Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Quentin Tarantino
I really didn’t want to see this movie. In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope! Everyone had to make way for this film so I guess I have to try and be professional! I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one. Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience. Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here? I guess we might as well find out…
Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western. His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point. Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert. Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house. Can Rick nail this latest role that may be his last chance to stay relevant? What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand? Is it just me, or is Tarantino trying a bit too hard here? Or perhaps not hard enough?
Reservoir Dogs: Bloody Days is owned by Big Star Games, Reservoir Dogs The Game is owned by Edios Interactive and Volatile Games, and Reservoir Dogs is owned by Lionsgate
The images you see in this editorial are the property of their respective owners
In 2005, Rockstar Games released a video game adaptation of Walter Hill’s seminal classic The Warriors to overwhelmingly positive reviews for its solid gameplay and interesting take on the characters and world of that movie. It’s by no means perfect, but it’s probably the best thing that Rockstar released on that console (sorry, but those GTA games don’t hold up nearly as well) and is easily in the upper echelon of movie based video games. One year later Edios Interactive tried to do something similar when they released a video game adaptation of Reservoir Dogs. I won’t go so far as to say that the Reservoir Dogs game was inspired by the success of The Warriors (it’s pretty unlikely they would have been able to have knocked this out in less than a year), but it’s certainly in the same vein as that and at the very least I’m guessing Edios were crossing their fingers that some of the good will built up by that movie based game will help this one get some recognition. Sadly though, the game turned out be… well pretty damn awful. I can speak from personal experience having bought the game for like three bucks at a dying Blockbuster that the game was an uninspired and boring mess with the only notable feature being the game breaking mechanic of holding someone hostage; resulting in all other enemies dropping their guns and just letting you pass right through.
The Hateful Eight and all the images you see in this review are owned by The Weinstein Company
Directed by Quentin Tarantino
Like the rising of the tides, the phases of the moon, and the DiCaprio Oscar denial, Tarantino comes back once again to give us a well written update of one his favorite films as a kid. Now Django Unchained was a REALLY good movie, but it was weighed down by some less than stellar decisions throughout like the excessive use of… that one word, and how little Django got to do in his own movie before the third act. Oh, and let’s not forget the baffling inclusion of horse tricks at the end and the terrible acting chops of Quintin himself. Still, this movie seems to be much smaller in scope and looks to be much more focused on being an ensemble piece than any one person’s movie which gives Tarantino plenty of opportunities to fill his scenes with his trademark dialogue (and fill these bodies with his trademark amounts of excess blood and gore). Is this going to be a step up for the iconic director, or is this the sign of a trend towards being an ALMOST amazing director instead of an amazing one? Let’s find out!!
The movie begins with the bounty hunter Major Marquis Warren (Samuel L Jackson) being begrudgingly picked up of the side of the road by John Ruth (Kurt Russel) who’s also a bounty hunter and is taking Daisy Domergue (Jennifer Jason Leigh) to hang in a nearby town of Red Rock for her crimes. Unfortunately, there’s a blizzard coming and the driver O.B. Jackson (James Parks) isn’t inclined to risk it, so they head to a nearby waystation that’s delightfully called Minnie’s Haberdashery, though they find another straggler in the snowy wasteland along the way in the form of Chris Mannix (Walton Goggins) who claims to be the new sheriff of Red Rock. Once they arrive, they find Oswald Mobray (Tim Roth), Joe Gag (Michael Madsen), former Confederate General Sandy Smithers (Bruce Dern) as well as Bob (Demián Bichir) who’s running the place in Minnie’s absence. Now John Ruth doesn’t trust any of these mother fuckers and none of them seem to be good wholesome people in the first place, but there’s nothing John can do with the blizzard blocking all means of travel, so they have to share this tiny space until it clears up. Will this be a peaceful affair as these nine strangers (yes, there’s nine instead of eight of them) get to know each other, or will things erupt into a cacophony of violence, blood, and racial epithets? Well I’m sure you can guess which route this movie takes, but is it at least super captivating to watch, right!?
Oh goody! We’re getting another Quinten Tarantino film! Who wants to bet that it’ll be a very well made throwback to films from his youth that will get half the critics to praise him unendingly and the other half to dismiss him as a stunted artist that’s gotten quite long in the tooth? Personally, I tend to fall into the former category, but I can understand the latter’s frustration with the guy’s output recently. I wouldn’t mind if he goes ahead and does something RADICALLY different from what he’s been doing so far but even if he sticks to the same old tricks, he’s still the undisputed champ of these kinds of films. So with that said, what can we gleam from the first trailer of his latest magnum opus? Let’s find out!!
The trailer begins with Samuel L Jackson sitting on a pile of bodies in the middle of a snowy road as Kurt Russel’s stagecoach approaches, and I guess he joins Kurt Russel for… some reason. They’re both bounty hunters and Kurt Russell has his latest perp handcuffed to him in the form of Daisy Domergue (Jennifer Jason Leigh) who’s charged with murder and will hang once she’s delivered. From there, the plot isn’t TOO hard to guess, but the trailer makes it kind of hard to understand what is going on. I’m assuming the hateful eight will consist of Kurt Russell (playing John ‘The Hangman’ Ruth), Samuel L Jackson (playing Major Marquis Warren), and the remaining character actors who show up in the trailer, and they’ll all be waiting out a terrible blizzard in this one building. However, Kurt Russell knows for sure that one of them is actually a traitor and is after something (most likely Daisy), so the film will be about praying on one’s paranoia with the characters constantly checking over their shoulders and looking for the rat in the midst.