Sicario: Day of the Soldado and all the images you see in this review are owned by Columbia Pictures
Directed by Stefano Sollima
You know what I thought when I got out of the first movie? This is PRIME material for a franchise! Yeah, the first Sicario was a dark journey through the worst aspects of the War on Drugs which felt REALLY complete as a story, but after it made a boat load at the box office the studio couldn’t help itself from squeezing as much money out of this cash cow as they could which HOPEFULLY means we’ll get a crossover with The Fast and the Furious franchise, but until then we’ll have to get stuck with more straightforward entries of vastly diminishing returns. Okay, that’s a little unfair. After all, it’s not like you COULDN’T make another movie with this cast, and the premise seems like a great starting point to bring up issues surrounding immigration and border patrol that have only become more exacerbated since the last film came out! Wishful thinking I suppose, but you’ve gotta have SOME amount of hope, right!? Will this be a great and topical sequel to an already fantastic movie, or was this project doomed long before it had a chance to say something important about our current political climate? Let’s find out!!
Following the events of the first film, Matt Graver and Alejandro Gillick (Josh Brolin and Bencio del Toro) seem to have parted ways at least for the time being as the former is still running operations at the border while the latter is waiting for another chance to hit hard against the Cartel. The good news is that such an opportunity has presented itself and will lead to their most drastic and bloody mission yet! The bad news though is that said chance only happened because terrorist blew up a grocery store in Kansas City where at least one of them seems to have gotten into the country illegally from the border (ugh…) and might have even gotten a bit of help from the Cartel. With a blank check from the government to mess things up in Mexico, Matt decides to kidnap the daughter of one of the Cartel bosses down there (Isabela Moner) and then blame it on one of the other Cartel bosses; causing a civil war within the country that will decimate their stranglehold on the area. Things SORT of go off without a hitch, but once it’s time for them to return the girl under the guise of “finding her” across the border, things go sideways as Matt and Alejandro’s crew is ambushed and the girl runs off into the desert. Alejandro goes for the girl while Matt and the rest head back to base in Texas, but all is well as the ambush has made things more complicated than they should be and it’ll be that much harder for Matt and Alejandro to find a way to resolve this without stabbing each other, the US government, or anyone else, directly in the back. Can Alejandro not only find this girl but find a way to keep her safe from those who wish her harm? Just how far will Matt go for Alejandro, and will he be forced to choose between his friend and his duty? Wait, how are we supposed to be rooting for these guys now!? You SAW what they did in the last film, right!?
Incredibles 2 and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Brad Bird
So it’s time to once again return the Pixar well, isn’t it? After the underwhelming sequel to Finding Nemo which was then followed by the much more interesting and engaging Coco, you’d think that Pixar would have leaned into new properties they can exploit down the road rather than relying so heavily on sequelizing their back catalog, but this one is a little bit different than say Monsters University or yet another Toy Story movie. People have been clamoring for a new Incredibles movie since the first one came out which is particularly exasperating considering it’s been well over a decade since then, but Brad Bird finally came back to the company that made him and is finally giving us the movie we’ve all been anxiously anticipating for all that time! Was it actually worth the wait, or should Pixar left well enough alone? Let’s find out!!
The movie picks up right after the events of the first film with the Parr family fighting the sinister UNDERMINER (John Ratzenberger) and in doing so reaffirming their strong familial bond! Actually, they barely manage to stop anything and the city is pretty ticked off that they got involved in the first place; particularly since the dude was just robbing a bank and the money in there is insured anyway. Heck, they could probably just trace the bills that were in there and arrest the UNDERMINER when he actually tries to spend it, unless of course he’ll convert it into bitcoins or something ridiculous like that. Anyway, the Parr family is let out of custody, but are forced to lay low once again to avoid raising the ire of the authorities who are still enforcing a strict NO SUPER HERO policy despite seemingly unprepared for dudes with giant drill vehicles tearing up the city. Things look particularly grim right now as Agent Dicker (Jonathan Banks) is retiring and can’t keep covering their butts on this, but a ray of hope comes through as Lucious Best AKA Frozone (Samuel L Jackson) arrives to give the parents Robert and Helen (Craig T Nelson and Holly Hunter) some news of an eccentric business man ready to offer them a deal. The man’s name is Winston Deavor (Bob Odenkirk) and he wants to bring Super Heroes back into public favor, so with the help of his sister Evelyn (Catherine Keener), they plan on using one of them to solve a few low level crimes on camera so that people can actually see a Super Hero in action instead of just witnessing the aftermath of their fights. The duo feels that Helen AKA Elastagirl is gonna be the best choice which incenses Robert AKA Mr. Incredible, but he capitulates and stays home to watch the kids Dash, Violet, and Jack-Jack (Huck Milner, Sarah Vowell, and Eli Fucile) until they can get Super Heroes legalized once again! THEN he’ll be able to don the spandex once again and fight criminals instead of helping with math homework or reading bedtime stories! It’s not as easy as it sounds though for either Robert OR Helen as the former has to deal with the evolving and terrifying powers of their youngest child Jack-Jack while the latter all of a sudden finds herself an arch nemesis called The Screenslaver (Bill Wise) that’s ready to stop her crime fighting ways before she even has a chance to really make a difference. Will Robert manage to be a good dad while dealing with all these Mr. Mom shenanigans? What can Helen do to stop this latest threat, and is there more to the story that she’ll need to uncover? Wait, didn’t we already go through most of this the last time around!?
Get Out and all the images you see in this review are owned by Universal Pictures
Directed by Jordan Peele
2016 turned out to be a fantastic year for horror movies; not just for the ones that ended up on my best of the year list, but also the ones that aimed to be middle of the road seemed to step up their game and try harder than you’d normally expect from the genre. Now sure, 2017 started with The Bye Bye Man, but even 2016 had some low points with The Forest and Incarnate. Plus, we’ve also gotten the excellent, if problematic, Split not too long ago which is already one of the better films this year; horror or otherwise. Now we’ve finally gotten to the BIG one which is Jordan Peele’s directorial debut that’s been getting a lot of positive buzz from when it was first announced all the way up to now with those Fancy Schmancy “professional” critics who are raving about it after they saw the “Critics Screenings”. Well I had to drive thirty miles in the rain AND hail to see this damn thing, so it BETTER be as good as everyone is saying it is! Is this thoughtful and well-crafted horror film that everyone says it is and that we desperately need right now, or did the hype machine get out of control with this movie which admittedly can sometimes happen with horror films? Heck, I wasn’t the biggest fan of You’re Next, and that movie was instantly touted as a classic of the genre! Anyway, let’s find out!!
The movie begins with Chris Washington (Daniel Kaluuya) and his girlfriend Rose (Allison Williams) heading off to meet her family for the first time in what is sure to be a painfully awkward experience for everyone. Sure enough, Mr. and Mrs. Armitage (Bradley Whitford and Catherine Keener) are just as “down” and “hip with the youngsters” as you’d imagine from older white people, but Chris seems to know what he as getting into and is just taking everything in stride until he get back home after the weekend is over. Of course, things only get worse as Rose’s brother Jeremy (Caleb Landry Jones) enters the picture is an obnoxious dweeb as well as a bunch of the Armitage’s other white friends who are VERY excited to meet Chris. On top of that the Armitage’s have two black servants, Georgina and Walter (Betty Gabriel and Marcus Henderson), who look to have gotten the Stepford Wives treatment, though only Chris seems to be noticing this. Tensions mount higher and higher as more clues are uncovered by Chris and it’s starting to seem that he may be in more danger than he initially realized. Can he get out before he becomes the victim of whatever these white people have planned? What happened to Georgina and Walter that has them acting so strange? Did we SERIOUSLY get one of the best movies of the year from the guy who co-wrote Keanu? That wasn’t a BAD movie, but god DAMN is this a step up!!