Cinema Dispatch: The Matrix Resurrections

The Matrix Resurrections and all the images you see in this review are owned by Warner Bros Pictures

Directed by Lana Wachowski

Making another sequel to the Matrix is simply a bad idea from the word go.  Sure, it’s tempting given that the original trilogy grossed over a billion dollars and became a cultural touchstone for a generation, but there’s no way to play of it as anything than a cynical cash grab, and there’s no guarantee that the audience will come back for another one; especially since a lot of them are approaching middle age at this point and this new generation is more enamored with Marvel films than anything else.  Even getting one of the original directors to come back isn’t gonna turn many heads since the stagnation of the series occurred under their watch, and they’ve been heavily involved with all the various media made the franchise since the beginning.  Now all that said, perhaps this IS the right time for it to be tried again.  The themes and messages of the original movie have become all the more relevant since its, and the co-opting of some of its imagery among certain reactionary circles has been one of the more unfortunate developments in the story of The Matrix as a pop-culture staple.  With so many people having so many different ideas about what The Matrix should be, is there any way that this can please even a fraction of the original fans and perhaps get new fans in the process, or is this just another soulless cash grab to further cement this as the worst of all possible timelines?  Let’s find out!!

Thomas Anderson (Keanu Reeves) finds himself in a comfortable life that he built for himself, but not much more.  He made his fortune creating a trilogy of video games called The Matrix with his business partner (Jonathan Groff), but each day feels like an endless drudgery as he searches for meaning.  His therapist (Neil Patrick Harris) has been helping him through these feelings, especially after he nearly jumped off of a roof a few years back, but nothing seems to get through to him until he starts seeing this woman at the coffee shop.  Her name is Tiffany (Carrie-Anne Moss) and there’s something about her that seems familiar but also brings him quite a bit of peace; a peace he will need as the studio is forcing him to make a new Matrix game and it’s just not going very well.  That’s when things start to really unravel as he starts seeing things that may not be there and people start talking to him like he’s someone else entirely.  How did Mr. Anderson find himself in such a miserable state, and can he trust his own mind to tell him the truth?  Who are these people that are showing up to tell him that reality isn’t what it seems, and are they looking out for his best interest or for their own selfish goals?  Is it just me, or does this sound less like The Matrix and more like Birdman?

“So I’m the one that will save humanity?”     “If by ‘humanity’ you mean Warner Bros quarterly finical report, then yes!  Well, maybe.  Let’s see how it does overseas.”
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Cinema Dispatch: Frozen 2

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Frozen 2 and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Chris Buck and Jennifer Lee

You know, I actually went to Disney World a month or two back and I REALLY enjoyed Epcot!  The sights, the food, the stores with lots of cool stuff in them; they even had a Frozen ride at the Nordic section of the park!  And uh… well we waited about an hour to get on it, Elsa sang at us for a bit, and then it was over.  Kind of disappointing considering how long it took to get there.  Anyway, let’s talk about this sequel to a movie from six years ago.  Is it the continuation to Elsa’s story we’ve all been waiting for, or has Disney already sucked the Frozen cash cow completely dry by the time they deigned to give us a sequel?  Let’s find out!!

Several years after the events of the first film, Queen Elsa has continued her uneventful reign as the leader of Arendelle along with her sister Anna who seems perfectly content to while away her days hanging out with the magical snowman Olaf (Josh Gad) as well as her boyfriend Kristoff (Jonathan Groff).  Elsa on the other hand seems a bit antsier about the drudgery of daily life and even starts to hear the voice of someone calling out to her from the mystical forest which has a dark history behind it.  Apparently there was some sort of war between Arendelle and the native tribe of that forest known as the Northuldra and the magical spirits of the forest have closed themselves off from the rest of the world until humanity can get its problems straightened out.  Fortunately for Elsa (though unfortunately for Arendelle), it seems that the magic deep inside the forest is starting to seep out and is causing problems for the kingdom, so Elsa has no choice but to find out what’s going on in there and Anna has no choice but to follow her.  Oh, and Kristoff and Olaf go in there as well, but it feels like a bit more of a choice for them; unless they can only live if there’s a steady stream of screen time.  Can Elsa and Anna figure out what’s causing this surge in the magic, and what it may be trying to tell them?  What secrets from the past will they uncover during this journey, and will they be ones they want to uncover in the first place?  Seriously, is Kristoff there just because he’s got a ride?

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“What do you think we’ll find in there?”     “DO NOT WORRY!  KRISTOFF AND HIS MIGHT STEED WILL FORGE AHEAD, ISN’T THAT RIGHT?”     …     “The mighty steed said yes.”

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