Rules Don’t Apply and all the images you see in this review are owned by 20th Century Fox
Directed by Warren Beatty
Oh wow! THAT’S a guy we haven’t heard from in a while! I certainly have no idea what the hell he’s been up to for the last two decades, but the guy is finally back from what looked to be retirement to make this film about one of Hollywood’s most iconic names, though in fairness I really don’t know about Howard Hughes besides the name. Does the triumphant return of Warren Beatty prove to be one of the high points of the year, or is his latest film evidence that he’s gonna need a bit more time before he can truly get back into the film making game? Let’s find out!!
The movie begins with Frank Forbes (Alden Ehrenreich) who’s working as a driver for the one and only Howard Hughes (Warren Beatty) in order to possibly get him to invest in some housing project that Frank is trying to get off the ground. The problem is that he’s not driving Mr. Hughes himself; rather he’s assigned to drive around Marla Mabrey (Lily Collins) who’s been brought to Hollywood in order to do a screen test for a movie that Hughes is producing. Marla along with at least twenty other women are all vying for the same part… as far as I could tell, and eventually she gets called in to meet Howard Hughes. At this point, things get a bit confusing as it’s not clear exactly if Marla ever gets the part (or any parts in any movies for that matter), but in the process Frank gets the attention of Howard who makes him one of his personal assistants as the movie is now about following the both of them along with another assistant Levar Mathis (Matthew Broderick) as they do whatever the hell Howard Hughes wants to do during the declining years of his life. In the background, there’s a romance brewing between Marla and Frank, though Howard forbids any “hanky-panky” between his employees, and things start to go further and further south as Howard’s mental state gets worse and worse. Will Frank ever get Howard’s attention long enough to bring his plans to life, or is Howard just stringing him along? Will Marla and Frank get together despite the rules that are keeping them apart? Just… what the hell was this movie about? Can someone explain that to me please?
“Now just sit back, relax, and I’ll go fly this sucker right to the alien mother ship.” “The hell did he just say?”
The Girl on the Train and all the images you see in this review are owned by Universal Pictures
Directed by Tate Taylor
The only thing I knew about this movie before walking in was that the trailer had probably the most baffling musical choice imaginable. Seriously, who the hell puts Kanye West in the trailer for a movie that we’re supposed to take SERIOUSLY!? If you can somehow tune out the poor choice of music (how is the WOMAN heartless when she’s the one who gets MURDERED!?) there is something intriguing about the premise and it’s the perfect time to release these kind of dark murder mysteries now that Oscar Season is upon is. Is this an early contender for best of the year status, or is this a wannabe Gone Girl knockoff that’s simply jumping on the bandwagon? Let’s find out!!
The movie begins with Rachel (Emily Blunt) as the titular girl on the train as she passes by the same sight she sees every time she rides it. Every day, the train stops right in front of these two houses; one has her ex-husband Tom (Justin Theroux) and his new family, and the other has this couple who from all outward appearances looks perfectly happy. This routine goes on for some time until one day she notices a new man in the house with the woman Megan (Haley Bennett) which shatters Rachel’s already fragile mental state (for various reasons, she’s crawled inside a bottle for the last few years) and she gets even MORE drunk than usual that night and gets off at the stop that’s close to their house. Jump to the next morning and Rachel wakes up in her room; covered in mud, blood, and booze with no explanation of what happened the night before. Eventually, it turns out that Megan has disappeared (which means she’s dead but they haven’t found the body yet) and no one knows what happened. Rachel seems to have an idea, but the memories of that night are so fried that she can’t piece them together and feels compelled to save this woman who she’s been watching all this time… and if she can also throw some shade at her ex-husband’s new wife Anna (Rebecca Ferguson) in the process, well then that’s just brownie points. Can Rachel find out what happened to Megan and find some sense of self-worth, even in her completely debilitated state? Who was this woman that’s gone missing, and can her past lead us to the reason she was murdered? Can we all just agree to give Emily Blunt the Oscar now!? It’s basically Leaving Las Vegas 2!!
“Maybe I shouldn’t breathe so much, Terri! Ha HAAAA!!” “The fuck does that even mean!?”
The Magnificent Seven and all the images you see in this review are owned by Metro-Goldwyn-Mayer and Columbia Pictures
Directed by Antoine Fuqua
The original Magnificent Seven is a movie that’s on my depressingly large list of movies that I really should see at some point and unfortunately I didn’t get around to it before this remake came out. That said, the premise isn’t all that hard to grasp and it’s definitely trying to reach a new young audience if the advertisements are anything to go on. That and the addition of Chris Pratt doesn’t hurt either as the guy couldn’t be hotter with the younger demographics after star turning roles in Guardians of the Galaxy as well as Jurassic World. Does this reinterpretation of one of the most classic stories of all time turn out to be a modern day classic, or is it doomed to live in the shadow of its predecessor? Let’s find out!!
The movie begins with the town of Rock Ridge… I mean Rose Creek, being under siege from the EVIL rich guy Bartholomew Bogue (Peter Sarsgaard) who wants to drive everyone out of there so he can mine the shit out of the place for gold and other valuable resources. After burning down the local church and killing a few of the locals, they realize they can’t handle this on their own and they need some help. After all, they worked too damn hard killing off all the Native Americans to build this town on their land for some rich asshole to take it all away from them! Emma Cullen (Haley Bennett) who is the widow of one of the dead guys goes to a nearby town with her friend Teddy (Luke Grimes) to find some tough guys to chase Bart’s friends out of town! For their efforts, they find the bounty hunter Sam Chisolm (Denzel Washington) who then helps them gather the rest of the crew which includes the Chris Pratt archetype Josh Faraday (Chris Pratt), an old-timey sniper Goodnight Robicheux (Ethan Hawke), his best buddy with the kick ass name Billy Rocks (Byung-hun Lee), a wild mountain man Jack Horne (Vincent D’Onofrio), some random outlaw Vasquez (Manuel Garcia-Ruflo), and a Comache hunter Red Harvest (Martin Sensmeier). Now all of them have their own reason for taking on such an impossible task (some less plausible than others as I still have no idea what Red Harvest is after), but it’s not going to be an easy fight as they’ve got an army to go up against and they have maybe a few dozen farmers to train up and give them support once the shit hits the fan. Can this town be saved from the onslaught of Bart’s men? Why exactly did Sam accept this job in the first place, and could he have ulterior motives? Who thinks they’re gonna accurately predict which ones will die? Think you can do better than me!?
Hardcore Henry and all the images you see in this review are owned by STX Entertainment
Directed by Ilya Naishuller
Well it’s about time we got some badass action this year! Batman v Superman and Gods of Egypt turned out to be duds (admittedly I was a bit more optimistic of the former), and London Has Fallen turned out to be… well London Has Fallen. Can this unorthodox arthouse piece prove to the be shot in the arm we need in a landscape that only seems to care about action when super heroes do it, or will this experiment prove to be a resounding failure that glommed itself onto a half-baked gimmick? Let’s find out!!
The movie is all about Henry who is some dude that wakes up in a laboratory with amnesia, robotic limbs, and a hot wife named Estelle (Haley Bennett). For the most part I would call that a win-win, but of course nothing can go right for too long in a science lab, so the place gets attacked by… some guy. I’m pretty sure the dude’s name is Akan (Danila Kozolvsky) who has telekinetic powers… for some reason, and wants Henry… for some reason. No, I don’t know why he’s the ONLY ONE in this entire movie that has magic powers. In fact, there’s a lot about this movie I don’t know after seeing it, but I guess that’s not as important as the whole KILL EVERYTHING WITH YOUR BAD ASS ROBOT PARTS seems to take precedence over everything else. And that’s exactly what Henry proceeds to do for an hour and a half. His wife is kidnapped by the Akan the Black Mage, and he has to kill everyone in his path to get her back. Aiding him on his journey is the loveable Jimmy (Sharlto Copley) who’s pulling off an interesting trick here and has his own reasons for wanting to keep Henry alive and fighting. Will Henry get his wife back before it’s too late? Can this new cybernetic body handle all the stress and bullets that Henry is going to put it through? WHAT THE HELL DID HE JUST DO TO THAT GUY’S FACE!?
“You ready to see some shit? I don’t think you’re ready, but fortune favors the bold, right? No… Not really, but good luck to ya!”