Tag Archives: Cheech Marin

Cinema Dispatch: Coco

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Coco and all the images you see in this review are owned by Pixar Animation Studios and Walt Disney Studios Motion Pictures

Directed by Lee Unkrich and Adrian Molina

I’m far from the only one to have Pixar fatigue, but it has been WAY too long since I’ve gotten excited for another animated film from them.  Even the prospect of Incredibles 2 only fills me with a mix of ennui and meh, so what hope does this film have to bring me back around on the studio?  Well it’s not a sequel for one which is a good sign and its premise, while not what I would call unique (*cough* Book of Life *cough* Grim Fandango *cough*), at least appears to be fleshed out (nyuk-nyuk-nyuk) as all the trailers show an immense level of detail and craftsmanship in every frame as well as an amazingly diverse cast that looks to bring an underrepresented culture to the big screen.  Hey, after the mostly positive reception and commercial success of Moana, it makes sense for Disney to stick with the formula; though hopefully we haven’t reached the point of diminishing returns just yet.  Will this be the standout animated film of the year like we’re in the golden age of Pixar, or has ship already sailed for one of the biggest giants of the industry?  Let’s find out!!

The movie begins by telling us the history of the Rivera family where Imelda Rivera (Alanna Ubach) was stuck raising little Coco as her husband walked out on them to live out their dream as a world famous musician.  She didn’t let that get her down that she pulled herself up by her bootstraps and spent the rest of her life making shoes and teaching her family to make shoes; all the way to the present day where SHE may be dead and gone, but Coco is still around (Ana Ofelia Murguía) as the oldest living relative of the Rivera family and the great grandmother of Miguel (Anthony Gonzalez).  Now despite Imelda more or less banning music in the Rivera household which is a tradition that has carried to this day, little Miguel can’t help but want to be a musician like his hero Ernesto de la Cruz who was a famous musician long ago and is still fondly remembered in Mexico to this day.  In fact… maybe there’s a connection between the guy who walked out on Imelda to become a famous musician, and this famous musician that Miguel is obsessed with right now!?  Maybe he’s the long lost great great grandfather and the only one in his family that would understand his love of music!?  Well Miguel is certainly convinced of this after finding some photographic evidence and decides to… rob Ernesto de la Cruz’s grave so he can use his guitar to win a talent competition?  Okay… seems a bit extreme, but whatever!  THE KID’S GOTTA PLAY!!  Too bad that robbing a grave gets you a one way ticket to the afterlife as Miguel finds himself more or less a ghost to those in the living world and eventually finds himself in the city of the dead where all the people who died are now skeletons; including Imelda Rivera and the rest of his extended family!  Will Miguel find a way to get back home before his brief vacation among the dead turns into a permanent residency?  What will he be able to learn about himself and his family during his treat; including the elusive Ernesto de la Cruz who may be able to help Miguel live out his dreams as a musician?  How the heck is a human supposed to survive in a city of the dead anyway!?  It’s not like any of the residents have lungs, so do they even have oxygen there!?

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“Does he count as contraband, or should we sign him in as a pet?”

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Living on Netflix: Hoodwinked Too! Hood vs. Evil

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Everyone likes Hoodwinked, right?  It was clever, unexpected, and looked pretty good considering how astoundingly low its budget was.  It was a real sleeper hit that ended up grossing over one hundred million dollars at the box office (factoring in international as well as domestic).  So naturally, a sequel was planned… that came out five years later.  Not only that, but it was a terrible piece of garbage according to critics.  Well hell, I’m sure you guys like to see me in pain, so why don’t we give this one a shot?

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