Can You Ever Forgive Me? and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Marielle Heller
Have I mentioned that I really like Melissa McCarthy? Because I REALLY like Melissa McCarthy. The Ghostbusters reboot was one of the best movies the year it came out, The Happytime Murders is one of the best films of this year, and I even liked Life of the Party which may not have gotten QUITE as much negativity as the puppet cop movie, but makes up for it in just how quickly everyone seems to have forgotten about it. Now she gets to star in a nice juicy biopic that doesn’t seem to have the over the top comedic tone of her usual output and is instead a much quieter and more character driven film. Hey, it may not be what she’s known for but I have no doubt that she has the acting chops to pull off something much more serious and it’d be even MORE hilarious if she makes a movie that critics fawn over in the same year that they’ve quite harshly rejected everything else she’s done. Does this biopic capture the importance of its subject matter along with giving Melissa McCarthy an interesting role to work with, or will this be a bigger disappointment than Bohemian Rhapsody? Okay, chances are NOTHING could be as disappointing as that, but let’s find out!!
Back in the long ago time of the early nineties, biographer Lee Israel (Melissa McCarthy) was struggling to make ends meet with whatever profits she made from her earlier books drying up completely and her bitter attitude and sardonic wit making her not very popular in office environments. This is made especially bad because she’s experiencing a rather lengthy bout of writers block and is being stonewalled by her agent (Jane Curtain), so with nothing else to fall back on a sick cat to take care of she starts to pawn off whatever memorabilia she has; including a letter she got from Katherine Hepburn. It seems that letters like this can fetch a nice price from book stores and collectors, though when she just so happens to find two more letters from someone else who is famous she learns that they need to be… spicy as it were to fetch more than a few bucks. Well hold on! She’s a writer, isn’t she? And she writes about famous people already, right? Why, it wouldn’t be THAT hard to just make up some letters in the voice of those famous individuals and use old typewriters with old paper to more or less print money! That will give her enough money to help her sick cat AND keep her drinking habit alive! So she begins her life of crime which not only keeps a roof over her head but gives her a passion for writing that she hasn’t experienced for some time; not to mention giving her a little cash to spoil herself and her friend Jack Hock (Richard E Grant) who eventually joins her to help cover her tracks. How long though can these two keep this scheme of their going before collectors and the authorities start to take a closer look? Even if they can get away with it, will it help Lee understand and maybe even resolve the issues that have been plaguing her life and her writing up to this point? Is it too early to start filling out my Award Card yet? I know we’ve got another two months and I’m NOTORIOUSLY bad at picking winners, but this time I’m feeling lucky!
The Happytime Murders and all the images you see in this review are owned by STX Entertainment
Directed by Brian Henson
Well the day has finally arrived! After a decade of production hell, Brian Henson has FINALLY completed his dream project and is ready to show it to the world! I’m excited to say the least, especially after they released the trailer and I started looking into Henson Alternative which is the offshoot of the Henson Company that’s responsible for bringing this to life, and sure some of their productions have been less than stellar, but this premise is just too great of an idea to NOT want to see get made! I rarely get this excited for a movie as I usually try not to get too hyped for stuff that I’ll end up reviewing (I’m also VERY good at living under a rock so a lot of movie do sneak up on me), but for this one I have very high hopes that we’ll get something unique if nothing else. Does this manage to exceed my expectations and is one of the best action comedies this year, or was this yet another pet project that should have never seen the light of day? Let’s find out!!
Phil Phillips (Bill Barretta) is a private eye working in Los Angeles who not only used to be a cop but was the very first puppet cop in the city. However, after… THE INCIDENT… that ousted him from the force, he’s been making ends meet digging up other people’s dirty laundry. May not be the most noble of professions, but it keeps a roof over his head, a steady paycheck for his assistant Bubbles (Maya Rudolph), and a well-stocked shelf of booze. Content with his sad life, Phil never expected that his latest client Sandra White (Dorien Davies) to be the one that changes it all forever. Well sort of. While investigating a blackmail letter that Miss White received, Phil stumbles upon a bunch of dead puppets; one of whom was a cast member of a famous puppet TV show known as The Happytime Gang. Things get even worse for Phil once his former partner Detective Connie Edwards (Melissa McCarthy) is put on the case, and Phil eventually finds his way towards investigating it himself when more Happytime Gang bodies start piling up; especially since his brother Larry (Victor Yerrid) was one of the cast members as well as Jenny (Elizabeth Banks), the woman he loved. Can Phil and Connie put aside their differences regarding… THE INCIDENT… in order to solve this case and save the lives of the remaining Happytime Gang? What could possibly be motivating such killings, and could it have something to do with Phil himself? Can we get Best Achievement in Puppets category for the Oscars? I feel like this should win SOMETHING, and if we’re making up new awards anyway!
Life of the Party and all the images you see in this review are owned by Warner Bros Pictures
Directed by Ben Falcone
This isn’t the most object thing to say as a film critic, but there really are times where the success of a movie or the people behind it makes me hate the end product just a little bit more. Adam Sandler’s entire career is based around this, and absolute dreck like Fist Fight and Daddy’s Home 2 are bad enough that their success only intensifies what I found lacking in them; especially with Daddy’s Home 2 which was so bad AND so successful that it pretty much poisoned the first film for me which I thought wasn’t THAT bad and somewhat enjoyable. I bring this up because I get the feeling that many people feel that way about Melissa MicCarthy and her movies, and yet I’ve never had anything but praise for her as a performer. Okay, I wasn’t a fan of Bridesmaids and I still haven’t seen Identity Thief or Tammy, but her track record has been pretty strong as far as I’m concerned and even her low end efforts like The Boss are still better than plenty other comedies that don’t seem to attract as much ire; not to mention the absolute shit storm that blew up over that AMAZING Ghostbusters movie! Now she’s back to “ruin” yet another one of your treasured eighties films as this movie seems to be an update on Old School starring Rodney Dangerfield, and I hope the next film she does has her working on a golf course or traveling back in time to meet her parents in high school; just to see how far she can piss off “passionate” fanboys who can’t stand to see their original films (THAT AREN’T GOING ANYWHERE!!) being updated for a new audience! Does this latest effort manage to do for college frat humor what the new Ghostbusters did for comedian driven adventure films, or is this a disappointingly low effort outing from one of the most talented comedians of our time? Let’s find out!!
The movie begins with Deanna Miles (Melissa McCarthy) dropping off her daughter Maddie (Molly Gordon) for her final year of college which SHOULD be a celebratory day… but it all goes to hell when her jerk of a husband Dan (Matt Walsh) informs her on the ride home that he’s divorcing her, he’s already seeing someone, and he’s gonna sell the house. Well that stinks! What the heck is she gonna do to support herself now that her husband is gone and she hasn’t worked in years; not to mention that she never finished college which closes her off from most job opportunities! Wait a minute… COLLEGE! THAT’S IT!! She’ll enroll in the same college as her daughter to finish up that final year and get her degree in… Archeology! Because the market is bursting at the seams for someone with THOSE qualifications I guess! Oh, that’s not important! The important thing is that Maddie’s mom is gonna be at the same place as her and will be SUPER embarrassing! Well actually, Maddie’s sisters as the Sorority (Gillian Jacobs, Adria Arjona, and Jessie Ennis) take to her rather quickly and she soon becomes the talk of campus; even getting invited to parties and hooking up with sexy stud Jack (Luke Benward)! Oh, and I guess she’s got to attend her archeology classes taught by Chris Parnell, but forget that! It’s time to put the MOM back in MOMentous College Experiences as she teaches the youngsters about being responsible adults and they in turn teach her how to cut loose! Will Deanna manage to pass her final classes to get that degree, or will the pitfalls of college life distract her from reaching her dreams? Will Maddie gain a newfound respect for her mother now that they’re spending so much time together, and what will the divorce do to her relationship with her as well as her dad? Will Melissa McCarthy retain her title as one of the most bankable stars in the country, even when she’s doing a cheap college film!?
The Boss and all the images you see in this review are owned by Universal Pictures
Directed by Ben Falcone
Melissa McCarthy has been around for quite some time, but her meteoric rise to super-stardom is nothing short of amazing, especially when you realize that Bridesmaids was only five years ago. She’s had her ups and downs to be sure with movies like Identity Thief and Tammy being total wrecks, and yet neither of those (nor anything else she does) can even put a dent in her ever growing box office power. Now on the brink of the biggest movie of her career, it’s time for her and her husband to take another crack at making a film all on their own to make up for the last one not turning out to well. Does this manage to prove once again that McCarthy is untouchable due to her skills as a leading lady, or will it prove that she’s untouchable due to career not slowing down in the slightest if this turns out to be a disaster? Let’s find out!!
The movie follows Michelle Darnell (Melissa McCarthy) who is the forty seventh richest woman in the world; a fortune she built from the ground up as she was adopted and abandoned no less than three times during her life. When the movie starts, she’s on top of the world but has lost touch with the commoners, which is especially apparent with the way she treats her assistant Claire (Kristen Bell). Not only that, she has an ex business partner (and ex-lover) named Renault (Peter Dinklage) who has been itching to get revenge on her and finally has an opportunity when he gets proof of committing a crime (insider trading) and reports her to the FCC. She goes to jail, loses all of her money, and comes crawling back to Claire. Will Michelle be able to earn back her fortune with the help of her former assistant and soon to be bestest friend? How far will Renault go to keep Michelle from finding success ever again? WHAT IS SHE HIDING UNDER THAT TURTLENECK!?