as well, not to mention that his alien side might not be from the most humble and good natured parts of the universe which can only spell trouble as he gets more and more proficient with his powers.  Can Tori and Kyle instill enough self-control and empathy into this brat before he starts burning Pepe memes into the corn fields?  Just how powerful can Brandon get, and is there any way to stop him if he goes too far?  See, this is why everyone needs an Uncle Ben.  Neither Tori nor Kyle have a brother named Ben, and that’s why this is all happening in the first place!!

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“Remember, son; with Great Power comes Great Responsibility.”     “So… because I CAN met out vigilante justice, that gives me the right to do so?”     “Uh… who wants ice cream!?”

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Cinema Dispatch: The Hustle

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The Hustle and all the images you see in this review are owned by United Artists Releasing and MGM

Directed by Chris Addison

Whether or not it’s a particularly successful tactic (particularly when the audience for blockbusters is only growing larger and larger), counter programming is still a thing in the industry and I’d wager that it’s the main reason this movie is being sandwiched between so many big named blockbusters.  I certainly thought the trailers for this looked quite good and I like the casting quite a bit, but being put in theaters now when Avengers and Detective Pikachu are still tearing it up at the box office is either a sign of great insight for the studios to fill a gap in the viewing audience or total hubris that will spell doom for what seems to be a fun little crime film.  Is this film a big time hustler elbowing its way to the forefront against such big titans of the cinema, or is this a small time crook that’s way in over its head?  Let’s find out!!

Penny Rust (Rebel Wilson) is a con artist working in the city running scams on dating sites which are actually quite effective, but end up garnering a significant amount of heat on her and so she’s forced to take her game elsewhere.  Said elsewhere turns out to be the stomping grounds of another con artist Josephine Chesterfield (Anne Hathaway) who’s set up her base of operations in a ritzy French tourist trap which is never short of gullible dudes just itching to be separated from their valuables, but a wild card like Penny could throw a wrench her in perfectly laid out plans if left to her own devices.  Initially she tries to fool her into leaving of her own accord, but by her own wits and a bit of luck, Penny becomes wise to Josephine’s game and wants in on the action; a proposition Josephine is initially resistant towards but figures that keeping Penny happy and useful is better than risking her going to the authorities with what she now knows.  At first it seems to be going just fine as Penny trains in the arts of manipulation with the help of Josephine’s assistants Brigitte and Alfred (Ingrid Oliver and Nicholas Woodeson), and they even pull of this brilliant little scheme that’s never really come together until Penny entered the picture, but all is not sunshine and roses in the world of professional scamming, and so the student must eventually face the master in a game of wits, ingenuity, and even a bit of outright cruelty, to prove once and for all if Penny’s brash resourcefulness is truly a match for Josephine’s refined expertise.  Will Penny and Josephine’s ultimate challenge bring out the best in both of them, or will they lose everything to their overblown egos?  Can they ever come to a mutual understanding given how different their backgrounds are and how cutthroat their line of work is?  Is it just me, or is one of them at a distinct advantage considering they’ve already played a diamond thief in a previous movie, and that’s ASIDE from them already having played Catwoman!

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“This little game of ours will prove who is truly… puuurrrr-fect!”     “Oh yeah?  Well by the time we’re through, you’re gonna WHISKER lessons from me on being a better thief!”     “Wait… what?”

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Cinema Dispatch: John Wick: Chapter 3 – Parabellum

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John Wick: Chapter 3 – Parabellum and all the images you see in this review are owned by Summit Entertainment

Directed by Chad Stahelski

So here we are once again.  Now I wasn’t the biggest fan of the second movie, but the John Wick movies have their own sense of style and craftsmanship that’s hard to ignore even when the story begins to fall apart, at least as far as I’m concerned regarding that sequel.  Now the time has come for them to hopefully right the ship and bring this franchise back to what made it great instead of the convoluted mess that we got last time.  Will we be getting the conclusion to John’s story that will make this whole wild trip worth taking, or is this franchise already too far into the rabbit hole for us to reasonably expect them to dig their way out of?  Let’s find out!!

The movie picks up mere minutes after the end of the last one where John (Keanu Reeves) has just been ex-communicated from The Continental for (SPOILER ALERT FOR JOHN WICK 2) killing what’s his face in the last film (Riccardo Scamarcio).  Now obviously no one expects John Wick to go down quietly, especially not the owner of The Continental (Ian McShane), and yet a bunch of assassins take a swipe at the guy with about as much luck as you’d expect.  However, John’s plan isn’t JUST to kill enough people to clog up the Hudson River; he needs to go and appease The High Table who I guess is in charge of The Continental and all the other Assassin Hotels which apparently was a THING in the last movie that I just forgot about.  Now what’s his face that no one liked from the last movie was apparently a member of this table (can’t be THAT great if he got a seat) and so John’s up to his eyeballs in not just hot shots trying to make a quick buck, but basically everyone within the orbit of The High Table.  This includes The Adjudicator (Asia Kate Dillon) who is there to clean up (i.e. kill) everyone with even a vague connection to John’s recent activities, and Zero the Assassin (Mark Dacascos) who’s band of ninjas have been hired to help The Adjudicator do his dirty work.  So while that’s all going down in New York, John is trying to get a meeting with a member of The High Table which is no easy task as he has to cash in whatever chips he has left to get help from his former trainer (Anjelica Huston) and a former colleague who owes him one (Halle Berry); both risking a lot even if whatever assistance they offer is through official channels because The High Table is having none of that crap anymore.  Will John find what he needs to in order to spare his life from the wrath of The High Table?  What will those back in New York do now that they’ve gotten the ire of the people at the very top of the food chain?  Just how many dudes do BOTH sides have to spare over this rather small dispute between the one guy none of them can kill and a dead dude who only got the job like a week ago?  Is there REALLY no other way they can solve this!?

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I propose a cutest dog competition!  I mean really, there’s no other reasonable way to solve this.

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Cinema Dispatch: The Intruder

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The Intruder and all the images you see in this review are owned by Sony Pictures Releasing and Screen Gems

Directed by Deon Taylor

It either takes a whole lot of brains or a whole lot of nerve to try and squeeze a non-franchise thriller right between such big box office money sinks, and when talking about Screen Gems it can go either way.  Yes, this is the studio that made my beloved Resident Evil movies, but also gave us the horrendous Slender Man, and frankly the rest of their filmography is just disparate; but all the credit to them for churning out low budget shlock and turning it into box office gold!  They’re like the Blumhouse of the mid 2000s that’s still hanging around on the margins making ridiculous stuff like When the Bough Breaks, but also some real modern classics like last year’s Searching which you all better have seen by now!  Where exactly will this movie fall in the Screen Gems canon?  Well you can probably take a guess given its silly premise and wacky stunt casting, but let’s find out!!

Scott and Annie (Michael Ealy and Meagan Good) are your typical city folk who spent their entire married life in the hustle and bustle and have decided that now might be the PERFECT time to find a place a little off the beaten path and settle down to start a family.  Hold your horses though!  They aren’t looking for just ANY house!  They want the PERFECT house that has like a bajillion rooms, a giant yard, and some real history to it!  Well lucky for them that they found the one dude with the perfect house AND a strong need to sell it as soon as possible!  Yes, good ol’ Charlie (Dennis Quaid) is moving to Florida to be with his daughter and has decided to sell his family home.  Four generations have lived in this house, and for a rather steep price Scott and Annie can be the fifth.  After some careful consideration and another look at the size of this place (they’ll have to Airbnb this mansion year round just to keep up with the payments!) they decide to purchase it and give Charlie a fat stack of cash that he can retire on!  Everyone’s happy, right?  Well… as it turns out there are a few loose ends here and there that Charlie needs to finish up and is still in town, but that’s not a problem, right?  Well… he noticed the yard is looking a bit overgrown and thought it’d be neighborly to mow the yard, but that’s a good thing, right?  Well… let’s just say that one thing leads to another, and another, and another, until Scott and Annie begin to wonder if this guy is ever gonna go to Florida, and that’s just the beginning of the weirdness that these two are being subjected to with Charlie still around!  Will Scott and Annie ever get rid of this dude who CLEARLY didn’t seem ready to sell his house?  What exactly does Charlie have planned, and just how far will he go to take back what he believes is rightfully his?  Anyone get the feeling that this is what he did after making Movie 43?  I mean sure he had money BEFORE that film, but that’s a movie so bad that it retroactively sucks away any success you may have had.

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“I’m collecting for the Quaid Quality of Life Fund.  Your contributions will go directly towards funding a sequel to The Rookie.”

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Cinema Dispatch: Pokémon Detective Pikachu

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Pokémon Detective Pikachu and all the images you see in this review are owned by Warner Bros. Pictures, Toho, and The Pokémon Company

Directed by Rob Letterman

I know you all are just on PINS AND NEEDLES waiting to find out if this movie is good… unless you’ve already seen it. Seriously, I need to get somewhere that’ll show these things like two days before release date because APPARENTLY EVERYONE ELSE IN THE WORLD GETS TO DO THAT! Sigh… anyway, so Pokémon is no doubt one of the cornerstones of nineties nostalgia which means that we are officially getting too old, but it’s also one of those franchises that has remained popular in all that time, unlike say Transformers which always had a fan-base but one that certainly waned past the eighties. Because of that this has a chance to appeal to not just the adults in the audience who grew up on Red and Blue, but also the kids who enjoyed whatever the heck those Pokémon Mystery Dungeon things were, and not only that but probably the first video game movie to really capture the spirit of the material outside the rather awesome Resident Evil movies. And the DOOM movie; don’t at me! Is this the greatest movie of all time that will span the generational divide and bring us all together in such turbulent times, or perhaps are we a bit TOO overexcited about seeing the cuddly creatures on the big screen? Let’s find out!!

Tim Goodman (Justice Smith) is basically the opposite of your average man child in the Pokémon universe. Instead of going out and exploring the world at the age of ten, he went to school and got a real job at an insurance company. I mean say what you will about getting a nine to five, at least you don’t have to survive off fight money and live in a tent! Yes, Tim is happy with his boring life which is free of Pokémon for… reasons, but then his idyllic life in a small town comes crashing down when he gets a letter in the mail informing him that his father died in a mysterious car crash. Not only that, he was a cop in Ryme City which is unique for letting Pokémon just walk around instead of being confined to balls, and I THINK it was founded by Howard Clifford (Bill Nighy) who owns Clifford Enterprises which is a… company that does business stuff I guess. Anyway, Tim gets to town, goes to his father’s apartment who rather strangely has a children’s bedroom set up for his twenty-one year old son who hasn’t visited in YEARS, and he tries to figure out the fastest way to deal with all this before he goes back to his normal life. Sadly things are not about to go his way as a rouge Pikachu with amnesia in a Stantler stalker cap (Ryan Reynolds) has broken into his place and is certain that his father is still alive. With much hesitation and after one terrifying Pokémon attack, Tim finally agrees to help Pikachu solve whatever mystery is underway; enlisting the help of investigative journalist slash intern Lucy (Kathryn Newton) and her awesome Psyduck! Will Tim discover the truth behind his father’s disappearance and will he reunite with him once again? Where did this talking Pikachu come from, and what connection does he have to all of this? Is this gonna be the very best that no movie ever was, or should you be… preparing for trouble!?

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“A talking Meowth? That is SO 1999.” “Well at least more than one person can hear him.” “BUT DOES HE HAVE A HAT!?”

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Cinema Dispatch: Long Shot

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Long Shot and all the images you see in this review are owned by Lionsgate

Directed by Jonathan Levine

I love Seth Rogen!  Have I mentioned that before?  Knocked Up, Neighbors 2, The Night Before, all are great movies that I’ve watched multiple times and showcase just how talented the guy is.  Now we’ve got a movie with him AND Charlize Theron, one of the hardest working actors working today with so many great movies under her belt!?  Well dang!  How had I not heard about this movie before!?  Seriously, considering how many times I go to the movies you’d think I’d have seen one trailer but no!  I hadn’t even heard of this until about a week ago and I had no idea what it was even about, but hey, when do you watch a comedy for the plot?  I’m here to see these two work off of each other and tell some funny jokes!  Does this team up manage to knock it out of the park like peanut butter and chocolate, or are we in for an experiment that’s gone more horribly awry than whatever the heck it is Oreo has been pumping out recently?  Let’s find out!!

Fred Flarsky (Seth Rogen) is a journalist with a serious chip on his shoulder who’s had a rough time of it recently and Charlotte Field (Charlize Theron) is the Secretary of State who’s had a rough time of it always.  Two people from two vastly different worlds who you wouldn’t think would ever meet, but in movie land these two have something of a history as Charlotte used to babysit Fred when they were younger and there was an embarrassing incident between the two of them.  Still, fate seems to conspire to bring them back together as Fred loses his job and is brought to an upper class party by his friend Lance (O’Shea Jackson Jr) where Charlotte just so happens to also be.  They talk for a bit, Fred makes a fool of himself when trying to confront an evil media conglomerate (Andy Serkis) and you’d figure that life would just keep on going from there.  However, Charlotte starts to read some of Fred’s earlier work and comes up with a brilliant idea!  See, she plans on running for president as the current guy (Bob Odenkirk) won’t be running for a second term to instead make movies and so she needs a speech writer who can write funny and incisive commentary that she can pepper into her usual rhetoric, so going on quite a limb here she hires Fred for the job despite him being… well a boorish man child who can barely even dress himself.  Naturally her staff isn’t too thrilled included her top aids Maggie and Tom (June Diane Raphael and Ravi Patel), but everyone goes along with it and Fred, if nothing else, seems to write decent speeches and the two begin to reconnect once more; possibly with more going on between them than either initially realized.  Can Fred be the necessary piece that Charlotte has been missing in her life, and is Fred even capable of being what she needs him to be?  What sinister actors out there will try to undermine Charlotte’s campaign, and how will Fred react to the realities of being part of the political machine on such a large stage?  Seriously, how did this jacket alone not destroy her political career?

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“I didn’t realize the Blue Meanie was getting into politics!”     “Say what you will about the Blue World Order, they at least have a sound economic platform!”

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Cinema Dispatch: UglyDolls

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Ugly Dolls and all the images you see in this review are owned by STX Entertainment

Directed by Kelly Asbury

So are Ugly Dolls even a thing?  I feel like it HAS to be a thing for this movie to even exist, but I’ve never heard of them and frankly the first thing that annoyed me about the trailers is how decidedly UN-ugly all the dolls were supposed to be.  What, are big eyes fuzzy skin on a doll all of a sudden outside of societal norms?  There’s no room in the world of the beautiful for dolls of non-humanoid proportions!?  See, this is the kind of thinking that gave Sonic straight human teeth, the portions of an Olympic runner, and the eyes of a soulless monster!  Say what you will about that Garbage Pail Kids movie, at least they knew what ugly meant!  Okay, that’s PROBABLY not the best grounds to dismiss an entire movie on, but with only the occasional trailer and buzz leading up to its release, it certainly doesn’t seem like this is gonna be the sleeper hit of the year.  Does it manage to defy expectations and be a really great movie despite how lacking the marketing has been, or are we doomed for yet another animated disaster in a year that already gave us Wonder Park?  Let’s find out!!

In the happy town of Uglyville, everyone is happy and always partying which is easy to do when so many of them are inexplicably great singers and love to narrate their lives through song!  One such resident is Moxy (Kelly Clarkson) who enjoys her simple life in this unassuming town of ugly dolls, but dreams of something more!  She wants to be part of OUR world, by which I mean she wants to be a doll for a kid and… I guess she’s just waiting around for it to happen?  Every morning she sings that THAT day will be THE day that she’ll get her own kid, but then just hangs out in Uglyville where no kids every come by.  Eventually Moxy realizes that this is probably not the BEST strategy, so she convinces a few of the other residents of Uglyville, Ugly Dog, Wage, Lucky Bat, and Babo (Pitbull, Wanda Sykes, Wang Leehorn, and Gabriel Iglesias) to accompany her on a journey to outside of town.  The only way out is also the only way in as there’s a giant tube in the side of a mountain that shoots out an ugly doll every once in a while to join the town, so she figures that they’ll climb up it and see where it goes.  It turns out that it goes to a town called Perfection which is full of Barbie knockoffs that have to go through rigorous training before being allowed to go through the pearly gates which… I guess is where they’ll be packed into plastic boxes and sold on store shelves to hopefully wind up in a kid’s hands.  The mechanics are a bit unclear, but the point is crystal!  Moxy and her friends will face these challenges that all the other dolls have to go through in order to PROVE THEIR WORTH and pass through the gates themselves!  However, the leader of Perfection named Lou (Nick Jonas) isn’t happy about these UGLY creatures fouling up his perfect little community and will do whatever it takes to stop them from achieving their dreams!  Can Moxy and her friends find a way to not only pass the ridiculous tests set before them but perhaps make a positive change in Perfection in the process?  Who is this doll named Mandy (Janelle Monáe) that keeps trying to help them, and what is her reason for doing so?  Is it just me, or is this an overly complicated version of college frat comedy?

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“UGLY HOOOOOOOUUUSE!!”     “Cheese it!”

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Cinema Dispatch: Avengers: Endgame

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Avengers: Endgame and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Anthony Russo and Joe Russo

My displeasure of Infinity War is well documented in both my review and the follow up piece I did, so I was frankly not looking forward to this one.  Still, the two films they’ve done since then, Ant-Man and The Wasp as well as Captain Marvel, were really great entries in the genre and confirmed that Marvel could still make a great film if they wanted to, and if nothing else it’ll be worth ripping off this Band-Aid once and for all and letting things get back on track before Thanos butting his ugly purple head in.  So hey, if I HAVE to be here I might as well try and find something to enjoy about it!  Is this the perfect conclusion to not just Infinity War but to the Marvel Cinematic Universe as it currently exists, or does the first iteration of this franchise and these characters continue the utter disappointment from the LAST time we saw them?  Let’s find out!!

After the events of Infinity War which (SPOILER ALERT) ended with Thanos (Josh Brolin snapping his fingers and wiping out half of all living creatures in the universe, the remaining Avengers are stuck in a world on the brink of collapsing and with no real way to fix things. I  mean, they could go after Thanos and kick his head around a bit, especially now that Captain Marvel (Brie Larson) is here to provide some cosmic backup, but would that even fix anything at this point?  The real question is whether or not those people can be brought back, Thanos or not, and after some time with no ideas they get a visit from one of the lesser known among them Ant-Man (Paul Rudd) who might just have the answer they’re looking for what with his experiences in the Quantum Realm and all that entails.  The remaining Avengers which include Captain America (Chris Evans), Iron Man (Robert Downey Jr), Thor (Chris Hemsworth), Black Widow (Scarlett Johansson), The Hulk (Mark Ruffalo), uh… whatever name Rhodes is going under now (Don Cheadle), as well as honorary members Rocket (Bradly Cooper and Sean Gunn) and Nebula (Karen Gillan), and a barely held together Hawkeye (Jeremey Renner), now have a mission in place (and a rather odd one at that) to bring things back to the way they were before, but it’s incredibly risky and could actually make things worse if they DON’T succeed.  At even less than half their usual strength since everyone is still dealing with the trauma of what happened can The Avengers manage to pull off one more spectacular feat of heroism against the one foe they couldn’t overcome?  What dangers will they have to face along the way, and are all of them able to confront them with steadfast determination and the will necessary to succeed?  If this IS gonna be the last one of THIS specific kind of Marvel movie… maybe we could get a Star Wars crossover?  I mean it’s now or never, right?

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I’ll also settle for a movie where Captain America beats up those THE LAST JEDI IS SJW PROPAGANDA jerks.

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