The Hunt and all the images you see in this review are owned by Universal Pictures
Directed by Craig Zobel
Boy does this movie want us to think it has a chip on its shoulder! I haven’t seen negative review quotes used this liberally since Freddy Got Fingered, which… okay, that might actually be a good sign because I do like that movie purely on its utter absurdity (THIS IS A FANCY RESTAURANT!!), but is not the usual calling card of studio confident in a film on its own merits. Then again I can’t imagine Universal having any other bright ideas after the thing got pulled from theaters and certain segments of the media decided that THIS was the thing that’s going to destroy the fabric of our society. Personally, I think we already got that film with London Has Fallen, but whatever it is that hyped this movie up so much, is there any way that it can live up to those expectations? Let’s find out!!
A bunch of people wake up in the middle of a field with no idea where they are or how they go there. They start to slowly move towards the center of this big field with a giant crate right in the middle that contains a whole lot of weapons and a pig for some reasons; the implications of which they don’t have long to ponder because they are immediately beset by gunfire, booby traps, and all manner of lethal armaments! Some of them seem to carry themselves well enough (Betty Gilpin) while others are showing themselves to be MASSIVE jerks (Ike Barinholtz) who may or may not have it coming for various reasons; the least of which being that they’re in a horror movie and that’s usually the way things go. Eventually though, it’s revealed that their attackers are a bunch of liberal yuppie yahoos (including but not limited to Glenn Howerton and Hillary Swank) who seem to be taking their 2016 frustrations out on a bunch of red necks and scumbags through a game facilitated by their massive wealth. Is this all just one big excuse for that whole class warfare thing I’ve been hearing about to become literal, or is there more going on than what we’re initially led to believe? Is this like Saw where the main villain has justifiable reasons for taking these people prisoner, or is it like Saw 4 where things just get ridiculous and asinine for no good reason? Seriously, is it POSSIBLE for Ike Barinholtz to not be a scumbag in everything he plays? I’d give fifty-fifty odds on some rich fool actually BELIEVING this guy to be monster and throw him in one these death games for real!
Jexi and all the images you see in this review are owned by Lionsgate
Directed by Jon Lucas and Scott Moore
We are still VERY much in catch up mode right now and it’s starting to get a bit distressing as more and more movies I wanted to see close to leaving theaters, but at least I managed to catch THIS one which somehow got to my second run theater a good three to four weeks before I would have expected it to! You know how I found out that they had it? I USED MY PHONE!! It all connects if you look hard enough! Anyway, does this story about a phone with a heart of gold and the mouth of a sailor manage to be a biting and hilarious critique of how we interact and even bond with our electronic devices, or is it just a silly movie about the kids these days and their addition to screens? Let’s find out!!
This is the story of a man named Phil (Adam DeVine) who spends all his time on his phone and has no connections with anyone else; especially at his job where he writes top ten lists for a website run by the maniacal Kai (Michael Peña). I’m not sure why he has to go to an office to do that, especially since he doesn’t seem to get anything out of being around other people like his coworkers Craig and Elaine (Ron Funches and Charlyne Yi), but that’s his life and he seems to be content with it. Until of course his phone breaks after a run in with a local bike shop owner named Cate (Alexndra Shipp) and he has to go buy a new one which seems simple enough but turns into madcap hilarity when the AI assistant turns out to be a wise cracking, truth telling, emotionally berating, hard ass named Jexi who doesn’t put up with ANY of Phil’s crap and tries to get his life in order if for no other reason than how embarrassing it is to be around him. At first it seems to work as her tough love advice leads to him making friends at work, expanding his horizons a bit, and even landing a date with Cate, but once the job of fixing him comes closer and closer to being finished what is left for Jexi to do? Can Phil put his life back on track and learn to be the kind of person those MILLENNIALS ARE RUINING EVERYTHING articles wants us to be? What will Jexi do once she’s no longer needed and Cate starts to horn in on her territory? Is this what the AI in HER would have acted like if she was the star of that Joker movie?
Little and all the images you see in this review are owned by Universal Pictures
Directed by Tina Gordon
I don’t know about this one. I got this trailer a few times and while it did have a few funny gags here and there, it seemed like only a step or two above Night School which I would conclusively say is damning with faint praise considering how I’m guessing only half of you even remember what that was. Still! It’s always a good idea to give a comedy NOT from a straight male perspective a chance because if nothing else it’s unlikely to be as toxic and mean spirited as say Daddy’s Home 2 or Fist Fight, and the LAST time we got a female centered update on a well-known comedy (this being a clear inversion of Tom Hank’s Big) was the eminently enjoyable What Men Want, so perhaps there’s something here that’s not shining through in the trailers! Could this be a comedy classic in the making, or am I expecting too much from yet another cash grab to soak up a few bucks between Shazam and Avengers? Let’s find out!!
Jordan Sanders (Regina Hall) is a hard as nails (i.e. abusive) owner of a tech company that believes time not spent crunching is time wasted, and no one at the office likes her; least of all her assistant April (Issa Rae) who puts up with it because… well that’s what we ALL have to do when we have crappy jobs. Jordan however messes with the wrong person one day as a young girl at the office calls her out for her attitude and uses her magic wand to put a curse on her. Now I’d have preferred if she went up to her face and whispered the word “littler” to her, but in any case the magic seems to have taken effect as she wakes up the next day as her thirteen year old self (Marsai Martin). Now fortunately for Jordan, April takes this whole situation rather well and agrees to help cover for her at work until they can get this fixed, but through a rather convoluted set of circumstances, Jordan has to be enrolled in school THAT VERY DAY OR ELSE APRIL WILL GET ARRESTED… for reasons. Oh, and on top of that there’s a big pitch scheduled at the office in two days to try and keep the company’s most valuable client and April is SO not ready for that which means she has to learn to be a leader as Jordan learns to be… less of a jerk I guess? Anyway, will Jordan find a way to return to her normal self before and even learn a valuable less at the same time? Will April become the active go getter who can get things done in an economy that will otherwise chew her up and spit her out? Wait, why does she need glasses when she’s little but not when she’s an adult? Does she have contacts that no longer fit, or did the laser eye surgery somehow reverse itself? DID HER BABY TEETH GROW BACK!?
A Bad Moms Christmas and all the images you see in this review are owned by STX Entertainment
Directed by Scott Moore and Jon Lucas
As glad as I was that the first film didn’t end up being an unbearable slog to sit through, I can’t say that the prospect of seeing another one fills me with much joy as I have serious doubts that STX can squeeze out another competent movie from this premise; especially when their go to idea for a sequel is to make it a freaking Christmas movie. Seriously, aside from Christmas Vacation and A Very Harold and Kumar Christmas, has there been a holiday themed sequel that WASN’T an absolute waste of time? Well I guess we’re about to put that theory to the test as we get ready to spend some more time with everyone’s favorite quote-unquote BAD MOMS who are actually not so bad moms. Does this manage to rise above the low expectations set for it being both a sequel and a Christmas film in one unfortunate package? Let’s find out!!
The movie begins with Amy (Mila Kunis) beginning her Christmas rituals of working way too hard and being utterly miserable in the process; not that anyone is REALLY asking her to do it as her two kids (Oona Laurence and Emjay Anthony) as well as her boyfriend Jesse (Jay Hernandez) and his daughter (Ariana Greenblatt) seem perfectly cool with a less intensive holiday experience. Now Amy would like nothing more than to just sit back and actually enjoy the season, but her plans to let go of the pointless and time consuming rituals that encompass the month of December are utterly destroyed once her mother Ruth comes to visit (Christine Baranski) who’s super judgmental, extremely demanding, and wants this to be the PERFECT Christmas for everyone! Sounds like a nightmare, right? Well it’s not much better with Kiki and Carla (Kristen Bell and Kathryn Hahn) who ALSO have their mothers coming into town (Cheryl Hines and Susan Sarandon) and all the baggage that comes with them; the former being overbearing and invasive and the latter being… well just like her daughter. Will the titular Bad MomsTM find a way to fight back against these unwelcome invaders and make this the best holiday ever? Is there more to the rather sudden appearance of their mothers than what they’re claiming to be a merely innocent interest in spending time with their family? Just how raunchy are they willing to get to stand out in the surprisingly crowded market of naughty Christmas movies!?