Happy Death Day 2U and all the images you see in this review are owned by Universal Pictures
Directed by Christopher Landon
Man, I’ve been sitting on this one for almost two weeks. I don’t know what happened! Even though I saw it right when it was released a bunch of movies came out and this went on the back burner! It certainly had a lot to live up to considering that the first movie was one of my favorite films of 2017; not to mention that a sequel seemed like the worst idea ever as the first movie felt so complete in its story. Bill Murray never made Groundhog’s Day 2, and probably for the same reason he never did a Ghostbusters 3; it would have been a terrible idea! ANYWAY, before I say something that’ll REALLY tick people off, does this pointless sequel manage to justify its own existence, or are we doomed to yet another brilliant movie made to churn out sequels until you forgot why you liked the darn thing in the first place!? Let’s find out!!
Tree Gelbman (Jessica Rothe) having discovered who it was that was trying to kill her and closing the time loop that put her in a Groundhog’s day scenario is living the good life! She woke up and it was a different day, and that guy Carter (Israel Boussard) who helped her out all those times but has no memory of it is making out with her! Yup, it looks like easy street for Ol’ Gelbman! Oh wait! Carter’s roommate Ryan (Phi Vu) seems to be stuck in a time loop of his own! How did THAT happen? Hm… maybe it has to do with quantum reactor that Ryan and his two classmates (Suraj Sharma and Sarah Yarkin) have been working on! Wait, what? So all this time, it was a giant science thingy in the basement that somehow made Tree relive that day over and over again? Huh. Well okay then! So that mystery that didn’t need solving is now solved, but what ISN’T solved is why things are still acting up in the space time continuum after she managed to close the loop? Well before she can find out, things get a LITTLE bit out of control and the quantum thingy… explodes I guess, and puts Tree back into her original loop. OR DID IT!? It turns out that she’s not just back reliving Monday the eighteenth over and over again; she’s doing it in a parallel universe where things are significantly different in ways that Tree is gonna have to discover the hard way! Can Tree and the science squad manage to figure out how to work the darn machine and send her back to her own universe? Will this universe actually have something in it that Tree desperately needs, and will she give up her old life to live here? If the killer from the first movie isn’t the killer in THIS universe, then who IS the killer!?
Happy Death Day and all the images you see in this review are owned by Universal Pictures
Directed by Christopher B. Landon
There are very few premises that will get more on board with a film than “like Groundhog’s Day, but…” and honestly I’m not even sure why. That movie is certainly a phenomenally crafted comedy that I revisit from time to time, but I wouldn’t go so far as to say it’s one of my favorite films of all time. I guess it really is just how great of an idea that premise really is as I see it as basically THE perfect interpretation of a Bottle Film (it allows limitless possibilities while also having an enormous constraint) and its one of the few ideas that gets me to eagerly start putting together scenarios of what I would do in that situation. Throw a murder mystery in the middle of it, and you have something that could be not just a GREAT film, but an absolute classic for the genre! Can this movie POSSIBLY reach the lofty goals that it sets for itself, or will this be a bigger waste of time than Before I Fall? Let’s find out!!
The movie begins with Tree (Jessica Rothe) waking up in an unknown dorm room with a guy she doesn’t really know named Carter (Israel Broussard) and heads back to her sorority so she can ignore the fact that today is her birthday. She ignores calls from her dad (Jason Bayle), brushes off her roommate Lori (Ruby Modine) who’s at least making an attempt to make her birthday a little bit nicer, and just goes through her usual routine as if there’s nothing special about today; even going to see the married professor she’s sleeping with (Charles Aitken). At the end of the day, when she’s heading to her own surprise party, it turns out today is NOT going to be a normal day because someone in a crappy baby mask (the school’s mascot… for some reason) stabs her and she… wakes up in the same dorm room she did that morning. Same guy, same day, same ignored phone calls from dad. Oh, and also the same murder. Clearly she’s doomed to repeat the same day over and over again until she finds out just who it is that’s killing her each night which may not be an easy thing to do considering how many people she manages to piss off on a regular basis, though murder DOES seem to be a bit extreme to be just anyone she knows so she’ll need to narrow down the suspects as each night (and each death) brings her closer to the truth. Will Tree be able to put an end to this endless cycle of misery and stabbings by unmasking the one person on campus who wants her dead? Is every day TRULY a repeat of the last, or does something linger every time the clock goes backwards? Just how many absurd and hilarious ways will Tree have to experience the ice cold hand of death before this is all over!?
La La Land and all the images you see in this review are owned by Summit Entertainment
Directed by Damien Chazelle
Well this certainly jumped to everyone’s best of the year list, didn’t it? Too bad I didn’t get to see it in 2016 as the wide release wasn’t until January, but hey, at least I get to see it AT ALL. I mean who DOESN’T love song and dance numbers interwoven into a classic Hollywood love story, especially when it’s done as well as this one is supposed to be? Does this manage to be a film for the ages like those it takes its greatest inspiration from, or is this a mere copycat that doesn’t have a true identity of its own? Let’s find out!!
The movie takes place in present day Hollywood where we follow the struggling actress Mia (Emma Stone) and the struggling Jazz pianist Sebastian (Ryan Gosling) as they struggle their hearts out for their dreams and manage to find each other in the process. While Emma wants to simply get her big break, Sebastian has much more specific aspirations as he wants to open his own Jazz club right in the heart of the city, which is gonna be difficult because he’s flat broke and can’t even keep a steady gig going because he doesn’t want to play the set list provided… because he’s an artist I guess. Still, they manage to scrape by as they keep working towards their dreams while also putting on elaborate and non-diegetic song and dance numbers for our entertainment! Will the realities of the business crush their spirits and drive them apart as more and more chances start to slip away? Can a movie this unabashedly old fashion manage to work in a modern day context? Did they manage to outdo Tarantino as far as movie references!?