Lady Bird and all the images you see in this review are owned by A24
Directed by Greta Gerwig
So who would have guessed the surprise hit of Oscar season 2017 would be an indie coming of age story about a young woman who’s desire to be an artist and to see the world is straining against her down to Earth family that love her unconditionally but are hard on her because they only want what’s best? Admittedly it DOES tick off quite a few check boxes in the Oscar Bait checklist, but then again a lot of movies that SUCCESSFULLY pull this kind of material off really are deserving of all the accolades they get and it’s not often that something receiving THIS much praise from such a large majority of film critics doesn’t have SOMETHING to offer… unless we’re talking about The King’s Speech. Pointless and petty jabs at old movies aside, does this manage to be the critical darling that earned its title by being a superb film, or will the sterling reputation of this film be short lived as it fades into the background like many other supposedly great films that don’t hold up under scrutiny? Let’s find out!!
The movie is about Christine “Lady Bird” McPherson (Saoirse Ronan) who’s about to enter her senior year of high school and is still not sure what she wants to do afterwards which is putting her in constant conflict with her mother (Laurie Metcalf). Okay, well actually she KNOWS what she wants to do and that’s to find an arts college on the East Coast willing to take her in so she can get the heck out of Sacramento and be about as far as realistically possible from the life she’s living now, but her mom doesn’t want to hear all that and is insisting she go to a much closer college. Not helping matters is the fact that her dad (Tracy Letts) just lost their job and is having trouble finding another one which makes the chances of out of state schooling that much more infeasible. For the rest of the year, Lady Bird needs to find a way to escape from her less than engaging circumstances while also just trying to survive day to day life with her friend Julie (Beanie Feldstein) giving her moral support throughout. Will Lady Bird find a way to fulfill her dream of NOT living in Sacramento? Why is her mom in so hard on her all the time, and is all that Tough Love really helping her to be a better person? WHY CAN’T WE ALL JUST GET ALONG!?
“Will you back me up on this, Larry!?” “Nah, I think you’ve got this handled.”
Neighbors 2: Sorority Rising and all the images you see in this review are owned by Universal Pictures
Directed by Nicholas Stoller
They just couldn’t resist the urge, could they? I guess there was just too much money lying on the table to NOT make another one of these. Sequels to unexpected hits (especially comedies) are almost always underwhelming as it’s like trying to capture lightening in a bottle twice. Caddyshack 2, Ghostbusters 2, Horrible Bosses 2, you could make a neigh infinite list of them. Now the first film was a pretty solid movie that had a bit more to it than you would expect from a movie that’s essentially a prank war. Not only that, but they’re coming into this one with a decent enough idea in regards to how Sororities are viewed by the education system, even if it is a bit ridiculous that the SAME THING happens to these people twice in a row. Can this manage to be the few comedy sequels to NOT be the worst thing imaginable, or is this movie destined to be the worst thing imaginable? Let’s find out!!
The movie begins a few years after the first one ended with Teddy Sanders (Zac Efron) still wasting his life away but now doing so as Pete’s roommate (Dave Franco) and Mac and Kelly Radner (Seth Rogen and Rose Byrne) planning to sell their house so that they can move to the suburb. There’s a small roadblock though to their plan which is that they ALREADY bought the house in the suburb, but the house they just sold is in escrow which the movie thankfully explains is a thirty day waiting period where the buyers can back out of the deal if something were to change. That couldn’t POSSIBLY happen though, right? Well back on the college campus (what college is it anyway?) the new female freshmen are trying to get into Sorrorities, but three of them (Chloë Grace Moretz, Kiersey Clemons, and Beanie Feldstein) find the guidelines about not being able to party too restrictive, so they decide to start their own independent Sorority. Well SURELY they won’t end up at the EXACT same house that Teddy’s frat was at, right? Well speaking of Teddy, Pete just got engaged so Teddy has to move out which means he’s lost once again and needs to find not only a new place to stay, but some meaning in his life. Oh look! The house he used to live at! And look! The girls are touring it to see if it works for their needs! An unholy (and tenuous) alliance is born between the girls of the new Sorority (Kappa Nu) and the frat boy looking to relive his glory day, so they rent out the house to the terror of Mac and Kelly who just want to sell their place and move on with their lives. And so the war is on once again as the girls refuse to keep things quite for thirty days and the old people try to keep them from exercising their right to party! Can Mac and Kelly once again destroy the young people who are trying to fuck up their lives? Will the sisters fail in their endeavor to bring about a new kind of Sorority that’s empowering those who want to have fun but don’t want to be objectified? Things can’t get any crazier here than they did in the LAST movie… right?
“My painted on abs give me strength!!” “KILL THE FAT GUY!!”