Bad Times at the El Royale and all the images you see in this review are owned by 20th Century Fox
Directed by Drew Goddard
Oh hey! I know this guy! Yeah, didn’t he do that movie that everyone else liked but I was pretty nonplussed about? Okay, probably have to be more specific there. This is the guy who made The Cabin in the Woods (no not that guy, the guy who ACTUALLY directed it) which was an interesting idea but for me it suffered from a somewhat oblivious tone and an ending that soured me from ever really enjoying the film again. Well after a few years doing quite a bit of writing, he’s back in the director’s chair with this film that looks to be a mishmash of noir tropes as opposed to horror ones, though he managed to keep Chris Hemsworth around. Will this be the movie that sells me on the brilliance of this director after a somewhat disappointing opening salvo, or is this another guy who I’m just not gonna get and be a sourpuss about while everyone else is enjoying themselves? Let’s find out!!
The El Royale is a hotel on the border between Nevada and California, once a hotbed of celebrity debauchery but now a shell of its former self; handing out cheap rooms to unscrupulous and impoverished characters who aren’t really here for the ambiance. On the fateful day that this movie starts, there JUST SO HAPPENS to be quite a few people there who may or may not have nefarious schemes in mind, including the vacuum salesman Seymour Sullivan (Jon Hamm), the kindly Father Flynn (Jeff Bridges), the singer Darlene Sweet (Cynthia Erivo), and the mystery woman who signs the guestbook with an obscenity (Dakota Johnson). Now normally they would just go their separate ways and not bother one another no matter what bad stuff they’re into, but what the concierge Miles (Lewis Pullman) isn’t telling them is that this place isn’t simply a rundown hotel; rather it’s a rundown hotel WITH A SPYING ROOM! As each one of them goes about their business, things start to unravel as some discover this place and see what the others are up to which inevitably causes their stories to intertwine in ways that will either lead to fair and equitable compromises or an utter bloodbath; especially with the Mystery Woman having some serious baggage in the form of another mystery woman with her (Cailee Spaeny) and some dude who just might be looking for them (Chris Hemsworth). Will these lovely guests manage to finish what they came here to do with all their limbs still attached? What is each one of them hiding, and how important will it be to the other people there? How the heck did hotel stay open this long!? They’ve got ONE guy running the darn place!!
Battle of the Sexes and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Jonathan Dayton and Valerie Faris
Well THIS is certainly a pleasant surprise! I may not know all the details, but I’m certainly aware of the tennis match between Billie Jean King and Robbie Riggs which has always stuck with me despite only knowing about it by watching the back half of a TV documentary around fifteen years ago. I’ve always liked tennis as a sport and the build up to the phenomenal match was ridiculous and felt like a flash in the pan moment in history which did end up having a big impact on everything simply for how much confident men were that she was gonna lose and then had that whole perception shattered on live television around the world. Is there any way that a film can do justice to this once in a lifetime event and remind us all of how important this was in the first place? Let’s find out!!
The movie is about the infamous match between world renowned tennis player Billie Jean King (Emma Stone) and world renowned FORMER tennis player Bobby Riggs (Steve Carell) which was played up in the media as THE BATTLE OF THE SEXES and the match that would once and for all prove that women have no business competing in MAN PLACES like tennis; something that wasn’t helped by Riggs’s absurdly derogatory and over the top chauvinistic stunts. Of course, there was a lot more to the story than the over the top theatrics leading up to it which includes the establishment of the Women’s Tennis Association, Billie Jean’s romantic relationship with another woman Marilyn Barnett (Andrea Riseborough), and even Bobby Riggs’s financial woes that may have been the driving force for setting up this match in the first place. So much was on the line for Billie Jean to succeed, yet with so much working against her, it was quickly becoming a task that seemed impossible to overcome. Would she be able to find the strength to overcome the odds and prove herself once and for all? How will she be able to maintain a relationship with another woman in a time when that was much more frowned upon and life destroying than it is today? How can one person navigate all this nonsense being constantly thrown at them and STILL manage to keep from knocking all these jerkwads upside the head!?
“I must break you…” “Are you sure you won’t break a nail?” “… I’m gonna enjoy this.”