The Last Days of American Crime and all the images you see in this review are owned by Netflix
Directed by Olivier Megaton
With the world descending into righteous fury at the systems that have failed them for generations, there hasn’t been a whole lot of film news out there that has kept me on a regular routine which will certainly be a lurch if things DO ever get back to normal and they finally start releasing those movies we were supposed to get months ago. The only thing I’ve seen AT ALL about film in the last week or so (besides the Bill and Ted trailer which dropped the day I’m writing this) is some movie on Netflix getting the coveted ZERO PERCENT ON ROTTEN TOMATOES award, so here we are I guess; I’m gonna waste my time watching a movie that everyone already knows is terrible and it’s somehow going to be the most productive thing I’ve done since I, a grown-ass man, vomited up two thousand words telling you why the Scooby-Doo movie wasn’t very good. Can this movie with a very unwieldy title at least be better than THAT movie; especially since this has the edge of NOT charging you an arm and a leg to see it? Let’s find out!!
The movie follows a man named Graham Bricke (Édgar Ramírez) who certainly acts like such as he joylessly and emotionlessly goes from one horrific violent crime to another in what I can only assume is a near-future Michigan that’s about three months and a few missed orders from Deer Park from turning into a Mad Max hellscape. Things are about to be changed for the better, at least as far as the government is concerned, as they’ve developed a SUPER SCIENCE MIND CONTROL SIGNAL that will prevent anyone from knowingly committing a crime which I’m quite certain is what those 5G conspiracy theorists believe is actually going to happen. In any case, the people in this movie haven’t figured out how tin foil hats work and so they’ve resigned themselves to losing their free will; at least in the United States. Canada hasn’t developed a MIND CONTROL RAY and so the border has become fully militarized as people get shot to pieces trying to cross; all of which sounds like the filmmakers are trying to make a point but darned if I can find out what the heck this movie is trying to say! Bottom line is, Bricke gets recruited by some dude named Kevin Cash (Michael Pitt) for one last heist to steal a whole bunch of money from a government vault in the city before booking it for the Canadian border mere minutes before the government turns on their MIND CONTROL RAY and who have helpfully provided everyone with a countdown clock to the second as to when that will happen. Joining the crew is Cash’s girlfriend Shelby Dupree (Anna Brewster) who may or may not be the brains of this operation, and throw into that a conspiracy involving the death of Bricke’s brother to make a perfect storm of bad planning and bad timing for this heist that has to go off without a hitch! Can Bricke outrun his own past and set himself up for a nifty little retirement in the land of hockey and poutine? Does Cash have an ulterior motive to all of this that could get in the way of Bricke’s meticulous professionalism and throw this whole operation into chaos? If you were going to follow anyone into a ridiculously convoluted heist, would it REALLY be a guy who looks like an off-brand Jason Mewes?
Gold and all the images you see in this review are owned by TWC-Dimension
Directed by Stephen Gaghan
It’s getting a bit late in the year, but I guess we’ve still got a few more Oscar holdovers that need to recoup a few bucks from the general public; especially for ones like this that clearly didn’t get the recognition it was hoping for. Still, the big award shows don’t always know what the hell they’re doing (*cough* The King’s Speech *cough*), and it’s not like any of MY favorite films of 2016 got nominated for an Oscar, so maybe this one will turn out be to be a gem that no one else was able to recognize! Can Matthew McConaughey pull off yet another great performance in a movie about yet another eccentric oddball, or will this be forgotten like most of his pre-McConaissance work once he realized he was ACTUALLY good at acting? Let’s find out!!
The movie follows the misadventures of Kenny Wells (Matthew McConaughey) who’s a down on his luck prospector; barely managing to make ends meet after inheriting a successful mining company from his father. With his girlfriend by his side (Bryce Dallas Howard), he manages to keep from succumbing to total self-destruction, but his drinking isn’t helping the situation all that much and he needs ONE big score in order to get his company out of the red and his life out of the dumps. His big harebrained scheme is to get a SIMILARLY down on his luck geologist named Michael Acosta (Édgar Ramírez) to help him find a gold mine in the heart of Indonesia. It’s rough going at first, so much so that Kenny becomes deathly ill during the expedition, but he manages to pull through and they ACTUALLY find a gold mine! From there, Kenny has to deal with the avalanche of wealth that has landed right at his doorstop, the people who will try to take advantage of him, and of course those who want to put him out of business altogether. Can this schlubby guy with a TERRIBLE haircut manage to hack it in a world of millionaires and true professionals? How can this one dude fend off the biggest mining companies in the world and even the Indonesian government who are looking for ANY opportunity to snatch his gold mine out from under him? Seriously, what’s with that hair!? Either get the hair plugs or shave the damn thing off!
“Would you fuck me? Well I probably would, but I’d need a few more of these first.”
The Girl on the Train and all the images you see in this review are owned by Universal Pictures
Directed by Tate Taylor
The only thing I knew about this movie before walking in was that the trailer had probably the most baffling musical choice imaginable. Seriously, who the hell puts Kanye West in the trailer for a movie that we’re supposed to take SERIOUSLY!? If you can somehow tune out the poor choice of music (how is the WOMAN heartless when she’s the one who gets MURDERED!?) there is something intriguing about the premise and it’s the perfect time to release these kind of dark murder mysteries now that Oscar Season is upon is. Is this an early contender for best of the year status, or is this a wannabe Gone Girl knockoff that’s simply jumping on the bandwagon? Let’s find out!!
The movie begins with Rachel (Emily Blunt) as the titular girl on the train as she passes by the same sight she sees every time she rides it. Every day, the train stops right in front of these two houses; one has her ex-husband Tom (Justin Theroux) and his new family, and the other has this couple who from all outward appearances looks perfectly happy. This routine goes on for some time until one day she notices a new man in the house with the woman Megan (Haley Bennett) which shatters Rachel’s already fragile mental state (for various reasons, she’s crawled inside a bottle for the last few years) and she gets even MORE drunk than usual that night and gets off at the stop that’s close to their house. Jump to the next morning and Rachel wakes up in her room; covered in mud, blood, and booze with no explanation of what happened the night before. Eventually, it turns out that Megan has disappeared (which means she’s dead but they haven’t found the body yet) and no one knows what happened. Rachel seems to have an idea, but the memories of that night are so fried that she can’t piece them together and feels compelled to save this woman who she’s been watching all this time… and if she can also throw some shade at her ex-husband’s new wife Anna (Rebecca Ferguson) in the process, well then that’s just brownie points. Can Rachel find out what happened to Megan and find some sense of self-worth, even in her completely debilitated state? Who was this woman that’s gone missing, and can her past lead us to the reason she was murdered? Can we all just agree to give Emily Blunt the Oscar now!? It’s basically Leaving Las Vegas 2!!
“Maybe I shouldn’t breathe so much, Terri! Ha HAAAA!!” “The fuck does that even mean!?”
Point Break and all the images you see in this review are owned by Warner Bros Pictures
Directed by Ericson Core
When Star Wars and Creed are bringing back beloved franchises in spectacular fashion, it takes a lot of nerve to try and sneak this movie right in the middle of it. The original Point Break is one of those movies I’ve been meaning to see for a really long time, but never got around to for one reason or another. Still, from what very little I know about it and from how the trailer for this remake looked, it definitely seemed like a shaky proposition to try and bring it back like this. Still, I’ve been surprised by plenty of movies this year and I certainly don’t have the last movie to compare this to. Could this be a solid remake of a minor action classic, or will this be yet another movie to throw in the pile of unnecessary remakes along with the likes of Total Recall whose writer coincidentally wrote this movie as well? Let’s find out!!
The movie follows an FBI agent who as far as I can tell is ONLY referred to by his nickname Utah (Luke Bracey) that is brought in on a case that involves EXTREME thieves that are pulling some Robin Hood shtick with rich corporations. The first of their crimes that the FBI is made aware of is the group driving motocross bikes through the twentieth story of a diamond sorting building and stealing all of them before crashing through the windows and parachuting to safety. How they got the bikes all the way up there and how they weren’t caught once they landed is left a mystery, but let’s just say they escaped by sheer manly bro-force. The reason why the FBI (or at least this one boss of his played by Delroy Lindo) wants Utah on the case is because the guy was an extreme sports practitioner before joining with the FBI. That is… before the accident.
“Remember when I was in the Point Break remake? That was a dark time in my life…”