Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Quentin Tarantino
I really didn’t want to see this movie. In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope! Everyone had to make way for this film so I guess I have to try and be professional! I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one. Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience. Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here? I guess we might as well find out…
Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western. His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point. Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert. Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house. Can Rick nail this latest role that may be his last chance to stay relevant? What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand? Is it just me, or is Tarantino trying a bit too hard here? Or perhaps not hard enough?
“Do you want me to say ‘Nazi scalps’ yet?” “No, we’re not doing that again.” “Really?” “…Okay, let’s not rule it out completely.”
Sorry to Bother You and all the images you see in this review are owned by Annapurna Pictures
Directed by Boots Riley
This is a great time of year because once the summer blockbuster season starts to wind down we start to get some really great stuff from the indie scene right before the Prestige Films and the Oscar Bait start to take over the multiplex. Sure, August is normally considered a dumping ground for mediocre movies (I’m wary about Slenderman to say the least) but that’s more to do with the BIG releases rather than the harder to find stuff in the fancier theaters which is pretty much exactly what we have here today as I had to make a bit of a drive to catch this on the big screen. Now I’ve been keeping my eye on this film since the trailers started to pop up due to its interesting style and oddly relatable premise, at least from what they were selling us on, and most importantly I could really use something other than super hero flicks and The Rock to fill out my GOOD MOVIES list for this year! Does this bizarre little story manage to be just as good as I hoped it would be, or was I just too eager to find something new that there was no way it would live up to my expectations? Wouldn’t be the first time this year (*cough* Thoroughbreds *cough*)! Anyway, let’s find out!!
Cassius Green (Lakeith Stanfield) is a man just trying to survive day by day and constantly wondering if anything he does will ultimately matter in the grand scheme of things. After all, once he dies and his theoretical children die and then THEIR theoretical children die, will there be ANYONE left to remember him or the fact that he just barely managed to get a job working as a telemarketer? His girlfriend Detroit (Tessa Thompson) thinks he’s worrying too much about all that and she’s content to work on her art projects in between gigs as a sign flipper, but with the world slowly going to hell in a handbasket (a new company called WorryFree is basically reintroducing slavery by praying on the impoverished) it all just seems pointless unless he can REALLY start to make some money and find what it is that he’s good at. As it turns out though, he has a knack for this telemarketing thing once he finds his “white voice” (David Cross) and is on the fast track to being a POWER CALLER which is basically doing the same thing only for more money and selling stuff other than encyclopedias. However, his rise to the top has some roadblocks along the way as his fellow workers are staging a strike just as he’s about to make it as a POWER CALLER, and said promotion doesn’t come without its own problems and indignities that slowly start to tear at Cassius’s soul and creates a divide between him and Detroit. Throw in some colorful characters like Squeeze the leader of the telemarketer’s strike (Steven Yeun), Steve Lift the CEO of WorryFree (Armie Hammer) who’s about as big of a douche bag as you’d imagine, and the mysterious Mr. ******* (Omari Hardwick) who represents the future that Cassius has waiting for him if he sticks it out at his new job for just a little bit longer. Can Cassius find a way to use his talents for massive financial gain without losing his soul in the process? Just what is WorryFree up to, and how does it connect to this Telemarketing Company as well as Cassius himself? Is there like a hotline I can call that’ll explain this movie to me, because I feel like I STILL don’t have a clear grasp on what the heck was going on!
“For plot summary and cast list, press 1. For thematic elements and symbolism, press 2. If you still haven’t come to terms with the horrors of Late Stage Capitalism, please stay on the line.”