On the Basis of Sex and all the images you see in this review are owned by Focus Features
Directed by Mimi Leder
Wait, didn’t we get this movie last year? Oh right! That was a documentary! Well I guess since we got that we need a fictionalized version of the story to make a double feature out of, but at the very least this IS an individual whose story is worth getting the BIG HOLLYWOOD treatment and it’s not like we couldn’t use a GOOD biopic to balance the scales after last year’s big mistake. Look, it was a pretty rough start to the year and the movies haven’t been doing much for me, so maybe the inspirational story of one of America’s most celebrated judicial figures could help me get out of this poor mood! Or it could be another disappointment in a year that seems all too willing to hand those out left and right; especially since this was originally screened in 2018 but got pushed back into the 2109 dead zone for the rest of us. In any case, let’s find out!!
Ruth Bader Ginsburg (Felicity Jones) has had to deal with quite a lot in her life! She managed to go to Harvard at a time when few women were able to, and got her law degree there as well as at Columbia; all the while taking care of her daughter as well as her husband Martin Ginsburg (Armie Hammer) who had some serious health issues while they were in school. It was all worth it though because now they both have their law degrees and they can live out their dreams of being lawyers! At least that’s the plan as Ruth, who managed to navigate the harsh male dominated world of academia, still hasn’t managed to land a job in the harsh male dominated world of law firms. Oh well. At least she got a teaching job which she excelled at for quite a few years, but one day Martin comes across a case that may just be the one the two of them have been looking for. You see, they became lawyers because they wanted to do good in this world and fight for equality, and one of the things that has always a bugbear of theirs is how Men and Women are defined differently under the law and are therefore treated differently like in regards to workers’ rights and inherence. The case that Martin found though is an instance where the laws negatively affect a man because Charles Moritz (Chris Mulkey) cannot claim a tax credit despite meeting all the qualifications for it… except for the fact that he is a male bachelor. I know, it sounds UTTERLY RIVETING to hear people talk about tax laws, but this is the kind of thing that can really take a pickaxe to the existing status quo and a ruling in Charles’s favor could be the rallying point for other similar laws to be overturned! With the case of a lifetime in their laps, the Ginsburgs begin to work the case with the help of the ACLU run by Mel Wulf (Justin Theroux) as well as a personal hero of Ruth’s Dorothy Kenyon (Kathy Bates) who’s resistant at first due to a lifetime of learned cynicism, but might just be willing to give them the push they need to be taken seriously. Can Ruth and Martin successfully overturn this law and get Charles that sought after tax credit? What kind of resistance will they face from the government that has a vested interest in keeping things the way they are? FOOLISH MORTALS! NO ONE CAN STOP THE RBG!!
Bad Santa 2 and all the images you see in this review are owned by Broad Green Pictures
Directed by Mark Waters
Well this certainly seems necessary, right? I mean, who WASN’T clamoring for Billy Bob Thornton to don the red suit once again and try to catch lightening in a bottle twice!? Comedy sequels are already a bad idea to start with, but when we get one that’s not only this many years after the fact but also for a movie that’s REALLY freaking good? What the hell is the point!? Is there really much more that we need to learn about Willie that wasn’t already covered in the first film? I mean, we DO get his mother this time around so maybe it will fill in some of the gaps of how he ended up as a drunken piece of trash, but it’s hardly necessary considering how well the role was fleshed out the first time around! Still, maybe there’s some hope for this one! After all, at least they didn’t completely recast the damn thing like Kindergarten Cop 2 or The Tooth Fairy 2 (ugh…), so maybe that’s a sign that they actually care about this one! Yeah… the bar is still really low and I’m not expecting too much from this. Will this at least be funny enough to justify its existence even if it can’t match up to the original, or was this just a cash-in for everyone who could be bothered to come back? Let’s find out!!
The story follows the exploits of Willie Soke (Billy Bob Thornton) who it turns out DID NOT have a happy ending as he ended up going back to the bottle and pissing away whatever goodwill he built up with the last movie. Well… ALMOST all the goodwill as Thurman Merman (Brett Kelly) still thinks he’s the bee’s knees and brings him sandwiches whenever he can. Unfortunately ham and cheese on wheat don’t seem to lift Willie’s spirits as much as you’d expect they would, but after a series of suicide attempts he’s given a chance to sort of get his life back on track. It turns out that Marcus Skidmore (Tony Cox) just got out of jail and needs someone to help him with a heist in Chicago that’s being set up by a third party associate. With nothing else to do other than drink another bottle and suck on a shotgun, Willie decides he might as well put his safe cracking skills to use and agrees to join him… but it turns out the mysterious associate is actually his mother Sunny (Kathy Bates) and they have a… complicated history. With only a few days before they have to steal a shit ton of money from a local charity, will they get their act together long enough to not get caught? What about Thurman who wants nothing more than to spend Christmas with his favorite Santa and is still unaware of just how awful of a human being Willie is? IS he finally gonna get his heart broken by the one person on Earth he’s somehow idolized all these years? Just what kind of charitable organization was dumb enough to hire these three scumbags!?
The Boss and all the images you see in this review are owned by Universal Pictures
Directed by Ben Falcone
Melissa McCarthy has been around for quite some time, but her meteoric rise to super-stardom is nothing short of amazing, especially when you realize that Bridesmaids was only five years ago. She’s had her ups and downs to be sure with movies like Identity Thief and Tammy being total wrecks, and yet neither of those (nor anything else she does) can even put a dent in her ever growing box office power. Now on the brink of the biggest movie of her career, it’s time for her and her husband to take another crack at making a film all on their own to make up for the last one not turning out to well. Does this manage to prove once again that McCarthy is untouchable due to her skills as a leading lady, or will it prove that she’s untouchable due to career not slowing down in the slightest if this turns out to be a disaster? Let’s find out!!
The movie follows Michelle Darnell (Melissa McCarthy) who is the forty seventh richest woman in the world; a fortune she built from the ground up as she was adopted and abandoned no less than three times during her life. When the movie starts, she’s on top of the world but has lost touch with the commoners, which is especially apparent with the way she treats her assistant Claire (Kristen Bell). Not only that, she has an ex business partner (and ex-lover) named Renault (Peter Dinklage) who has been itching to get revenge on her and finally has an opportunity when he gets proof of committing a crime (insider trading) and reports her to the FCC. She goes to jail, loses all of her money, and comes crawling back to Claire. Will Michelle be able to earn back her fortune with the help of her former assistant and soon to be bestest friend? How far will Renault go to keep Michelle from finding success ever again? WHAT IS SHE HIDING UNDER THAT TURTLENECK!?