Tag Archives: Jenny Slate

Cinema Dispatch: Venom

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Venom and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Ruben Fleischer

FINALLY!!  I have been waiting so long for this movie to come out, especially with the last few weeks being miserable times doing these reviews.  None of this wish washy crap where I am not savvy enough to understand the BRILLIANCE of movies like Mandy, Assassination Nation, and A Star is Born!  None of the dull tedium of films like Night School or the disappointingly wasteful Hell Fest!  I’m done with those!  Give me something I can wrap my head around!  Something I can easily size up and bash with a baseball bat for some cheap laughs and maybe some a bit of insight!  Whether this is good or bad (STRONGLY leaning towards the latter if the trailers are any indication), I can’t imagine I’ll have to spend three hours hemming and hawing about the best way to describe why I’m the ONE critic out there who “doesn’t get it” because this is the kind of movie that I’m sure we’ll ALL have no problem understanding!  It’s a sad testament to the times we’re living in that a Sony Spider-Man movie (except maybe not?) is what I consider a grounding influence in my life, but I’m not the one who voted for any of these jerks, nor did I have anything to do with the September release schedule!  Anyway, does Venom actually turn out to be a fun adventure with one of Spider-Man’s most infamous foes, or did Sony WAY overestimate their ability to make another super hero movie after Disney held their hand on the last one?  Let’s find out!!

Eddie Brock (Tom Hardy) is your typical movie journalist!  He’s on the streets looking for the REAL news and has an axe to grind against THE MAN!  So much so that he finds dirt on some smug billionaire jerk named Carlton Drake (Riz Ahmed) who you’d THINK everyone would realize is bad just from the name, but Eddie’s got the story and springs these questions on him during an interview!  A few problems though.  First, this is the kind of billionaire who can get people fired from newspapers even if they DON’T run with the story, and second… well he got the dirt by hacking the computer of his girlfriend Anne Weying (Michelle Williams) who I THINK was a lawyer at the firm that Mr. Drake was employing, so she gets the boot too.  Well THAT certainly backfired for poor privacy invading Eddie!  Now no one will hire him because… I guess there’s NO outlet in existence that wants to hire someone who’s seemingly as competent as Eddie is (ESPECIALLY since he’s desperate and ready to work for cheap) and he’s just kind of sitting around depressed in his apartment; hoping his girlfriend will come back to him (she won’t) and hoping that his neighbor will turn down the loud music (he won’t).  Oh, and I think there’s something to do with aliens?  Yeah, apparently Mr. Drake had a spaceship that crashed but also had some alien lifeforms on it; namely The Symbiotes.  These giant piles of goo turn out to be rather dangerous as we learn when Mr. Drake starts siccing them on human subjects.  One of the scientists (Jenny Slate) doesn’t recall this being in her job description so she reaches out to Eddie who reluctantly goes to the facility with her after hours, and sure enough one of the Symbiotes escapes and attaches itself to Eddie.  Eventually it reveals itself to be known simply as Venom and the two of them need to work together; otherwise the EVIL MR. DRAKE will find them and… I guess do even MORE evil experiments on them!  Can Eddie and Venom uncover whatever it is that Drake has planned for humanity and the Symbiotes?  What exactly is Venom’s endgame here, and does it require Eddie to stay alive for that much longer?  What chances does Eddie have for reuniting with Anne now that there’s a third slimy wheel in the mix?  WHAT THE HELL IS TALKING ABOUT WHEN HE SAYS TURD IN THE WIND!?

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“Well on MY planet, turds are as light as a feather and could EASILY start rolling from a stiff breeze!  Now shut up as I eat your eyeballs!”

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Cinema Dispatch: Hotel Artemis

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Hotel Artemis and all the images you see in this review are owned by Global Road Entertainment

Directed by Drew Pearce

So you’re telling me that there’s a movie with Dave Bautista AND Jeff Goldblum in it, but it’s NOT part of the MCU!?  That seems like a bit of waste, especially considering the latter is clearly playing the same character minus the highlights, but I guess not EVERYTHING has to be a superhero film… at least for now.  Anyway, I kow ABSOLUTELY nothing going into this film other than seeing the poster once, and even that didn’t give much information on what this was going to be about, so it’s yet another chance for me to roll the dice at the theater which can be REALLY great when a movie surprises you, but then you run the risk of being completely unprepared if the film is an absolute train wreck.  Did I manage to roll sevens on a solid action film, or will I end up getting snake eyes on my last bet before I lose my thumbs?  Let’s find out!!

It’s the year 2028 and our movie begins with a crew of gangsters trying to pull off a bank heist in the middle of LA during a riot.  It seems that some big conglomerate turned off the water for everyone and now people are rising up to march their corporate offices and beat the hell out of anyone still working there which is an awful indictment of privatization and a huge humanitarian crisis, but ALSO a great opportunity to steal stuff because the cops are busy elsewhere.  Capitalism, am I right?  Anyway, the heist doesn’t quite go as planned and they barely seem to break even by just taking the stuff of those who happened to be there at the time, but one of them gets shot (Brian Tyree Henry) and his brother Sherman (Sterling K Brown) has to drag him to a SECRET CRIMINAL HOSPITAL known as The Hotel Artemis run by The Nurse (Jodie Foster) who has a very precise set of rules that are followed to the latter; else you have to deal with the orderly named Everest (Dave Bautista) and you do not want to deal with Everest unless absolutely necessary.  Sherman and his brother aren’t the only ones there however as a fellow guest staying in the Nice room (Sofia Boutella) is nursing a gunshot wound and another guest in the Acapulco room (Charlie Day) is getting his face fixed up after some sort of encounter.  Seems like a typical night at The Hotel Artemis, right?  Well it turns out that riots can cause a fair bit of chaos, even in a place as well protected as that, and things start to unravel as someone from The Nurse’s past start to show up asking for help (Jenny Slate), and the big mob boss who helped The Nurse set this place up known simply as The Wolf King (Jeff Goldblum) is stopping by with a gunshot wound; flanked by his hot headed son (Zachary Quinto) who chafes immediately at all the rules.  Oh, and it turns out that Sherman’s brother managed to take something that belonged to The Wolf King during the heist, and if he were to find out… well let’s just say that wolves aren’t typically known for their ability to share things.  Can The Nurse keep order in this place while the rest of the world is descending into chaos around her?  How long can Sherman keep himself and his brother out of sight, and will they be able to escape in time?  How is it that no one can just follow the rules!?  IT’S NOT THAT HARD!!

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“If I told you once, I told you a THOUSAND times!”     “Duly noted!  I will remember put the toilet seat down, okay!?”

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Cinema Dispatch: Gifted

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Gifted and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Marc Webb

Has anyone else notice that Marc Webb now has four movies in a row with Superheroes in them?  Sure the Amazing Spider-Man movie are obvious, but 500 Days of Summer had Joseph Gordon-Levitt (AKA Robin) and now he’s directing Captain America in a movie about a girl genius!  Hell, if he can get back on track now that he isn’t weighed down by Sony’s super petty pet projects, maybe he’ll be the one to finally get Hugh Jackman that Oscar in some heartfelt indie drama or something!  Speaking of which, the indie vibe is certainly strong with this one which I don’t particularly begrudge the guy for considering he spent the last five years on terrible films.  If he needs a film to rediscover his roots and remind us all why he was such a promising up and coming director, I’m more than fine with it!  Does this manage to be the movie that resuscitate his fledgling directorial career, or will this prove once and for that he’s not that strong of a director even when he doesn’t have a giant studio breathing down his neck?  Let’s find out!!

The movie begins on the first day of school for Mary Adler (Mckenna Grace) who’s been home schooled by her uncle Frank (Chris Evans) up until now, but he’s determined for her to have a normal childhood which includes interacting with other children instead of just grownups like him and their helpful neighbor Roberta (Octavia Spencer).  Of course, Mary isn’t exactly a normal girl as she has SUPER impressive math skills which doesn’t go unnoticed by her teacher Miss Stevenson (Jenny Slate) or anyone else in the school which unfortunately leads to Mary’s grandmother Evelyn (Lindsay Duncan) finally tracking the two of them down.  So why is this bad thing?  Well since Mary isn’t technically Frank’s daughter (her mother is his sister and Evelyn’s daughter who died some time ago), she feels she can get a court to give her full custody of Mary and make sure that her brain is put to good use; mainly studying advanced calculus every day with college professors instead of going to grade school.  Fair enough I guess.  I mean, it’s not like she’s getting THAT much out of the first grade curriculum.  Then again, as we learn more about Evelyn and ESPECIALLY her relationship to Mary’s mother, things get a bit less clear cut and Frank is certainly not about to back down on trying to give Mary a normal life.  Will Frank get to keep Mary from a sheltered academic life, or is he simply holding her back from reaching her true potential.  What exactly happened that led to Frank having Mary in the first place?  Does anything from this movie look familiar to anyone else?

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Wait, are we sure this isn’t the Marvel Studios version of Logan?  So that would mean… she’s American Dream!! MC2 Universe confirmed!!

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Cinema Dispatch: The LEGO Batman Movie

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The Lego Batman Movie and all the images you see in this review are owned by Warner Bros Pictures

Directed by Chris McKay

Let’s see… you take something awesome like The LEGO Movie, and you add more Will Arnett.  How could this POSSIBLY fail!?  I mean granted, adding Will Arnett to ANYTHING is an automatic improvement (unless it’s Bojack Horseman), but considering what we’ve gotten from the DC canon since Nolan’s second movie, how could we NOT be excited when one of those movies isn’t fraught with astounding mismanagement and crushing solemnity!?  Does this offshoot of The LEGO movie prove to be a success while laying the groundwork for other LEGO based offshoots, or has Warner Bros utter mismanagement of the DC licenses somehow managed to spread to this colorful and vibrant take on the characters?  Let’s find out!!

The movie is about Batman being Batman and everyone getting really sick about it, and I can certainly relate to that.  More specifically, Batman (Will Arnett) has just locked away a whole bunch of villains for what has to be the millionth time, but something’s a little bit different.  While The Joker (Zach Galifianakis) managed to escape like he usually does, Batman managed to hurt his feelings by claiming he’s NOT his arch-enemy, so now he’s got a NEW axe to grind with the caped crusader.  On top of that, Barbara Gordon (Rosario Dawson) has just become the new commissioner and is somewhat skeptical about letting some sociopath with silly ears and a cape beating up poor people and other weirdos in the streets of Gotham which makes SENSE but isn’t all that comforting to Batman who’s already having enough trouble finding things to do in what little spare time he has NOW; let alone how much he’d have if the police department started doing their jobs right under Barbara’s new rule.  To cap things off, he JUST SO HAPPENS to adopt a young boy named Dick Grayson (Michael Cera) which you’d THINK would require just a LITTLE bit of paperwork, but I guess the Orphanage could use the extra bed; especially considering how many kids they have to take in considering how many supervillains are blowing shit up around the city.  ANYWAY!  Batman, who’s been avoiding his feelings all this time by punching baddies in the face now has to deal with that one thing we all fear… CHANGE!  Will he be able to keep his cool now that the status quo has been upended?  Just what does The Joker have planned now that he’s even MORE pissed at Batman than usual?  Is it too soon to reboot the DC films and just make them all based on toys?

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“Do you bleed?”     “Probably not.  I mean, I AM made of plastic.”     “YOU WILL!!”     “Again… I’m made out of plastic…”

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Cinema Dispatch: The Secret Life of Pets

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The Secret Life of Pets and all the images you see in this review are owned by Universal Pictures

Directed by Chris Renaud and Yarrow Cheney

Is it finally out!?  OH THANK GOODNESS!!  Whether or not this movie is actually good, at least we no longer have to see those same trailers over and over and OVER again.  The marketing for this movie was absolutely insane and was in front of every damn movie I saw.  They played this so much that now I don’t like Downtown by Macklemore anymore.  THANKS A LOT ILLUMINATION ENTERTAINMENT!!  Still, it’s not always fair to judge a movie by how obnoxiously they market it, and I did see a little bit of potential here before that hope was snuffed by the sheer incessantness of the advertisements so maybe there’s light at the end of this tunnel!  Let’s find out!!

The movie is all about Max (Louis CK) who’s living a perfect life with his owner Katie (Ellie Kemper) who does her human stuff during the day but always comes back to find Max waiting for her.  One day however, she up and ruins the perfect setup they have going by bringing a new dog home with her named Duke (Eric Stonestreet) which is a shakeup that Max is not happy about for a myriad of reasons; the least of which being that this dog is HUGE and is probably not gonna be too friendly to the much smaller Max considering how territorial dogs can be.  Oh well!  They’ll learn to get along eventually, right?  Well I wouldn’t DREAM of spoiling this movie, but before anything like that can take place, they get into a huge fight in the dog park and are stuck in the middle of New York City without collars and are just unfortunate enough to keep running into either Animal Control Workers, or a bunch of Animal Revolutionaries led by the rabbit Snowball (Kevin Hart) who want the two of them dead for convoluted reasons.  While all that is going on, a bunch of pets at their apartment building band together to find Max and Duke before it’s too late!  The group is led up by a little Pomeranian named Gidget (Jenny Slate), and is made up of a cat named Chloe (Lake Bell), a few dogs in the building (Bobby Moynihan and Hannibal Buress), a small bird who I don’t recall having any lines but is apparently played by Tara Strong, a guinea pig named Norman (Chris Renaud) and a hawk named Tiberius who’s played by Albert Brooks as you would expect a vicious animal to be played by Albert Brooks.  Will Max and Duke manage to find their way home without getting murdered by humans or other animals in the process?  Will their friends manage to find those two or will they end up getting just as lost in the process?  Why do I get the feeling I’ve seen this movie already?

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Oh right!  The Producers.  Yeah, that’s what it is.

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Cinema Dispatch: Zootopia

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Zootopia and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Byron Howard and Rich Moore

With Pixar not really living up to its namesake in the last couple of years (not the biggest fan of Inside Out), it’s interesting to see their decline coincide with Disney Animation Studio’s recent output steadily increase in quality.  I didn’t see Big Hero Six, but Tangled, Frozen, and Wreck-It Ralph are all very strong features from a studio that had been relying on Pixar for some time to keep Disney’s theatrical output relevant and groundbreaking.  Not only that, but they’ve done a good job of keeping their ideas interesting and relevant, from Frozen’s LGBT undertones, to Wreck-It Ralph’s use of new(ish) media to tell a classic Disney fable about a lost princess.  Now they’re giving something that ALL internet users are at least passingly familiar with; FURRIES!  Does this anthropomorphic animal tale manage to continue Disney Animation Studio’s valiant escape from the shadow of Pixar, or are we in for another bland kid’s movie that’ll only succeed due to the brand name recognition?  Let’s find out!!

The movie follows the trials and tribulations of one Judy Hopps (Ginnifer Goodwin); the first rabbit police in… the country?  I don’t know the exact geography here, but her becoming a police officer (valedictorian at the academy) is such a big deal that she gets assigned to Zootopia; the most vibrant, diverse, and technologically advanced cities on Earth… or Animal Planet.  Whatever.  Unfortunately for our friend here, she’s relegated to menial tasks as the chief of police Bongo (Idris Elba) has no confidence in her abilities to perform in a job that is typically handled by much larger animals.  When a case involving a series of missing animals (predators specifically) gets out of hand though, she has an opportunity to prove herself by tracking down an otter who was among those missing.  However, because of the necessities of screenwriting conventions, Bongo somehow manages to turn this into an ego contest and has officer Hopps agree to quit the force if she doesn’t solve this case in forty-eight hours (I sense a reference there!) which you would think wouldn’t be something he can force her to do, but I guess she’s got something to prove and agrees to the wager.  The only lead she has is a local fox who’s already been giving her grief named Nick Wilde (Jason Bateman) who may have seen the otter and knows where he might have gone.  After some underhanded tricks of her own (hey, the fox started it!) she finally convinces him to assist her in finding this otter and find out what it is that has caused these animals to go missing.  Will they be able to solve the case within the arbitrary time limit?  What secrets are there to uncover in the dark underbelly of this supposed utopian city?  Wait, is this gonna be the most socially conscious movie about race relations this year!?

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“They keep me on board so the administration doesn’t look anti-prey, yet I’m stuck in a boiler room.  Progress, am I right?”

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