Cinema Dispatch: Superman

Superman and all the images you see in this review are owned by Warner Bros Pictures

Directed by James Gunn

James Gunn may be a fantastic filmmaker, but no one has managed to recapture the magic of the Richard Donner films; not even Christopher Reeve who tried to make the fourth film into a passionate a poignant message for the world, though I’d still take Superman IV over Man of Steel any day. Sure, the franchise has been reliably bankable which is why Warner Bros isn’t about to give up on it yet, but for Gunn to go after this white whale is a show of supreme confidence, and possibly the kind of show-off move you’d want to make if you were also entrusted to shepherd an entire movie studio towards relevance again. I trust James Gunn to pull it off, but I’m still crossing my fingers all the same. Can James Gunn make us believe that a man can fly while also putting him in a good movie? Let’s find out!!

Whether you know him as Superman, Clark Kent, or Kal-El (Davud Cirebswet), the Big Blue Boy Scout is three years into his career and is doing what he can to make the world a better place. Unfortunately, there are a lot of people invested in the world not being better, so he’s come under fire for stopping a war between the US ally of Boravia and the neighboring country of Jarhanpur. Until now, he was the golden boy who could do no wrong and looked good in Tik-Tok videos captured by the citizens of Metropolis, but with this foray into a politically charged conflict, he’s drawn a few side eyes from ostensible allies such as the Justice Gang composed of Green Lantern Guy Gardner (Nathan Fillion), Hawkgirl (Isabela Merced), and Mr. Terrific (Edi Gathegi) and, most distressing of all, his own girlfriend Lois Lane (Rachel Brosnahan) whose worried he hasn’t thought through the implications of such action and how it could come back to haunt him. She’s not wrong either as Lex Luthor (Nicholas Hoult) has been gunning for him for years now and sees an opportunity to turn the public to his side, so with the help of his corporate drones and a few powered-up henchmen, he starts a smear campaign against Superman and even infiltrates his Fortress of Solitude to uncover more secrets. Are there problematic and terrifying skeletons in Kal-El’s closet that could keep him from being the hero he wants to be? What else does Lex Luthor have up his sleeve beyond the mud raking, and will it bring further chaos to international conflict that Superman tried to stop? Most importantly, who’s gonna feed Krypto if something happens to him!?

“My flesh is impervious to heat, so you’re gonna have to eat me raw. Is that gonna be a problem for you?”     “WOOF!”
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Cinema Dispatch: Teenage Mutant Ninja Turtles: Mutant Mayhem

Teenage Mutant Ninja Turtles: Mutant Mayhem and all the images you see in this review are owned by Paramount Pictures

Directed by Jeff Rowe

To be frank, I just never got the whole Teenage Mutant Ninja Turtles thing. I like the original live-action movie well enough, but it’s not a franchise that I ever got invested in as it just felt like one of those Gen-X holdovers that overstayed its welcome. Well, now the joke’s on me as my childhood is now getting eye rolls from the Zoomers who also can’t escape the prevalence of their previous generation’s obsessions. It’s the circle of life I suppose, and TMNT is taking yet another stab at staying relevant to the youngsters. Will this be another hit for the franchise to go alongside Rise of the Teenage Mutant Ninja Turtles, or will we be begging for the Bay-Turtles to come back by the time this is over? Let’s find out!!

In the beginning, there was ooze; and said ooze landed on a quartet of cute turtles as well as a very paternal rat. The ooze mutated them to be humanoid, but their ninja skills came from their adoptive rat-dad Splinter (Jackie Chan) looking for a way to protect his kids from the outside world. The turtles are now teenagers named Leonardo, Michelangelo, Raphael, and Donatello (Nicolas Cantu, Shamon Brown Jr, Brady Noon, and Micah Abbey) and while they can kick all sorts of butt with their ninja skills, they’re mostly used to get groceries and hide in the shadows; away from the scary humans who would surely reject them if they were to come out of the sewers. Sounds rather bleak if you ask me, but fortunately, they run into a high school reporter named April O’Neil (Ayo Edebiri) and she doesn’t immediately turn them in to the authorities to be dissected but instead comes up with a plan to make them heroes so that they can be accepted and go to high school, and she can get the scoop of a lifetime! Their mission is to take down the mysterious Super Fly (Ice Cube) whose been wreaking havoc all over the city with daring heists of top secret scientific hardware, and while the Turtles want nothing more than to live normal lives, getting closer to Super Fly also gets them closer to some very uncomfortable truths about themselves. What is this Super Fly after, and are his goals as evil as his means of achieving them? Is this a win-win scenario for all involved, or will the world never accept them even if they do save the day? Would we honestly be that shocked to learn of sentient turtles in the sewers who fight crime and eat pizza? I mean Congress had a hearing on UFOs and that barely lasted a day in the news cycle!

“I’m just saying, everyone thinking we’re from Krypton is gonna help us with our PR problem, and it’s not like they can prove otherwise! Heck, we don’t know where that Ooze came from! Maybe it’s from space!” “I think you’re stretching there, Mikey.”
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Cinema Dispatch: Barbenheimer

When it comes to two movies releasing on the same day the narrative is usually that of a fight to see which one will top the box office, and yet this whole Barbenheimer deal has been one of mutual appreciation which seems to have worked out well for both movies as they had strong opening weekends on the back of solid word of mouth and the novelty of this double-feature. Was this quirk of good timing the perfect way to energize two great movies, or will the memes be more fondly remembered than the movies they were celebrating? Let’s find out!!

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Barbie

Barbie and all the images you see in this review are owned by Warner Bros Pictures

Directed by Greta Gerwig

In the land of Barbies, where all Barbies are named Barbie and all Kens are named Ken, we follow Stereotypical Barbie (Margot Robbie) who is leading her stereotypical Barbie life of fun, empowerment, and dance parties! That is until she starts having some strange thoughts that put her out of step with the rest of Barbie land and she has no choice but to go on a journey to the Real World to find the little girl playing with her that’s giving her all these bad vibes. Not wanting to be left out as he usually is, Ken (Ryan Gosling) manages to tag along on this journey and has his own quest of self-discovery that could perhaps impede Barbie from finishing her own!

Starting things off with sunshine and sparkles, we dive into the bright pastels and infectious optimism of Hollywood’s latest attempt to cynically turn brands into cinematic universes! Well, that’s a little unfair as the movie takes a fair number of risks in creating such a uniquely faithful adaptation; not to any specific work in the Barbie canon, but to the idea of Barbie as a brand itself. What could have easily been an insufferable exercise in cheerleading a doll line manages to have more than enough wit and creativity to rise above its baggage. Of course, it can’t truly be a subversive work given that it’s made with the explicit endorsement of Mattel, but Gerwig and Robbie were still given a surprising amount of room to tell an unconventional and mature story within this pink and plastic world. What I most appreciated was the utter absurdity of it all as it revels in its own dream logic to tell its story; never getting so abstract as to be indecipherable, but never letting unnecessary plot details grind the pacing to a halt or hold it back from telling a funny joke. It’s the kind of storytelling that works for a high-concept fantasy like this where at any moment we could pull back to find the whole plot being elaborately staged by a group of young girls at a sleepover, and if you aren’t going to make a Barbie movie a fanciful journey then why bother making it in the first place? There does seem to be a missed opportunity, however, as they don’t go the extra mile to make this a musical which, to me, would have catapulted it to the camp classic it’s clearly aiming to be. The movie has songs, singing, and even some dancing for good measure, but there’s only one musical number for a movie that is otherwise so bombastic, and on top of that it’s done by the Kens instead of the Barbies which leads us to the other issue I have with the film. Perhaps this is where the gender divide is the most obvious, but when all was said and done I found myself thinking more about the Kens than the Barbies; especially when it comes to Ryan Gosling and Margot Robbie. Robbie is great in the role and she carries this movie from start to finish, but Gosling is a riot throughout and I found his arc to be the more interesting of the two. Barbie doesn’t really have much that she needs when the movie begins and the conflict she has to resolve is thrust upon her by circumstances outside of her control. It’s through the disruption of her routine that she does eventually realize what has been missing, but there’s not much to distinguish her as a Barbie of note compared to every other Barbie in Barbie Land. Ken on the other hand begins the movie with angst and flaws that inform his actions throughout the movie, and where the script ends up taking him is fascinating and utterly hilarious even if it’s the primary obstacle that our true protagonist has to overcome. Again, this may be my own biases talking here, but Robbie just didn’t come across as the most interesting character in her own movie and my favorite moments are things that happened around her instead of anything with her specifically. For me, the movie feels a little pulled back at points which are all the more noticeable given how extra the rest of the movie is, so while it doesn’t quite hit cult classic status as many were hoping for it to, it does end up being a great time at the movie and one that I can happily recommend to everyone with an appetite for something sweet.

4 out of 5
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Cinema Dispatch: Fast X

Fast X and all the images you see in this review are owned by Universal Pictures

Directed by Louis Leterrier

Fast & Furious as a franchise has been quite the ride with one of the more bizarre gear shifts that any franchise has gone through. Sure, the series was always ridiculous, but the change in scope from simple street racers to international super spies has given the series a lot of room to experiment and hone in on its core appeals. For all the jokes we make about Vin Diesel’s bottomless well of familial aphorisms, the cast is really what keeps it compelling enough for audiences to return year after year. Still, all good things must come to an end and it’s been stated that this is part of a two-part finale for the main series before it gets spun off into side projects like the already-released Hobbs & Shaw and the long-awaited female-led movie. Does this penultimate feature set us on the path to a graceful ending, or will the series crash and burn right before it hits the finish line? Let’s find out!!

Life for Dominic Toretto (Vin Diesel) and his family has been going smoothly since they saved the world and turned his brother Jakob (John Cena) back to the good side, but after living such an extreme life and crossing so many paths, can he ever truly hope to live peacefully with his wife Letty (Michelle Rodriguez) and his son Brian (Leo Abelo Perry)? Well not if Dante Reyes (Jason Momoa) has anything to say about it! Yes, it looks like the criminal mastermind that Dom and his crew robbed and killed back in Fast 5 had a son and he’s come back after all this time to exact his revenge and starts by taking on Cipher (Charlize Theron) and stealing her tech which allows him to play with Dom and his crew like a cat plays with its food. After orchestrating a disaster in Rome with Dom and his crew in the center of it, they all end up on the Most Wanted list, and Roman, Tej, Ramsey, and Han (Tyrese Gibson, Chris Bridges, Nathalie Emmanuel, and Sung Kang) are forced to go into hiding while Dom tracks down this new threat to end his reign of terror and clear his family’s name. Can Dom reckon with his past and come out the other side unscathed? What does Dante truly want out of all of this, and is the answer more terrifying than Dom could ever imagine? Will we ever learn the secret to Dom’s barbeque chicken, or does that come with its own convoluted backstory as well?

“It all started thirty years ago today.” “Come on, man. You’re just supposed to say grace.”
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Cinema Dispatch: The Suicide Squad

The Suicide Squad and all the images you see in this review are owned by Warner Bros

Directed by James Gunn

I was more positive than not about the first Suicide Squad movie, but there was absolutely a ceiling to how much I could appreciate it and frankly, I don’t think David Ayers getting his own AYERS CUT would end up improving things.  It was a lot of good ideas and solid performances wrapped up in a script that felt half-baked at best and an editing job that struggled mightily to wrangle it all into something coherent.  Fortunately, Warner Bros and the DCEU are in a much better position now as they’ve toned down the excessive budgets and improved the overall quality and tone of the films.  Best of all, they got James Gunn to direct it who’s made some of the best movies in the genre with his Guardians of the Galaxy films!  Sounds like the makings of a darn good movie to me, but are we looking at a perfect storm of awesomeness or are we just setting ourselves up for disappointment?  Let’s find out!!

Task Force X is a secret government program that is the brainchild of Amanda Waller (Viola Davis) and uses dangerous criminals to take on missions that are too dangerous for anyone else.  When there’s a regime change in a South American country to a government that is not so US friendly, Waller needs a crack team of weirdos to go in there and destroy a secret project known only as Starfish that is hidden below a research facility in the center of the country’s capital, and while some of them like Bloodsport Peacemaker, and arguably even Harley Quinn (Idris Elba, John Cena, and Margot Robbie), some of the others just seem to be there to either be cannon fodder or to just get them out of the prison system’s hair.  I mean seriously what are you supposed to do with a guy like King Shark (Sylvester Stallone) and some dude named THE POLKA-DOT MAN (Davis Dastmalchian)?  There are several others assigned to this mission such as Ratcatcher 2 (Daniela Melchior) and the always dependable Rick Flag as the leader (Joel Kinnaman), but it doesn’t take long for things to go sideways and for the team to have to more or less wing it as they try to find a way into the city undetected so they can kidnap the country’s super-scientist known as The Thinker (Peter Capaldi) to get them inside the research base and just figure it out from there.  Can this rag-tag group of super-losers save America from whatever this Project Starfish is and secure their freedom in the process?  What isn’t Amanda Waller telling them about the mission and just how much is at stake if they end up failing?  I mean whatever happens it can’t be as bad as having one of your own team members take over a city and turn everyone into her zombie servants.  Sure it’s a low bar to clear, but you’ve got to start somewhere!

“Honestly, I think we can write this off as a learning experience.”     “Hungry.”     “See?  The shark guy gets it!”
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Cinema Dispatch: Fast & Furious 9

Fast & Furious 9 and all the images you see in this review are owned by Universal Pictures

Directed by Justin Lin

It looks like movies are back (at least for those who can safely vaccinate, which if you haven’t and are able to then do it please!) and what a better way to kick off the summer season than with another Fast & Furious movie!?  Gotta admit, I was not on the F&F train for over a decade and it wasn’t until Fate of the Furious that I finally gave the franchise a chance.  It’s a mixed bag to be sure, but the latter half of the franchise has been quite impressive as big budget spectacles though and the more professional wrestlers they throw into the mix the more I look forward to seeing them!  So after a year of global misery and despair, is this action blockbuster we need to celebrate our slow but sure recovery, or has the Fast Franchise gassed out right when we needed it the most?  Let’s find out!!

Dominic Toretto and Letty Ortiz (Vin Diesel and Michelle Rodriguez) have been living the quiet life with Dom’s son Bryan out in the country, but this peace is not meant to last as Roman, Tej, and Ramsey (Tyrese Gibson, Chris “Ludacris” Bridges, and Nathalie Emmanuel) show up with a distress message from the mysterious Mr. Nobody (Kurt Russell) and they are forced to come out of retirement to find him and find what he was trying to protect.  Sadly they don’t find the former, but the latter is a piece of some sort of doomsday device that is pretty much the SAME doomsday device these last few movies have had, and it gets taken right from under their noses by a mysterious jacked dude (John Cena) who also drives cars, has a cross necklace, and keeps staring menacingly at Dom.  Turns out that this is none other than Jakob; Dom’s long lost brother!  Not only must Dom and the crew stop Jakob and who he’s working for from getting the other pieces of the Doomsday Device, Dom must confront his past and perhaps even realize his own mistakes before they threaten to throw the world into utter chaos!  Will Dom be able to face his brother and bring an end to his maniacal schemes?  Who else has a stake in this Doomsday Device, and will they prove to be an ally or a hindrance to the Fast & Furious family?  Speaking of family, are we sure Dom and Jakob aren’t actually cousins, or were their parents’ genes an ethnic roulette wheel?

Come on, Cena! Do the U CAN’T SEE ME! You know you want to!!
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Cinema Dispatch: Dolittle

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Dolittle and all the images you see in this review are owned by Universal Pictures

Directed by Stephen Gaghan

My GOODNESS have studios been putting out some high priced nonsense recently!  We are definitely stuck in the Billion Dollar Blockbuster Bubble where every studio wants nothing but the most expensive movies to maximize their profits, but as is the nature with bubbles all the money Is usually dried up by the time everyone else tries to get in on it which is why Disney is still sitting pretty on their mountain of gold and everyone else is making stuff like Cats and that awful Tarzan movie.  With this being the current trend, someone making an overpriced adventure film about Dr. Doolittle feels almost inevitable, but that doesn’t necessarily mean it’s going to be bad!  I LOVE me some overpriced entertainment like Jupiter Ascending and Final Fantasy XIII, so maybe Dr. Doolittle being played by Iron Man and co-starring a wrestler as a CGI polar bear is just what I need to cleanse the palate and finally kick off the GOOD parts of 2020 which so far has been pretty plodding at the multiplex!  Is this retelling of the classic story the start of another beloved blockbuster franchise, or are we in for a disaster to rival even that of Cats!?  Let’s find out!!

Taking place AFTER what I presume is the actual Dr. Dolittle story, we find that the intrepid physician who can talk to animals (Robert Downey Jr) has gone fully Will Wonka and is holed up inside his giant wildlife preserve; refusing to see any visitors, human or otherwise.  That all changes when one day, out of PURE LUCK, he gets TWO visitors who insist on seeing him!  The first is Lady Rose (Carmel Laniado) who is on assignment from the Queen despite being all of twelve years old, and Tommy (Harry Collett) who shot a squirrel and has brought the wounded creature to Dolittle because he feels bad.  Lady Rose is there to inform him that the Queen is dying and requires his help which he reluctantly agrees to, and determines that she’s dying of McGuffin’s Disease which can only be cured by a fabled fruit on an uncharted island, so he takes some of his animals friends (Emma Thompson, Rami Malek, John Cena, Kumail Nanjiani, and Octavia Spencer just to name a few) on a boat to get the fruit and save the Queen; hoping that once this is finished he can go back to brooding in his house all day.  Oh, and Tommy is coming along too because… he loves animals too I guess?  Will the Dolittle Crew get to the magic fruit in time to save the Queen?  What challenges will they face along the way, and will some of it be intentional sabotage?  If one of the cats from Cats was in this movie, would Dolittle be the only one who could talk to it!?

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“So what you’re saying is that never was there ever a cat as clever as Magical Mister Mistoffelees?”     …     “What is that it?  I mean sure, throwing your voice is a skill but I wouldn’t call it MAGICAL.”

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Cinema Dispatch: Playing with Fire

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Playing with Fire and all the images you see in this review are owned by Paramount Pictures

Directed by Andy Fickman

There are SO many movies that I needed to catch up on.  I could have seen Midway, Harriet, Black and Blue, but nope!  Given the opportunity to catch up on SOMETHING that might have had some sort of message or Oscar aspirations, I went with the John Cena family film.  You may not agree with the choices I make, but I stand by them.  ANYWAY!  Mr. Cena hasn’t had quite the meteoric rise to stardom as his wrestling counterpart Dwayneson The Rockson Johnson, but his comparably sparse filmography is compensated with a lot of quality films.  The Marine was a fantastic little B action film, he got a lot of praise for his appearances in Trainwreck and Sisters, and Blockers is an uproarious funny comedy with a lot of heart where he manages to hold his own against seasoned veterans such as Ike Barinholtz and Leslie Mann!  Okay, he had a brief role in Daddy’s Home 2, but no one’s IMDb page is spotless.  The point is that John Cena seems to be following the same trajectory as Daniel Radcliffe or even his wrestling contemporary Dave Bautista; people who have already made all their money and so they can be choosy and experimental with the roles they decide to take.  The question then becomes, is there something in this Nickelodeon comedy about firemen watching a bunch of bratty children that rightfully drew Cena to the role, or is this a huge misstep for a guy who’s been savvy enough to avoid them for the most part?  Let’s find out!!

Jake Carson (John Cena) is the head of a unit of Smokejumpers in the California wilderness; saving lives, looking cool, and never wavering from their sense of duty!  Cena in particular has a bright future ahead of him as the current Commander of the state’s Smokejumpers (Denis Haysbert) is looking to retire soon and Cena is on his short list, so all he has to do is make sure his firehouse located deep in the forest is ship shape and ready to impress!  With his faithful crew of Mark, Rodrigo, and Axe (Keegan-Michael Key, John Leguizamo, and Tyler Mane) working hard to keep things in order, there’s no WAY he’ll blow this opportunity… right?  Well as it turns out they get a call about a burning cabin in the woods where they find three children, Brynn, Will, and Zoey (Brianna Hildebrand, Christian Convery, and Finley Rose Slater), unharmed and yet without their parents nearby.  Since Jake and his crew were the first on the scene, it is incumbent upon them to keep these kids safe at the firehouse until their parents turn up which turns out to be no small task for the rigid and humorless Jake who soon learns just how easily he can lose control of the situation!  Can these four smoke jumping superhero dudes survive a weekend with three bratty kids?  Are they REALLY this obnoxious for seemingly no reason, or is one of them actually scheming behind their backs and looking for the right opportunity to strike?  Seriously, if you were caught in a fire and needed rescuing, wouldn’t you want these guys to do it?  John Cena, Obama’s anger translator, Luigi from the Mario Bros movie, and the guy who played Michael Myers?

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This is like the best fan fiction I never knew I desperately needed…

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Cinema Dispatch: Bumblebee

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Bumblebee and all the images you see in this review are owned by Paramount Pictures

Directed by Travis Knight

The thing about Transformers, at least for me, is that it’s only ever existed as the Michael Bay movies.  I never watched the original series, any of its spin-offs, and I’ve only played one of the games, so if nothing else this movie has a rather low bar to clear if it wants to be considered “good”.  Now that said, it’s got some heavy competition right now what with the new Spider-Man movie not just being GOOD but PHENOMENAL, and there are plenty of others out right now that this isn’t gonna stack favorably against if it’s ONLY trying to be better than what Bay was putting out.  Still, it’s got a lot going for it what with Hailee Steinfeld AND the recently launched into the mainstream John Cena filling out the cast along with the Laika animation guy stepping in for Bay this time around.  Does this prequel manage to take this tired and overblown franchise in a fresh new direction, or is the engine underneath it still the same despite the shiny new coat of paint?  Let’s find out!!

Back in the long ago days of the late eighties (when Sony Walkmans walked the Earth), the war for Cybertron was reaching its peak as the Decepticons had pushed the Autobot rebels off the planet with little hope of taking it back.  The leader of the Autobots, Optimus Prime (Peter Cullen), has tasked B-127 (Dylan O’Brien) with scouting a far off planet that may serve as their new base of operations so they can regroup and finally stop the Decepticons once and for all; a desperate plan to be sure, but its not like anyone else is coming up wit ha better one.  So B-127 speeds off to Earth but was followed by a Decepticon warrior!  Oh no!  The ensuing battle leaves the Decepticon dead, but it leaves a few humans worse for wear including Super Solider from Sector 7 Jack Burns (John Cena) as well as B-127 ending up heavily damaged (even losing his voice in the process) and… I guess robo-hibernates for some time to recharge his batteries.  Some time passes (not sure if it’s months or years) and B-127 is found in a junkyard by Charlie Watson (Haille Steinfeld) who takes him home and manages to get him running again.  He wakes up, shows himself to be a robot to Charlie albeit it with no memories which were all damaged in the fight, and… I think he accidentally sets off some sort of tracking beacon that two Decepticons (Angela Bassett and Justin Theroux) a few planets away seem to have heard which conveniently gives us antagonists to fight against in the third act.  Until then, Charlie names B-127 Bumblebee and tries to teach him how to blend in the human world while also taking him for joy rides, prank wars, and emotional character arcs for both her and her new robot buddy who’s not sure who he is or what his place in this strange world is.  Will Charlie and Bumblebee learn to deal with their traumas and find a new lease on life by beating up robots and taking bullies down a peg?  What will John Cena do when he finds out the robot that nearly killed him is still functional, and will it involve the Five Knuckle Shuffle?  Wait a minute… finding a robot in a junkyard that was meant to fight off a hostile alien force but got lost along the way… isn’t this the plot to Megas XLR?

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“Chicks dig giant Bumblebees!”     “Some of us do, Bee.  Some of us do.”

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Cinema Dispatch: Blockers

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Blockers and all the images you see in this review are owned by Universal Pictures

Directed by Kay Cannon

Blockers?  Seriously?  We’re all PRETENDING that’s what the movie is called!?  IT’S COCK BLOCKERS!  They’re not even being subtle about it considering THEY PUT A ROOSTER ON THE POSTER!!  I don’t know why, but the first time I saw the trailer and the subsequent poster for it, this one aspect REALLY annoyed me and I ended up feeling rather down on the trailer overall.  What, John Cena’s gonna try to sell us on him being a comedy star by shoving stuff up his butt?  Been there, done that!  Sure they had Leslie Mann and Ike Barinholtz on hand to steady the ship and keep things on track, but I didn’t really see much to this movie that I hadn’t seen in a hundred other comedies before it.  In the last week or so however, the early buzz for this movie started to get REALLY strong and people were praising it all over the place!  Is there a chance that I was WRONG about this movie!?  BUT THAT’S IMPOSSIBLE!!  You all come to read this because I’m ALWAYS RIGHT ABOUT EVERYTHING, right!?  Well I guess we’ll have to see if my skills at predicting movies based on trailers are top notch or if Universal was merely doing a bad job of selling a gem they had on their hands.  Does this film live up to the hype, or was I right all along!?  Let’s find out!!

Kayla, Julie, and Sam (Geraldine Viswanathan, Kathryn Newton, and Gideon Adlon) are the high school seniors who are ready to finally graduate but not before going to their prom which is the biggest day in a young teenager’s life, at least according to this movie.  I don’t know about you, but I brought a book to my prom instead of a date, so I guess I have trouble relating to that, but it’s made clear that this is a special night to THEM and they even decided that that will be the night they’ll lose their virginity!  One wants to do it then so that it would be a perfect night, another figures it’s as good a time as any to get it over with, and the last one is a closeted lesbian or wants to get in on the bonding experience and at least TRY to see if she’s maybe into the opposite sex before committing to the queer identity.  Too bad that their parents get wind of this idea and have decided to… block them from getting laid that night!  The parents in question include Kayla’s dad Mitchell (John Cena) as the super serious and incredibly dorky one, Julie’s mother Lisa (Leslie Mann) who’s a single parent and is afraid that her daughter is making a terrible mistake, and Sam’s father Hunter (Ike Barinholtz) who has his own reasons for going along with this that include wanting to reconnect with his daughter since he’s been more or less absent since he divorced her mother.  Will they be successful in stopping their daughters from having either the best night or the worst night of their lives?  What other issues have they all been hiding from that will be forced to the forefront in this wacky adventure?  Can John Cena properly atone for being in the god awful Mel Gibson movie!?

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“This is MUCH better than doing Daddy’s Home 3!!”

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