Jojo Rabbit and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Taika Waititi
I don’t know if I’d classify this as Oscar Bait even though it’s set in World War II which is like half the criteria right there, but it’s certainly a film that’s been on everyone’s radars for months now; somewhat due to the controversial subject matter, but mostly because of the filmmaker behind it who’s really blown up in the last few years and for good reason. Thor: Ragnarok was one of the most exciting films in that Phase of the Marvel franchise, and everything we’ve seen of him since then has only increased his status in the public eye. Now we have his first directorial film since Ragnarok which is a satire of Fascism at a time that couldn’t be more relevant, so you can’t say that the guy doesn’t swing for the fences! Is this a brutal and necessary take down of the ideology that’s been infecting global politics for a few years now, or is the film just not equipped to tackle such a heavy subject matter no matter how much talent there is behind it? Let’s find out!!
Jojo Betzler (Roman Griffin Davis) is a young boy growing up in Nazi Germany who wants nothing more than to become a true fighter for the cause and even has Hitler as his imaginary friend that gives him pep talks and dubious advice. He hopes that the camp he’s about to attend for the Hitler Youth will be the turning point in his life as he becomes a TRUE man and uses the skills he will learn to not only fight for the Aryan race, but become Hitler’s right hand man as they exterminate the dastardly Jews off the face of the Earth! Yeah… Jojo is kind of a messed up kid all things considered, but he’s also seemingly too sensitive to REALLY become the monster that the rest of the Nazis around him have become, and he gets the nickname Jojo Rabbit when he refuses to kill a rabbit to prove his manhood. Instead he tries to throw a grenade which goes horribly wrong and leaves him with a bunch of scars on his face and a leg that doesn’t work as well as it used to. Because of this he has to spend more time at home with his mother (Scarlett Johansson) who he suspects may not be fully on board with this whole “Nazi” thing; a suspicion confirmed when he finds out that she’s been protecting a Jewish girl named Elsa (Thomasin McKenzie) who’s been living in a secret room within the walls of the house; specifically the walls in the room of Jojo’s sister who seems to have died at some point during the war. With his own family seeming to turn against the ideology he loves and the man he believes to be a hero, will Jojo come to terms with the failings of the Nazi ideology and join his mother in resisting their influences? The allied powers seem to be advancing on his village, so will he have to fight against them at some point despite his bad leg and lack of a killer instinct? If Hitler is such a good leader, then why hasn’t he fixed all this kid’s problems and made him a true blue Nazi solider? Checkmate, ten year old kid!!
“Jojo, it’s just not gonna work out.” “What are you saying?” “Look, it’s not you; it’s me! We can still be pen pals though!”
The Predator and all the images you see in this editorial are owned by 20th Century Fox
Directed by Shane Black
It’s been a few weeks since The Predator graced the multiplexes in all its confused glory, so I think now’s a pretty good time to really get into what exactly is SO fascinatingly wrong about this movie that I couldn’t fit into a proper review. The last time I did something like this was all the way back when The Mummy was supposed to be the next big thing which sadly didn’t end up being the case despite making four hundred million worldwide and so The Dark Universe is more or less dead on arrival. A shame because, despite the film’s ASTOUNDING amount of flaws, it was compelling in a way that very few terrible movies can be and I’d have loved to see a DCCU style nightmare come out of it. Predators though still has a chance to be the next (albeit smaller) version of this with its incredibly pronounced sequel bait at the end and comparatively lower stakes, so why not give it the proper WTF treatment? Unlike my last list however, this isn’t ranked in an ascending order of absurdity; rather it’s structured in a way to try and get across the ESCALATING sense of absurdity that builds as the movie goes along, so while one thing may not be as out there or ridiculous as the thing before it, it all adds up into this ludicrous mishmash of ideas that either should have been left on the cutting room floor or given the time it needed to not feel so inexplicably jammed into an already overly tight runtime. Let’s get started!!
10) Lock him up and throw away the key! – Why the heck is Quinn being railroaded!?
So the movie begins with The Predator (at least the first one of them) crash landing on Earth basically within spitting distance a squad of army dudes out on a mission. Our lead dude is Quinn McKenna (Boyd Holbrook) who finds the escape pod The Predator used as well as part of his armor; including his mask and one of his arm bands that both have VERY advanced computer systems in them. His men die at the hands of The Predator, he manages to escape, and then he mails the pieces of armor to his home in the US. Now why would he do that? Well apparently he correctly assumed that he would be arrested by THE HIGHER UPS and sent to a mental institution as a way to keep him quiet about the alien… because reasons. Now to be clear, this is not just ANY army dude; the mission he was on was to assassinate a drug lord on an ally’s soil (Mexico) and the US Military isn’t about to send someone on that kind of job who doesn’t know how to keep his mouth shut and play ball. How is this guy not an ASSET to The Stargazer Project considering his sterling military record, and for that matter why are they so intent on keeping HIM out of the loop when they IMMEDIATELY bring a civilian scientist on board (Dr. Casey Bracket played by Olivia Munn) to run tests on the darn thing!? Speaking of which…
The Predator and all the images you see in this review are owned by 20th Century Fox
Directed by Shane Black
I’m getting rather good at avoiding trailers at this point because I never saw a single one for this movie. All I knew was that it was another Predator movie with an annoyingly similar title to the rest of them (which is still better than the sequel to Halloween being called Halloween) and it was being directed by the guy who wrote Lethal Weapon, directed Kiss Kiss Bang Bang, Iron Man 3, and The Nice Guys, and even got turned into a pile of bloody organs in the first Predator movie! I don’t know about you, but that sounds like a winning formula to me! At least until the recent news came out about his deeply irresponsible casting decision in the movie which frankly cast a big cloud over the whole thing for me right before it came out. Does this manage to be an entertaining film despite the problems that Shane Black managed to bring upon himself in the lead up to the film’s release, or was that the first sign that something was amiss with the latest entry in this franchise? Let’s find out!!
For some time now it seems that Predators have been stepping up their game and coming to Earth with a bit more frequency which is not just a good way to set ourselves up for some prequels, but to raise the stakes a bit as this latest invasion by a Predator seems to be a bit more than just some dude trying to add one more human spine to his collection. He crash lands in a jungle down in Mexico where military badass Quinn McKenna (Boyd Holbrook) is on assignment to assassinate someone for something, but said crash landing makes things a bit more complicated. A bunch of… dudes (are they military? A private corporation?) who are part of PROJECT STARGAZER which is led by the mysterious Traeger (Sterling K Brown) capture the alien, capture most of its armor, and even captures McKenna, but not before McKenna… finds someone to mail part of The Predator’s armor back home. Apparenlty he wants to keep it for “evidence” which I’m SURE will come in handy when he’s carted off to a mental institution so that PROJECT STARGAZER can keep a lid on the existence of aliens. Not so much of a lid that they won’t enlist a civilian scientist Dr. Casey Bracket (Olivia Munn) to take a look at the captured creature, but enough so that the highly trained military officer who’s already involved with secret government plots like assassinations can be forcibly kept quiet before he starts blabbing to everyone. Sounds like a foolproof plan to me! Oh wait, the Predator escaped and is now looking for his armor, namely his helmet, that McKenna sent back home and is currently being played with by his son Rory (Jacob Temblay) who is on the autism spectrum and apparently has no problem understanding this alien technology. So it’s a race against time as McKenna and a group of mentally ill soldiers he meets (Trevante Rhodes, Keegan-Michael Key, Thomas Jane, Alfie Allen, and Augusto Aguilera) team up with Dr. Bracket to… I guess stop the Predator, while Traeger and PROJECT STARGAZER regroup to put an end to this threat and the people who know about it once and for all! Can McKenna save his son from the murderous alien as well as the VERY dangerous technology he’s been messing around with? What are PROJECT STARGAZERS’s true plans, and what are The Predator’s plans as well? Does anyone else get the feeling that the editor had their spine forcibly removed by a giant monster alien when they were only halfway done putting this thing together?
“I get my OWN spin-off or else this guy’s gut turns into a pin cushion!”