Cinema Dispatch: Shazam! Fury of the Gods

Shazam! Fury of the Gods and all the images you see in this review are owned by Warner Bros Pictures

Directed by David F Sandberg

The announcement of James Gunn taking over the DCEU has certainly put this and a few of their other recent projects in an awkward position. Sure, there are questions of continuity and whatnot which I’m sure will be hashed out eventually, but these are projects that were built from the ground up under a regime that is no longer in charge, and it’s still a huge question mark as to how much Gunn is willing to carry over from the years that can be charitably called misguided. Still, the future is a concern for another day and the first Shazam movie was definitely a bright spot in the DCEU’s darkest days and perhaps it’s better suited than most to make the leap from old DCEU to Gunn’s DCEU. Does this movie prove that this is a viable character and film series going forward, or will this be a depressing reminder as to why they handed it over to Gunn in the first place? Let’s find out!!

A few years after the events of the first film, we find Billy Batson (Asher Angel) and his family (Ian Chen, Jovan Armand, Grace Caroline Currey, and Faithe Herman) are still protecting Philadelphia from whatever crimes and random disaster befalls their city using their Shazam powers that turn them into super hunky adult superheroes (Zachary Levi, Ross Butler, DJ Cotrona, and Megan Good). Still, the one thing their powers cannot overcome is the ceaseless march of time and Billy is already seventeen which means he’s going to age out of the foster system soon and doesn’t know what to do with his life if he’s no longer with his family who will also one day go their separate ways. Freddy (Jack Dylan Grazer) in particular seems ready to fly the coop and start a solo act with his superhero persona (Adam Brody), but when he gets caught up in a plot by three Gods (Helen Mirren, Lucy Liu, and Rachel Zegler) who steal his powers and want to do… something nefarious, Billy and the rest must find a way to save him and stop these Gods before Philly is destroyed. Will Freddy find a way to be heroic even without the superpowers gifted to him? Will Billy be able to stop these Gods and come to terms with growing up and moving forward with his life? Will the other Shazam heroes also find something to do in this movie, or are they just kinda there for emotional support?

“I’ll defeat you if it’s the last thing I do!” “And we’ll help!” “Sure, I guess…”
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Cinema Dispatch: Fast & Furious 9

Fast & Furious 9 and all the images you see in this review are owned by Universal Pictures

Directed by Justin Lin

It looks like movies are back (at least for those who can safely vaccinate, which if you haven’t and are able to then do it please!) and what a better way to kick off the summer season than with another Fast & Furious movie!?  Gotta admit, I was not on the F&F train for over a decade and it wasn’t until Fate of the Furious that I finally gave the franchise a chance.  It’s a mixed bag to be sure, but the latter half of the franchise has been quite impressive as big budget spectacles though and the more professional wrestlers they throw into the mix the more I look forward to seeing them!  So after a year of global misery and despair, is this action blockbuster we need to celebrate our slow but sure recovery, or has the Fast Franchise gassed out right when we needed it the most?  Let’s find out!!

Dominic Toretto and Letty Ortiz (Vin Diesel and Michelle Rodriguez) have been living the quiet life with Dom’s son Bryan out in the country, but this peace is not meant to last as Roman, Tej, and Ramsey (Tyrese Gibson, Chris “Ludacris” Bridges, and Nathalie Emmanuel) show up with a distress message from the mysterious Mr. Nobody (Kurt Russell) and they are forced to come out of retirement to find him and find what he was trying to protect.  Sadly they don’t find the former, but the latter is a piece of some sort of doomsday device that is pretty much the SAME doomsday device these last few movies have had, and it gets taken right from under their noses by a mysterious jacked dude (John Cena) who also drives cars, has a cross necklace, and keeps staring menacingly at Dom.  Turns out that this is none other than Jakob; Dom’s long lost brother!  Not only must Dom and the crew stop Jakob and who he’s working for from getting the other pieces of the Doomsday Device, Dom must confront his past and perhaps even realize his own mistakes before they threaten to throw the world into utter chaos!  Will Dom be able to face his brother and bring an end to his maniacal schemes?  Who else has a stake in this Doomsday Device, and will they prove to be an ally or a hindrance to the Fast & Furious family?  Speaking of family, are we sure Dom and Jakob aren’t actually cousins, or were their parents’ genes an ethnic roulette wheel?

Come on, Cena! Do the U CAN’T SEE ME! You know you want to!!
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Cinema Dispatch: Hobbs & Shaw

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Hobbs & Shaw and all the images you see in this review are owned by Universal Pictures

Directed by David Leitch

You know what movie I’ve recently watched again?  Face/Off!  Seriously, isn’t that like THE BEST MOVIE EVER MADE!?  Great performances, over the top action, doves, it’s got it all!  I’ve always had a soft spot for action movies like that where two awesome actors are either working together or fighting one another while ludicrous action is going on around them.  It’s my excuse for still liking Central Intelligence, and it’s also why I found myself really excited to see this movie.  That trailer with the goofy song choice, the laughable premise, and Idris Elba being the most awesome Terminator imaginable hit all the right buttons for me, and throwing in John “THE DWAYNE” Rockson together with America’s favorite British dude Jason Statham was just the icing on the cake!  Can this spin-off of the most absurd action franchise of all time manage to excel past what came before it, or was moving the focus away from the main cast as bad an idea now as it was when they did it in Tokyo Drift?  Let’s find out!!

After the events of Fate of the Furious, Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are no longer in jail because… I guess saving the world gives you a free pass, and are going about their daily lives as the most interesting men in the universe; living in nice houses, driving nice cars, and kicking random bad guy butts whenever the need arises.  The best part is that neither one of them has to see the other one since they live in entirely different countries working for entirely different bosses, and can just leave each other in peace, because I guess they don’t like each other anymore for some reason.  Well too bad for them!  Shaw’s sister Hattie (Vanessa Kirby) gets swept up in some global crisis involving a deadly robo-virus and is being hunted down by deadly robo-MAN Brixton Lore (Idris Elba), so Hobbs and Shaw have to put aside their differences and work together to keep the virus Hattie selflessly injected into herself from falling into the wrong hands, and to find some way to cure her before her insides turn to mush.  Can these three action heroes with coolness to spare but baggage for days outsmart the perfect cyborg human and whatever EVIL organization he works for?  Will they find the cure for this virus inside of a fast moving car or at the end of a gun barrel!?  I wonder if the next one will be Hobbs & Shaw vs. The Fast and the Furious…

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“Looks like I’ve got to take you in again, Dom.”     “And I’m the bad guy still.”     “And I’m here as well!”

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Cinema Dispatch: The Nutcracker and the Four Realms

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The Nutcracker and the Four Realms and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Lasse Hallström and Joe Johnston

It’s not often that Disney just let’s something slide under the radar like this.  Every Marvel movie and Star Wars episode gets a HUGE marketing push (even the comparatively small Solo got more coverage than a lot of other movies), their animated films are almost always guaranteed to be at the top of the box office, even something as out there as A Wrinkle In Time was pretty omnipresent prior to its release.  With this film though it’s like they want to sneak it out as fast as possible which, given what we saw in the trailers, is probably a good call and even more reason for critics like me to make sure it gets it’s turn in the spotlight!  We may love Disney for a lot of things, but they’ve had their share of horrible mistakes and I’m not in a lenient mood this year!  Does this retelling of the classic tale turn out to be a Disney Blunder on the scale of Treasure Planet, or did they simply not know what to do with the greatness they had in front of them?  Let’s find out!!

Clara Stahlbaum (Mackenzie Foy) is the daughter of a wealthy English family who is not having a very good Christmas, mostly due to her mother (Anna Madeley) having died the previous year, and her father (Matthew Macfadyen) is insisting they at least put up appearances and go the Christmas ball as tradition dictates.  Oh and she has a brother and sister (Tom Sweet and Ellie Bamber), but who cares about them.  ANYWAY, Clara goes to the party in a rather dour mood and sees her kindly godfather Drosselmeyer (Morgan Freeman) who makes clockwork novelties and presumably lost one of his eyes when a cuckoo clock got too close, but more importantly he seems to be the only one who understands Clara as she too has an affinity for mechanical devices.  However, there’s one that still eludes her which is a locked mechanical egg that she got as the last gift from her mother, and when Drosselmeyer sees it it’s clear that SOMETHING must be done!  Okay, see if you can follow me on this.  First, he sets up an elaborate gift giving system for the kids where very long strings are tied to a pole in the courtyard with each child’s name on one of the strings, and they have to follow said string to the gift.  Clara’s string apparently winds all through the house which leads to a… magic door I guess that takes her to the fantasy world of THE FOUR REALMS that’s populated by nutcrackers, fairies, and mice.  Well it’s certainly a good thing that none of the other kids mistook her string for theirs, though even if I was dutifully following a string with my name on it, I’d AT LEAST start to question something when it starts snowing and we’re no longer in the middle of the city, but I guess I’m not young enough to get the whimsy of being out in the cold without a jacket.  The string by the way leads to a key which could be the one needed to unlock Clara’s mechanical egg thingy, but alas it is taken by a mouse that runs off into THE FOURTH REALM which is a place of fog, dead trees, and clowns.  After meeting up with a nutcracker solider (Jayden Fowora-Knight) and making a valiant effort to chase after the mouse who took her key, she eventually retreats back to the big castle just outside THE FOURTH REALM where all the rich people are partying, the guardians of the GOOD realms are residing (Keira Knightley, Eugenio Derbez, and Richard E. Grant), and Clara’s mom is apparently still crowned as queen despite being dead for over a year which we soon learn is even LONGER in Fantasy World Time!  So with that, Clara is given the royal treatment but has to take on great responsibility in her mother’s absence to… I guess eradicate THE FOURTH REALM which is so obviously evil while also getting that key back and finally uncovering whatever secrets her mother left in that egg!  Will Clara be able to overcome whatever challenges face her once she goes back into THE FOURTH REALM?  What are the rulers of the other realms planning to do once Clara fulfils her duty, and will she be able to return to her old life?  Is it just me, or did almost NONE of that have to do with The Nutcracker!?

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“And THEN we signed the peace treaty with the dragons of marshmallow mountain which allowed trade ships to travel down the chocolate milk river.”     “uh huh.  That’s nice…”

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Cinema Dispatch: Winchester

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Winchester and all the images you see in this review are owned by Lionsgate and CBS Films

Directed by Peter Spierig and Michael Spierig

SERIOUSLY!?  We managed to go through ALL of January without a single notable horror movie!?  Okay, I mean there was that INSIDIOUS movie but that one doesn’t count because… I didn’t see the other films.  MY POINT IS that it’s been PRETTY light so far for a month known almost EXCLUSIVELY for terrible horror films, and for me this is the first one of the new year so I’m STILL gonna consider it a January horror film!  Besides, that’s not even a particularly hard rule of thumb considering last year’s worst horror abomination Rings didn’t make it out the gate until the first week of February either.  Will this be another entry in the never ending list of terrible first of the year horror movies, or are the people behind this just too darn talented to make the same mistakes that everyone else did?  Let’s find out!!

The movie follows the story of Sarah Winchester (Helen Mirren) who is the widow of William Winchester; the man who started the Winchester Repeating Arms company and got SUPER rich doing so.  Now she has all this money, but she’s been using it to build and rebuild and rebuild and add on and then do some MORE rebuilding on here house.  Why is she doing this?  Well she believes that the ghosts of the victims of Winchester rifles, instead of haunting say… their murderers, are haunting her house and I guess the multiple rooms and weird architecture confuses them or something.  Anyway, Dr. Price (Jason Clarke) has been sent by the Winchester Repeating Arms company to assess the mental fitness of Sarah in an attempt to oust her from the company, but he’s not interested in being their lap dog and seems to genuinely want to help her; not like he’d get away with being so duplicitous what with her niece Marion (Sarah Snook) watching his every move.  Of course, things start to get strange almost immediately as Eric starts to see creepy things of his own and Marian’s son Henry (Finn Scicluna-O’Prey) is “sleepwalking” all over the place.  Is Miss Winchester correct in believing that there are ghosts in her house and that they’re after her for what her company’s weapons did to them?  Does Dr. Price have a much deeper connection to this place than either he or Sarah initially thought?  Why does it matter if the house is a confusing maze of dead ends and random staircases!?  GHOSTS ARE NON-CORPOREAL!!

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“BOO!!”     …     “What?  Ah, damn it!  She’s not in this room either.  WHERE THE HECK IS SHE!?”

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Cinema Dispatch: The Fate of the Furious

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Fate of the Furious and all the images you see in this review are owned by Universal Pictures

Directed by F Gary Gray

I hope all of you out there appreciate what I do for you!  A week ago, I had never even SEEN a Fast and the Furious movie, and yet I managed to binge watch ALL SEVEN OF THEM so that I can properly review this new one as the series now has a continuity more dense than the freaking Terminator, and that’s SUPPOSED to be convoluted!  I HAD TO WATCH TOKYO DRIFT FOR YOU PEOPLE!!  Sigh… alright, well it’s not like I even HATED any of the movies (other than Tokyo Drift) as most of them are at least DECENT if not all that engaging.  For me though, they didn’t pick up until part six when the BUDGET finally started to match the VISION that was always there, because let’s face it; Fast and the Furious was NEVER a serious series.  It was ALWAYS balls to the wall insanity, just at different degrees depending on what they could afford (except for Tokyo Drift which was just garbage).  So with the last two films finally managing to reach the potential this series was always capable of, does that trend continue with this film?  Let’s find out!!

The movie begins in Cuba where Dominic Toretto (Vin Diesel) and Letty Ortiz (Michelle Rodriguez) have settled down since the last movie where their house got blown up, and they’re doing their typical first act shtick of racing cars, talking about family, and forging new friendships!  That is until a super hacker hilariously named CIPHER (Charlize Theron) corners Dom at one point and shows him something that will CHANGE EVERYTHING FOREVER!!  Cut to a few days later where good ol’ Luke Hobbs (Dwayne Johnson) calls him and the rest of the crew up (Tyrese Gibson, Chirs Bridges, and Nathalie Emmanuel) to do another mission.  Everything goes according to plan except… DOM BETRAYS THEM!!  Their mission was to take an EMP from someplace in German (for reasons that I’m sure make sense) but he crashes Hobbs’s car right at the end and takes it for himself; leaving Hobbs to get thrown in jail back in America which JUST SO HAPPENS to be the same jail that Deckard Shaw (Jason Statham) is locked in as well… and they get cells right across from each other because reasons.  So now it’s up to our favorite crew of street racers along with Frank Petty (Kurt Russel) from the last movie who’s the leader of some sort of spy organization as well as his new protégé of sorts Eric Reisner (Scott Eastwood) to find out what Dom is doing, what CIPHER wants from him, and hopefully how to solve all this without taking him out as well.  Just what is the reason that Dom betrayed the one thing he cares about more than anything which is FAMILY?  Just what is CIPHER planning, and is it bad enough that the crew may have no other choice than to take Dom out?  Will Vin Diesel FINALLY give that Oscar performance he’s been hoping for!?

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“I DRINK YOUR MILKSHAKE!!  SLLLLLUUURRRP!”

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Cinema Dispatch: Collateral Beauty

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Collateral Beauty and all the images you see in this review are owned by Warner Bros Pictures

Directed by David Frankel

Is it that time again for Will Smith to try and win that Oscar he’s been so desperately seeking for some time now!?  Hey, since DiCaprio got his we need another underdog to root for, and Will Smith is as good a candidate as any.  Well… except that HIS Oscar bait films tend to be stuff like Concussion where he’s a boring scientist while Leo jumped off mountains and did massive amounts of drugs trying to get his.  This movie, just from the awkward title, doesn’t inspire much hope that The Fresh Prince is ready to put himself out there in something fun and risky to win his Academy Award, but then maybe this movie doesn’t need any of that and is a truly moving film in its own right.  We can only hope…

The movie begins with Howard (Will Smith) and Whit (Edward Norton) as two best buddies as the heads of some advertising company that seems to get motivational Howard Speeches on a daily basis.  That is… until the tragedy.  We jump straight to three years later where Howard has gone from The Fresh to Hancock (well… Hancock without the fun) and is now spending his days building up elaborate domino sets instead of working.  Not only that, but he’s so preoccupied with the grief of what happened (it doesn’t take long before we find out his daughter died) that he’s letting the company gone down the tubes financially and can’t even be bothered to sign the company over to Whit as well as Simon (Michael Peña) and Claire (Kate Winslet) who could save the company if Howard would just give them the authority to do so, though I’m not sure what the law is about letting someone literally sit on his ass all day while all his employees are left to watch things crumble.  Eventually, our trio of good buddies decide that Howard needs to either lose his fucking mind or get better (it’s never quite clear which one they’re going for) and decide to Christmas Carol his ass using actors (Keira Knightley, Jacob Latimore, and Helen Mirren) who will play Love, Time, and Death; all three of which are concepts that Howard has been writing letters to as a way of expressing his internal frustration and rage.  Will this strange plan to convince Howard he’s seeing his delusions come to life make him deal with his problems, or drive him further into his unhealthy state of mind?  Will he eventually seek help from a local support group led by Madeleine (Naomie Harris) which seems like a less risky way for him to deal with his daughter’s death?  Seriously, isn’t there like a MILLION ways this plan could go horribly wrong!?

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“Without love in your life, you couldn’t even appreciate the time you had with her, and-”     “Oh!  I see you have a guest!  What will she have?”     “Wait, you can see her!?  She can see you!?”     “Uh…”

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