Tag Archives: Bob Odenkirk

Super Recaps: Tom Goes to the Mayor (WW Laserz)

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Tom Goes to the Mayor and all the images you see in this recap are owned Warner Bros and Adult Swim

Created by Tim Heidecker and Eric Wareheim

Welcome back to another episode of Tim & Eric’s Parks and Rec where we take a look at the show that gave the duo their start!  We begin the episode with good ol’ Tom Peters waiting to see The Mayor while he’s in a meeting with City Council over a web cam (The Mayor Cam if you will) to explain his plan for an education grant that the city received some time ago.  Sadly, all The Mayor could come up with is putting a monkey inside of an éclair (okay…) which City Council isn’t sold on, and they’re running out of time to use the money or else it will be returned to the federal government.  If only someone would walk through the door and give them a brilliant idea…

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“Heeeere’s Tommy!!”

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Super Recaps: Tom Goes to the Mayor (Bear Traps)

TGTTM

Tom Goes to the Mayor and all the images you see in this recap are owned Warner Bros and Adult Swim

Created by Tim Heidecker and Eric Wareheim

We’re back with another recap of Tom Goes to the Mayor!  Okay, TECHINCALLY this is the first one as the one we did before was for the online shorts they did prior to getting an ACTUAL show, but whatever!  This is the TRUE pilot for the show which begins with good ol’ Tom Peters, having just moved to Jefferton with his wife Joy and his three stepchildren, going to see The Mayor of Jefferton to run some ideas by him.  The best way to describe the pilot is that it’s rather blunt with what it’s about; essentially the blueprint from which most of the episodes of this series will be built upon.  You have some minor crisis in Jefferton (usually made up), Tom comes to the Mayor with an idea on how to fix it, the Mayor exploits Tom’s desire to be successful by twisting his ideas into something horrific, and Tom ultimately goes along with it until it all comes crashing down on his head.  We’ll be seeing this kind of story throughout this recap series, but most episodes tend to throw a bit more conflict or motivation than what we get here which leads to an episode that lacks any real subtly or ambiguity, but at the very least it does lay the groundwork for character dynamics and several of the running gags.  Speaking of which, Bob Odenkirk has a cameo in almost every episode and the one he has here helps to set up the primary conflict.  The Mayor is watching an infomercial on his computer starring Mike Foxx (Odenkirk) who has a Scared Safe program to raise awareness for all the things that could kill children including Wind Poisoning, Sand Rash, and Deadly Crickets.

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“Eye Poking, also known as Giving the Moe, is the fourteenth number one killer behind Communism and Electric Swirlies!”

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Super Recaps: Tom Goes to the Mayor (PROLOGUE)

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Tom Goes to the Mayor and all the images you see in this recap are owned Warner Bros and Adult Swim

Created by Tim Heidecker and Eric Wareheim

For every generation of comedians out there, more often than not you can trace their roots back to a specific cultural touchstone that they all seemed to grow out of.  In the seventies, we had National Lampoon which gave us Harold Ramis, John Hughes, Al Jean and Mike Reiss (two of the most influential voices on The Simpsons), John Belushi, Chevy Chase, and even Bill Murray.  Saturday Night Live has been around for decades, but in the eighties we got Eddie Murphy, Julia Louis-Dreyfus, Norm Macdonald, Jan Hooks and several others.  Hell, half of the most beloved animated shows of the nineties were created by people who started out on Ralph Bakshi’s Mighty Mouse cartoon from 1987, including John K, Bruce Timm, Jim Reardon, Rich Moore, and Andrew Stanton!  I think we’re still waiting to see how this will work in the age of YouTube (The Smosh guys and FRED are probably the biggest breakout stars and yet they haven’t really penetrated the mainstream, though the Homestar Runner dudes have done well for themselves), but in the decade awkwardly referred to as THE AUGHTS we had our own generation touchstone in the form of Adult Swim.

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Those cheeky bastards!

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Cinema Dispatch: The Post

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The Post and all the images you see in this review are owned by 20th Century Fox

Directed by Steven Spielberg

Oh good!  Now that it’s officially 2018, the rest of us can FINALLY see the best movies of 2017!  Because THAT doesn’t seem like a backwards approach to releasing critically acclaimed films; ESPECIALLY ONES BY THE MOST FAMOUS DIRECTOR OF ALL TIME!  Sigh… whatever.  My feelings about theatrical release schedules aside, there’s been a lot of buzz about this movie being yet another Awards Darling what with the big name cast, the legendary director, and the timely subject matter given the political climate we are currently and TORTUROUSLY living under.  That said, I’m not always the biggest fan of movies that seem so perfectly designed to soak up Oscars (*cough* The King’s Speech *cough*) and while I didn’t give it the most GLOWING review at the time, I do think that Spotlight is an unreasonably high bar for any film to try and reach which certainly seems to be the goal here given the topic at hand at hand the pedigree behind it.  Then again, how can you go wrong with Spielberg?  If your answer to that question is Hook by the way, you’re just flat out wrong.  HOOK IS AWESOME!!  Anyway, does Spielberg manage to eke out yet and another cinematic masterpiece to add to his collection, or is this simply relying on his name to sell it both at the box office and with critics?  Let’s find out!!

The movie follows The Washing Post during the time The Pentagon Papers (a study of the likelihood of victory in Vietnam that indicated that the government knew there was no chance of winning yet still committed forces there anyway) were being released by The New York Times and Nixon’s Justice Department was doing what they could to stop it.  Now The Washington Post wasn’t doing so well as its owner Kay Graham (Meryl Streep) is seen as an ineffective leader for reasons that CLEARLY have very little to do with her actual abilities (I WONDER WHAT ELSE IT COULD BE!?) and was in the middle of trying to find outside investment when this all started to unfold.  The editor in chief Ben Bradlee (Tom Hanks) is itching to get his hands on some of the papers that The Times had gotten and were forced to stop publishing due to a federal court injunction (COMPLETELY unprecedented in American history), but even if he WERE to find the it’d be a huge risk for everyone involved; especially Miss Graham who has the most invested in the company.  Eventually though, one of the assistant editors Ben Bagdikian (Bob Odenkirk) manages to get his hands on not just the parts The Times obtained, but more or less the WHOLE damn report straight from the source itself Daniel Ellsberg (Matthew Rhys).  With Ben having EXACTLY what he wants and a staff of likeminded reporters to back him up, it all comes down to Miss Graham to decide whether or not the risk of publishing these documents in her paper outweigh the potential good that having such documents out there will do for journalism and first amendment rights.  Even then though, if they jump the gun and the Nixon Administration wins whatever court battle would certainly lie ahead, that could lead to an even WORSE seizure of unchecked executive power.  Will Kay find a way to get the truth out there without losing everything else in the process?  What can The Justice Department and Nixon do to this newspaper and its staff if these documents are released in spite of the injunction placed on The Times?  The REAL question is, will this movie win MOST of the awards or ALL of the awards?

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“Your Oscars.  Give them to me.”     “You better do what she says.”

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Cinema Dispatch: The Disaster Artist

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The Disaster Artist and all the images you see in this review are owned by A24

Directed by James Franco

I may not be as over the moon in love with The Room as plenty of other people are, and it has admittedly lost a bit of its charm once you realize just how misogynistic the whole thing is, but it certainly has my respect as being one of the more unique examples of a GOOD BAD MOVIE due in no small part to the auteur himself, Tommy Wiseau.  Now he’s far from the only ridiculously cocky creatives out there who write, direct, and star in what they perceive to be their one true masterpiece (*cough* Old Fashioned *cough*), but with Mr Wiseau there’s a genuine sense of mystery about the guy as many details of his origin are STILL unknown to this day (HOW IS THAT EVEN POSSIBLE IN THE INTERNET AGE!?) and his… shall we say UNIQUE brand of acting certainly sets him apart from many of the other low rent struggling artists out there.  No doubt there is a VERY interesting story to tell about this one guy, his one movie, and his friendship with co-star Greg Sestero, which the wannabe auteur himself James Franco has opted to do by adapting Greg’s book The Disaster Artist into a motion picture; one that he directs, produces, and stars in of course.  Will this examination of one of Hollywood’s biggest oddities be a worthwhile exploration of the creative process and what it truly means to be an artist, or are we just desperately trying to milk a novelty that had lost its luster many years ago?  Let’s find out!!

The movie follows the journey of two men; aspiring actor Greg Sestero (Dave Franco) and… I guess aspiring actor as well Tommy Wiseau (James Franco).  The two meet in an acting class where Greg finds the eccentric weirdo with bad hair and a worse accent rather endearing for his utter fearlessness and ability to throw himself out there in ways that Greg is still struggling to do despite his hopes of becoming an actor.  Because of Greg’s admiration for Tommy and Tommy’s love of being admired, the two move in together and work their way through Hollywood; getting small gigs here and there but nothing that will truly set them apart from the thousands of other working actors cluttering the streets of LA.  After a particularly rough string of bad luck, Tommy eventually starts writing his own movie and wants none other than Greg himself to be the co-star.  The Room is what he titles his masterpiece and he funds it himself with his seemingly unlimited supply of money but things go from awkward to unsustainable as Tommy’s ego and complete inexperience with the process starts escalating tensions with the cast and crew and even with his best friend Greg who’s trying to stick by him but is finding it hard and harder to deal with Tommy’s unpredictable behavior.  Can Tommy find it within himself to get past his issues and foster a good working environment for the only people in the world who are helping him achieve his dreams?  Will Greg stand by his best friend, or will he realize just how much Tommy is holding him back?  WILL THE WORLD EVER UNDERSTAND THE BRILLIANCE OF THIS ONE MAN’S VISION!?

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GENIUS!!

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