Cruella and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Craig Gillespie
Now I’m sure that 101 Dalmatians is a classic and that Cruella is a great villain in it, but the fact is that it’s been so long since I’ve seen it that I just don’t have any attachment or fondness for it. What I DO have attachment and fondness for however is Maleficent which was a brilliant deconstruction of the fairy tale mythos and made an otherwise one note villain into a complex character with depth and pathos. It’s clear that this is the template that Disney is using for this reimagining of Cruella De Vil with a sprinkling of Joker throw in for good measure, and frankly that’s what got me interested in this movie more than whatever connection it has to the Disney classic. Does it manage to be another outside the box interpretation of the Disney formula, or are they scraping the bottom of the barrel trying to find anything else that people want to see again? Let’s find out!!
There once was a girl named Estella Miller who had really awesome black and white hair and she knew that one day she would become a world famous fashion designer! That or a professional MMA fighter because every day in school she was getting in fights with the boys and telling teachers off for being fools which eventually forced her beleaguered mother (Emily Beecham) to take her out of the countryside and to the town of London where she may find her place. Along the way however, her mother makes a stop at an old friend’s house, and… well this IS a Disney movie, so it’s not long before things spiral out of control there and Estella is left an orphan through rather ludicrous means. Without anywhere else to go, she heads to London and meets up with two street punks who take her in and as they survive the means streets of London by pick-pocketing for their bread; and this is BEFORE Thatcher’s Britain! As is wont to happen, Estelle does grow up into a bright young woman (Emma Stone) who gets a job working for the biggest fashion designer in the city simply known as The Baroness (Emma Thompson) and for reasons that I shan’t spoil here, Estelle gets VERY cross with The Baroness and decides to assume an alter ego as the Fashionista Cruella who will take London by storm at the expense of her current employer! With the help of her two ruffian friends Jasper and Horace (Joel Fry and Paul Walter Hauser), will she become the fashion icon that she always dreamed of with getting back at The Baroness as a fun bonus? Is this Estelle just lashing out at the unfairness of the world around her, or perhaps is Estelle the mask that Cruella has been forced to wear this whole time? Perhaps there’s a little Cruella in all of us; just yearning to tell the collective bosses of the world where to shove it!
Early Man and all the images you see in this review are owned by Aardman Animations and StudioCanal
Directed by Nick Park
I remember watching those Wallace and Gromit shorts many times when I was a kid on VHS tapes (none of which I still have), and while I haven’t been keeping up with Aardman TOO much in the last decade, I have always respected them as a studio and have had nothing but good things to say about their work; including that Pirates movie which seems to have had a much more mixed reception than a lot of their other work. Now we’ve got their most auditions work to date; not because it’s a particularly out there or unexpected from the studio, but because they had the gall to open it against Black Panther! I mean I guess it goes with the David and Goliath underdog story this movie is trying to tell, but something tells me that the forward thinking and groundbreaking black centered super hero movie is gonna do a SMIDGE more business than this silly cartoon. Does Aardman’s latest adventure hold up to the high pedigree that they’ve set for themselves over their long and prestigious filmography, or have the masters of clay lost their touch in this latest outing? Let’s find out!!
The movie begins with Dug (Eddie Redmayne) who is the youngest and the most wide-eyed member of a tribe of cavemen that spends their days hunting rabbits and playing primitive instruments. Dug dreams of something more though, like possibly hunting BIGGER animals (maybe even a Mammoth), yet the leader Chief Bobnar (Timothy Spall) doesn’t feel like rocking the boat is the best thing for the tribe; especially when everyone else is so incompetent that they can manage to catch rabbits. Still, the march of time is a cruel one and one day the tribe is uprooted from their idyllic homes by the war machines and mining equipment of Lord Nooth (Tom Hiddleston); leader of a nearby town that has advanced to the Bronze Age. Through a series of convoluted missteps and slapstick humor, Dug ends up tripping falling into the Bronze Age city and even gets stuck right in the middle of their sacred arena where the mightiest warriors gather for the crowd’s amusement. What exactly do they DO in the arena? Fight to the death? Feed Christians to lions? NO! They play SOCCER of course! You know, that one game that everyone else calls football that we in the US only seem to care about once every four years! Dug, seeing how much the people of this town crave the sport and treat as sacrosanct, challenges Lord Nooth and his best players to a match against him and his tribe! If Lord Nooth wins, he can keep their homeland, but if Dug wins they get it back! Can Dug and his tribe manage to learn how play just in time to beat the very best players the Bronze Age has to offer? Will Dug’s new friend Goona (Maisie Williams) be the ringer they need to secure victory and will she finally get to live out her dreams of glory on the football pitch? More importantly, can FIFA find a way to somehow turn this into an excuse to plunder a country of its riches and bully local governments!?