We’re back with even more haunted shenanigans against the backdrop of the ACTUALLY terrifying 1950s, and after the last episode ended up being a refreshing change of pace by telling a straightforward ghost story I’m once again optimistic that this show will live up to the potential I saw in that first episode! Is this another great story that continues the upward momentum of the series, or is going to be like The X-Files where we alternate between the awesome monster of the week episodes and the less interesting government conspiracy ones? Let’s find out!!
We start the episode with Atticus’s father Montrose (Michael K Williams) who’s still dealing with the death of his brother George by crawling into a bottle, but on top of that he’s been reading a book he got from George about the Sons of Adam that contains ALL the answers that Atticus and Leti (Jonathan Majors and Jurnee Smollett) have been looking for… and he just burns it; probably in grief but also possibly due to that whole Eldritch Horror thing that Lovecraft liked to do. Perhaps the book was so horrifying that any mortal man with a shred of conscious cannot read it without losing their own mind, but then Montrose’s motivations have ALWAYS been extremely guarded so it’s hard to tell exactly what’s going on with him on an episode to episode basis.
Now the big problem I’ve had with this show is the convoluted nature of its Mythology, and I’ll give this episode credit for making at least SOME of it clearer. The Sons of Adam get their power from something called THE LOST BOOK OF NAMES, and there are two sets of deciphered pages. These are the MacGuffins that are driving the narrative throughout the episode as Atticus and Leti are looking for the set of pages owned by Titus (the guy who started the Sons of Adam and is the ancestor of Atticus) which are hidden in some sort of secret vault, while Christina (Abbey Lee) is looking for the pages stolen by Hiram (the ghost in the last episode). It’s straightforward enough that you can focus on this episode on its own like you could with the ghost story, but also mercifully has enough of the Sons of Adam stuff informing it that some of that nonsense can start to seep in and become easier to understand.
Last week’s episode was a major disappointment, but not so much that they can’t find a way to come back from it. The characters are still strong and engaging, the aesthetic has a fun pulpiness to it (not dissimilar from Perry Mason), and we’ve seen how effectively they can handle a difficult tone between horror fun and dreadful reality with aplomb, so there’s no reason they couldn’t pull it off again. Does this show find a way to get back on track after the convoluted mess that was the last episode, or were all their best ideas in that first episode? Let’s find out!!
The episode begins with Leti in the middle of a church service; staring off in the middle distance with an expression of empty sadness while… um… a Nike commercial is playing in the background. The spoken word monologue on the soundtrack during this scene is from Nike’s NYC Be True Campaign from 2017 (written by Daisy Zhao and narrated by Precious Angel Ramirez) which seems like an odd pick for something like this. Also, what exactly IS this? If this is supposed to be the funeral of Uncle George, then it doesn’t read as such because there’s no casket, no pictures, and certainly no sadness from anyone else there who seem to be singing joyfully with Leti being the odd one out. Perhaps my cultural signifies for what a funeral scene in a show or movie is supposed to look like are too narrow, but for me it started things off on an awkward note as I wasn’t exactly sure what was going on here.
After the funeral we get a quick update on the fallout between the last episode and this one which if you recall ended in the Sons of Adam being destroyed and Uncle George dying of a gunshot wound. Atticus is taking care of Aunt Hippolyta and their daughter Dee now that Uncle George is gone, and on top of that he has to deal with his cranky dad Montrose who seems content to while away his time drinking from his flask and being a dick to his son. Seems they’re apt to pick up their relationship exactly where they left it off; icy and cantankerous. There’s certainly a lot of guilt being felt between the both of them, especially since they decided to not tell Hippolyta and Dee exactly HOW George died opting to go with a hothead sheriff shooting him; a decision that’s certainly weighing harder on Atticus than it does Montrose.
HBO Max is proving to be a darn good service and I’m finding a lot of great series to enjoy, particularly Perry Mason and Harley Quinn, so in the spirit of celebrating the arrival of another good streaming service (and looking for something I can review on a regular schedule), I’ll be watching their latest series which I can only assume is a Once Upon a Time knock off but about scarier monsters, right? Okay, probably not. Does this series have what it takes to grip you right away and leave you itching for more episodes, or does the novelty of the show wear off once you get past the title? Let’s find out!!
The show begins with what I’m sure most of us were expecting when we heard it was called Lovecraft Country; a Syfy channel series with HBO money and gratuitous violence as we see a bizarre WW I trench battle involving flying saucers, alien bikini babes, and Cthulhu themselves being utterly wrecked by Jackie Robinson! Seems like the kind of show that’s right up my very silly alley, but this is not to be as the show has much more on its mind as it all turns out to be a dream; escaping from a reality that may be more mundane but is certainly one our main character wants to get away from. Our hero is Atticus Freeman (Jonathan Majors); a nerdy black kid from Chicago who joined the army, got super buff, and has been moving around the country since the end of his service. He’s finally returning home because his father, the man he was trying to get away from by joining the service, has gone missing and the last thing he did was send a mysterious note to Atticus requesting his presence in Ardham Massachusetts which doesn’t seem to exist. Seems like a straightforward enough task, except that this show takes place in the fifties and therefore he can’t just do a Google search and more importantly he has to deal with the terrifying barriers of systemic racism wherever he goes; where even riding a bus is rife with danger and indignities as we learn as soon as he wakes up from his exciting dream. The bus has broken down in the middle of nowhere and the only transportation that’s come to help is a pickup truck sending a very clear message of exactly WHO they’re willing to take.