Justice League 2017 & Justice League 2021 as well as all the images you see are owned by Warner Bros Pictures
Both films directed by Zack Snyder
I can’t say I was ever looking forward to this day as I was one of the people who actually LIKED the original cut of Justice League and then spent the last four years seeing people opine (and worse) for a movie that they already got; not to mention the awful news that broke about how the reshoots went for Ray Fisher. Still, Warner Bros is looking for ANY sort of cash cow to make their HBO Max service a success, so they threw a bunch of money at Zack Snyder and company to make an extended version of the movie they already made and feed into the LOST SNYDER CUT narrative that has been stuck with us for so long. Now that the movie is finally out, was it worth all the hype and can it possibly justify the ridiculous over the top actions its most ardent supporters took? Well obviously not, but instead of just doing a straight up review as the films are very similar in a lot of ways, I think it’d be much more interesting to take a look at what this new version gets right as well as where it falls short of the original cut. Let’s get started, and beware of Spoilers ahead!!
Something Good: The colors make more sense
The drastic change in pallets between the early trailers and the later ones was a definite sign that things were changing significantly and a lot of scenes in the movie ended up suffering for it. Batman in particular always looked like an overstuffed sausage in bat-pants stuffed with pudding (which isn’t COMPLETELY gone but is much less prominent now), and there was a garishness to certain scenes where they pushed the colors up just a little bit too high. The corrections here definitely fit more with what was being filmed and the pallet fits well with the new tone of the movie.
Something Bad: The colors are more boring
And yet I just couldn’t get behind it. Sure the colors didn’t always WORK, but for the most part they were bright and colorful which added a much needed cheeriness to a franchise that until then was stuck in its own morose grander. Thankfully later movies like Shazam, Aquaman, and arguably even Wonder Woman 1984 built a brighter look from the ground up and the aesthetic fits better with those movies, but going back to this kind of look after those films is just deflating; even if it’s more competently done. And I’m also going to throw this in here, I just don’t get why they insisted on using an IMAX aspect ratio for a moving going to a streaming service. It’s distracting the whole way through and I never felt like it added anything.
Red Sparrow and all the images you see in this review are owned by 20th Century Fox
Directed by Francis Lawrence
What, were you expecting a review for Death Wish? Yeah… no. Eli Roth isn’t about to get another cent from me after the crap I went through with his LAST film, and seeing him remake an already tonally uneven film with the ham handedness that he makes all his other films is an experience I am VERY much willing to overlook and stuff down the memory hole along with everything else I’d like to forget; like Devilman Crybaby or that guy who’s occupying in the Oval Office right now where an ACTUAL President should be sitting. So that left me with this Jennifer Lawrence starring spy thriller which… I don’t know. The trailers didn’t really do enough to get me interested in the story, and I still have nightmares over the LAST time I saw Jennifer Lawrence star with uneasiness into a camera while contending with impending doom. At the very least though, it won’t be as bad as Death Wish… right? Let’s find out!!
Justice League and all the images you see in this review are owned by Warner Bros Pictures
Directed by Zack Snyder
So… it’s not like anyone is looking forward to this movie and is willing to yell at critics over it, right!? Sigh… now my opinions on Batman v Superman have been made quite clear on multiple occasions, but you know… with Wonder Woman and to a very VERY lesser extent Suicide Squad, I don’t think these films aren’t worth seeing. Heck, even Batman v Superman is worth seeing in the sense that there’s so much to learn about NOT making a good movie from it! I am absolutely not looking forward to this movie and I don’t expect it to be all that good, but I’m going to sit in my seat, watch all the crappy local car commercials, and then hope that I’m not just completely wasting my time and money being there. I The fact that I’m expecting this to be bad is not the same as WANTING it to be bad or HOPING for it to be bad just to get some “outrage clickbait” out of it, because I don’t need any MORE things in my life to piss me off even if I get a hilarious and insightful review out of it. I’d rather write hilarious and insightful review of GOOD movies! So then… does Warner Bros and DC have what it takes to keep this franchise afloat after Wonder Woman became an critical and box office smash, or are we stuck with more of the same crap until these DCCU films stop making money for them? Let’s find out!!
The movie begins sometime after the events of Batman v Superman where (SPOILER ALERT!) the world is still reeling over the DEATH OF SUPERMAN! Everyone’s moody, crime is on the rise, and to top things off, aliens have started invading Earth! Yeah, that whole dream sequence with the Parademons in the last movie? Well it’s not a full scale invasion just yet, but Batman’s swinging around Gotham City finding these space bugs all over the place and needs to figure out what the heck is going on! Well it doesn’t take long for the TRUE threat to reveal himself as Steppenwolf (Ciarán Hinds) who, now that Superman is deader than disco, feels confident enough to stage an all-out attack on Earth… for some reason. I mean I GUESS he tried to take over the planet back when it was Middle Earth and Amazons, Green Lanterns, and I THINK Shazzam were able to stop him, so maybe he’s after this planet for revenge or something. IT DOESN’T MATTER THOUGH! What matters is that he’s gonna tear shit up and the world needs its most powerful champions to fight against him which includes the aforementioned Batman, Wonder Woman (Gal Gadot), Aquaman (Jasson Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher). Will the Justice League be able to put aside their differences and come together (right now!) in order to stop the greatest threat humanity has ever faced? Just what is Steppenwolf’s master plan, and what other forces are in play that these mere mortals are only seeing the briefest glimpse of? How much more leeway will we have to give WB just to make sure we keep getting Wonder Woman movies!?
Assassin’s Creed and all the images you see in this review are owned by 20th Century Fox
Directed by Justin Kurzel
We all knew it was only a matter of time until they took a stab at making the next great video game movie, and since Warcraft turned out to be such a disaster there’s a nice big opening for Ubisoft to take the throne as the first company to get this right. Now the trailers really don’t inspire much hope as it looks like a bunch of overqualified actors in a routine action film, but then maybe that’s enough to make this a GOOD film (a feat unto itself at this point) even if it can’t quite be a great one. Does this manage to be the sign of things to come as studios begin to buckle down and seriously try to crack the code on adapting video games to the big screen, or will Resident Evil and Mortal Kombat still be the high bar that no one else has inexplicably been able to reach? Let’s find out!!
The movie begins with Cal Lynch as a young boy (Angus Brown) walking in on his mother (Essie Davis) with a stab wound in her neck and his dad (Brian Gleeson in the flashbacks and Brendan Gleeson in the present) with a bloody Assassin’s blade and wearing a very uncomfortable looking coat considering the scene seems to be set in New Mexico or something. Little Cal doesn’t have long to contemplate this as a whole bunch of black vans with hired goons rolls up on the house and tries to kill the both of him, but Cal manages to escape. Well, not for TOO long as we jump to present day where Little Cal is now Handsome Cal (Michael Fassbender) and is on death row for… some reason. Except not really! Apparently a super science corporation named Abstergo arranged it so that the state would PRETEND to kill him and then hand the poor sap over to Sofia and Alan Rikkin (Marion Cotillard and Jeremy Irons) who want him for their nefarious ends… I think. Apparently Cal is the Great Great Great Great Great Great (and so on) grandson of some Assassin from the fifteenth century and was ALSO the last known person to have the McGuffin of ultimate power… I mean the Apple of Eden. Using this giant crane device which is supposed to the Animus, they’re gonna send his brain back in time to live out the memories of his ancestor Aguilar de Nerha and find where he left the damn thing so they can find it and use it for whatever the hell it is they want to use it for. This of course is assuming that NO ONE MOVED IT OR FOUND IT IN FIVE HUNDRE YEARS, but I’m sure This all makes sense if I played Brotherhood or something. Will Cal be able to locate the Apple and gain his freedom in the process? What about all these OTHER assassins that Abstergo has collected and are housing in this Science Gulag? Are they gonna be all that happy that Cal is working to help find this artifact? Is there ANY reason this fucking thing had to be so damn complicated!?
Batman v Superman: Dawn of Justice and all the images you see in this review are owned by Warner Bros Pictures
Directed by Zack Snyder
The day has finally come where DC and Warner Bros step up to the plate and take their best swing at catching up to Marvel before being left irrevocably behind the curve. There is so much about this movie that could go right and can also go horribly wrong. It’s the first movie that not only has Batman and Superman together, but is also the first appearance of Wonder Woman. It’s taking a lot of inspiration from one of the most revered Batman stories of all time. It’s setting up a DC universe that intends to rival that of Marvel Studios. All of this CAN be great if they can pull it off, but the sheer magnitude of this release and the expectations from not only fans but the studio itself does not bode well for a director who is already hit or miss an on screen interpretation of Superman that has gotten heavily criticized. Can they pull off the impossible as effortlessly as The Last Son of Krypton would, or is this going to be an atomic bomb of a mess that will shake Warner Bros to its very core? Let’s find out!!
The movie begins at the end of Man of Steel, only now we’re following Bruce Wayne (Ben Affleck) as he tries to save people in the city of Metropolis while Zod (Michael Shannon) and Superman (Henry Cavill) are having their big smack down. Needless to say that there’s not much he can do (especially outside of his Batman suit) and has to more or less sit there as the city falls apart around him due to these two men who have come from the sky and could crush all of humanity. Cut to a year and a half later, and we see a world that is very much split on Superman. Sometime between then and now there was apparently enough people who LIKED Superman to make him a memorial in the middle of Metropolis, but for the most part he’s being attacked on the news and constantly questioned about his true motivations. One such Superman naysayer is Lex Luthor (Jessie Eisenberg) who is trying to manipulate the US military and members of Congress to give him access to all the resources they have on Krypton (mainly Zod’s ship and his lifeless corpse) as well as permission to import some Kryptonite that was found in India. While Lex is working on that, he’s also working surreptitiously to undercut Superman’s acts of genuine good while laying traps and breadcrumbs for Batman (who I don’t believe he knows is actually Bruce Wayne) to become even more resolute that Superman has to be stopped before he becomes a true threat to humanity. Along the way, we’ve got Lois Lane (Amy Adams) and Martha Kent (Diane Lane) keeping Superman’s spirits high while he grapples with a world that hates and fears him (Lois is also working on a story about clearing Superman’s associate with something bad that happened in Africa), and we also have Bruce’s faithful butler Alfred (Jeremy Irons) trying to steer him on the right path and away from Superman. Still, the punch up is inevitable if the title is any indication, and the two of them have to hash out their differences before eventually working together to fight Doomsday alongside their new ally Wonder Woman (Gal Gadot). Will they be able to stop Lex Luthor and his plans to… do bad things I guess? Will the world FINALLY accept Superman after he fights ANOTHER city destroying bad guy? Are they SERIOUSLY gonna try to launch an expansive DC film universe off of this movie? Can we just get to Suicide Squad already?
Race and all the images you see in this review are owned by Focus Features and TriStar Pictures
Directed by Stephen Hopkins
What with Oscars So White still being a relevant issues as the ceremony approaches, there really wasn’t a better time to release a biopic about the man who both shattered the color barrier to win four gold medals in 1936, and who succumbed to the insurmountable weight of the prejudice once her returned home. A fitting figure to highlight the discrimination that even people as successful as Spike Lee, Jada Pinkett-Smith, and countless other black and minority celebrities still have to face. Does this movie do justice to the story of the man while also being heartbreaking relevant to today? Let’s find out!!
The movie follows the career of Jesse Owens (Stephen James) between his acceptance to Ohio State University and his participation in the 1936 Berlin Olympics where he won four gold medals for the hundred meter, two hundred meter, four hundred meter relay, and long jump events. Of course, the story is not as simple as it may seem considering this all took place well before the Civil Rights Act was even a possibility in the United States, and that the Berlin Olympics were taking place in Nazi Germany which was already becoming a hotly contested entity on the world stage. As he struggles with his own personal demons about being a proper man and father, he must also face the realities of being a symbol for something greater than himself. Certain members of the black community want him to take a stand against the Olympics as a way to highlight the atrocities in Germany as well as those in his own home country, which could be a powerful statement but would almost certainly end his career in the process. Now we all know he did indeed end up going to the Olympics, but it was stuff like this that was in the back of his mind that he had to work through while facing down the Nazis in their own country. Does this movie manage to capture the historical magnitude of Jesse Owens’s achievements or is this yet another biopic that fails to capture what makes the person so great to instead focus on running down a checklist of his life story?