Cinema Dispatch: An American Pickle

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An American Pickle and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Brandon Trost

For weeks I’ve been grumbling about the slow drip of releases the last few months, but now I find myself spoiled for choice as I’ve not only got Black is King to still watch on Disney+, I find out there’s a Seth Rogen movie on HBO Max as well!  Even with his performance in Long Shot coming off as obnoxious and juvenile, I’ve always had a soft spot for the guy ever since I saw Knocked Up which is a movie I love and have seen so many times that I’d probably put in my top ten comedies ever made.  He’s never really reached THAT level of brilliance since then (especially working without Judd Apatow), but I’m always interested to see what he does and he’ll surprise you every once in a while something great like The Night Before and Sausage Party.  Does this latest outing from the guy end up being one of his best performances yet, or is there a reason they’re not saving this one until theaters open back up?  Let’s find out!!

Herschel Greenbaum (Seth Rogen) is a simple man from the Eastern European village of Schlupsk who moves to America with his loving wife Sarah (Sarah Snook) to start a new life and establish himself and his family as part of the American Dream.  He gets a job bashing rats with a stick at a Pickle Factory which certainly pays more than his ditch-digging job back in Schlupsk, and despite the massive xenophobia against Jewish people in this country, things couldn’t be looking any brighter!  That is until Herschel falls into a pickle vat mere moments before the factory is closed down and his body is left forgotten for a hundred years until some kids stumble into the factory and open the vat; freeing Herschel who was perfectly preserved in the pickle brine and therefore hasn’t aged a day because of SCIENCE!  On the plus side, he now lives in a world with better food, less Polio, and better sticks to bash rats with.  On the other hand, everyone he knows and loves is dead.  Six of one, half a dozen of the other I suppose, but what might just tip the scales into this being a net positive is that he has one living relative that has agreed to take him in; his great-grandson Ben Greenbaum (also Seth Rogen).  With his great-grandson being the last connection he has to the life he had before, will Herschel be able to move forward with his life and find fulfillment in this strange new world?  Can Ben help his great grandfather through this challenging time, and are there perhaps challenges of his own that he will now be forced to confront?  Does this movie get utterly derailed for no good reason after a while!?  You tell me; does a pickle taste good on a hamburger!?

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“I know I should be acclimating myself to the modern world and all the complicated nuances involved, but what about… pickles?”

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Cinema Dispatch: Tread

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Tread and all the images you see in this review are owned by Netflix

Directed by Paul Solet

Another week, another bout of isolation, restlessness, and binge-watching coupled with a release calendar with more holes than our government’s COVID-19 response strategy.  It’s funny because it’s relevant AND devastating!  So without much to talk about other than that Beyoncé movie that I haven’t gotten around to, I decided to try my hand at something I’ve never done for this site before, and that’s review a DOCUMENTARY!  Well okay, I SAY a documentary, but let’s be honest; this is just as much a narrative adaptation as it is that, with the copious amounts of reenactments and the spectacle of its final act, but nonetheless, I’m still gonna count this as uncharted waters for me!  Is this a fun, informative, and at times heartbreaking portrayal of a man pushed to his limits, or does this fail to make its too wacky to be fake premise all that interesting?  Let’s find out!!

Marvin Heemeyer lived in Granby Colorado for over a decade; running a successful muffler shop, driving his snowmobile on the weekends, and all-around getting along with his friends and neighbors.  What no one seemed to know, or only suspected without confirming, is that underneath his pleasant exterior stowed a rage that would fuel him to do something drastic on June 4, 2004.  If you’re not familiar with the story like me then I won’t give it ALL away here, but let’s just say that it involved heavy machinery, a lot of property damage, and a design aesthetic somewhere between Mad Max and the Wacky Races.  The documentary takes us from the start of his time in Granby to the day of THE INCIDENT with interviews of people who were there at the time and, perhaps most enlightening, the words of Marvin Heemeyer himself who left an audio manifesto of sorts to tell his own side of the story of how he got to where he ultimately ended up.  Just how far will one man go to rectify the slights and misfortunes that he believes the world has handed him?  Is there more to the story than one man’s out of control persecution complex that led to this horrifying yet bizarre event?  Heck, maybe everything was just fine but this guy saw Falling Down on cable one too many times!

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“Hey, Marv!  What-cha doing in there?”     “NOTHING!  JUST BUILDING… BIRD FEEDERS!”     “Well that’s just swell!  Let us know how we can help as you are a loved and cherished member of this community!”     “JUST GO AWAY!!”

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Cinema Dispatch: Fatal Affair

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Fatal Affair and all the images you see in this review are owned by Netflix

Directed by Peter Sullivan

I’ve seen my fair share of Black Romance Thrillers in my time, even Tyler Perry’s… interesting take on the genre, and if nothing else they tend to be ENGAGING if not always GOOD.  Well… maybe not The Perfect Guy which I recall being rather dull on top of being not especially well made, but in any case, as soon as I learned that Netflix was releasing one of these under a suspect title (if The Asylum hasn’t already made a knock-off thrill with this same name, I will be VERY disappointed) and starring Omar Epps, I was there ready to see it unfold!  Heck, one of my biggest regrets from last year is that his theatrical film Traffik came and went before I got a chance to see it, so perhaps this is my chance to redeem myself and give this man the credit he so rightfully deserves!  Does Netflix have yet another hit to brag about in this era where streaming is king, or is this just another mediocre outing that’s sole purpose is to bolster Netflix’s catalog?  Let’s find out!!

The life of Ellie Warren (Nia Long) has turned a corner and there’s nothing but blue skies ahead!  Her husband (Stephen Bishop) was hurt recently but is finally recovering, they got the big beautiful beach house they’ve always wanted, and as soon as this big case is over at the law firm, she’s going to start her own practice so she can finally be a literal Girl Boss instead of just being the figurative one at the office!  Heck, things get even better when an old college friend of hers named David Hammond (Omar Epps) is hired by the law firm and they get to catch up on old times!  Boy, it’s been a while, hasn’t it?  It’s like a whole lot of life has slipped away between her carefree college days and her grown-up life where her own daughter (Aubrey Cleland) is the one in college now.  In fact, things are getting kind of stale, aren’t they; especially with her husband who’s kind of a mope ever since the accident.  Maybe David has something to offer Ellie… IS WHAT I WOULD BE SAYING IF SHE WASN’T A PERSON OF SUCH HIGH VIRTUE!!  Sure, she makes out with him at a dance club, but she regrets it immediately and cuts all contact with David just to make it clear that she’s NOT INTERESTED!  That’s not good enough for David though who’s got a chip on his shoulder and a degree in Information Security, so for the next few weeks, he makes her life a living hell; calling her constantly, finding ways to ingratiate himself into her social circle, and even making fake screenshots of text conversations that apparently everyone would be willing to believe in a heartbeat.  Will Ellie be able to escape from the tightening grip of David’s obsession?  Why has he chosen now to make his big move on her, and is there something in his past that’s even darker than what we’re seeing now?  Who wants to bet this dude’s Twitter feed has more red flags than a MGTOW forum?

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“When you look at me, what do you see?”     “A collection of molecules arranged in such a way that you arbitrary get more rights than I do as a man.”     “Uh…huh.”     “Want to subscribe to my YouTube channel?”     “I’m gonna pass on that.”

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Cinema Dispatch: My Spy

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My Spy and all the images you see in this review are owned by Amazon Studios & STXfilms

Directed by Peter Segal

The New Mutants is STILL the reigning champ of movies repeatedly missing their release dates (perhaps only being outdone by Amityville: The Awakening), but this film just kept getting pushed further and further back, so much so that I remember seeing posters for this in probably APRIL of last year; back when movie theaters were still open and the world only had a hundred things bringing us to the brink of destruction instead of a hundred and one.  As much as I love Dave Bautista as a character actor (GO SEE HOTEL ARTEMIS ALREADY), he hasn’t quite found his groove as far as starring roles with him threatening to make the same KID-FRIENDLY mistakes The Rock did early on in his career and that John Cena is already kicking butt at right now.  Is this a surprisingly fun take on a tired formula fueled by another great performance from Dave Bautista, or will this be yet another movie to put on WORST MOVIES STARRING A WRESTLER lists that I’m sure are all over YouTube already?  Let’s find out!!

JJ (Dave Bautista) is a hotshot young (I guess?) CIA agent who has the kind of special forces background they’re looking for but doesn’t have the finesse or spycraft to make the most out of his role there.  When a mission in Russia goes bad where JJ has to kill everyone in a very clichéd action scene, his boss (Ken Jeong) sends him and one of the techies Bobbi (Kristen Schaal) on a do-nothing assignment as his last chance to prove that he’s cut out for this.  All they need to do is keep an eye on A young girl named Sophie (Chloe Coleman) and her mother Kate (Parisa Fitz-Henley) who recently moved to the States after Sophie’s father was murdered under suspicious circumstances that could be connected to an arms dealer in the region, but no sooner have they set up shop do they get found out by the girl and so to keep his job JJ has to do whatever the girl wants him to do so she’ll keep quiet about all this; including teaching her how to be a spy which seems like a dubious prospect considering how bad JJ clearly is at it.  Can JJ keep this house of cards from falling over by keeping Sophie entertained and keeping an eye on the family?  Will JJ be the kind of spy his government needs him to be, or will he get to close to the targets and endanger their lives in the process?  If you got made by a nine-year-old, shouldn’t that be a sign that you should be looking for a new career path?

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“I was thinking about becoming a wrestler.”     “They won’t pay for your health insurance.”     “Dang.  You’re right.”

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Cinema Dispatch: Da 5 Bloods

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Da 5 Bloods and all the images you see in this review are owned by Netflix

Directed by Spike Lee

It’s not often that a film gets released at the EXACT moment it should be, but leave it to Spike Lee to make a movie worth talking about at a time when its message couldn’t be more relevant.  I’ve certainly liked more of Spike Lee’s movie’s than I haven’t with Chi-Raq being a downright masterpiece and it’s like movie studios are giving us anything else worth watching at this period of time (including Disney who thought putting Artemis Fowl on Disney+ was a better idea than just chucking it in a garbage can), so consider me pumped to see something important instead of just spending another evening watching reruns and staring at the ceiling!  Is Spike Lee’s timely examination of Black people’s relationship to the Vietnam War and by extension the systems created it which are still in place to this day, or is Lee like the rest of us and finds himself missing a step in these unusual times?  Let’s find out!!

Nearly fifty years after their tour in Vietnam, the remaining members of The Bloods return to Vietnam to reconnect, remember the good times, and find their fallen comrade Stormin’ Norman (Chadwick Boseman) who died during the war and whose body is still out there.  Our surviving members are Paul, Otis, Eddie, and Melvin (Delroy Lindo, Clarke Peters, Norm Lewis, and Isiah Whitlock Jr) as well as an unexpected fifth member David (Jonathan Majors) who’s the son of Paul and wants to keep an eye on him during this trip.  Now that’s all MOSTLY true, but there are some details missing such as the fact that The Bloods buried a whole bunch of gold back then and are out here to find it along with Stormin’ Norman to secure their retirements, though saying that to the US government who’s gold it is they’re digging up (it was supposed to be delivered to the Vietnamese government that was declared a loss after the plane crashed), so they omitted that part when they appealed to both countries’ governments to explore the area.  And so the journey begins, with our heroes telling stories of their time in the war, confronting the demons of their past, and hopefully leaving the country far richer than they entered it.  Will The Bloods find what they are looking for in this country they left long ago, and will it be what they came to find in the first place?  What hardships will they face along the way, and will their struggles ultimately be in vain?  How the heck is it that the ONE dude to die in the war was Black Panther!?  Isn’t he bulletproof!?

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“Did you find any vibranium yet?”     “That joke wasn’t funny the first time you made it, and it sure as heck isn’t funny the FIFTIETH time you made!!”

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Cinema Dispatch: The Last Days of American Crime

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The Last Days of American Crime and all the images you see in this review are owned by Netflix

Directed by Olivier Megaton

With the world descending into righteous fury at the systems that have failed them for generations, there hasn’t been a whole lot of film news out there that has kept me on a regular routine which will certainly be a lurch if things DO ever get back to normal and they finally start releasing those movies we were supposed to get months ago.  The only thing I’ve seen AT ALL about film in the last week or so (besides the Bill and Ted trailer which dropped the day I’m writing this) is some movie on Netflix getting the coveted ZERO PERCENT ON ROTTEN TOMATOES award, so here we are I guess; I’m gonna waste my time watching a movie that everyone already knows is terrible and it’s somehow going to be the most productive thing I’ve done since I, a grown-ass man, vomited up two thousand words telling you why the Scooby-Doo movie wasn’t very good.  Can this movie with a very unwieldy title at least be better than THAT movie; especially since this has the edge of NOT charging you an arm and a leg to see it?  Let’s find out!!

The movie follows a man named Graham Bricke (Édgar Ramírez) who certainly acts like such as he joylessly and emotionlessly goes from one horrific violent crime to another in what I can only assume is a near-future Michigan that’s about three months and a few missed orders from Deer Park from turning into a Mad Max hellscape.  Things are about to be changed for the better, at least as far as the government is concerned, as  they’ve developed a SUPER SCIENCE MIND CONTROL SIGNAL that will prevent anyone from knowingly committing a crime which I’m quite certain is what those 5G conspiracy theorists believe is actually going to happen.  In any case, the people in this movie haven’t figured out how tin foil hats work and so they’ve resigned themselves to losing their free will; at least in the United States.  Canada hasn’t developed a MIND CONTROL RAY and so the border has become fully militarized as people get shot to pieces trying to cross; all of which sounds like the filmmakers are trying to make a point but darned if I can find out what the heck this movie is trying to say!  Bottom line is, Bricke gets recruited by some dude named Kevin Cash (Michael Pitt) for one last heist to steal a whole bunch of money from a government vault in the city before booking it for the Canadian border mere minutes before the government turns on their MIND CONTROL RAY and who have helpfully provided everyone with a countdown clock to the second as to when that will happen.  Joining the crew is Cash’s girlfriend Shelby Dupree (Anna Brewster) who may or may not be the brains of this operation, and throw into that a conspiracy involving the death of Bricke’s brother to make a perfect storm of bad planning and bad timing for this heist that has to go off without a hitch!  Can Bricke outrun his own past and set himself up for a nifty little retirement in the land of hockey and poutine?  Does Cash have an ulterior motive to all of this that could get in the way of Bricke’s meticulous professionalism and throw this whole operation into chaos?  If you were going to follow anyone into a ridiculously convoluted heist, would it REALLY be a guy who looks like an off-brand Jason Mewes?

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Cinema Dispatch: Scoob!

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Scoob! and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Tony Cervone

With releases being what they are and LIFE being what it is, I’ve certainly fallen into a bit of a funk lately which is perhaps the biggest reason I was really looking forward to this movie; something that I can put on my calendar and look forward to instead of just the endless pile of stuff that’s already here but I couldn’t muster up the energy to work on.  Now Warner Bros’ recent output of the Hanna-Barbara licenses has certainly been interesting to see, particularly those comic books they released a few years back, and so bringing Scooby-Doo back to the big screen in the midst of all this… shall we say CREATIVITY, does have a certain amount of appeal.  I don’t know how popular it is right now, but the Scooby franchise has proven to be remarkably resilient and is in constant flux with new and drastically different series coming out every few years, so perhaps with such a rock-solid property to work with, Warner Bros can do something truly unique!  Is this the start of Scooby-Doo’s resurgence to the peak of popular culture, or will the concepts prove to outdated for modern audiences to latch onto outside of Saturday morning cartoon reruns?  Let’s find out!!

Shaggy Rogers (Iain Armitage and Will Forte) is a lonely kid with no friends… for some reason, until he finds a stray dog who can talk but no one seems to have much of a problem with.  He names the dog Scooby (Frank Welker) and eventually meets three other kids named Fred, Daphne, and Velma (Pierce Gagnon and Zac Efron, Mckenna Grace and Amanda Seyfried, and Ariana Greenblatt and Gina Rodriguez) who by happenstance they end up solving a mystery with.  And thus the origin story has been told, in less than ten minutes!  What do they fill the remaining eighty with?  Well it turns out that The Blue Falcon, or at least his son Brian (Mark Wahlberg) is trying to stop the evil Dick Dastardly (Jason Isaacs) from doing… something, and it somehow involves Scooby (presumably because he’s SUCH a good boy) which means he snatches Shaggy and Scooby away from whatever it was they were doing and are now sidekicks on a superhero adventure!  Blue Falcon is helped by his female pilot Dee Dee (Kiersey Clemons) and his dad’s robot dog Dynomutt (Ken Jeong) who are basically the two keeping this operation afloat while Brian stumbles his way through the adventure, and with the help of Scooby being… so very important I guess, they will race Dick Dastardly across the globe from collecting the Magical MacGuffins that will spell doom for the world!  Meanwhile, Fred, Daphne, and Velma are wondering why they aren’t a part of this movie and so try to “solve the mystery” of where Scooby and Shaggy went, only to wind up in a larger than life adventure far beyond investigating a ghost who’ll end up being a guy in a Halloween mask!  Will our heroes overcome the pure malevolent evil of a man named Dick with a beautiful mustache?  Will Scooby’s new status as BEST DOG EVER make Shaggy into a jealous jerk for half the movie for extremely petty reasons?  If we’re gonna do this cinematic universe stuff with Hanna-Barbera, can we at least put Harvey Birdman into it?  Better yet, Phil Ken Sebben!  At least that would be SOMETHING about this movie worth talking about!

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“He’s my best friend Scooby, and he likes fried Scooby snacks on a stick!”     “HA HA!  Treats on dowels…”     “Was… was that a joke or something?”     “You’ll understand when you’re older, sport.”     “Okay, boomer.”

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Cinema Dispatch: Capone

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Capone and all the images you see in this review are owned by Vertical Entertainment

Directed by Josh Trank

Well that’s a name I didn’t expect to see!  It’s been a while since Josh Trank’s last film Fant-Four-Stick which was by all accounts a misguided mess, but I never thought he was a BAD director; just someone who’s reach exceeded his grasp much like Colin “Book of Henry” Trevorrow who was dropped from Star Wars but at least is getting another swing at Jurassic Park at some point.  Honestly, I hadn’t even heard about this movie until the reviews started pouring in on my YouTube feed, and since there’s not a whole lot else going on right now, why not give it a shot?  Is this a solid film and a notable return for the director of Chronicle, or has Trank somehow declined even further after Fantastic Four was such a nightmare to work on?  Let’s find out!!

Notorious mobster Alfonse Capone (Tom Hardy) was released from jail seven years after he was sentenced for Tax Evasion due to his failing health.  He then spent several years under the care of his wife (Linda Cardellini) and some of his old friends in Florida whiling away the days while his condition got worse and his mind began to deteriorate.  With not much time left, some of the people in his life start to wonder if there’s one last bit of cash stashed away somewhere, most notably the FBI who have been keeping him under surveillance since his release, but ultimately this is a story of a man slowly dying and reflecting on his life; trying to find some peace in his final years and lamenting the continued loss of his faculties as the paresis ravages his mind.  Will we learn what makes this legendary gangster tick as we watch him struggle through the final years of his life?  Will the people around him get what they’re looking for, and how far are they willing to go to get it?  Will Tom Hardy get that Oscar gold with this mumbling performance of a man who craps the bed and yells at things!?  I mean we gave Jeff Bridges an Oscar for that, so why not him?

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“My acceptance speech is ready to go!”

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Cinema Dispatch: Trolls World Tour

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Trolls World Tour and all the images you see in this review are owned by DreamWorks and Universal Pictures

Directed by David SF Wilson

I know I’m a week late on this, but even with the convince of being able to watch this one at home (and let’s be frank here, I’m not spending THAT much more money than I would at the theater), I just couldn’t be asked when it actually came out and frankly I had better things to do like play that Final Fantasy VII remake than watch a sequel to an animated film I didn’t like all that much.  But even if we do have the perfect excuse to sit around and do nothing as it is now the socially conscionable thing to do, I still need to maintain SOME sort of routine to not go stir crazy in here, so fine.  Let’s buckle down and watch yet another toy commercial dance around for an hour and a half while playing all the songs your parents used to like!  Does it manage to somehow surpass the low expectations that its predecessor had set, or are we in for a LONG bout of isolation if this is the bets that studios can give us in these tumultuous times?  Let’s find out!!

Following the events of the first film, Queen Poppy (Anna Kendrick) is living out her fantabulous troll life singing songs, performing dance numbers, and being worshiped by her beloved subjects.  Her best friend Branch (Justin Timberlake) seems a bit more uneasy about the idyllic life but he puts up with it in the hope getting out of the friend zone (ugh…) to either spend the rest of his life with the troll he loves or this is some elaborate power play to become KING OF THE TROLLS!  Of course it’s not the latter (that would be far too interesting), but instead the conflict ends up being a group of ROCK TROLLS led by Queen Barb (Rachel Bloom) who is traveling across the land attacking similarly music-themed tribes to steal their magical music strings that the former King Peppy (Walt Dohrn) failed to clue Poppy in about during her Queen initiation.  Apparently each tribe of musical trolls (the trolls we know are known as the Pop trolls) has a magical string that signifies their music, and does… something.  I’m not exactly sure what, but if Barb gets all six of them, puts them on her super awesome guitar, and plays some tasty licks with them, it’ll turn all the trolls into Rock trolls which will unify the troll kingdoms which will accomplish… something.  In any case, Poppy wants to try and negotiate with Barb to see if they can unify peacefully, but it becomes clear that she’s more about taking everything over than working together, and so she and Branch along with Biggie (James Corden) have to travel the land and try to get the other tribes to work together to stop Barb from fulfilling her dastardly destiny.  Will Poppy be able to convince any of the other tribes that working together is better than falling apart?  Is there more to the history of the strings and these tribes than Poppy knows, and will that play a key role in defining the course of this current crisis?  Do you think Justin Timberlake ever wonders why he’s not in better movies or has he just resigned himself to mid-level animated shlock?

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“I was in The Social Network.  WHAT HAPPENED TO ME!?”

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Cinema Dispatch: Bloodshot

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Bloodshot and all the images you see in this review are owned by Sony Pictures Releasing

Directed by David SF Wilson

Is it just me, or did anyone else think this movie was about a vampire?  I mean it’s not like BLOODSHOT is some sort of household name to rival that of Iron Man and Thor, and with a name like that I’d have pegged them as a Blade knock off more than anything else!  Well whatever this movie is about (a ROBOT vampire maybe?), it’s yet another vehicle for Vin Diesel who’s really had a bad luck streak in recent years as he’s been trying so hard to escape the Fast franchise to do his own thing but to no avail, and now he has to pretend that John Cena is his brother or whatever the heck is going on in that move that we won’t be seeing for another year.  Just when he thought he was out, THEY PULL HIM RIGHT BACK IN!!  Is this the one that will be the new franchise starter that he needs to escape the shadow of the Fast and Furious franchise?  I mean… probably not, but let’s find out!!

Ray Garrison (Vin Diesel) is your typical action movie hero.  He works for a SUPER SECRET SEAL TEAM SIX type outfit for the US military, and he’s covered in all sorts of scars that his beautiful wife (Talulah Riley) lovingly caresses whenever he returns from another world saving mission.  Sounds about right for a typical action flick, but where’s the motivation for vengeance?  WHERE’S THE INCITING INCIDENT THAT CALLS OUR HERO TO VIOLENCE!?  Oh wait, there it is!  Some dude (Toby Kebbell) kidnaps him and his wife looking for information, but when Ray doesn’t have the answers he’s looking for he kills the wife and puts a bullet in Ray’s head; an act that would kill a lesser man, but Vin Diesel isn’t about to be put down by a small amount of lead to the cranium!  Instead, he manages to survive the shooting and his body Is recovered… somehow by SUPER SCIENTISTS working for Dr. Emil Harting (Guy Pearce) where it’s brought to his SUPER SCIENCE company and is fixed up good as new by basically turning him into Million Ants Man; only instead of ants it’s NANOBOTS!!  With this new power he can recover from ANY damage, can punch things REALLY hard, is able to connect to basically any computer… BUT WILL THAT HEAL THE HOLE THAT IS LEFT IN HIS HEART!?  Of course not, so almost immediately he starts to search for the man who killed his wife and plots his revenge despite the consternation of Dr. Harting and his rag tag group of cyborg buddies including Katie (Eiza González) who has a robo-lung and seems to be hiding more than just her giant chest mounted ventilation system.  Will Ray find the man responsible and bring him to justice in a very violent fashion?  Why did he kidnap Ray and his wife in the first place considering he didn’t have any information to give him, and is there more to this horrific act of violence than Ray initially suspects?  Why the heck is even called Bloodshot!?  Is it REALLY just because he has red eyes sometimes?

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“Hey buddy, do you need help or something?”     “All I need is to bath in the blood of my enemies and hear their screams as they take their last painful breath…”     “Okay… well how about some eye drops?”     “I mean… I won’t say no if you have some.”

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