Tag Archives: 20th Century Fox

Cinema Dispatch: Deadpool 2

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Deadpool 2 and all the images you see in this review are owned by 20th Century Fox

Directed by David Leitch

The first Deadpool was really solid for what it was, and I know that sounds like a backhanded compliment, but it only SORT of is!  It was not so much a movie in its own right as it was a proof of concept for a character to show how something this dark, comedic, and off the wall can be done in the super hero genre.  It makes sense considering this character had pretty much been struggling to prove itself for years as a cinematically viable presence what with the awfulness that was Origins Wolverine (there was an even a stinger for him to return in later X-Men films) or even that CG rendered test footage that became the big car action scene in the real film.  I wasn’t THE MOST thrilled with the end result as a movie, but I was glad that Ryan Reynolds found a character perfectly suited for his capabilities as an actor and that a studio was finally ready to back him up on that.  Now that EVERYONE knows who Deadpool is and are ready to see him in action outside of an origin story, is there enough left to work with to make the amazing film he truly deserves, or was he just a gimmick the whole time and lightening won’t be striking twice for this one?  Let’s find out!!

After getting his revenge, resolving his character arc, and making a boat load at the box office, Deadpool AKA Wade Wilson (Ryan Reynolds) is living his Merc with a Mouth life full of blood, snappy quips, and awesome days with his lady love Vanessa (Morena Baccarin).  Sadly the good times won’t last forever and Wade is basically left to his own devices which can only spell doom and gloom for those foolish enough to get in his way… unless of course you’re made entirely out of metal.  Oh hey!  His best buddy Colossus (Stefan Kapičić) is made of metal!  Maybe he can get Wade out of his funk and FINALLY get him to join the X-Men!  Thing is, that’s KIND of a monkey’s paw wish as he DOES indeed join the team (as a trainee) but right away screws things up when a young mutant named Russell (Julian Dennsion) gets himself into trouble and Deadpool comes to his aid in a manner that doesn’t QUITE meet the X-Men code… or the law, and winds up going to Mutant Jail which is apparently a thing.  If that wasn’t bad enough, there’s ALSO a half cyborg dude named Cable (Josh Brolin) pulling a Terminator by coming back to the past to save the future and it SEEMS to involve both Wade AND death, so Deadpool certainly has his work cut out for him in order to escape prison, keep the kid from ending up a reprobate like himself, and stopping the Future Cop from whatever the hell it is he plans on doing.  Will Wade learn how to not just be an irreverent jackass, but an irreverent jackass with a HEART?  Just how far will Cable go to complete his mission, and how much collateral damage will Wade have to suffer because of it?  He may not be the best man for the job, but is he at least the FUNNIEST one!?

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“This isn’t really going as I planned.”     “Do you want to take a break?”     “No no no!  I’m good!”

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Cinema Dispatch: Trailer Talk (Bohemian Rhapsody)

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Bohemian Rhapsody is owned by 20th Century Fox and all the images you see in this trailer talk are the property of their respective owners

Directed by Bryan Singer and Dexter Fletcher

OH MAMA MIA!  Has the day finally come for this biopic to see the light of day!?  A Queen biopic has been floating around in Hollywood for a solid decade at the least, and I remember when they were ready to go on one starring Sacha Barron Cohen as Freddie Mercury which is certainly something I would have loved to see but sadly ended up falling through like all the other attempts.  Now that we have the very first teaser trailer for this biopic, does it assuage the anxieties of eager fans as to whether Queen can be done justice on the big screen!?  Let’s find out!!

Initial impressions are… okay I guess.  You really shouldn’t expect TOO much to come out of a teaser trailer and we’ll surely get a few more before the film’s release in November, but I think they at least set the right tone to build up some hype before they start showing the meat of what this biopic will be about.  The music playing over the whole teaser is a mashup of a bunch of queen lyrics over the beat to We Will Rock You which sounds a BIT awkward at points (ESPECIALLY with the chorus to Killer Queen), but it actually works surprisingly well when layered over Bohemian Rhapsody.  We really don’t get any details on the plot other than the making of Bohemian Rhapsody will be a major subplot and that there’ll be a crap load of concert scenes throughout.  The actors look fine I guess with Rami Malek (Mr Robot) as Front Man Freddie CLEARLY getting the spotlight.  If I were to complain about one thing though, I’d say that he doesn’t quite look right as young Freddie with long hair even though he looks absolutely spot on for Mustache Freddie.

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“I can eat this microphone whole, and it’ll be the most beautiful thing you could imagine!”

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Cinema Dispatch: Love, Simon

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Love Simon and all the images you see in this review are owned by 20th Century Fox

Directed by Greg Berlanti

Does anyone else think we’re at the point where we need to come up with a better way of describing movies like this one other than “Like a John Hughes movie”?  As much as those movies are a touchstone in popular culture, the phrase a bit played out at this point, and on top that movies such as this one, despite being quite faithful to the overall formula and tone that he developed, feels like something that couldn’t have (even if it SHOULD have) been made in his time.  I mean I GUESS we could go with “teenage coming of age story”, but that still doesn’t feel like it fully encapsulates the specific high school angst and post puberty struggles of self-discovery that made us develop the term in the first place.  Anyway, I’m just rambling here as I honestly had no idea of this movie’s existence until it showed up at my local theater, but I am happy that we’re getting an ACTUAL LGBTQIA+ teen comedy as that kind of movie is a lot more in my wheelhouse than the super serious LGBTQIA+ films like Moonlight or even Carol.  Does this manage to succeed in being just as good if not better than its straight peers in the genre, or is its good intentions just not enough to carry this film all the way through its run time?  Let’s find out!!

Simon Spier (Nick Robinson) is your typical teenager, in that he’s not quite sure about his place in the world and has secrets that he doesn’t feel like sharing with the rest of the world.  As the audience though, we’re privy to ALL that information and we find out right away that Simon is in fact gay but hasn’t come out yet; not to his friends Leah, Abby, and Nick (Katherine Langford, Alexandra Shipp, and Jorge Lendeborg Jr), nor to his parents (Josh Duhmael and Jennifer Garner) and little sister (Talitha Bateman).  He has his reasons for doing so and it’s not like there’s a LAW that says you have to do it as soon as you know, so his plan is to just continue pining after hot dudes while hiding any trace that he’s actually doing so!  Simple enough, right!?  Well… not necessarily.  It turns out that there’s ANOTHER closeted gay dude in school who posts an anonymous letter on the school’s blog under the pseudonym Blue and leaves an e-mail address for people to contact him at.  Simon on a whim decides to reach out to him (using a pseudonym as well) which leads to a flurry of back and forth e-mails as Simon starts to develop feelings for this unknown “Blue” person.  However, since this IS a movie about teenagers, there has to be SOME sort of disaster and in this case it’s the nerdy kid Martin (Logan Miller) who finds Simon’s letters and tries to set up an “arrangement” (*cough* Blackmail *cough*) where Simon will help him clean up his act, take better care of himself, and become a much more attractive and emotionally available person which will help him meet awesome women who think he’s awesome and they can have awesome dates together.  At least that’s what I’m sure is going through MARTIN’S head to make this sound so much more innocent, but what it breaks down to is Simon (under threat of being forcibly outed) having to arrange dates between Martin and Abby who the former has a crush on.  Yeah, not the BEST situation to be in all things considered, and worse yet he might end up losing his chances with Blue who might get scared off if Simon is forcibly outed; thinking he might be next if he keeps contacting him.  Can Simon juggle this rough situation with his everyday duties of being the typical American teenager?  Will Martin make good on his threats and just how far will Simon have to go to keep that from happening?  How is it that EVERYONE’S teenage years suck!?  You’d think at least ONE person would luck out at some point!

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“Not only is my life over, it’s also a cliché…”

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Cinema Dispatch: Red Sparrow

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Red Sparrow and all the images you see in this review are owned by 20th Century Fox

Directed by Francis Lawrence

What, were you expecting a review for Death Wish?  Yeah… no.  Eli Roth isn’t about to get another cent from me after the crap I went through with his LAST film, and seeing him remake an already tonally uneven film with the ham handedness that he makes all his other films is an experience I am VERY much willing to overlook and stuff down the memory hole along with everything else I’d like to forget; like Devilman Crybaby or that guy who’s occupying in the Oval Office right now where an ACTUAL President should be sitting.  So that left me with this Jennifer Lawrence starring spy thriller which… I don’t know.  The trailers didn’t really do enough to get me interested in the story, and I still have nightmares over the LAST time I saw Jennifer Lawrence star with uneasiness into a camera while contending with impending doom.  At the very least though, it won’t be as bad as Death Wish… right?  Let’s find out!!

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“Your mission, should you choose to accept it, is to shoot these puppies out of a canon and straight into the sun.”     “I have a choice?”     “Sure you do!  Either follow all of my orders or I’ll burn your house down!”     “I think that’s called an ultimatum.”

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Cinema Dispatch: The Post

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The Post and all the images you see in this review are owned by 20th Century Fox

Directed by Steven Spielberg

Oh good!  Now that it’s officially 2018, the rest of us can FINALLY see the best movies of 2017!  Because THAT doesn’t seem like a backwards approach to releasing critically acclaimed films; ESPECIALLY ONES BY THE MOST FAMOUS DIRECTOR OF ALL TIME!  Sigh… whatever.  My feelings about theatrical release schedules aside, there’s been a lot of buzz about this movie being yet another Awards Darling what with the big name cast, the legendary director, and the timely subject matter given the political climate we are currently and TORTUROUSLY living under.  That said, I’m not always the biggest fan of movies that seem so perfectly designed to soak up Oscars (*cough* The King’s Speech *cough*) and while I didn’t give it the most GLOWING review at the time, I do think that Spotlight is an unreasonably high bar for any film to try and reach which certainly seems to be the goal here given the topic at hand at hand the pedigree behind it.  Then again, how can you go wrong with Spielberg?  If your answer to that question is Hook by the way, you’re just flat out wrong.  HOOK IS AWESOME!!  Anyway, does Spielberg manage to eke out yet and another cinematic masterpiece to add to his collection, or is this simply relying on his name to sell it both at the box office and with critics?  Let’s find out!!

The movie follows The Washing Post during the time The Pentagon Papers (a study of the likelihood of victory in Vietnam that indicated that the government knew there was no chance of winning yet still committed forces there anyway) were being released by The New York Times and Nixon’s Justice Department was doing what they could to stop it.  Now The Washington Post wasn’t doing so well as its owner Kay Graham (Meryl Streep) is seen as an ineffective leader for reasons that CLEARLY have very little to do with her actual abilities (I WONDER WHAT ELSE IT COULD BE!?) and was in the middle of trying to find outside investment when this all started to unfold.  The editor in chief Ben Bradlee (Tom Hanks) is itching to get his hands on some of the papers that The Times had gotten and were forced to stop publishing due to a federal court injunction (COMPLETELY unprecedented in American history), but even if he WERE to find the it’d be a huge risk for everyone involved; especially Miss Graham who has the most invested in the company.  Eventually though, one of the assistant editors Ben Bagdikian (Bob Odenkirk) manages to get his hands on not just the parts The Times obtained, but more or less the WHOLE damn report straight from the source itself Daniel Ellsberg (Matthew Rhys).  With Ben having EXACTLY what he wants and a staff of likeminded reporters to back him up, it all comes down to Miss Graham to decide whether or not the risk of publishing these documents in her paper outweigh the potential good that having such documents out there will do for journalism and first amendment rights.  Even then though, if they jump the gun and the Nixon Administration wins whatever court battle would certainly lie ahead, that could lead to an even WORSE seizure of unchecked executive power.  Will Kay find a way to get the truth out there without losing everything else in the process?  What can The Justice Department and Nixon do to this newspaper and its staff if these documents are released in spite of the injunction placed on The Times?  The REAL question is, will this movie win MOST of the awards or ALL of the awards?

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“Your Oscars.  Give them to me.”     “You better do what she says.”

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Cinema Dispatch: Murder on the Orient Express

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Murder on the Orient Express and all the images you see in this review are owned by 20th Century Fox

Directed by Kenneth Branagh

I’m hardly what you’d call “well read” as most of my cultural education comes from television and movies followed by people TALKING about television and movies, so while I’m aware that there’s a book out there called Murder on the Orient Express written by someone whose work I should really get around to reading, I don’t actually know what the story is about nor who the killer is which I GUESS would make me the target audience for a slick Hollywood retelling of the story starring some of the most beloved character actors out there… and Johnny Depp.  I’m certainly excited to see this as I do love me a good mystery, and seeing a movie is ALMOST as good as reading a book… right?  Anyway, does Kenneth Branagh manage to successfully bring the Agatha Christie classic to the silver screen once again, or does the brilliance of her work get lost in the midst of his vision for the material?  Let’s find out!!

The movie begins with the famed detective Hercule Poirot (Kenneth Branagh) solving yet another world class mystery in the heart of Jerusalem and is now ready to take a much deserved vacation to recharge his mystery solving batteries!  As luck would have it, he runs into an old friend named Bouc (Tom Bateman) who gets him a ticket on the one and only Orient Express which Bouc is the director of.  Sadly for Poirot’s plans of leisure, not only does the train get stuck in an avalanche but one of the passengers (Johnny Depp) comes down with a bad case of MURDER!  With only some minor cajoling from Bouc, Poirot begins to investigate The Case of the Stabbed Dude by looking into the pasts of all the other passengers (Penélope Cruz, Willem Dafoe, Judi Dench, Josh Gad, Derek Jacobi, Leslie Odom Jr, Michelle Pfeiffer, Daisy Ridley, Olivia Colman, Lucy Boynton, Marwan Kenzari, Manuel Garcia-Rulfo, Sergei Polunin, and Miranda Raison) to see if there’s anything to connect one of them to the guy sleeping in a pool of his own blood.  Will Poirot uncover the criminal mastermind who was unfortunately enough to be sharing a train ride with the world’s greatest detective?  Just who was the man who got viciously murdered, and what could have motivated someone to commit such an act?  Wait… isn’t it a bit TOO convenient that the train JUST SO HAPPENED to get stuck after a murder is committed!?

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LOOK OUT, POIROT!  IT WAS THE TRAIN ALL ALONG!!

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Cinema Dispatch: The Mountain Between Us

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The Mountain Between Us and all the images you see in this review are owned by 20th Century Fox

Directed by Hany Abu-Assad

Eh… you know I’m not really feeling this one.  The trailer wasn’t QUITE as overplayed as the one for Flatliners (you already forgot that movie came out, didn’t you?) but I was sure getting sick of seeing it as we got closer to the release date.  Idris Elba and Kate Winslet are stuck on a mountain which I imagine COULD be an interesting premise, but nothing about the trailer really stood out to me other than the casting which isn’t a good sign for a movie like this.  Hopefully it was just a bad trailer and that the movie itself will be much better which has certainly been known to happen every once in a while, and even if the movie is bad… well it’s not like I haven’t enjoyed crappy Idris Elba films in the past!  Does this manage to rise above the low expectations it has set for itself, or was that weak trailer right on the money and we’re stuck with a lame mountain survival film?  Let’s find out!!

Super Surgeon Dr Ben Bass (Idris Elba) and Super photojournalist Alex Martin (Kate Winslet) are trying to get back home but their flights are canceled at the last minute.  Since both of them REALLY need to find a way out of the state as soon as possible, they manage to find dude (Beau Bridges) who’s unscrupulous enough to brave the incoming storm and fly them where they need to go for a nice stack of cash.  Of course things go bad while in the air and not just because of the storm as their pilot keels over and dies of a stroke mid-flight; crashing the plane in the process.  Ben seems to have come out of it alright, but Alex has an injured leg that makes it hard to move around which leaves Ben and the pilots dog as the only two who can try to find the supplies that fell out of the plane while also trying to set up a signal of some kind for whatever happens to pass by.  No such luck though as days go by without a rescue and so Alex eventually convinces Ben that they need to start hiking their way across the mountain to try and find a semblance of civilization that can Uber them back to the city.  Will the two manage to survive the harsh environment with the help of their wits, their warm jackets, and the super adorable dog?  How will this unbelievable experience change them individually as well as their burgeoning friendship?  Is this Idris Elba’s punishment for being in The Dark Tower!?

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“Just ten more miles and a Nicholas Sparks movie before my slate is clean!”

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