Cinema Dispatch: The Forever Purge

The Forever Purge and all the images you see in this review are owned by Universal Pictures

Directed by Everardo Valerio Gout

The Purge sequels have been a favorite of mine since I started reviewing movies with the second and third one being fantastic examples of Carpenter-esque socially minded shlock action films, and even The First Purge managed to have much to wring another solid film out of the tired formula.  To keep it going with a fifth one though seems to be stretching it, and frankly the fact that I simply didn’t even know this movie EXISTED until about a month or two ago is not what I’d call a great sign.  Still, it’s amazing that any of these movies ended up working as well as they did and the world we are living through certainly gives Blumhouse and company more than enough material to work with for at least another film.  Is this a fun and familiar reminder of why we loved going to movies in the first place, or have the wheels finally fallen off this series just when people were most eager to go back to the theaters?  Let’s find out!!

Despite Senator Roan winning the presidency on a platform of ending The Purge, things are still the same by the start of this movie as the NFFA (New Founding Fathers of America) are back in power and the Purge is still on with nary a whisper of what happened in between.  None of this is of particular importance to Adela and Juan however (Ana de la Reguera and Tenoch Huerta) who are just trying to live their lives in Texas despite the prejudices of those who celebrate The Purge and even Juan’s employers who don’t but still don’t particularly care for him and his kind being around.  The two families ultimately end up on the same side though as this latest Purge Night doesn’t seem to go as planned as all the weirdos coming up with Busch League Jigsaw traps are still roaming the streets the next morning because this is the FOREVER PURGE and no one is gonna tell them to stop expressing themselves in the most violent and bigoted ways possible!  After Jan and one of his friends TT (Alejandro Edda) save his employers Dylan, Cassie, and Harper Tucker (Josh Lucas, Cassidy Freeman, and Leven Rambin) from one of those Forever Purgers, they find Adela and start driving for the Mexico border as they are taking in refugees from America… BUT ONLY FOR THE NEXT SIX HOURS which sounds a bit arbitrary but it certainly gives our characters a ticking clock to race against as they try to make their way to El Paso without getting murdered by a bunch of White Supremacists who feel that their time is now to rise and up and kill everyone they don’t care for as well as anyone who dares to help them along the way.  Can these people from disparate backgrounds work together and escape America before they’re stuck in there for good, or will the bitterness between Dylan and Juan prove to be the undoing for both of their families?  Just how long can this Forever Purge go, and is this all just another sinister tactic from the NFAA?  Is it just me or does everything feel a bit half-hearted here?

Nice hat, dork.
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Cinema Dispatch: Army of the Dead

Army of the Dead and all the images you see in this review are owned by Netflix

Directed by Zack Snyder

Considering everything that the guy has gone through in the last few years, I wouldn’t have been surprised if he took several years off instead of going back to making movies.  Still, it does seem to be his passion as Zack Snyder certainly makes film with an enthusiasm and gusto you don’t often see from big budget filmmakers, an d what better way to get back into the swing of things than to go back to his roots and make another zombie flick?  I’m certainly rooting for him, but is this the triumphant return that we’ve all been waiting for, or is he still a bit rusty from working on tent pole superhero movies for so long?  Let’s find out!!

Following a botched military transport, the ZOMBIE VIRUS infects the city of Las Vegas AND NOWHERE ELSE which is convenient because it means the US government can just build a giant wall around the city and leave the zombies to their own devices while also ensuring all the survivors are free from the zombie virus.  The state of things is tenuous at best however as the survivors are kept in camps near the city run by NOT-ICE-AGENTS, and since we’re living in a Capitalists hellscape even in our fantastical zombie films, people are sneaking in and out to try and scrounge up a bit of cash from the many casinos to perhaps make their lives better.  Because of this the US government has decided to nuke the city to kill off all the zombies which means it’s the PERFECT time to pull off the biggest heist of them all as a casino owner (Hiroyuki Sanada) hires a group of mercenaries, many of whom were part of the efforts to save survivors, to go into the city and take ALL the money from his vault mere days before the nuke is launched; money that would have probably would just burn to ashes anyway so it’s practically there BEGGING to be collected!  Our heroes are the ultimate Dad Guy named Scott (Dave Bautista), his friends Maria and Vanderohe (Ana de la Reguera and Omari Hardwick), a safe cracker named Ludwig (Matthias Schweighöfer), some dude who posts zombie shooting videos on YouTube as well as one of his cohorts (Raúl Castillo and Samantha Win), a pilot to get them out of there (Tig Notaro), and a Coyote who helps people get in and out of the city (Nora Arnezeder).  On top of that, Scott’s daughter (Ella Purnell) finds a way to tag along as she is searching for someone who got lost in the city during one of those casino runs, and there’s one dude hired by the casino owner (Garret Dillahunt) to keep an eye on things and perhaps has an agenda of his own.  With this rag tag group of bad asses and scumbags, can they pull off the ultimate heist without getting bit by a zombie or getting a face full of nuclear fallout?  Is this plan as straightforward as they were led to believe, and what have the zombies themselves been up to since being locked up in the city?  Do trained mercenaries just not watch movies, or do they assume that this is the ONE plan that won’t go wrong?

“If things get spicy in there, I’m just gonna call an Uber and get the heck out of there.”     “Yeah, I think the zombie blighted wasteland is outside their service area.”     “Sheesh.  So much for being a market disruptor.”
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Cinema Dispatch: Everything, Everything

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Everything, Everything and all the images you see in this review are owned by Warner Bros Pictures

Directed by Stella Meghie

I understand that not all movies are going to be for me, and one of the genres where this is most true is the bittersweet romantic drama; hence why I have yet to review a Nicholas Sparks movie on here.  For the most part, this also applies to coming of age teen films like Paper Towns, Me and Earl and the Dying Girl, and The Fault in Our Stars; none of which I’ve seen even though I’ve heard MOSTLY good things about them.  Will this manage to stand out from the pack the same way The Edge of Seventeen did for me last year, or will this be a bitter reminder of why I’ve been avoiding these for the most part?  Let’s find out!!

The movie is all about the life of Maddy Whittler (Amandla Stenberg) who has Severe Combined Immunodeficiency, also known as SCID.  Basically, her immune system is so weak that she can’t fight off ordinary germs and viruses, so she has to stay in the specially designed sterile house that she and her mother (Anika Noni Rose) have lived in since she first discovered Maddy had this disorder.  Everything seems to be going fine with her finding ways to pass the time and even having a nurse visit her fairly often (Ana de la Reguera), but all that changes when a boy moves in next door!  The strapping young lad is named Olly Bright (Nick Robinson) and they immediately hit it off despite not being able to get close to each other; otherwise he’d probably kill her with his dirty boy diseases.  That said, having opened Pandora’s Box so to speak has made it harder for Maddy to just keep on living her life the way she’s been doing up to this point, and she wants to see more!  Will Maddy risk her life just to experience the rest of the world; albeit for a very short time?  Will Olly be able to accept Maddy despite all the barriers that built between them?  Didn’t John Travolta already make this movie like a hundred years ago?

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“And before you ask, no.  I do not have a plastic ball I roll around in.”

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