Operation Finale and all the images you see in this review are owned by Metro-Goldwyn-Mayer
Directed by Chris Weitz
Now that I think of it, when was the last time we got a World War 2 movie that actually tackled the events and consequences of the war? I mean we had Dunkirk which was one big battle scene more or less divorced from the ideological conflict of the war itself, and I never got around to seeing The Darkest Hour. Heck, the last World War 2 movie I remember before that is Allied, and I’m pretty sure that comment right there makes me the only person who’s brought it up in over a year! Needless to say that with the current political landscape being what it is, we could probably use another World War 2 movie that actually mentions The Holocaust; especially with what we’re learning about full US citizens in Texas being denied passports due to the color of their skin which is hardly a far cry from what happened to German Jews as the Nazi party was taking over. Does this mean that we have a fantastic film on our hands right at the start of Oscar season (I’m pretty sure I’ve been saying that for like a month now), or is this a disappointing retread of far better movies that have come before? Let’s find out!!
The movie is a dramatization of the capture of Adolf Eichmann (Ben Kingsley) in Argentina by Israeli spies, which I don’t THINK was actually named Operation Finale, but for the purposes of this film that’s what they’re going with. If you don’t know already, Eichmann was one of Hitler’s top official who basically orchestrated The Final Solution; organizing the prisoners, making sure the trains run on time, and ensuring there’s enough gas, bullets, and graves to go around so that the genocide of millions can be done as efficiently as possible. Needless to say he’s not a nice dude, and our head spy Peter Malkin (Oscar Isaac) can’t wait to bring him to justice, even though he’s a loose cannon that messed up his last mission, but darn it! He’s the best they’ve got! The mission itself is fairly simple where Peter and a few members of his team will snatch the guy, drive him back to the safe house, and have their anesthetic specialist Hanna (Mélanie Laurent) put him to sleep so they can sneak him past Argentinian airport security and put him on a plane back to Israel to stand trial for his crimes against humanity. Things go FAIRLY well at first, but problems start to build up and they team is basically stuck with a Nazi jerk in a house located in what seems to be the epicenter of Nazi activity in Argentina, and a rather long time to wait until they get a proper escape plan in place once the initial one goes up in smoke. Can everyone who’s stuck in that house keep their heads down long enough for them to escape with their a Nazi war criminal AND their lives? What will Peter do when he’s finally alone with the man responsible for not just millions of deaths, but the deaths of people very close to him whose faces still haunt him to this day? Is it just me, or has Oscar Isaac been fighting A LOT of fascists?