Battle of the Sexes and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Jonathan Dayton and Valerie Faris
Well THIS is certainly a pleasant surprise! I may not know all the details, but I’m certainly aware of the tennis match between Billie Jean King and Robbie Riggs which has always stuck with me despite only knowing about it by watching the back half of a TV documentary around fifteen years ago. I’ve always liked tennis as a sport and the build up to the phenomenal match was ridiculous and felt like a flash in the pan moment in history which did end up having a big impact on everything simply for how much confident men were that she was gonna lose and then had that whole perception shattered on live television around the world. Is there any way that a film can do justice to this once in a lifetime event and remind us all of how important this was in the first place? Let’s find out!!
The movie is about the infamous match between world renowned tennis player Billie Jean King (Emma Stone) and world renowned FORMER tennis player Bobby Riggs (Steve Carell) which was played up in the media as THE BATTLE OF THE SEXES and the match that would once and for all prove that women have no business competing in MAN PLACES like tennis; something that wasn’t helped by Riggs’s absurdly derogatory and over the top chauvinistic stunts. Of course, there was a lot more to the story than the over the top theatrics leading up to it which includes the establishment of the Women’s Tennis Association, Billie Jean’s romantic relationship with another woman Marilyn Barnett (Andrea Riseborough), and even Bobby Riggs’s financial woes that may have been the driving force for setting up this match in the first place. So much was on the line for Billie Jean to succeed, yet with so much working against her, it was quickly becoming a task that seemed impossible to overcome. Would she be able to find the strength to overcome the odds and prove herself once and for all? How will she be able to maintain a relationship with another woman in a time when that was much more frowned upon and life destroying than it is today? How can one person navigate all this nonsense being constantly thrown at them and STILL manage to keep from knocking all these jerkwads upside the head!?
“I must break you…” “Are you sure you won’t break a nail?” “… I’m gonna enjoy this.”
After the cinematic horror show that was the ill-conceived Pixels, Adam Sandler was banished to the world of streaming and will not be allowed back into theaters until his penance of four movies is paid! Okay, the four movie deal with Netflix was already underway before Pixels (or even Hotel Transylvania 2) was released, but considering how absolutely dreadful his career has been with the movies under the Happy Madison umbrella, it really does feel like he needs to be taken out of the spotlight for a while just to see if the change in scenery will bring some life back to him and his chosen profession. Is The Ridiculous 6 the movie that will finally bring him back to top form, or is this yet another pointless exercise from a man who gave up on being funny a long time ago? Let’s find out!!
The movie begins with, what else, RACISM!! Seriously!? I can’t even get thirty seconds into an Adam Sandler joint before I’m itching to turn the damn thing off!?
Hotel Transylvania 2 and all the images you see in this review are owned by Columbia Pictures
Directed by Genndy Tartakovsky
Does anyone else remember just how amazing it was that the first movie was in fact as good as it was? The movie had been in production since 2006 and had five directors attached to it before finally settling on Genndy Tartakovsky who by all means is an accomplished animator but had never directed a feature film. Not only that, but Adam Sandler was (and continues to be) a joke for a lot of people and his movie in the last decade or so have been absolutely abysmal. Despite all that, Hotel Transylvania was not only good but one of the best animated films in a long time. Now it’s time for Sony to start franchising this sucker with a sequel, but they seem to be doing it the right way by not only getting back the original director but the same writers as well. Will this somehow manage to be one of the few animated sequels to be just as good if not better than the original, or will they throw out everything that was great about the first film just to milk a couple more dollars out of this series? Let’s find out!!
After the events of the first movie, Mavis and Jonathan (Selena Gomez and Andy Samberg) start dating and eventually get married in the titular hotel. Their whirlwind love affair eventually leads to her getting pregnant and giving birth to their son Dennis whom Dracula (Adam Sandler) starts to obsess over because now he has a new outlet for the overprotective behavior he struggled to overcome in the last film. Unfortunately, like in the first movie, there comes a point where his paternal usefulness may be coming to an end with Mavis thinking that it may be too dangerous for them to stay at the hotel since young Dennis has yet to show any signs of being anything other than human, and in the Lore of this universe if he doesn’t show any signs by his fifth birthday (which is rapidly approaching), he’ll be a human forever. Dracula, being the crafty bastard that is, enlists Jonathan’s help (who wants to stay at the hotel) to keep Mavis distracted while he and his friends try to force the vampirism into his grandson by taking him on the night of professional scaring. I wouldn’t think that biology could be affected by cultural immersion but whatever. So Jonathan and Mavis are off to visit his family in California for some marital R&R (and to see if the place would be a good fit for their family), while the old school monsters are trying their best to not only get this kid to grow his fangs but to recapture a bit of their youthful exuberance as they revisit their familiar haunts from when they were the scourge of humanity which may be a bit more difficult than they were expecting now the humans have learned about monsters and are (tentatively) accepting them.