On the Basis of Sex and all the images you see in this review are owned by Focus Features
Directed by Mimi Leder
Wait, didn’t we get this movie last year? Oh right! That was a documentary! Well I guess since we got that we need a fictionalized version of the story to make a double feature out of, but at the very least this IS an individual whose story is worth getting the BIG HOLLYWOOD treatment and it’s not like we couldn’t use a GOOD biopic to balance the scales after last year’s big mistake. Look, it was a pretty rough start to the year and the movies haven’t been doing much for me, so maybe the inspirational story of one of America’s most celebrated judicial figures could help me get out of this poor mood! Or it could be another disappointment in a year that seems all too willing to hand those out left and right; especially since this was originally screened in 2018 but got pushed back into the 2109 dead zone for the rest of us. In any case, let’s find out!!
Ruth Bader Ginsburg (Felicity Jones) has had to deal with quite a lot in her life! She managed to go to Harvard at a time when few women were able to, and got her law degree there as well as at Columbia; all the while taking care of her daughter as well as her husband Martin Ginsburg (Armie Hammer) who had some serious health issues while they were in school. It was all worth it though because now they both have their law degrees and they can live out their dreams of being lawyers! At least that’s the plan as Ruth, who managed to navigate the harsh male dominated world of academia, still hasn’t managed to land a job in the harsh male dominated world of law firms. Oh well. At least she got a teaching job which she excelled at for quite a few years, but one day Martin comes across a case that may just be the one the two of them have been looking for. You see, they became lawyers because they wanted to do good in this world and fight for equality, and one of the things that has always a bugbear of theirs is how Men and Women are defined differently under the law and are therefore treated differently like in regards to workers’ rights and inherence. The case that Martin found though is an instance where the laws negatively affect a man because Charles Moritz (Chris Mulkey) cannot claim a tax credit despite meeting all the qualifications for it… except for the fact that he is a male bachelor. I know, it sounds UTTERLY RIVETING to hear people talk about tax laws, but this is the kind of thing that can really take a pickaxe to the existing status quo and a ruling in Charles’s favor could be the rallying point for other similar laws to be overturned! With the case of a lifetime in their laps, the Ginsburgs begin to work the case with the help of the ACLU run by Mel Wulf (Justin Theroux) as well as a personal hero of Ruth’s Dorothy Kenyon (Kathy Bates) who’s resistant at first due to a lifetime of learned cynicism, but might just be willing to give them the push they need to be taken seriously. Can Ruth and Martin successfully overturn this law and get Charles that sought after tax credit? What kind of resistance will they face from the government that has a vested interest in keeping things the way they are? FOOLISH MORTALS! NO ONE CAN STOP THE RBG!!
Ruth Bader Ginsburg, or Really Badass Gal? YOU DECIDE!!
Rogue One: A Star Wars Story and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Gareth Edwards
In what will surely be a yearly tradition until the day we all die, Disney has given us our holiday present in the form of another Star Wars movie. We’re only at two so far which means they PROBABLY aren’t gonna start half-assing these just yet, and in fact this one seems to be willing to take a few more risks than what we would normally expect from franchise features like this. Okay, the fact that it’s a one-time spin off means that they’re only so much damage this can do if it blows up in their faces, but the tone of the trailers and the nature of the story they’re telling at least inspires some hope that the franchise has gotten so big that they’re willing to let it take some chances. Does this experiment in growing the series turn out to be a total success, or will this somehow be the worst prequel yet? Okay, I kind of doubt that’s even possible, but you never know!
The movie begins a long time ago in a galaxy far far away where little Jyn Erso (Beau Gadsdon) has her life completely uprooted when her family is found by Orson Krennic (Ben Mendelsohn) who is a high ranking member of the galactic empire. Why did this guy hunt halfway around the galaxy for them? Well it turns out that Jyn’s father Galen (Mads Mikkelsen) is an Empire scientist who defected and they need him back to finish some super weapon they’re working on. The good news is that Jyn manages to escape the Empire with the help of a family friend Saw Gerrera (Forest Whitaker). The bad news is that her mother (Valene Kane) got killed in the process and dear old dad got kidnapped. Flash forward to sometime later where we meet grown up Jyn (Felicity Jones) who’s been rebellious youth-ing all around the galaxy and winds up at Rebel headquarters where they have a proposition for her. Go with the rebel agent Cassian Andor (Diego Luna) to find her father and stop him from finishing the Death Star as he seems to be looking for a way out once again. Okay, it’s not QUITE that simple, but that’s the basic idea of what they’re trying to do! Anyway, they’ll point her in the right direction in the hopes that her skills and connections will kill two birds with one stone; she gets her dad back and they get to stop the Space Nuke from being completed. Of course, nothing is as easy as it seems and there’s plenty of treachery to go around as the mission becomes only more difficult once the Empire get wind of what they might be up to. Can Jyn save her farther before the Empire find out if he’s been undercutting their progress on the super weapon this entire time? Does Cassian have a hidden agenda that he’s not telling Jyn about? On a scale of one to Vader, how screwed are they?
Inferno and all the images you see in this review are owned by Columbia Pictures
Directed by Ron Howard
Oh hey! I guess this is the reason Tom Hanks has been around so much recently! His recent Saturday Night Live appearance was absolutely fantastic and honestly just what we needed during this very stressful time of the year. Now I thought The Da Vinci Code was a decent enough film, and while I haven’t seen the sequel Angels and Demons, it’s mostly due to laziness rather than a real lack of desire to see the further adventures of Robert Langdon; especially considering that Ron Howard is still helming these things. Can they manage to make decent thriller out of yet another Dan Brown novel, or has this series already grown stale? Let’s find out!!
The movie begins with good ol’ Robert Langdon (Tom Hanks) waking up in a hospital in Florence with a bleeding skull and no memory of how he ended up there or what the hell he’s doing in Italy in the first place. He doesn’t have much time to figure out what happened though as within minutes of him waking up, he’s attacked by a rouge police officer and only manages to escape with the help of the on duty nurse Sienna Brooks (Felicity Jones). It doesn’t take long after looking through his personal affects that he’s trying to solve some mystery left by Bertrand Zobrist (Ben Foster) who’s some asshole tech billionaire (oxymoron, I know) who’s SO concerned about overpopulation that he creates this super virus that will kill half the Earth’s population and will be release on the world in twenty four hours and FOR SOME REASON left a series of clues to find the damn thing so that Langdon can Sienna can stop him. Of course, the reason why they have to follow the clues instead of getting Jack Bauer to beat the location out of him is because dumbass jumped off a tower and went splat after being chased by World Health Organization agent Christopher Bouchard (Omar Sy) who was trying to stop him. Of course, the World Health Organization is ALSO after Langdon for some reason that probably has to do with that block of time that he cannot remember. So not only does he have to run from renegade cops, but also from the WHO that I guess will only slow him down on his quest to find where the virus is and how it will be released upon mankind. Can Robert solve this mystery despite recently suffering a head injury, and are the answers locked up in his slowly recovering mind? Will the World Health Organization get its shit together long enough to be of some ACTUAL use in this situation rather than getting in Langdon’s way? What is it with rich assholes thinking they can kill their way to a better world!?
“Look! Zobrist added words to this picture! It must mean something!” … “No wait. It’s just some terrible poetry about the darkness of mankind and shit.”